Studio Jam #6 - "Beautiful Love"
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- Опубліковано 7 лип 2024
- Here is one of several tracks from Studio Jams Episode #6, recorded at the legendary Sigma Sound Studios in Philadelphia, PA (USA). It features guitarist Larry Carlton, bassist Gerald Veasley, drummer Byron Landham, saxophonist Chris Farr, percussionist Emedin Rivera and organist Joey DeFrancesco. This session was taped on April 30, 2003. For more on the series, go to www.StudioJams.com.
![ОРБАН приехал к ПУТИНУ и "отчитался" о поездке в Киев 😁 [Пародия]](http://i.ytimg.com/vi/_0ukDovOWq8/mqdefault.jpg)
RIP Joey DeFrancesco. :-(
Carlton is such a soulful player. Great version !
Larry is right up there with the best of the best Jazz Guitarists + his other styles too. The man is a genius.
Love Larry's playing
RIP Joey SanFrancisco
Ahh that beautiful bob james 70s organ sound. 👌
When I used to catch Joey in LA at a Jazz Club, it was always 3 sets for me & the Club would be Jam-packed early on
Call it bliss row! Wonderful jaaaazz!!! Thank you Sigma Studio!
You guys are great! Thanks!
Un très beau thème , revisité par de grands musiciens , surtout Larry Carlton et Joey de Francesco , formidables comme toujours !
Greetings from France ! 🎵🎹
Joey d on a Rhodes and killing it!!
Joey D sounds great on that fender rhodes !
+Peter Palaj Just indeed my words. He should do more stuff on keyboard:)
SO GREAT!!!
Did Larry say, “Where are we?” after his solo? Now, thats jazz!
Yes indeed!!!
Tasteful drummer! Carlton just riding the groove!
Simply Larry Carlton.and band. Well done all of you.
Larry Carlton still sounds like the best session guitar player in the world.
i do like the way he comes in through a low range and build
his thing to reach the acme features
What a weird video to comment this under. He's lost in the changes of a such a simple tune
Stunning version....
love that ending
This was really enlightening for me. I’ve been working on this tune on guitar and I was listening first to an Anita O’day version where the guitar solo is some great old hollow-body jazzer (sounds like Barney Kessel maybe?), and he painstakingly outlines all the chord changes. But it was inspiring to hear Larry Carlton just kind of let it rip in D minor, without worrying to much about all those other little changes. He makes it work no problem. Quite a lesson.
Good observation about modal players.
I’m actually listening to both today while working on the tune.
For me the solo on Anita O’Days version sounds like someone who knows the changes extremely well while Carlton’s sounds like he may be less familiar with the changes.
Both great but Anita’s guitar solo is the one for me. It’s beautiful.
Wow! This is some Jazz Music.
All stars!
That outro jam is spicy!!
One of my favorite standards
chris farr been a beast since 03
Wow awesome.
excelente!!!
WOW GOOD BEAUTIFUL
sounds great congrats
It looks so easy. Beautiful.
wow!
Rip Joey
beautiful love
gerald veasley's tone, man. Could've sworn he was on upright.
Can't believe Joey is gone 😮💨
nice! thanks
Beau tempo
if i can be just half as versatile as larry carlton i'll be happy hahaahahha
wowww super jazz
Great to hear these guys on this - (although that's a bummer about the weird skip in the video / audio at about 2:30).
Yeah..
Great ending!, or coda, or whatever it should be called.
TOP
anyone knows the organ model that Joey DeFrancesco uses?
Hammond B3, and for the solo, Rhodes piano.
Whoa, 20 thumbs down fools walking among us!
Different players have different listening experiences, me being from where I'm from on the east coast and growing up as a highly trained technical jazz player, I listen for language, which is what I noticed the tenor player Chris Farr is using a lot of, it's one thing to play within the changes continuously, but to me that sounds boring really quick, versus sounding mouth dropping by using vocabulary which takes you in and out of the changes, like a boxer weaving in and out of striking distance, which is what the most successful and well known jazz players all do.
@@timeisnow4116 Well thank you Maestro.
2:04
And some have said that the es335 is not a real jazz instrument.......
what? seriously..
He mainly used a 330; a full hollow body with P90s.
David K. The 335 Being semisolid body like mine, lends itself to both jazz and blues, rock, etc. I think it can do anything which is what Larry usually says about it. It has more sustain than the hollow 330....
Blah blah blah blah.......
I asked one of my guitar teachers, Mark Kimbrell (who studied under Herb Ellis) what the best “jazz” guitar was. He grabbed my crappiest acoustic and said this guitar, and then proceeded to do Joe Pass walking bass lines all over it’s awfully intonated neck. Lesson learned !
Hey what type of keyboard is Joey D playing in the early part of the video?? That sound reminds me of some of Guaraldi's early work from Peanuts and really captures that late 60's early 70's sound.
That's a flat top Fender Rhodes, late 70's I would presume.
I Dont belive you ))))
Nice,but to my ear you can't beat an upright bass for this type of music. I can see Ray Brown ,or Neils Peterson playing with these guys , and taking a wicked tear it up solo.Great bassist , but his bass sounds more like a guitar instead of that big Bull upright sound.
Neils Peterson? Who is he? XD
Greatest bassist in history imo, NHØP
Said like the usual snobby purist
sadly,Howl's Moving Castle copied this song
Yes I know a lot of people that were really broken up about that. I can barely type this because I'm so forlorn about this.
Certainly great players, and improvising well, but a bit frantic for my taste. A more languid take would have fit the exquisite melody and lyrics better, and let it "breathe", I think. When Joey Franscesco slows it down for a bit, it sounds better, then it's back to "gnat notes"
Oh well Just my 2 cents. ;)