I'm back again Sangah. I was just laying down to go to sleep and this came on my playlist. WOW this is so stimulating I can't sleep now. you are so amazing in every way.
I’m always amazed by how incredible these rock song covers sound when Sangah plays them. The dynamics, the improvisation, the energy… the music is ohsome, and the performance is always perfection… Wowza! 💥🎹👊
Aside from this perfectly executed cover, something I noticed that has nothing to do with the quality of the musical delivery, but is an interesting harbinger, is how several pianos are stacked up in the background. I see two distinct things about the alternating-sized pianos, in no particular order, from Medium, to Smaller, to Larger, to Smaller, to Largest…a carefully planned variation which represents how Sangah controls the mood throughout her cover. She can switch back and forth at will, always with the most subtle transitions, and never predictable. Even so, like the straight line that the pianos form, she always has a vector, a direction, a vision. No matter which way the winds blow, she always brings her viewers along for the journey and safely lands them at the end of the song, which is always as impressive as the mosaic piano at the end of the line. It matters not how she ends the song, because she always ends with a Grand and colorful finish. Without her masterful control of the piano and arrangement, no amount of stacked pianos would mean anything. Your songs, Sangah, have indeed inspired my musical imagination! I do not feel that same thing with other grand artists. Thank you ! ! ! 👏 👏 👏
I think when Bartolomeo Cristofori invented the piano over 300 years ago, he did so with the foreknowledge that someone like you would eventually come along who could use his invention to its fullest capabilities. If he were here now, watching and listening to you, he would smile, shake his head in wonder and say "Wow!". Just like the rest of us. Thank you Sangah another great post!!
I am once again amazed at how I could enjoy a music piece I usually do not care for just because you are hitting the keys of your piano and creating vibrations that I otherweis did not hear or feel in the original. This only proves that we should always be opened to new paths in life. Thank you once again for leading me there.
I discovered your channel about four months ago. It was only then that I found out what YT was invented for. You are the one I´ve watched and listened to most since that time. And I don´t see that this is going too change.
I don’t have words to describe the amazing feeling of joy you bring when you play. It’s incredible and contagious your happiness! Keep doing your art! I’m totally a fan
Note: My previous wording misidentified the vamping as the chorus...I modified my post to clarify that I was talking about the underlying vamping melody, not the chorus/"Californication lyrics" Wow…I was blown away by your playing. I’m not completely familiar with the original, but I think it’s a good test to guage how I feel about your song delivery. If I knew the original well, I would be able to pick out the things that you played verbatim, as well as the things that you put your own touch on, so this will be a good opportunity to give a complete, unbiased critique of how Sangah played a song with which I was not intimately familiar. Hypothetically speaking, then, my 1st critique will assume that you, Sangah, wrote the entire song. After my critique, I will go listen to the original RHCP song and study it…and then return here for a follow-on critique. I think I already know how that will turn out, but to be fair, I will not cheat and listen to the original before my follow-on critique. So here goes… Critique #1: If I were to assume that Sangah wrote this entire song as an original, this is how I would critique it. VERY melodic intro with the most rudimentary vamping. VERY intricate fingerings. VERY consistent, and gradual increase of rhythm layers. VERY consistent increase of energy level. Even though the energy level continues to build throughout the song, Sangah always takes two energy-building steps forward, and one energy-removing step back, so as to allow the energy “pendulum” to swing back and forth throughout the entire song, while gradually building the overall song energy, yet still careful not to prematurely reach the song’s climax…love how she used finger fluttering (1:51-2:01) to help take yet another secret back street before merging back onto the main street. Another way she keeps the suspense building is by making continuous modifications to the rudimentary base melody/vamping. Even though her pendulum swings back and forth between that base melody/vamp and the “new melodies” (i.e., the new verses), she never allows the underlying melody to become stale by always making slight changes to it…not too much to lose sight of the base melody, but still enough to know that the song is continuing to “grow” in energy. The energy growth is not a simple linear increase in energy, but rather a mixture of macro increases and micro increases and decreases in energy to maintain that two-energy steps forward, and one-energy step back throughout the entire song. I have no idea how in the WORLD Sangah could ever memorize such a complex and unique energy pattern without notation. Your mind is unbelievable, Sangah, and your heart is even MORE impressive!!!! And your fingers….oh my…everything your fingers touch turn to Gold! 😊 There are only so many different things you can do on a piano to exploit every possible musical parameter, and you have found all of them, and then some! You have used every possible resource available to get every single sound out of that piano, and when you run out of sounds, you will invent some type of creative way of combining those individual sounds to make an entire new sound of its own! If average people can assemble a jigsaw puzzle in only one possible way, you are able to assemble that same jigsaw puzzle in twenty different ways, and still make the pieces fit perfectly! I REALLY DO NOT KNOW HOW you can do this and make it seem so simple, Sangah! I know it is very complex, but you make it look simple!! This song has got to be on my top three list of yours. And you have at least fifty that are in my “top 3” list, don’t you know!!! I need to calm down now, so I will stop critiquing! 😊 😃 😊
