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Haydn: Sinfonie Nr. 82 (»L'Ours«) ∙ hr-Sinfonieorchester ∙ Andrés Orozco-Estrada
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- Опубліковано 14 сер 2024
- Joseph Haydn:
Sinfonie Nr. 82 C-Dur (»L'Ours«) ∙
(Auftritt) 00:00 ∙
I. Vivace assai 00:19 ∙
II. Allegretto 08:07 ∙
III. Menuet - Trio - Menuet 14:25 ∙
IV. Finale. Vivace 18:38 ∙
hr-Sinfonieorchester - Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada, Dirigent ∙
hr-Sinfoniekonzert ∙
Alte Oper Frankfurt, 17. Januar 2020 ∙
Website: www.hr-sinfoni... ∙
Facebook: / hrsinfonieorchester
Andres is happy; the musicians are happy, the audience is happy, we are too. Haydn deliver beauty that is full of radiant happyness
Why do I feel like I've never heard Haydn and this symphony before? Orozco-Estrada can take any piece of music, no matter how overworked and played into the ground, that we're oh so tired of hearing yet again, and make it new and fresh. What a gift! and how badly needed, this breath of fresh air and life! Bravo Maestro! eres fenomenal!
One never gets tired of Haydn.
Because, in translation to googlean...
Doesn't affect his melody
Studied gurgles,
Difficult trifles,
All fake ornaments
With which he pretends great
The poor and mean song,
That forgets to reach the soul
By deceiving the ear.
Haydn's song is noble,
It's true and simple
It is judicious, it is perceptible,
Always varied, always rich.
In it never the Auditorium
He will praise himself as a soothsayer;
That, instead of the expected step,
You usually find the unforeseen ...
Haydn Friend, excuse me
What of your ingenuity I have said:
To know you is little,
Nothing for those who have heard you.
Tomás de Iriarte
(1750-1791) Poetic tribute to Haydn
; )
No afecta su melodía
Estudiados gorgoritos,
Difíciles menudencias,
Todos adornos postizos
Con que se finge grandioso
El canto pobre y mezquino,
Que olvida llegar al alma
Por engañar el oído.
El canto de Haydn es noble,
Es verdadero y sencillo,
Es juicioso, es perceptible,
Siempre vario, siempre rico.
En él nunca el Auditorio
Se alabará de adivino;
Que, en vez del paso esperado,
Suele hallar el imprevisto ...
Haydn Amigo, perdona
Lo que de tu ingenio he dicho:
Para conocerte es poco,
Nada para quien te ha oído.
Tomás de Iriarte
(1750-1791)
A performance of spirit and elegance befitting one of Haydn's masterful symphonies; the Maestro and his Orchestra can always be depended on for a superlative presentation of any work.
Den wunderbaren Haydn kann einer immer wieder neu entdecken - und diese Aufführung hat mir dazu den schönsten Beweis geliefert. Großes, herzliches Dankeschön an die Musiker und ihren emphatischen Dirigenten. Die Freude am Konzert ist einfach ansteckend, und das Filmteam holte mich mitten hinein. Krönender Abschluss eines schönen Tages..
The conductor is also a perfect dancer. He conducts with his whole body.
he's colombian.. he's got in his veins! :)
Das ist wirklich nun eine meisterhafte Leistung des Dirigenten und seines Orchesters. Ich bin in meine Kinderzeit versetzt, wenn ich all die Tiere im Wald höre (z.B. den brummenden Bären /Fagott/ im ersten Satz).
Klare und wunderschöne Aufführung dieser fein komponierten Sinfonie mit gut harmonisierten und perfekt synchronisierten Tönen aller Instrumente. Der dritte Satz klingt besonders schön und echt elegant. Der geniale Maestro dirigiert das ausgezeichnete Orchester im lebhaften Tempo und mit perfekt kontrollierter Dynamik. Echt erfreulich!
Was für eine glanzvolle Interpretation dieser heiteren und perfekt komponierten Sinfonie, die dem musikalischen Witz und Esprit des Komponisten auf sehr eindrucksvolle Weise Rechnung trägt! Vor allem die Holzbläser des hr-Sinfonieorchester sind ausnahmslos erstklassig. Alles ist wunderbar!
I love the conductor. He really owned it!
