Adventures in "Catch and Release" Guitar Collecting
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- Опубліковано 4 вер 2024
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Conversations with a few friends led to this video, Rick Beato, Jon Beato, and David Barber. It was David that coined the term "catch and release collecting". And it was Jon Beato that started this whole discussion of there being only three guitars that really matter. I've been thinking about it ever since.
Hope you enjoy the video.
Keith
Only three guitars matter; Your first one (keep it no matter what!), your best one, and your next one…
I would amend this and say keep your first DECENT guitar, no matter what, lol. My first guitar was an unfathomably terrible Squire/crappy solid state Fender practice amp combo that I got for Christmas when I was 13. The body wasn't even solid wood, it was press board 😂. Tuning stability was horrendous, and the bridge was either off-kilter and/or placed too far forward or back, as it was impossible to intonate. I'm as sentimental as the next guy, but even as a kid I was aware of just how much of a piece of junk it was by the time I had it for a year or so. Saved up lawn mowing money and bought a used Charvel Model 2 as soon as I could... THAT one I still have. But I couldn't get away from that God- awful Strat fast enough.😂😂
My first guitar was a jc penny catalog guitar. I sold it for 50 bucks in a yard sale. Don’t miss it one bit
@@notonyourlife7939 My first was a Sears acoustic. Piece of crap that warped so bad the action was like a half inch high past the 6th fret or so. It finally literally fell apart (glue failed.) Still wish I had it… maybe I’m a hoarder?
@@notonyourlife7939if it’s really crap, hang it up and keep your first good guitar too. Maybe I’m just to sentimental but I still own my first terrible bass guitar
@flying. I recovered my first "terrible" bass from my parent's attic where it had been for decades. After a lengthy restoration by me to get the orange spray paint off that my 14 year old self thought it needed and a fantastic setup from a really great guitar tech I found out it wasn't the bass but me that was terrible back then. The bass is a 1967 Kay 5919, the very last of the American Kay instruments and it plays and sounds quite nice.
“If it’s new to you, it’s new.” That sums it up right there! Perfect!
As others have said... catch is no problem, it's the release that is
the sticking point.
Same here. I have only sold one guitar I ever owned, my first guitar an Electra Tele Thinline copy. I regretted it almost immediately even though it was worth next to nothing.
It's more of an itch and scratch thing..😅
Strats are my catch and release, I live next to the Corona factory and find them all the time. I set them up or restore them and pass them on to their new homes.
Do you do short vacation rentals? 😂 May be that could be your theme if you run a business like that! I know I would be very interested when my situation swings in favour of that.
It's a pretty dumpy area Corona (love the perimeter old town circular racetrack remnants, the actual "corona" of corona)- where do you find them? Escaping from the factory to Mexico? 🤡
In your case ... you are improving a product for better use down the line. Sir. I highly approve.
We all have to release everything at some point, in the mean time I have to run a dehumidifier anyway. I’m gonna keep collecting.
THIS
Some guitars just feel right and sound right seconds after you first play them. Hard to break that bond. But I agree that being open to spend time with strange guitars can lead to unexpected pleasure.
Lol the cut from Keith's nice soothing voice to Rick's rantings and ravings! 😂🤘🔥God bless ya both!! Fellow "upstate" New Yorker (Binghamton) here! So awesome to see and hear the homeboys doin good!
When I started playing professionally the sound I wanted in my guitar changed. My Les Paul wasn’t filling that sound I was hearing so I ended up playing a Strat for 20 years. Then a fell in love with a Les Paul Special with P-90,s and that filled the area between the Strat and a Humbucker Les Paul. Now I use a killer Tele that I would never part with. So it’s between those three. I should also mention that I use a Black Panel Deluxe Reverb for all of the guitars. Whatever amp you use it’s 50% of the sound.
Bingo, we focus so much on the guitars, but without a "keeper" amp we might be chasing a tone that no guitar will give us no matter how good it is
@@jasondorsey7110 It’s amazing how the guitars tone changes depending what amp you are using, even between a Fender, Marshall and Vox style circuit. For that matter the difference between Fender models (Champ, Deluxe, Super, Twin and Tweed, Brownface, Blackface).
Check out Tory Slusher. A real musician, and the best guitar player in the world.
Since the Beatles were the group that introduced me to wanting to be in a band, I always coveted a Gretsch Country Gentleman. My mother worked hard to buy me one and it paid off since I made a lot of money with it. It’s still the guitar that my hands know best.