Sangah. Complex as souls go, no limits, no light to bright to follow. Simple as a human can be, imagining free. Lost in music, never lost. Speak to me, speak louder. Delicately play, only whisper. Never use words. Sangah Noona, complex as a flower, then simple as the universe. A beautiful as a drop of stardust taps into her entire energy within. Maybe stars can only stay believed into being if some of the dust shines back. Sangah, bright stardust.... you rock ! I love this performance.
I don’t listen to the RHCP religiously, so while I do recognize some of their songs, I don’t recognize all of them. I said I would give two critiques, one without being familiar with the RHCP song Californication, and the second after having listened to the RHCP’s original song and becoming familiar with it. After first listening to Sangah’s piano cover of this song, I pretended that it was a song that she wrote herself before giving my critique just to see how my impressions may, or may not change between my two critiques. Everything she did was amazingly brilliant (see my 1st Critique). Critique #2: (made after having listened to the original RHCP song) It’s a simple critique, and is not like the 1st Critique, in which I shared my detailed observances of Sangah’s SUPER DYNAMIC (aka AWESOME) talent in performance and arranging. By listening to the cover song first, then the original, and then the cover again, I have discovered something about the difficulty of doing a superb cover that Composers/Arrangers/Performers/Artists such as Sangah already know, and it would be interesting to hear from her the types of things that go through her mind when setting out to cover a song…you know, the things that are important, in her mind. I know that she must consider many different things before releasing her cover since everything, and I mean EVERYTHING must be top notch before she will release it. There are many musicians who perform covers, but not all of those musicians are true musical artists. Yes, of course, everyone is an artist, but I mean not all of them are of the high caliber that Sangah is. Anyone can cover a song, but very few can do a song cover justice by adhering to the DNA of both, the original talent AND the cover talent. Remember that “cover talent” is much more than just being able to emulate an original song verbatim. That, I believe is a huge challenge, but only the first step. Some cover artists never even reach that first step, which is why their limited talent only allows them to struggle through the song, perhaps playing some, but not all of the original riffs correctly. Not Sangah, though. She can play verbatim any song that she sets her mind to play, but then she raises the bar even higher. She then adds things that the original artist did not use…not because she is not able to clone the original song perfectly, but because that would be too easy for her! (Can you say B-O-R-I-N-G?? Haha!) She is always challenging herself by raising the bar, and you can tell…any of us who have been following her can tell…anyone who has bought her album online can tell…heck, even the Red Hot Chili Peppers could tell when they paid her a huge compliment back in September (??) of 2018 for a cover she did of one of their songs. I could never, nor would even want to put words into Sangah’s mouth, but after watching her cover, studying the original song, and then watching her cover again, and again, I believe that one of the biggest challenges for a cover artist is to know how and when to move back and forth between the original song DNA and the cover DNA. If Sangah were to play covers like the original, verbatim, some people would like it, but many would not. If she played her covers without demonstrating that she can emulate the original anytime she chooses to, that also would not be appealing to most people. Instead, she does both, giving her listeners the beautiful sounds that we grew up loving about an original artist, but then giving us oh so much more, and always returning to the original DNA again and again throughout the song to make sure we all get our money’s worth! Haha! So, the bottom line of this 2nd critique is this: a) Performing a song cover but not adding enough of your own “cover DNA” is just plain wrong…it’s boring, and mundane. b) Performing a song cover and adding too much of your own “cover DNA” is equally wrong since it fails to spotlight the original artists work. c) Finding the best balance between those two is a challenge that only the very best musical cover artists are capable of doing. Well done, Sangah! You continue to amaze us with your brilliance! 😊 ❤️ 👍🏻 ❤️ 😉 ❤️ 👍🏻 ❤️ 😊
I'm new here because of a Pianote channel video that was suggested on my feed (Rush E - Jazz E). I *had* to see more and I scroll and find this and I just really love this piece. I subscribed now. I look forward to jamming more fun stuff.