Warum so wenige Anschauer? Schade! Es ist unglaublich, wie dieses Orchester immer mit so viel Leidenschaft und Wärme spielen kann, ohne ihre Technik und Deutlichkeit abzuwerfen. Man kann leicht bemerken, wie die Musiker jede Note des Stückes genießen und sich auf der folgenden Note freuen. Vielen herzlichen Dank für die Videos. Jede von denen ist ein künstvolles Juwel, besonders während der Coronazeit!
Cristalino, sublime, hermoso... bravo!!!!! Los cornos y trompetas de época le añaden un color muy especial.
This is fantastic! The orchestra has a terrific sense for the classical style. Love
it!
Ja es macht Hayden spass einfach schön für das Herz und die Ohren
Uy, no sabia que había un director de orquesta Colombiano tan talentoso, hasta hoy lo descubrí, gracias a Andrés Orozco, por representar de una manera tan bonita a este maltratado País.
1st movement
0:19 begins
2nd movement
8:07 begins
3rd movement
14:25 begins
*4th movement
18:38 begins | 20:12 theme | 21:01 light theme | 21:34 theme | 22:18 ending
Impeccably smooth performance.
좋아요 아주~ 좋아요
Bravo
the music was L'Mine, then he drunk some vodka and it's now L'Ours
U.R.S.S.
I like your wit, but "ours" = in French 'a bear' - also from the earlier Latin "Ursa"
As you know in Astronomy we have "Ursa major" = The great bear.
How I adore this orchestra!
Thank you.
Excellent rendition! Thank you!
Lovely symphony ❤
Very nice performance 👏
Bravíssimo!!!👏🏽👏🏽👏🏽👏🏽👏🏽♥️♥️♥️♥️♥️
The best!!!! Thanks!!
Beautiful ❤
موسيقى هايدن تبعث على البهجة والسرور
Magnificent
Preciosa interpretacion de una obra tan bonita. Muchas gracias
오 엄청 좋은 노래네요 학교감상문 숙제로 듣고 있습니다!
Tremendous
Sublime. His conducting gestures are so crisp and clear.
Amazing
fast alle Aufnahmen dieses Orchesters sind großartig. Diese hier sticht aber durch ihre besondere Leichtigkeit/den spielerischen Charakter hervor.
BRAVO. BRAVO. So nice
O contraste dinâmico é frequente em Haydn, também o jogo elegante das partes. Haydn é o Clássico perfeito.
Je donne Un.
Oscar.. Champion.!!!!
This music gives me a lot of power.
Intising and great good job BRAVO to all of you
Remek zene - Orozco-Estrada vezénylése önmagában is élmény, a Zeneakadémián láttam.
Maerchenhaft!Bravo!!Vielen Dank-echter Genuss!!!
Wonderful!
What happened at 2:45? Did they repeat by accident and catch up?
Second time in first movement at measure 13 is changed, is this something the conductor decided or is it in a different edition from my score?
Playful genius!!
How come the brass instruments don't have valves but the violins have chin rests?
Were violin chin rests an earlier innovation?
flute : clara andrada de la calle
2:19
4:25
☺☺☺☺☺☺☺☺☺☺
God I love Haydn. Original witty mercurial and father of the classical symphony. I just don' t like the stupid nicknames given to his symphonies.
By the time Haydn wrote his first symphony in 1757, the form was already a gangly teenager of about 17; a father by definition must be involved at the conception which he clearly was not.
Haydn as ‘Father of the Symphony’ is probably the single biggest piece of misinformation in the whole of music history.
Why did he take out all the repeats that were supposed to be there?
👍love Strauss 👍
A little too fast, the first movement is, but still lovely.
Nice, but a little heavy-going to my ears. It needs a lighter touch. Compare it with The Norwegian Chamber Orchestra's ua-cam.com/video/PhSuXWpNmo4/v-deo.html, which, in my opinion, absolutely hit the right note here for Haydn.
So you would prefer a light-footed bear, a teddy bear perhaps? I admit, however: maybe the name came much later...
Ich wollte man würde mal diese unauthentischen Titel bei den Haydn Sinfonien weglassen. Die sind alle nicht von Haydn selber.
The restatement of the exposition of the first movement was not performed as written and the re-write isn't nearly as good as what Haydn wrote. Not good.
I noticed that too - I think it's an editing mistake at 2:38, where perhaps the wrong 2 bars got inserted