I so truly look forward to your posts, they're so nicely polished and narrated. Enlightening too. I have all 3 (+ too many acoustics) in my guitar room - LP Trad, Strat Deluxe and my Tele highway 1. They were all "right place/right time" guitars that worked their way into my heart over the decades. I don't mind getting older, however I do want time to stand still while I play, and play and play....be well.
Getting Old Sucks, and Time is Cruel. It would be so nice if they weren't.
Sums it up for me. I’ve “owned” so many guitars, so many brands/types. At one point I think I had about 13 or so. Mix of Gibson, Fender, Reverend and Rickenbacker. Same goes for amps. So many many amps. Happy to be down to 3 guitars I simply adore and love to play. 2 amps played at the same time. 2 modest pedal boards that never stay the same for long. Never stop playing! 😊
I always love your videos. I own a cherry sunburst 1976 Deluxe and I love it! The mini humbuckers are fantastic. Gigged all through the 80's with just my Les Paul and my Strat, and that was all I needed to cover anything we were playing.
Not gonna lie, Keith. I think that was one of your best videos to date. I don’t know why and I know you have done weeks of work researching videos in the past, so… not to dismiss them, but dang, I just came away feeling good after it was over. Better than normal. And as someone that has come BACK to the hobby and am buying all the guitars I could never of dreamed I could afford in the 80’s, I have indeed come back to all the guitars you mentioned. Strat, Tele, LP… well, and an Explorer. I guess you can’t take the 16y/o kid out of me. Even at 59. Thanks! (Now, back to SG shopping!)
My ONLY catch and NEVER release guitar...my 59 Les Paul Junior that was "damaged" by the late great Doc Kauffman. See Doc did guitar repairs before he passed and this was before the vintage thing really took off. Doc looked at guitars as a working tool. So when I went to him for a fret job he said "Well son I can do a full fret job for XXX dollars or I can sell you this device and you and I can fix it together for 30 bucks." I took option "B" and he sold me this Rube Goldberg "gouge" type device that ran on the south and north of each fret, and depending on force or number of passes -- it would lower the fingerboard by literally removing the wood - raising the fret a bit and then the frets could be lightly sanded to do a quick "fret job". Yes he gouged that old Brazilian rosewood. Guitar plays great to this day. I am NEVER "releasing" this guitar -- how many folks have a Doc Kauffman repaired axe???
Freaking incredible story, I totally agree, never let it go
I was a big Thin Lizzy fan and still am. Gorham is a big influence. I always chalked up those minibuckers on his LP as a big staple of their tone from Nighlife on. He had this very sweet tone that I just loved.
I bought 72 Deluxe for that very reason! omg is it heavy. Got it from Gruhn played lots, with a refret. Is there a better live album than L & D? And the newer box set confirms very few overdubs if any. In high school I lived in Japan(army brat) and some friends and I got backstage after a show in the Chinatown tour in Tokyo. Spent two hours with the band! We were in heaven. They were great and thanked us for being there and being fans. Have a pic with Phil, his arm over my shoulder that is a cherished possession.
Evolving your playing and musical knowledge into a state of "being" is always the goal. Much easier said than done.
very cool anecdote at the end about younger people and never being able to guess their tastes in music.
Yet, we can all appreciate a lot of the same things. Prettttty cool.
Philosophical video ... nice! The biggest take away for me (that only reinforces out loud what I already knew), is LIVE WITH THE GUITAR long enough to make an educated decision.
I’m all for catch and release. I finally tried a Les Paul and hated it. Then I plugged it into a different amp and it was night and day. Still only have a Tele and a Strat.
Which amp was that?
@@Last_one_before_I_go Initially plugged it into my Tweed Champ, hated the Les Paul through that. Plugged it into a friend's Plexi-style amp, sounded amazing. Still didn't keep it though. :)
"What I loved about it was I never guessed correctly." Great comment/insight! (And another terrific episode. Thank you.)
A Stratocaster has always been like an old friend to me. There have been others - Ibanez Artist, Godin XTSA, Fender Nashville Tele, Gibson ES-335 and Les Paul Deluxe Goldtop, etc., but the minute I pick up a Strat, the old magic returns.
Chris Buck finally getting some recognition. 👏👏👏
My Top 3 "Professional" Guitars:
1. 1962 Stratocaster - all day long...
