One of the most flattering things my mother ever said to me was that I listen to music like my grandfather. (ง ͠ ͠° ل͜ °)ง He's cool enough to get my grandma. #adonistunes
Madeleine is what you would call "an acquired taste". She's so different and unique that most people wouldn't stick with her long enough to appreciate her style.
I remember stumbling across her sound and simply asking myself "who is that?". I looked her up and was like "wow". Surprised she's not bigger than what she is.
Discovered her a few years ago...fell in love with her style and voice. If she sounds a bit like 'someone' else...so what? It's a compliment to say the least. She is talented no doubt.
01. Dance Me to the End of Love - 02:08 02. Don't Wait too Long - 07:32 03. Between the Bars - 11:48 04. Le Javanaise - 16:22 05. Don't Pick up a Fight With a Poet - 21:17 06. Love in Vain - 26:32 07. The Kind You Can't Afford - 30:35 08. Smile - 35:46 09. Instead - 40:12 10. band introduction - 45:27 11. J'ai Deux Amours (encore) - 47:54 I think thats the right one, three song seems to be missing or edited/deleted from the TV broadcasting
C est sans aucun doute " Une delicieuse femme, telle une madeleine de Proust ". Une amie qui nous rappelle le bon temps. J aime particulierement changing all those changes.
Cantando 'Le javanaise' me lembrou, ao mesmo tempo, Billie Holiday e Edith Piaf. Alguém também ficou com essa impressão? Escutei-a no filme A forma da água.
being Swiss (French) am surprised at her almost perfect French accent. Re comment below, she always made me think that Billie Holiday's style was indeed a major inspiration. There is only one Billie.
Billie Holiday NÃO MORREU! Ela(Lady Day), REENCARNOU NESSA MULHER P/ CONTINUAR SEU TRABALHO NA MÚSICA. Exageradamente fantástica a Madeleine Peyroux!!!
I love her. Magical vocalizing. After listening to her 2003 "Careless Love" CD for the last few days, her renditions here are jarring to me. On the CD she lovingly caresses the melody while phrasing in a playful, percussively lovely way. Playing live here, she's left all that behind. I'm a musician, so I get jazz. But I also get melody, and I don't think melody has to be sacrificed at the alter of hip improv. Or the phrasing non-recognizable. Maybe Madeleine has been influenced by the wrong people. Or she's doing the Dylan thing of altering her songs until they can't be recognized, can't be recognized in respect to some great melodies which apparently mustn't be reflected in the hip riffs in some circles of jazz. She should have at least sang the melody first time through, as is the convention…….
***** "Most of her fans would be disappointed if she simply replicated the sounds of her recorded works with which they are already familiar, that can be safely left to the fans of mindless 'pop' who keep time on the on-beat to often lip-synched vocals." Huh? I doubt if many "fans of mindless 'pop' are into Madelyn Peyreux. I'm certainly not a fan of mindless pop, and Peyreux' albums are anything BUT. Still, the way she is performing her songs here reflects a certain strain of scat vocalizing. I'm saying I prefer melody and melodic phrasing, while I also want an artist to remain playful. But not to the extent of obliterating the melody and phrasing. One needn't be a "mindless fan" to appreciate a great melody, spontaneous playfulness, and impeccable phrasing which characterized Madelyn's albums and most of her live performances I've seen on UA-cam.
I have to agree that I'm not fond of this performance. I also think her band is predictable. I personally prefer her recorded versions of these songs. And yes, I understand that changing things up a little is typical, especially in a jazz performance, but these renditions just don't do that much for me, and I love her.
Couldn't agree more: if you didn't already know the original melodies you'd certainly never be able to learn them from these renditions. I'll stick to the CDs ...
The bass player is not on par with the other musician's skills... But the overal result is nice. And if I had a time-machine, I would go back in time just to marry Madeleine.
I saw Maddie twice here in Portland, years before this concert. I think she lost her voice, and the singing isn't as good either. She sounds "off" here, but the band is definitely ON - I love the guitar playing especially!
solch super jazz findet leider meist in Italien - Frankreich - Spanien - schweden - holland statt - in Deutschland leider meist nur auf die nervengehender rockjazz - ohne charm und nicht swingend
+scottdpt12 Except she was born with that vocal register so it's not like she's doing SNL mimicry. Actually, the two voices are not that much alike in the details and I could always tell them apart by ear alone. I also hear a lot of other famous singers in there as well.
