Johann Strauss II: Ballg’schichten (Tales of the Ball 舞踏会の物語) Walzer Op. 150 - 1st version (1854)
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- Опубліковано 12 жов 2024
- Johann Strauβ BICENTENNIAL CELEBRATION (1825-2025) 祝生誕２００年
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Johann Strauss II: Ballg’schichten (Tales of the Ball 舞踏会の物語) Walzer Op. 150 - 1st version
1st Performance: February 27, 1854 - STRAUSS Benefit Ball at the SPERLsaal - performed by the Strauβkapelle conducted by Johann Strauss II
Sources: 1st edition Piano Score (1st version) published by Carl Haslinger, Wien Plate no. C. H. 11676 (9/24/1854)
Strauβ Edition Wien Score 1 10A 150 W (2nd version)
Performed by Dr. Taka S. Otagawa drive.google.c...
Recorded LIVE (1/10/1978) at Herr Karasawa (唐澤俊三)* Residence, Yokohama, JAPAN [* Founder/Director of the Tokyo Johann Strauss Ensemble] Equipment: Top-of-the-line Yamaha Upright Piano, TEAN Reel-to-Reel Tape Recorder, Professional Recording Microphone
The orchestral recording of the 2nd version (The published orchestral parts): • Ballg'schichten, Walze...
The difference between the 2 versions is in Bar 1 of the Waltz 1B:
1st version: | ♫ (F# =A6 chord) ♩ ♩ | , 2nd version: | ♫ (G# =Amaj7 chord) ♩ ♩ |
In Biedermeier times, the pleasure of dancing also attracted the Viennese to the suburbs. Thus the
Sperlsaal in the then suburban Leopoldstadt became one of the most popular entertainment establishments. Here, elegant Vienna spins to the most lively waltzes. waltz sounds. Especially for Johann Strauss’s father, “der Sperl” became his favorite pub. And the first stage for a large number of his works. de.wikipedia.o...
In November 1862, Eduard Strauss’ 1st-published Waltz: Die Candidaten (The Female Dance Partners,女性ダンスパートナー) Walzer in D major Op. 2 was 1st performed also at the SPERLsaal. • Eduard Strauss: Die Ca...
ANALYSIS of “The Dr. Otagawa's HISTORICAL PIANO RECORDINGS” by Herr Karasawa drive.google.c...
Mooi!
This is a precious performance, as the only recording available for this piece is the Marco Polo recording. The Marco Polo recording is in even 3/4 time, and the performance is cramped and rough, which unfortunately only serves to diminish the beauty of Strauss, and has the opposite effect. So this piano recording brings to mind a very different picture, and it is clear that this is such a fascinating piece. The tempo at the beginning of the first waltz is as slow as possible, and gradually becomes more normal, just like Riccardo Muti, and it is a performance that captures the essence of Strauss. I also like the 2B melody that appears in the introduction.
Tetsuro Nakamura, Member of the Japan Johann Strauss Society op.342
この曲は音源がマルコポーロ盤しかないので貴重な演奏です。マルコポーロ盤は均等三拍子で、しかもせせこましく荒っぽい演奏で、残念ながらシュトラウスの良さを失わせる、まさに逆効果の役割しか与えていません。だからこのピアノ録音からは随分と違った景色が浮かんできましたね、こんなに魅力的な曲であったのだと。第1ワルツの入りのテンポ、極力ゆっくりで徐々に普通になっていく、まさにリッカルド・ムーティばりで、シュトラウスの壺を押さえた演奏です。あと序奏でも登場する２Bの旋律が気にいっています。
中村哲郎, 日本ヨハン･シュトラウス協会会員op.342