2. Gibson Les Paul with P90s instead of humbuckers.
3. The venerable Telecaster of the 1950's.
I don't actually own any of these. It's just my personal opinion and what I love.
Chris Buck definitely needs more recognition.
I saw his band, Cardinal Black, Monday night (July 15) in Nashville. It was incredible. The best concert I’ve seen this year.
I think the reason ive been stuck in the catch and release phase for the past ten years is that my first guitar hero was tom morello and his "arm the homeless" guitar he put together himself. It was HIS guitar and ive yet to find what makes mine, mine. Until then, the search continues.
I'm a bit crazy, I have 20+ Les Pauls and my 2 "Deluxes" 78 & 83 are my most used. The mini hums are just perfect.
I bought a 1974 Les Paul Deluxe new, I regret selling in 1988? It spent a lot of it time playing in the Bars.
Something mystical re even if it's old, it's new to you-
See Emily Play, Tele player Syd Barrett, was something I heard as a little boy that shook me. For years, I never heard it again until one day in a Tex Mex bar & restaurant. I quickly asked the Bar Tender- "Who is this? ".
When he told me, I could not believe it! I quickly bought the Relics CD, which opened up my head. Hendrix, Barrett, and Beck all pushed the sound / tone barriers. Pre Dark Side Floyd.
Magical. Old, latent, and wonderfully new, See Emily Play! Hear Syd Play!
Another great video man. I use to do the catch and release for about 50 years. I now have 11 keepers. Yes 3 I use mostly 2 Teles and one Strat. I guess 3 is a magic number. Have a good one.
Mike Ness of social distortion is known for the Les Paul's with the mini buckers as well, he just bought a blue one from Trogly not long ago.
I think he chucks them though…
7:58 K-Line's T-style guitar is called the Truxton. The Springfield is their S-style guitar.
Ah, thanks!
I seem to remember some alleged quote from B.B. King - when asked 'What's your favourite guitar to play?' he was reported to respond 'The one you can't put down,'
fav guitar channel. Great vid! Please continue to make more. Your superpower as a creator is how genuine you are able to make just about every sentence you deliver feel. Great work and keep on going!
I’m close to 70 & have been playing over 55 years. In the 90’s I heard strange sounds coming from my teenage son’s room.
“What is that crap?” I asked. “Nirvana.” He replied. I liked it…it was new to me.
I collected all of the basic guitars as they are different from each other. Then added ones that stood out like my 65 firebird. Hard to imagine letting them go!
About a year ago while taking my son to drum lessons at the local Guitar Center a Gretsch called to me from across the room. I picked it up, and it was perfect. I told myself I didn’t need another guitar, and left it at that. 4 weeks later it was still there. I played it every week, and said if it was still there the following week, that it was meant to be. It was there, and marked down! I bought it, of course. Then I bought another, a primer white Rat Rod just a few months ago. Can’t imagine playing anything else from here on out. Funny, because I’d always written them off as old timey and unusable. Boy was I wrong. The Gibsons and Fenders have sat, sad and unplayed, for months. Until that next guitar calls from across the showroom floor…
I'm actually a Gretsch person as well
I don't think you're wrong at all. In fact, I think the entire channel and your inquisitive approach to discovering what makes guitar a special part of life is essential and important. Thanks, Keith!
I'm down to three, a Strat, a Les Paul and a Martin HD28, the Martin being dearest to me. I grew up obsessed with David Gilmour and Pink Floyd as well as CSN&Y, but as I've grown older I find myself leaning more towards Snowy White, Gary Moore, Warren Haynes, Cream, and early John Mayall (of all iterations, but especially Peter Green) among others, and that is strongly in the Gibson wheelhouse. They just happen to be the two electrics that inspire me to play, and there's definitely no wrong answer. If ANY guitar makes you want to pick it up and brings you joy, you've chosen well. :)
The SG is essentially a version of the Les Paul. Its original name was Les Paul after all. But, while the strat is derivative of the telecaster, it has a very distinct tone. I have a Deluxe too and feel the same way about the pickups. They are outstanding
Enjoyed this! I am in agreement with the big three and very fortunate to have each for keeps.
❤thanks buddy just perfect😊
Always glad to see 5WW recognize Johnny Ramone as the guitar hero he was. I have had no problem doing the catch and release thing. I don’t have room for a large collection and am usually funding the next guitar with whichever of my three is the most neglected at the time.