Thanks George. It's re-assuring to have some knowledge in here... :) Actually, you're totally right. Madeleine has a specific voice, unique in it's timber and pitch, no possible confusion with another voice.
It is hard to tell what she is trying to do (?) That is one hell of a self-sabotaging "rubato." Poor Jon Herington, a real pro, can't help but just frown. What a waste.
J'aime beaucoup cette artiste, malheureusement c'est beaucoup moins bon qu'en disque. Elle a du mal avec le placement et parfois avec la justesse de sa voix en live... On a du mal à reconnaître certains titres parfois, et c'est dommage!
Too bad that MP has turned to a caricature of herself...Mostly simpering with an exaggerated little girl's voice, sometimes out of key (and out of tempo...) She was so good on her two or three early records, but today that mannerism spoils it all
She is so outrageously behind the beat (and sometimes out of key) in her recent live shows, that I wonder how many liters of sweat it did cost to her producer and sound engineer to cut decent recordings (which are pretty good). The band is constantly paddling behind her to keep the boat afloat. But, my my, why such a mannerism to sound "jazzy" and intellectual? Just another wanna-be but can't-be (and never will be) Billie Holiday "qui bene amat bene castigat": she WAS good in her early years....
YOU ARE TOTALLY GRREAT,MERCI! MADELEINE, Karita.
Una preciosidad de voz y un acompañamiento musical sencillo y penetrante. Gracias.
A great artist a sensible interpreter and a very personal voice
One of the most flattering things my mother ever said to me was that I listen to music like my grandfather.
(ง ͠ ͠° ل͜ °)ง
He's cool enough to get my grandma.
#adonistunes
Madeleine is what you would call "an acquired taste". She's so different and unique that most people wouldn't stick with her long enough to appreciate her style.
Her band is awesome as they still manage to keep time as she toys with the time signature. Laying it back,behind the beat but keeping it going.
perhaps she " toys " to much and I don't think it would be appreciated by lot of players facing such out of time .
I remember stumbling across her sound and simply asking myself "who is that?". I looked her up and was like "wow". Surprised she's not bigger than what she is.
That jazzy "Dance me to the end of love" version was incredible.
yes!
Thank God somebody besides me know she's a jazz singer! ❤️
a 3 ans
That jazzy "Dance me to the end of love" version was incredible.??
great performances Madeleine Peyroux
Il y a quelques années, j'ai entendu cette voie que j'ai confondue avec Billy Holliday .... Quelle agréable surprise... Merci
Discovered her a few years ago...fell in love with her style and voice. If she sounds a bit like 'someone' else...so what? It's a compliment to say the least. She is talented no doubt.
שוט'
Uma doce voz que embala sonhos .... uma das melhores desta nova geração jazzistica ...
henrique silva neto .....écouter June Milo elle est incroyable et peu connue encore
listening to her live is different from listening to her recorded works, but it's worth it.
01. Dance Me to the End of Love - 02:08
02. Don't Wait too Long - 07:32
03. Between the Bars - 11:48
04. Le Javanaise - 16:22
05. Don't Pick up a Fight With a Poet - 21:17
06. Love in Vain - 26:32
07. The Kind You Can't Afford - 30:35
08. Smile - 35:46
09. Instead - 40:12
10. band introduction - 45:27
11. J'ai Deux Amours (encore) - 47:54
I think thats the right one, three song seems to be missing or edited/deleted from the TV broadcasting
too marvelous for words *
Beautiful set, indeed
It was sweet of him to introduce her in the end as well:)
She is wonderful.
The song Don't wait too long was used in the movie, Last Holiday with Queen Latifah near the beginning of the movie.
Most Enjoyable!
Thanks muzline.Love the sound of that string bass.
Belíssima voz, beleza de ouvir.
muy bueno!!! gracias!!!
Bravissima!!!
Gracias Señor porque me perdonaste mis errores y hoy estoy en tu camino y mi vida y la de mi familia esta en tus manos
she can't disappoint any1 unless she stopped :D thx madeleine :D
Mesmerizing
love, love, love this music
Belíssima ❤❤❤
¡Gracias!