@@SangahNoona Thank-you for your reply back to me. I will give you a small introduction to Keiko Matsui along with 4 other Female Japanese Pianists that are in my opinion the best in the world. Your name has now been added to my list with these 5 other Pianists. KEIKO MATSUI : ua-cam.com/video/ML16DQAlEE0/v-deo.html ua-cam.com/video/3endl3yt-Us/v-deo.html ua-cam.com/video/gr1Z5VoBKrU/v-deo.html ua-cam.com/video/pd6eYyBuHk8/v-deo.html and this last one is with Bob James doing a 4 Hand Piano ua-cam.com/video/u7ytQWL_gs8/v-deo.html JUNKO ONISHI : ua-cam.com/video/Y8VKIUubXmk/v-deo.html YOKO MINWA : ua-cam.com/video/VK-83CuuPZk/v-deo.html CHIHIRO YAMANAKA : ua-cam.com/video/JIK5Hnf4ctc/v-deo.html ua-cam.com/video/Uk-FX0jFbYQ/v-deo.html HIROMI UEHARA : ua-cam.com/video/30C7CjGB6g8/v-deo.html ua-cam.com/video/1rxYw7Y45Eo/v-deo.html So there you have it. I Hope that I did not make my reply too long for you Sangah. I look forward to watching and listening more of your songs. Best Wishes, Bob
Ahhh. Brilliant my dear. This sounds like it belongs in a movie's OST. Like a Drama Mystery? UA-cam sometimes has great recommendations. Particularly last year when they recommended one of your earlier (2016?) RHCP renditions. Been hooked to you since. #KeepGoing.
This is wonderful, love the staccato sections. I was looking to see if there was version on piano that I could draw inspiration from when I play it to accompany. Your piano needing tuning though
![Red Hot Chili Peppers - Californication (Official Music Video) [HD UPGRADE]](http://i.ytimg.com/vi/YlUKcNNmywk/mqdefault.jpg)
Sangah's always worth a listen. She produces so many ideas and inventions in her covers. I find it amazing.
Sangah ...Thanks to your music I take a break from all my problems...
Think this is the most beautiful thing I've ever heard!
I'm back again Sangah. I was just laying down to go to sleep and this came on my playlist. WOW this is so stimulating I can't sleep now. you are so amazing in every way.
Sangah 🎀 Noona
Beautifil musical 💥
Queen yang ladie 💐
🐻 Loving embrece desde 🇧🇷
This is officaly the most beautiful piano play i have ever heard in my life 😮❤️
🔙... June 6/21 (7:05 am EST) 🧡 ... Good morning and thank you for your musically colorful performance. 🌻🌻🌻🌻
I’m always amazed by how incredible these rock song covers sound when Sangah plays them. The dynamics, the improvisation, the energy… the music is ohsome, and the performance is always perfection… Wowza! 💥🎹👊
I wish be your neighbour to listen you play all the day..❤
Haha, I don’t know... it would be that pleasure though... 😜👍🏻😉💕
Aside from this perfectly executed cover, something I noticed that has nothing to do with the quality of the musical delivery, but is an interesting harbinger, is how several pianos are stacked up in the background.
I see two distinct things about the alternating-sized pianos, in no particular order, from Medium, to Smaller, to Larger, to Smaller, to Largest…a carefully planned variation which represents how Sangah controls the mood throughout her cover. She can switch back and forth at will, always with the most subtle transitions, and never predictable. Even so, like the straight line that the pianos form, she always has a vector, a direction, a vision. No matter which way the winds blow, she always brings her viewers along for the journey and safely lands them at the end of the song, which is always as impressive as the mosaic piano at the end of the line. It matters not how she ends the song, because she always ends with a Grand and colorful finish. Without her masterful control of the piano and arrangement, no amount of stacked pianos would mean anything. Your songs, Sangah, have indeed inspired my musical imagination! I do not feel that same thing with other grand artists. Thank you ! ! !