Man do I LOVE that first album cover you showed: Layla and Other Love Songs by Derek and the Dominoes (Eric Clapton with Duane Allman). FANTASTIC album, every song's a gem.
my catch and never release guitar is my first guitar. an ibanez LP copy from 1978. i decided to refinish it and discovered when previous owner had refinished it they painted over the binding. discovered it was double bound like a custom. got to work painting and then scraping the binding like they do in the Gibson factory. i'll never part with it both because its my first guitar and the amount of hours of work i put into it.
Nice description of the different sounds of the big 3, Keith! When I was younger, it was described to me that there was a Fender sound, a Gibson sound , and a Rickenbacher sound. All others were variations on those three. I've been a Tele player since 1967, and alternate with a Santana SE.I do have a 335, a Strat, and a 1939 Gibson Super400 with a Charlie Christian Pickup. I'm still active at 72 and enjoy your channel!
Thanks again - I currently own three acoustic guitars and five electrics. I bought four guitars last year and sold one. My pledge is to sell two more before I buy another! In support of Keith's thoughtful and informative work, I can attest that the quality of the Five Watt World t-shirts is First Class - go for it! 👍
My favorite Telecaster is a Squier Paranormal Nashville Strat. It provides me with my favorite Strat and Tele sounds-and feel.
Been loving these assorted topic videos just as much as the short history theme. This is becoming my favorite guitar channel. Low key and down to earth, great work guys ya keep me sane during a work day
Keith, many thanks for another fantastic video; always a joy to see a new one come out, sit down with a mug of coffee and glass of wine and hear the magic words “hello and welcome to Five Watt World, helping you get the most music from the least gear”.
The only problem is that I loved your Jazzmaster video so much I started exploring them, liked them, bought one, and now I have more gear! 😂
Have a great one 😊👍
Nice vid Keith. My two guitars came to me. One, an ES295, sitting in the corner of an auction house, no strings, in a cardboard box. Minimum bid $125 got it for me. 1964. The other is a Ric ,4003 bass. 2005. I had outgrown my old Italian short scale with the plastic pickups, walked into a music store one day and they were all standing around an open bass case. One of two blondies in Canada at the time.
They let me try it for two nights…that was all it took. I've used them as an amateur gigging on weekends and weddings. Now, at 77 I'm saying…release? Not yet.😁
I love mini hums. I have them in my Hamer Eclipse 6 and 12 strings.
If you all have never played them, you don't know what you're missing. Great tones.
I've owned a '65 Strat since junior high school, bought in 1976. I bought a Japanese 12 string acoustic in 1978 and these were my only guitars until just a few years ago. You forgot Rickenbacker. I recently picked up a used 1980 360/12 to add some color to some demos I plan to make. Your comment about playing it enough to get to know it well hit home. It is nothing like any guitar I've owned, but the sound is priceless. And like all the others, "catch" is easy, "release", not so much.
52 Tele. 65 Gibson 335. Vintage American Std Strat. Les Paul Std Premium Plus. My four essentials. After months of playing one guitar, when I pull out one of the others, It's like rediscovering an old friend.
My catch, and unfortunately release, guitar was a Rickenbacker 350, the long scale version of the 325 that I saw on tv (can you guess who my inspiration was). I got my first (cheap) guitar in ‘64, and after a few interim guitars, I was finally able to afford the RIC 15 years later. I played that RIC in various bands until 2023, when at 72, arthritis made playing too difficult. Rather than putting it away in a closet (the place where guitars go to die), I reluctantly decided to sell it and let someone else love it.👍
Yeah I rarely play anymore at '63 after decades in a cubicle on a computer and a car wreck I was in several years ago. I just can't seem to let the guitars go though. My daughter will have to deal with them I guess haha.
Maybe now's the time to revisit the original 325 short scale? Maybe the smaller size could help with the arthur. I've basically been switching to short scale instruments now as I close in on 70... I'm finding it helps.
@@PaisleyPatchouli unfortunately I just don’t have the grip strength anymore.😕
I have a 1969 Strat. that has rewound 69' pickups in it and the rest is all original. I have been playing it and still playing it for 50 years ,the rest can come and go but that one has become a part of my soul, and if they forget to bury that guitar with me when my time has come I will haunt the ones responsible forever. Thanks Keith
I simply do not wish this journey to ever end! I have a demo taylor with 2 mini humbuckers custom to the taylor all prototype. I will get so close to that thing it will be like a blood transfusion. You are right and Rick is right. I'm going through a Stephen Stills demo album... Roll Tape. I will use a 72 Martin D28-12 freshly reset for my saturation into those songs. It just feel like we've so much to be alive for when we share these influences with our friends, peers, audiences. We are lucky boys Keith. Beautiful logic throughout this episode. Dare I say as usual? Yes!!!