🩷🙏
👍
Cool très jolie Voix
👍Jazzy 🎉
Nice 🤗
Merci ☀️
C est sans aucun doute " Une delicieuse femme, telle une madeleine de Proust ". Une amie qui nous rappelle le bon temps. J aime
particulierement changing all those changes.
I wish she would have done the whole song of smile that was good!❤️❤️❤️❤️
Magnific 🎶💕🙏🐞
Q bella voz y su vibrato,magica
Jorge Torre Aguilar un'altra que tienne un vibrato e una voz June Milo no e muy conoscida
I'm sad to say I just discovered this Gem I will have to listen a lot to make up for it.
Brian Mosse Yes , I have discovered miss Peyrue recently . Love her style.
Divino maravilhoso!!!👏🎶👏🎶👏🎶👏👏🎶👏🎶👏👏👏👏🎶🎶🎶
ela é magica alguma coisa especial
si quel qu'un ne sait pas quoi me faire comme cadeau d'anniversaire - un concert avec Madelein Peyroux.
Susanne Dufoix so damn well said😉👍
I would so love to be their ,she is amazing
Miss and was looking forward to the horn in “smile”
Cantando 'Le javanaise' me lembrou, ao mesmo tempo, Billie Holiday e Edith Piaf. Alguém também ficou com essa impressão? Escutei-a no filme A forma da água.
Я в восторге от этой музыки!
She could have been a star
She's well known...
Those who should know her, do.
She is a star.
Interprete poliedrica bilingue. Una carezza ai timpani. Una dea della musica jazz
Great version of Cohen's song!
magnificent
C' est beaucoup jolly!
Ela me da a mesma sensação da Billie Holiday, depois dela, essa é a que mais me emocionou... dentro desse estilo
Grandiosa.
being Swiss (French) am surprised at her almost perfect French accent. Re comment below, she always made me think that Billie Holiday's style was indeed a major inspiration. There is only one Billie.
Claude Dietrich , You got that right... Billie Holiday copy cat.
before shape of water nobody knew her
She grew up in France, so she learned French early enough to have a good accent
J´adore!!!
Billie Holiday NÃO MORREU!
Ela(Lady Day), REENCARNOU NESSA MULHER P/ CONTINUAR SEU TRABALHO NA MÚSICA.
Exageradamente fantástica a Madeleine Peyroux!!!
Nice And Cool...Jazzz !...
Because I like Billie, I like her too.
genial
I love her. Magical vocalizing.
After listening to her 2003 "Careless Love" CD for the last few days, her renditions here are jarring to me. On the CD she lovingly caresses the melody while phrasing in a playful, percussively lovely way. Playing live here, she's left all that behind.
I'm a musician, so I get jazz. But I also get melody, and I don't think melody has to be sacrificed at the alter of hip improv. Or the phrasing non-recognizable.
Maybe Madeleine has been influenced by the wrong people. Or she's doing the Dylan thing of altering her songs until they can't be recognized, can't be recognized in respect to some great melodies which apparently mustn't be reflected in the hip riffs in some circles of jazz.
She should have at least sang the melody first time through, as is the convention…….
***** "Most of her fans would be disappointed if she simply replicated the sounds of her recorded works with which they are already familiar, that can be safely left to the fans of mindless 'pop' who keep time on the on-beat to often lip-synched vocals."
Huh?
I doubt if many "fans of mindless 'pop' are into Madelyn Peyreux. I'm certainly not a fan of mindless pop, and Peyreux' albums are anything BUT.
Still, the way she is performing her songs here reflects a certain strain of scat vocalizing. I'm saying I prefer melody and melodic phrasing, while I also want an artist to remain playful. But not to the extent of obliterating the melody and phrasing.
One needn't be a "mindless fan" to appreciate a great melody, spontaneous playfulness, and impeccable phrasing which characterized Madelyn's albums and most of her live performances I've seen on UA-cam.
Michael Waters gg
Y
I have to agree that I'm not fond of this performance. I also think her band is predictable. I personally prefer her recorded versions of these songs. And yes, I understand that changing things up a little is typical, especially in a jazz performance, but these renditions just don't do that much for me, and I love her.