👏 👏 👏
You should be a journalist! 👍🏻😉🌷
Maravilloso 😍😍😍😍😍
Wonderfully done Sangah!! Awesome!! You look so into that performance, and WOW stunningly beautiful in that dress too. love it.
I love the way you play the piano, always smiling!
I just close my eyes and listened. It’s too beautiful to explain. Such strength. Love it again!
How could I have missed this video? Wonderful majestic beginning! Great improves 👌 This puts me in trance ... magical ♥️🎹🎼🎵🎶💕
I think when Bartolomeo Cristofori invented the piano over 300 years ago, he did so with the foreknowledge that someone like you would eventually come along who could use his invention to its fullest capabilities. If he were here now, watching and listening to you, he would smile, shake his head in wonder and say "Wow!". Just like the rest of us. Thank you Sangah another great post!!
Wow!!!!! You made the first comment Mark!! And that’s amazing compliments!! I really and always appreciate your encouragement Mark! 👍🏻😉💕❤️
@@SangahNoona Thank you again Sangah, and btw, you look stunning. So elegant!!
I have watched this video a lot of times! Still, “No words.” 😊💕🎹💕💯
So beautiful
I am once again amazed at how I could enjoy a music piece I usually do not care for just because you are hitting the keys of your piano and creating vibrations that I otherweis did not hear or feel in the original. This only proves that we should always be opened to new paths in life. Thank you once again for leading me there.
THANK YOU, AMAZING, FAB YOU LOUS, THIS IS ONE OF MY FAVOURITES, i LOVE WATCHING AND LISTENING TO YOU PLAY, MAKES ME HAPPY.
How on earth you have so few views... This is just incredible. I can listen to you for days without interruption.
Thanks my friend! You made my day! ❤️😉👍🏻
I discovered your channel about four months ago. It was only then that I found out what YT was invented for. You are the one I´ve watched and listened to most since that time. And I don´t see that this is going too change.
최고!
Thanks for the wonderful piano arrangements and their emotional performance. Your Bulgarian fan
Very beautiful Sangah,thank you!👏👏👏😊♥I love this melody!
Thank you Angela! 👍🏻😉🌹
Wonderfully played gorgeous rendition of music and you look beautifully stunning bless you
Amazing cover with you're own touch
Simply awesome. Please do more RHCP covers!
Thank you Zeno! ❤️😉👍🏻
Sangha that was amazing! ❤️
Beautiful
I don’t have words to describe the amazing feeling of joy you bring when you play. It’s incredible and contagious your happiness! Keep doing your art! I’m totally a fan
Wow!! Thank you so much for your kind words Ana! That means really a lot to me! 👍🏻😉❤️💕
Note: My previous wording misidentified the vamping as the chorus...I modified my post to clarify that I was talking about the underlying vamping melody, not the chorus/"Californication lyrics"
Wow…I was blown away by your playing. I’m not completely familiar with the original, but I think it’s a good test to guage how I feel about your song delivery. If I knew the original well, I would be able to pick out the things that you played verbatim, as well as the things that you put your own touch on, so this will be a good opportunity to give a complete, unbiased critique of how Sangah played a song with which I was not intimately familiar. Hypothetically speaking, then, my 1st critique will assume that you, Sangah, wrote the entire song. After my critique, I will go listen to the original RHCP song and study it…and then return here for a follow-on critique. I think I already know how that will turn out, but to be fair, I will not cheat and listen to the original before my follow-on critique.