I played a '67 D28 since I was 14, I'm 69 now, I was told repeatedly that "you can play That on a Martin". It took me musically wherever I needed to go. THANKS
Love that you’ve dipped your toes into the gold top Deluxe waters. And even more excited for the upcoming Deluxe short history video.
I recently bought a new ‘24 gold top deluxe and I find myself grabbing it more than my various custom shops.
Mini humbuckers need to be right up there with P-90s when the “most underrated pickup” discussion inevitably comes up.
Since 1980 I've owned 47 or 48 guitars. I gave one away to my cousin's first born as a graduation gift. My very first guitar was such a piece of crap that I couldn't wait to get rid of it. Seriously, it was a Sears Silvertone (I think). I upgraded to a no-name Les Paul copy, then a Hondo Long Horn and eventually my first name brand guitar which was a 1982 Kramer beak head stock that had cracks in the neck finish before finally trading it for a Jackson. Believe me, I cleared out the clutter!
Since 2008, I've amassed a good collection and really don't regret selling any of the guitars I've owned. I have no problem selling guitars that I just don't like. For example, after a Mexican strat, a USA strat, a Jeff Beck strat and two parts casters that I put together myself, I sold all of them. I'm just NOT a Stratocastor guy. I prefer humbuckers. I also sold a USA Jackson RR because it was so cumbersome to play a V while seated. Then I sold a Dean ML because it too was just awkward to hold. So after owning 33 guitars at once, I'm down to 26 now. I still could let go of two or three of them, but at this point, it's more trouble to sell them than it's worth.
I have a long list of release guitars LOL and a short list of catch and keep.
Catch:
- My first guitar and affinity squier they have modded inside and out as well as refinished.
- My 1979 tokai springy sound st60
- My first Built from scratch guitar from a telecaster kit.
Release:
- two Stone logo Fernandes guitars
- mid-70s spaghetti logo Fernandes Guitar
- two mid-80s made in Japan squiers
- One mid '80s Fender Strat made in Japan
- two mid-90s made in Japan Fender Strats one being a refinished foto flame I did because the original coating was all peeling off of it.
- A 1978 Non-catalog Greco with a violin finish
I think the ones i keep are for sentimental value 😂
50 years ago I bought my forever guitar, a used 1973 Fender Tele Deluxe in mocha brown. I had a guitarist offer it to me that I roadied for in the Rochester NY band Joshua in the early 70’s. Still have it, no release on this one, unmolested, all original, purchased for under $200! Have a 2008 Gibson 59 reissue that is such a pleasure to play and to look at, XXX flame-top, 8.5 lbs, hard to choose my favorite so I’ll keep them both lol. Great video once again!
I’ve played a lot of guitars and out of the big three I became a Tele guy. I like to think that there’s something about the Tele that makes it impossible to hide behind. Meaning all your faults (and successes too) will be amplified for all to hear. There’s a certain magic to that.
I’ve been really happy with it over the years, but a humbucker guitar and I never seemed to click. A lot of catching and releasing took place due to not caring for Gibsons, PRS, or feeling called by Ibanez. All of that changed this week when my wife bought me a D’Angelico Excel EXL-1 with the floating mini humbucker. This is a never release guitar and it’s so many of the sounds (and more!) that I’ve always wanted to come out of my amp. It’s a solid, beautiful, and smooth as hell music maker that I’m surprised I set down long enough to type this.
I say all of this to say, if I didn’t release so many of the guitars I caught I wouldn’t know what I wanted or was looking for, but in doing so I knew the moment I heard this EXL-1 that it was it.
Happy playing to all y’all! ✌🏻
Just as Rick said ''What you discover'' Back in the 80's I picked up a 'The Paul' solid walnut thang! It turned me almost instantly into a long relationship with the Les Paul, but I sold it in search of something different - I still have the 1986 prototype Chris Eccleshall Scimitar, which he even named 'Excalubur' during my visits to his workshop in Ealing. It would take me until 2016 to own another Les Paul - a lowly 2011 Les Paul 60's Tribute in worn white, it is an absolute keeper, like the Eccleshall I will never part with it. I like the idea of 'becoming' a Tele' player, as i approach 60 I might have to look into that!
