Filming a short film on the Ursa Mini Pro 12K | BEHIND THE SCENES | Part 1
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- Опубліковано 8 вер 2024
- WATCH THE FILM HERE: • Memórias - SHORT FILM ...
Produced by The Makkina and BUTTERY FILMS
Directed by Inês von Bonhorst & Yuri Pirondi
Cinematography by Matteo Bertoli
Music by Michael Picknett
1st AC: Gonçalo Sousa
Drone Operator: Ricardo Figueiredo
Art Department: Andreia Pitél
Grips: Edgar Esteves, Bernardo Coelho, Carlos Zenida
BTS Operators: F. Albertelli, J. Matos, M. Gonçalves
In collaboration with ZOF
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Estás pronto?
Yes!
Ok, ação!
Rolling!
Aspetta un attimo!
Three languages. One passion.😂
Great job, Matteo.
love the experimentation !
Missed that kind of content, glad to see you back on it again, soo inspiring
Bravo complimenti
Great post Matteo.
Faz em português também! Adoro seus vídeos
I don’t speak Portuguese :)
@@matteobertoli i heard someone speaking in portuguese on this video....and I thought that u know it.... LOL...anyway..great videos
Hi Matteo! I'm learning a lot with your course, and with your YT videos. Very inspiring work. I would like to know what do you think about using an EVF with the Blackmagic 6k Cinema FF... I'm getting used to shoot looking at the LCD display, but I see a lot of pros using always a viewfinder, so I don't know if I should "upgrade" to the EVF or if it's just a matter of personal preference. Cheers
Hey there! I like the viewfinder but I heard the one for the Pocket is not nearly as good as the one on the Ursa. So not sure it’s worth it
I use the Bebob V150micro V-mount Batteries with my URSA12K feeding 2 Tilta Motors and a Porkeys Oeye Viewfinder, sometimes a Hollyland Video Transmitter and the batteries last for about 2-2,5 hours each. Just a suggestion! ;)
I love the look of the bts footage. What lenses were used on the C70?
Ottime riprese
Best BTS ever :-)
Thanks for the BTS Matteo! I just bought an Ursa 12k based on your videos. Been a 6k G1 guy for years & love the BRAW images. Quick question, are you using the Rawlite OLPF or is this the original 12k ? I just bought the original & it came with the Rawlite OLPF. Love your videos man. I'm curious what resolution you are shooting. Love the f stop & fps & lens information. It definitely helps me as a newbie documentary filmmaker. Thanks so much man!!!
I shot part of it with the 12k and the last couple of days with 12k olpf!
Não sabia que o Matteo falava Português.
Conteúdo incrível!
I was speaking Italian in the video ahahah
@@matteobertoli 4:46 - Tás pronto? You: Yes hahahah
Também percebi isso,@@guilherme_rito. 😂😂😂 Matteo é uma super referência!
What sdi monitor would you recommend to use with ursa & the new pyxis?
nice, and that last shot !!!! who's taking care of your fogus, i saw the motor but who turns the wheel ?
The focus puller :)
Thanks Matteo!
Love it! 💚🎥🔥
Fascinating insight as usual. Curious about your choice to shoot 8k, do you think it's worth the hassle even if you're not planning to severely crop the frame?
Yes it looks great. 4K is great for small stuff, but 8K is recommended
BUTTERY LUTS works also in S-LOG3?
@@gilbertjuliano6563 yes!
Why you don't attach a handgrip on the right side of the camera?
Don’t need it :)
Do you use the record button on the bottom right side to start the record or push on the screen?@@matteobertoli
Hey, you shoot 50p so you can decide in post if you use it as slowmo or not?
If I shoot 50p it has to be slow down in post
aren't most documentaries shot with skeleton crews?
Have a hard time imagining 50 people looking at someone while they are supposed to be filmed as if it is a normal day.
Not really. Lots of documentaries are shot with 5/10 people crew including steadycam operators, gaffers, grips, dit etc. it’s not that because is under 50 people means it’s skeleton crew