So here goes…
Critique #1:
If I were to assume that Sangah wrote this entire song as an original, this is how I would critique it. VERY melodic intro with the most rudimentary vamping. VERY intricate fingerings. VERY consistent, and gradual increase of rhythm layers. VERY consistent increase of energy level. Even though the energy level continues to build throughout the song, Sangah always takes two energy-building steps forward, and one energy-removing step back, so as to allow the energy “pendulum” to swing back and forth throughout the entire song, while gradually building the overall song energy, yet still careful not to prematurely reach the song’s climax…love how she used finger fluttering (1:51-2:01) to help take yet another secret back street before merging back onto the main street. Another way she keeps the suspense building is by making continuous modifications to the rudimentary base melody/vamping. Even though her pendulum swings back and forth between that base melody/vamp and the “new melodies” (i.e., the new verses), she never allows the underlying melody to become stale by always making slight changes to it…not too much to lose sight of the base melody, but still enough to know that the song is continuing to “grow” in energy. The energy growth is not a simple linear increase in energy, but rather a mixture of macro increases and micro increases and decreases in energy to maintain that two-energy steps forward, and one-energy step back throughout the entire song. I have no idea how in the WORLD Sangah could ever memorize such a complex and unique energy pattern without notation. Your mind is unbelievable, Sangah, and your heart is even MORE impressive!!!! And your fingers….oh my…everything your fingers touch turn to Gold! 😊
There are only so many different things you can do on a piano to exploit every possible musical parameter, and you have found all of them, and then some!
You have used every possible resource available to get every single sound out of that piano, and when you run out of sounds, you will invent some type of creative way of combining those individual sounds to make an entire new sound of its own! If average people can assemble a jigsaw puzzle in only one possible way, you are able to assemble that same jigsaw puzzle in twenty different ways, and still make the pieces fit perfectly! I REALLY DO NOT KNOW HOW you can do this and make it seem so simple, Sangah! I know it is very complex, but you make it look simple!! This song has got to be on my top three list of yours. And you have at least fifty that are in my “top 3” list, don’t you know!!! I need to calm down now, so I will stop critiquing! 😊 😃 😊
QUE PERFEITO
Perfect!
i wish be her neighbour too :) stunning
Awesome!
Sangah.
Complex as souls go,
no limits,
no light to bright to follow.
Simple as a human can be,
imagining free.
Lost in music, never lost.
Speak to me, speak louder.
Delicately play, only whisper.
Never use words.
Sangah Noona,
complex as a flower,
then simple as the universe.
A beautiful as a drop of stardust taps into her entire energy within.
Maybe stars can only stay believed into being if some of the dust shines back.
Sangah,
bright stardust....
you rock !
I love this performance.
Love
Wow, incredible performance! I like your (visual) charisma when making music. I often don't get enough of that with many other good musicians...
Amazing interpretation! Oh and that wonderful smile! So beautiful! ❤️
You are AWWWWWWWWWESOME!!! ❤😉👍
Super performance one of the better. Congratulations
With the power of your execution, you made this song beautiful.
Thank you my friend!! Have a great weekend!
so good
I love this so much!! 💝💝💝💝💝
You‘re not playing the Piano, YOU ARE THE PIANO!
Greetimgs from Germany
WOW!!! You are amazing!!! You made my day my friend! Thanks!! ❤️👍🏻😉
A M A Z I N G... perfecto
Wow! Amazing! From Longueuil Quebec Canada
Wonderful Sangah, even one last second ... that last note sounding ... echoing softly, I love it!
Wow...! I knew you have a real good ear!!! You got it Fabiano!! 👍🏻😉💕
You killed it! Wow! Please more rhcp covers!!!
Thank you Jasmin! ❤👍😉
I don’t listen to the RHCP religiously, so while I do recognize some of their songs, I don’t recognize all of them.
I said I would give two critiques, one without being familiar with the RHCP song Californication, and the second after having listened to the RHCP’s original song and becoming familiar with it.
After first listening to Sangah’s piano cover of this song, I pretended that it was a song that she wrote herself before giving my critique just to see how my impressions may, or may not change between my two critiques. Everything she did was
amazingly brilliant (see my 1st Critique).
Critique #2:
(made after having listened to the original RHCP song)
It’s a simple critique, and is not like the 1st Critique, in which I shared my detailed observances of Sangah’s SUPER DYNAMIC (aka AWESOME) talent in performance and arranging.
By listening to the cover song first, then the original, and then the cover again, I have discovered something about the difficulty of doing a superb cover that Composers/Arrangers/Performers/Artists such as Sangah already know, and it
would be interesting to hear from her the types of things that go through her mind when setting out to cover a song…you know, the things that are important, in her mind. I know that she must consider many different things before releasing her cover since everything, and I mean EVERYTHING must be top notch before she will release it.