My catch & release record w/ guitars , motorcycles & women is checkered. PRS custom 22 semi hollow’s a do-it-all.
Good topic. I just bought one of the $119 Fender Strats from Amazon and I was all prepared to sort of leave it as is and try to get the best from it. Previous to purchasing it, I had watched many, many video reviews about this guitar with the hosts exclaiming that indeed it was pretty good and also good for as a base for modifying it. And guess what? The bass player who comes to my Sunday acoustic jam, who owns 5 Strats, had both a set of Fender locking tuners and a pick guard with all the pickups and electrics plus the S1 switching knob from the Ventura Stratocaster line - and gave it to me for FREE! What a beautiful gift he laid on me! So soon I will go to the guitar tech he knows and get it all attached to my new (inexpensive) Stratocaster and I will replace the white pick guard with a Fender tortoise shell one for my Start with the two tone sunburst finish. All the knobs and pickup covers are off white which should make this guitar look quite beautiful and sound terrific and stay in tune because of the Fender locking tuners! I also own a Squier Thinline Telecaster with a gold finish - given to me for my 50th year as a musician by a relative. The two Le Pauls which I like best are the Epiphone Classic Strat with the double row of exposed black pickups and nothing looks more beautiful to me than a candy apple red Epiphone Les Paul 100. Just something about that red and that cream pick guard, black pickups and gold knobs - wow. I know an expensive guitar, I don't care I love the look of it!!! Got to get a red one....someday... Of course I am one that thinks the 2003 Ford ZX2 is awesome looking too! That front end treatment of the 2003 - yeah! LOL
I have three Warmoth Soloists (a super-strat design) with a fourth body on the way, all equipped with super-wide Warmoth Strat necks. I also own a Fender Strat with a Warmoth replacement neck, a Warmoth 7-string, a special-ordered Warrior Strat-style, and three headless 7-strings (a Kiesel, an Ibanez, and a Strandberg). I do not see a release coming anytime soon. And I did not mention my seven basses (four 4-strings, two 5-strings, and one 6-string). However, when I do releases, I often give them to students as each one of my instruments is cared for and maintained at performance quality.
I've heard it said many times, "if it sounds good, it IS good". For guitars, it's not just the sound, it's the feel. If it inspires you to play, it is good. If it inspires you to play in a different way than another guitar, it's even better. I've released guitars in the past in order to make room for ones that are keepers. I'm not on a constant search for the next one, and I don't need a massive collection, but inspiration can come from anywhere, IF you're open to it.
the misnomer here is that 90% of guitarists (like car guys, or any other hobby) are stuck in tradition. their music taste hasnt changed since high school, they still hear the sounds that shaped their brains in high school and have a hard time accepting new things because of the power of nostalgia. combine this with how guitar players dont like new ideas replacing their safety blankets and this is why your tele resonates and your modern ones dont. your audience likes to see comfortable repeating imagery. its like pop music for the eyes.
the real challenge is having guitar players who are willing to check out brand new bands, up and coming genres, and dig deep to find the latest and greatest musicians. you'll be surprised how quickly you'll look back and find how those old sounds really don't sound too good after all, compared to what is out there now. but then again, that's a hard pill to swallow for people wrapped up in several safety blankets.
There's a lot of truth to this
Great comparison and story Kieth!
Did you say, University of Vermont? An office you used to run in the Waterman building? When you mention “earbuds” that seems after my few years there. However, UVM and Burlington, VT was a fun place and time. The guitar that motivates you to want to hold it and play it, is the right one.
Rochester, NY mentioned (again)!
Is it a coincidence Beato, Bubiak as well as yourself (and perhaps others) are from this area?
I wonder how many times we were at the same shows 🤔
As always... thanks for what you do, Keith!
I do the catch and release thing. I find I need to get past the ether phase before I know if I genuinely bonded with an instrument. In my case catch and release is also a function of how I shop in the post Covid world. There are fewer shops where I can hang out and try out higher end guitars. So, I accept the risk of online shopping, look for discounts through frequent flier relationships, and sell on consignment with a local shop.
I happened upon a 1971 Gibson Les Paul Deluxe a few years ago. I originally bought it because of its novelty, but I fell in love with the tone. It dispelled everything bad I heard about 70's Les Pauls.
Interesting vid, being a bass player, I’ve always gravitated toward a jazz, since 1986.