Couldn't agree more: if you didn't already know the original melodies you'd certainly never be able to learn them from these renditions. I'll stick to the CDs ...
The great Jon Herington in guitar
God purrrrrrrrrrr purrrrrrrrrrrrrrrrrrr puuuurrrrrrrrrrrr💋❤️
buenissssiimmoooooooo
Madeleine Peyroux's new album "Secular Hymns" out September 16!!! Pre-order here: www.madeleinepeyroux.com
I'm surprised this isn't on a cd somewhere's.
Matthew Emmings
Oh but it is !!!
Ann Wels Link? I looked at the discography and couldn't find it.
It's track one on her 2004 album Careless Love.
❤😊❤
Very Billie Holiday 🥳🥰💋😍🔥💕
pour danser
благодарю вас
kUs je
XXX
Can anyone name the band members?
Modern day Billie Holiday
35:45 Smile
she is so much behind the beat that it gets on my nervs.
nutscracker then for god sake go listen to something that makes you happy 😂😂
Hear hear !
음원을 씹어먹었는데..?
She's like Billy?
a thing in her voice..
God, no - in another class altogether!
Who are the musicians?
Marcelo Zarske
Donald Roberts Guitar player has been the mainstay incumbent of touring STEELY DAN for more than 10 years
Donald Roberts Jon Herington. From Boston I think.
Barak Mori on bass
thnks!!!
Inspired by Billie Holiday........
The bass player is not on par with the other musician's skills... But the overal result is nice. And if I had a time-machine, I would go back in time just to marry Madeleine.
I saw Maddie twice here in Portland, years before this concert. I think she lost her voice, and the singing isn't as good either. She sounds "off" here, but the band is definitely ON - I love the guitar playing especially!
I like the girl but damn... we are copied by the world ....there is ONLY one BILLIE H.
solch super jazz findet leider meist in Italien - Frankreich - Spanien - schweden - holland statt - in Deutschland leider meist
nur auf die nervengehender rockjazz - ohne charm und nicht swingend
couldn't Fishman make a pickup trhat would fit better?
билли холидей
Mais elle chante faux des fois!! Incroyable.Heureusement qu'elle a de bons musiciens.
un peu mou des genoux!
She sounds like she's trying to sound like Holiday. Just sayin'
+Carlos Bailey Except she actually sings on pitch
+scottdpt12 Except she was born with that vocal register so it's not like she's doing SNL mimicry. Actually, the two voices are not that much alike in the details and I could always tell them apart by ear alone. I also hear a lot of other famous singers in there as well.
Thanks George. It's re-assuring to have some knowledge in here... :) Actually, you're totally right. Madeleine has a specific voice, unique in it's timber and pitch, no possible confusion with another voice.
tout à fait
Nicely stated
It is hard to tell what she is trying to do (?) That is one hell of a self-sabotaging "rubato." Poor Jon Herington, a real pro, can't help but just frown. What a waste.
GROOVE § SWING needs great time . That means perfect and subtle " mise en place " she doesn't care .
J'aime beaucoup cette artiste, malheureusement c'est beaucoup moins bon qu'en disque. Elle a du mal avec le placement et parfois avec la justesse de sa voix en live... On a du mal à reconnaître certains titres parfois, et c'est dommage!
Too bad that MP has turned to a caricature of herself...Mostly simpering with an exaggerated little girl's voice, sometimes out of key (and out of tempo...) She was so good on her two or three early records, but today that mannerism spoils it all
That voice,once so good,now seems just the wrong side of right.Still love Maddy though
She is so outrageously behind the beat (and sometimes out of key) in her recent live shows, that I wonder how many liters of sweat it did cost to her producer and sound engineer to cut decent recordings (which are pretty good). The band is constantly paddling behind her to keep the boat afloat. But, my my, why such a mannerism to sound "jazzy" and intellectual? Just another wanna-be but can't-be (and never will be) Billie Holiday
"qui bene amat bene castigat": she WAS good in her early years....
EXACTLY what I feel . Exageration ruins the effect and miss the goaL She is tasteless about toying time keeping . It sounds
like a laborious amateur .