There are many musicians who perform covers, but not all of those musicians are true musical artists. Yes, of course, everyone is an artist, but I mean not all of them are of the high caliber that Sangah is. Anyone can cover a song, but very few can do a song cover justice by adhering to the DNA of both, the original talent AND the cover talent. Remember that “cover talent” is much more than just being able to emulate an original song verbatim. That, I believe is a huge challenge, but only the first step. Some cover artists never even reach that first step, which is why their limited talent only allows them to struggle through the song, perhaps playing some, but not all of the original riffs correctly. Not Sangah, though. She can play verbatim any song that she sets her mind to play, but then she raises the bar even higher. She then adds things that the original artist did not use…not because she is not able to clone the original song perfectly, but because that would be too easy for her!
(Can you say B-O-R-I-N-G?? Haha!)
She is always challenging herself by raising the bar, and you can tell…any of us who have been following her can tell…anyone who has bought her album online can tell…heck, even the Red Hot Chili Peppers could tell when they paid her a huge compliment back in September (??) of 2018 for a cover she did of one of their songs. I could never, nor would even want to put words into Sangah’s mouth, but after watching her cover, studying the original song, and then watching her cover again, and again, I believe that one of the biggest challenges for a cover artist is to know how and when to move back and forth between the original song DNA and the cover DNA.
If Sangah were to play covers like the original, verbatim, some people would like it, but many would not. If she played her covers
without demonstrating that she can emulate the original anytime she chooses to, that also would not be appealing to most people. Instead, she does both, giving her listeners the beautiful sounds that we grew up loving about an original artist, but then
giving us oh so much more, and always returning to the original DNA again and again throughout the song to make sure we all get our money’s worth! Haha!
So, the bottom line of this 2nd critique is this:
a) Performing a song cover but not adding enough of your own “cover DNA” is just plain wrong…it’s boring, and mundane.
b) Performing a song cover and adding too much of your own “cover DNA” is equally wrong since it fails to spotlight the original artists work.
c) Finding the best balance between those two is a challenge that only the very best musical cover artists are capable of doing.
Well done, Sangah! You continue to amaze us with your brilliance! 😊 ❤️ 👍🏻 ❤️ 😉 ❤️ 👍🏻 ❤️ 😊
Thank you so much for your compliments! 😆
I love this! Your interpretation is just beautiful! These views definitely need to get boosted up! Thank you Sangah!
I'm new here because of a Pianote channel video that was suggested on my feed (Rush E - Jazz E). I *had* to see more and I scroll and find this and I just really love this piece. I subscribed now. I look forward to jamming more fun stuff.
in love
Masterpiece!
Beautiful and the best again.
Bravissima Noona ora sono iscritto al tuo canale.😆 Ciao dall'Italia 😆🌹🌹👏👏
This song is beautiful on the piano. Almost as if it was originally composed for it. Great job!
Wow!! I like the way you gave me the compliments! Very creative and I’m honored Charlie! 👍🏻😉💕
Great Job? BEYOND CATEGORY!!!
@@SangahNoona There is a lot of Keiko Matsui Playing the Piano in this Performance!!! SO GLAD TO HAVE COME ACROSS YOU!!!
@@bobnevala5218 I don't know who Keiko M is but thanks for your kind words! Good to see you! 👍🏻😉💕
@@SangahNoona Thank-you for your reply back to me. I will give you a small introduction to Keiko Matsui along with 4 other Female Japanese Pianists that are in my opinion the best in the world. Your name has now been added to my list with these 5 other Pianists. KEIKO MATSUI : ua-cam.com/video/ML16DQAlEE0/v-deo.html ua-cam.com/video/3endl3yt-Us/v-deo.html ua-cam.com/video/gr1Z5VoBKrU/v-deo.html ua-cam.com/video/pd6eYyBuHk8/v-deo.html and this last one is with Bob James doing a 4 Hand Piano ua-cam.com/video/u7ytQWL_gs8/v-deo.html JUNKO ONISHI : ua-cam.com/video/Y8VKIUubXmk/v-deo.html YOKO MINWA : ua-cam.com/video/VK-83CuuPZk/v-deo.html CHIHIRO YAMANAKA : ua-cam.com/video/JIK5Hnf4ctc/v-deo.html ua-cam.com/video/Uk-FX0jFbYQ/v-deo.html HIROMI UEHARA : ua-cam.com/video/30C7CjGB6g8/v-deo.html ua-cam.com/video/1rxYw7Y45Eo/v-deo.html So there you have it. I Hope that I did not make my reply too long for you Sangah. I look forward to watching and listening more of your songs. Best Wishes, Bob
Te amo!