As for guitars, it has always been Frakenstrats as I can never find one off the wall with the right specifications for my feel and taste in music, keep up the great vids
I think I'd be happy with two even. I have a SSS Strat, and a Firebird Studio with regular humbuckers, and I don't feel the need for any more sounds than that.
Great video as always, Keith. I think you’ve hit upon the essence of what has made particular sounds via the medium of the instrument so vital. It’s hard to beat Leo Fender or Gibson’s early efforts to produce mass-market, well-performing and durable tools. In the acoustic world, Martin is arguably the standard with the D-18 (and maybe Gibson).
For us bass players, the Fender Precision is probably the desert island tool most of us would prefer (don’t let my my Rickenbacker know that I said that 😉).
My three most used guitars.
Fender Strat 1986 Japan 57 re issue bought new in 87.
MIM Baja 60s Telecaster.
My LP is an ESP LTD ec256p gold top with .... Gibson minihumbuckers put together a few years ago and inspired by Scott Gorham and Pete Townsend . This one I use the most currently. I also own other brands but these 3 are my favourites.
Like that Nashville Tele set up and heartily recommend it for anyone wishing to experiment with the tones you can get from a tele without losing too much of what makes it so much fun in the first place.
I have a 67 Ric 365, and it was my first real guitar. It is still the guitar I am most comfortable with because I got to know it. Great Video!
I have too many and they are all my go to guitars. I love them all (except 3) and each offers me something I don't want to let go of. Each Time I grab and play one I say this is my favorite--and it is, until I grab and play another. Color me pleased with pretty much any, but certainly all I have (except 3, and I should give them away, but haven't found anyone to gift them to.) But in the greater world of players, I suck, so what does it matter? I just enjoy playing.
I don't watch all of your uploaded content but , now that I've (literally) heard you play guitar, I'll be checking out channel daily. I'm sure its not your first rodeo but you sound really great. Turn it up!
Recently bought a black strat with white pick guard it's a 2014 60th anniversary.....it has the treble bleed on the bridge, nicest strat i own ....
I got a player strat for my main guitar, put a dimebucker and vega trem in but kept the two single coils in the neck and middle it's my do everything guitar
Excellent video. I agree.
Thank you.
This video got me thinking about my guitars because I’m definitely a “catch and release” guy. So I thought about every guitar that has passed through my hands since I started playing 5 years ago! It turned I’ve have had 28 guitars! I couldn’t believe it was that many in such a short time and really has me stunned 😳! To top it all most of the electric guitars got upgraded with new pickups. Needless to say I’ve learned a lot about my what I want in a guitar, electric or acoustic. Now I’m sitting at 10 guitars and 2 that I made myself. I will say that I do still have my first electric guitar, a Squire Tele that’s been modified multiple times that now sports a Fender soft V neck and some Planet Tone pickups setup like Joanne Shaw Taylor Tele. I think I’m done with my guitar quest and I’m very pleased with the dozen of guitars I have now.
Great video (as always). I recently picked up an Epi LP after spending my entire life as a diehard Fender (and all things Fender) fan. To say it has revitalized my interest in playing would be a massive understatement. I have picked this thing up every day for multiple weeks now and stumble onto a different riff every time. I know it's not the "real deal" LP but it's the one that finally impressed me. To think, I went to the store looking for a Tele or Jazzmaster and the Les caught the eye of my beautiful wife, thus with a gentle nudge sending me down a whole new path of tonal discovery. Very enjoyable!
Love your podcasts or whatever it’s called Always learn a lot from ya thanks
I've got a 1973 Gibson SG Special with mini-humbuckers. It's indeed a nice, clear rock sound, somewhere between a normal humbucker and a P90.
Agreed. Love the mini humbuckers.
The last five minutes had my full attention. I’m the guy who buys to try, then never sells. I’ve only got 4 guitars and they’re all acoustic. The newest of the lot is a 2019 Texan. They get the H-E double hockey sticks played out of them on a regular basis.
You know Keith, given a couple mins, I can make most guitars sound so close to others It'd make you second guess. Amp is everything to do with it, IMO. Some pedal support, not much. To me, it always comes down to the neck, period. That's where the love of a guitar lives. Another good one, Bob.
Early am here on CA... perfect for breakfast watching.... WASSUP... Keith and friends in the chat!
