This is awesome, Craig! Last time I saw you sing was as Faust in 91 at Sarasota, but your level of cool just rose 10 fold in my book buddy, rock on dude!
Hey Tony! Can you get in touch with me please regarding how to set up Skype lessons? I hope you are still available and doing well. Cheers! Facebook messenger is fine, and my email is csirianni3@yahoo.com. Hope to hear from you soon.
Great job Craig. Fucking love Maiden! I played this tape so much it broke. I heard Scott rip some high rock notes like this but never an entire song. I wonder if he could pull it off.
Amazing. I’m a huge fan of tenor metal singing and operatic tenor singing and am very impressed with your prowess in both styles. If I may ask a couple questions: I am curious what you would call the salient differences between what you DO (technically only) from one to the other, and, do you think it would be possible to bounce between the two styles in the same show and get through it physically while still being able to make the appropriate sound you want for each style? Thank you for your time.
hello Aaron, so sorry i missed this ! thank you for your kind words . in my experience, the vocal cord setup seems to favor the vocal setup you have put them in for that day. in other words, if i have many opera students that morning and need to do a lot of demonstrating, that setup uses the whole cord and is obviously heavier. therefore, my vocal setup tends to stay that way for the day. If i have a metal show to do that night, i try not to do any operatic demonstrations and stick with my metal warm up, which tilts the thyroid and uses only the edges of the cords. if i am only teaching that day, i only have to do short, controlled demonstrations, so i can switch back and forth. if i had an operatic engagement that night, i would not do my metal warm up and vice versa. i must point out that this is my experience only . Yours might be different depending on your age and experience and development. please feel free to email anytime at csirianni3@yahoo.com.
Aaron Shaw do! Can u recommend other bands for me to look into doing tenor metal? Loving queensryche and maiden and want to expand into more similar vocalists!! Thank u!
Probably not simply because he wasn't trained that way. I was lucky enough to have the best operatic instructor (LoMonaco, and the best heavy metal teacher (Tony O'Hora).
This is awesome, Craig! Last time I saw you sing was as Faust in 91 at Sarasota, but your level of cool just rose 10 fold in my book buddy, rock on dude!
Great share Craig :) Such an honest and likeable delivery and explanation - well done
Hey Tony! Can you get in touch with me please regarding how to set up Skype lessons? I hope you are still available and doing well. Cheers! Facebook messenger is fine, and my email is csirianni3@yahoo.com. Hope to hear from you soon.
Craig I’m so freaking impressed!!!
As always, many thanks Tony!!!!
LOVE it!
Great breakdown and illustration. Sick a$$ high F#!!! woohoo!! :):)
Many thanks for watching!
you are really fabulous. Now you need a record contract.
I'll take one! Thanks for watching!
Wow. Amazing
Many thanks indeed!
That was awesome, this is like one of my favorite rock songs now
Very kind indeed! Many thanks.
Thanks for letting me be a part and watching you perform and deliver!
Only one word comes to mind watching this video: awesome.
Wow! Many thanks for such a nice compliment !
Great job Craig. Fucking love Maiden! I played this tape so much it broke. I heard Scott rip some high rock notes like this but never an entire song. I wonder if he could pull it off.
absolutly amazing....
Sweet.
Can clearly see how you are using those jaw positions.
Feels weird to apply though.
Eager to learn more from you.
Thanks
really amazing effortless performance, how much breath would you take at first phrase craig? is we need to have full tank
Amazing. I’m a huge fan of tenor metal singing and operatic tenor singing and am very impressed with your prowess in both styles. If I may ask a couple questions: I am curious what you would call the salient differences between what you DO (technically only) from one to the other, and, do you think it would be possible to bounce between the two styles in the same show and get through it physically while still being able to make the appropriate sound you want for each style? Thank you for your time.
hello Aaron,
so sorry i missed this ! thank you for your kind words . in my experience, the vocal cord setup seems to favor the vocal setup you have put them in for that day. in other words, if i have many opera students that morning and need to do a lot of demonstrating, that setup uses the whole cord and is obviously heavier. therefore, my vocal setup tends to stay that way for the day. If i have a metal show to do that night, i try not to do any operatic demonstrations and stick with my metal warm up, which tilts the thyroid and uses only the edges of the cords. if i am only teaching that day, i only have to do short, controlled demonstrations, so i can switch back and forth. if i had an operatic engagement that night, i would not do my metal warm up and vice versa. i must point out that this is my experience only . Yours might be different depending on your age and experience and development. please feel free to email anytime at csirianni3@yahoo.com.
Aaron Shaw do! Can u recommend other bands for me to look into doing tenor metal? Loving queensryche and maiden and want to expand into more similar vocalists!! Thank u!
Killed it man
Many thanks indeed!
Have you considered doing a Judas Priest cover?
Yowzaaaaahs!
Hey, thanks for watching!
Woohoo, awesome sauce :D
Well, that's real cross over.........operatic tenor goes nuts😂, heavy metal that is.... could Bocelli do that?
Probably not simply because he wasn't trained that way. I was lucky enough to have the best operatic instructor (LoMonaco, and the best heavy metal teacher (Tony O'Hora).
I did a cover on this channel too but i also have a cover on another channel "cottagecheez" great job man!!