you are so amazing its unreal
Love it, Goddes of Improvisation, drop my hat Luv
wow! amazing
Espectacular, eres grandiosa ♥
The Jazz influence is appreciated :) x2 ... do you sell your sheet music anywhere?
Thank you my friend! I don’t even have sheet music for this. 😉😜👍🏻
Loved the bass, and the blue light!
Thank you Pablo! 💕😜👍🏻
I love this song. One of the first ones I learned on guitar. Well done. So special to hear your piano version. :)
Wow! You learned guitar with this song? F#m as a beginner?! Wow!! I quit guitar because of F. You are awesome Federico! 👍🏻😉💕😎
Belissimo!!! Where can I found this arrangement?
You can find it in my mind. 😉
wow' so lovely piece, thanks for sharing ms Sangah :)
Thank you Julius!
you're always welcome :)
Please do more Red Hot Chili Peppers songs.
👍🏻😉😎
wooow puree magicc!!
whats your secretss?!!
That was awesome, rock on!
You’re awesome my friend! ❤️😉👍🏻
🔥🔥- inspiring
Best band! Beautiful cover!
Hey! It’s been a long time Leon! How have you been? 😉
@@SangahNoona Wow, you still remembers me, rs. I got a fever but I'm doing OK! Thx for asking, and have a great weekend!
Good stuff
🌹
High tecniche musical performance.... fridays are a surprise....
Wow! I like that Fridays are surprise! Much better than just random as I call. You are awesome Ernesto! 👍🏻😉😎
@@SangahNoona Awesome are you, my dear master.
Serio, eu nem dei play mas ja fui dando o like por que eu sei que ta perfeito 👏👏👏
Amaizing
❤❤❤❤❤
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Amaizing ;) My favorite cover of this song
Happy to hear that! ❤️😉👍🏻
Sensacional!
I wish I could collab with you on this. You are by far the best cover I've heard and I cant help but dance when I play along on cello 😭🙌🏽
Thank you for your kind words! ❤️👍🏻😉
Love music😍😍
Thank you Enzo! Have a great weekend! 👍🏻😉💕
@@SangahNoona Grazie 😉😘
❤️
Ahhh. Brilliant my dear. This sounds like it belongs in a movie's OST. Like a Drama Mystery?
UA-cam sometimes has great recommendations.
Particularly last year when they recommended one of your earlier (2016?) RHCP renditions. Been hooked to you since.
#KeepGoing.
Wow...! That’s how we started!! I’m glad you clicked the suggested video! 👍🏻😉💕
Hello...can u Play "Alone Again Naturally"
Incredible! 👏 You always amaze me! How long do you play everyday? I would beg you to play 24/7 if possible 😊
This is so beautiful! 😭♥️
Thank you my friend! ❤️👍🏻😉
🤘🤙
❤️👍🏻😉😎
Awesome
Thank you Rob!
Can I request ? Dosed by rhcp haha :)
Piano Frusciante? great improvisation x
Better than original despite the original is awesome. 😊👍
Wow!! You are awesome Bogumil! ❤️👍🏻😉
I like.
❤️👍🏻😉
Could you play „Stairway To Heaven“ please? Greetings from Germany
🎶🥰🎶
👍🏻😉💕😜🌹
💘💘💘💘💘💘
How can this have only 1k views? haha
also did you play by just by ear or is it possible to acquire sheets for this beautiful interpretation?
Haha, thanks for your kind words my friend! I usually play by ear. ❤️😉👍🏻
This is wonderful, love the staccato sections. I was looking to see if there was version on piano that I could draw inspiration from when I play it to accompany. Your piano needing tuning though
where is the button I love!
Oh you’re so sweet Demetria! 👍🏻😉❤️🌹💕