I think it's really interesting what you say about learning from "the greats" - and why it makes the big 3 the big 3. I'll tell a little personal story of my own, not as a "holier than thou" or to prove you wrong, but just to provide a different perspective potentially to you and your audience. I'm a little bit younger than your editor, currently 28. I started my guitar journey at the end of 2019, when I first heard Manny Walters's rearrangement of BB King's song, "My Own Fault" from the UA-cam channel Sofar Sounds. He was playing some form of Epiphone archtop with a Venetian cutaway and an absolutely gorgeous tailpiece. (still not entirely sure what the model is) I heard it and thought "I can't die not being able to play that song." Since then I have been on many guitar adventures, learning so much (including from your videos! I'm almost more of a historian than I am a player at this point.) and loving every moment. I found it very interesting that you were talking about learning from the greats, and thinking "I've not learned a song from any of these people!" - not out of ignorance or malice, I love all of the artists you listed! But just out of learning from the artists that I grew up with - Paramore, Death Cab for Cutie, Fall Out Boy, Panic! At The Disco, My Chemical Romance... I could go on. Even still, the majority of them would be using guitars of the 'big 3' - just, for them, with the addition of the Gibson SG. I still haven't found 'my' Les Paul, especially with how heavy they are (generally, of course, some are very light!) I just find them difficult to connect with. Both my Strat and Telecasters are project guitars, that I built with my dad. Perhaps I need to go down the same route with the Les Paul!
I definitely subscribe the " catch and release " paradigm.
My way over the "release " resistance is to give it to a upcoming player, student or school with the only caveat is that it cannot be sold or traded away for any kind of profit.
It brightens their day, gives them access to good equipment they probably won't be able to afford in the near future and makes me feel good helping a young musician.
Try it !! You'll feel good, I promise.
“50’s jazz coma “ lol that is a great phrase!
Hagstrom all day. They didn't reinvent shapes, but their H Expander truss rod is such a game changer. Their Viking II 67, even the reissue is one of the coolest guitars ever/right now. The Fantomen they released some years ago with Ghost is such a great guitar, for not only metal but blues and jazz, and of course Ultra Max and Swede pummel both Fender and Gibson. Hagstroms are serious players guitars, and classics. Love the channel!
Like others are saying- the catch part is simple enough- it's the release that's difficult. Not that I have trouble letting go- but selling one means shipping one- and that gets tricky. Shipping costs a small fortune right now, and it's difficult to find a service you can trust not to deliver the guitar damaged. I live in a small rural area, the market is so tiny around here, selling locally would take forever. So- I end up keeping them- which eventually means you have like 3-4 budget guitars you would happily trade for one really good one, but the logistics of making that happen are such that you never do. I've got an old Epiphone LP with the figured maple top, from the 90s- made in Indonesia. I've got a Classic Vibe 70s HHS Strat. And I've got an Ibanez SP3- gladly sell them all for one really good Tele style that can do heavy stuff or country/blues. When I say "heavy" I mean like Tool, Chevelle, stuff like that- not death metal or anything that heavy. I think a Chapman ML1 would probably fit the bill nicely- with a P90 at the neck.
Right on track.....honorable mention is the Danelectro
Great SH video. I definitely fall into the LP, Tele and Strat camp. I’m lucky enough to have all three. To my ear they each have a different wonderful sound. Which one I pick up to play depends on my mood and the sound I need at the moment.
So I play one acoustic more than the several that I have, a 96, Gibson J30 Rosewood that was a gift from two army brothers. I have an AJ and an HD28 but I prefer the J30. Not just because of the emotional attachment. Of my several electrics I tend to play a Rick Kelly tele more than others . I do have a Collings 290 that is just stellar in build quality and fits me well. And, I retain my first electric , a Yamaha SG600 bought new in Japan in1980. I also have a DeArmond Starfire that I really dig with flatwounds. Each holds a place and I feel lucky each time I pick one up.
Thank you for the trinity of pro guitars. My gap is still the tele. I made a tele shaped guitar out of a block of mahogany from Key West. The neck is maple with a rosewood board. The pickups are Rio Grande Dirty Harrys. Thus my tele sounds more like a Les Paul Jr.
by the way, I've had the Les Paul since 1999. We still haven't bonded!
Try kissing her before you play lol❤@@alfredschubert1657
Keith!
I always enjoy all of your videos. I REALLY love the brand/Model specific histories. and I always come away with a different perspective when I watch your "What if?" or "How About?" vids.
Keep up the great work!
I still have my 1970 Deluxe. 🙂
I vutchef full size HBs in tho