I performed this for a competition and during the glissandos, my blister exploaded so there was literal BLOOD on the keys. The sacrifice had been successful
@@Mihailowo She's not the greatest ...her tones & sounds are not so beautiful ! Sorry ...but I'm being very honest ! For an example , compare her playing ' La Campanella ' to others in videos ! The Korean player & Chinese ( I believe ) not Lang Lang...they did the very best job as far as the tones & sounds & speeds & techniques go ! Hats off to them ! Claritu is A MUST TO HAVE !!! Especially, when you play a piece named after bells !!! And for any piece ! Walter Klein was the very best when it comes to the superb clarity & sounds & tones !!! Speechless beauty his plays were !!!
@@GreenTea4 Just because other pianists haven't recorded it doesn't mean they do not possess the ability to play it. As Spark has mentioned, she's definitely not the greatest pianist, there are numerous pianists that can outmatch her, technically or musically.
Liszt always had a talent for his masterful usage of the lower register of the piano.... never too muddy and he uses it to incite fear. And this performance is spectacular
Yup him and Rachmaninov really knew how to use the lower notes. If you listen to Valentina Lisitsa playing Rach PC 2 without the orchestra the bottom notes sound almost like bells 🤯
@@lighting7508 have a listen to Rachmaninov's first piano sonata, it really has some impressive use of the lower register imo, especially in the 1st and 3rd mvts
Repent and trust in Jesus. we deserve Hell for our sins. For example lying, lusing, saying God's name as a cuss word and stealing our just some examples of sin which we can all admit to doing at least one of those. For our sin we deserve death and Hell, but there is a way out. Repent anf trust in Jesus and you will be saved. Repentence is turning from sin. So repent and trust in Jesus. He will save you from Hell, and instead give you eternal life in Heaven. John 3:16 Romans 3:23❤😊❤❤
@@RussellTeapot LISZT was GENIUS GENIUNELY ! THERE'S NOBODY LIKE HIM ! THE TRUE MASTER OF MUSIC !!! He made music larger than life in 19th century ! Imagine it !
@@spark_6710 I can't have an educated opinioin about that, but surely is a composer that moves my soul.. Hurray Liszt! Even he has an unpronounciable surname!
It could be robot, but I know there are people who played that. I think that everything is playable except 3:15. No idea how to play that (I don't play piano, only clarinet)
@@user-nb6zu3rk4f Nah, that's very possible. Much more possible than the rest of it. It's called a glissando, and you just slide your hand/back of thumb across the keys. Hurts like a bugger for me though.
If you were to play this piece with electric guitars, drums, bass and (optional) keyboards, it would most certainly sound like symphonic black/death metal. Without a single doubt..
This is actually a lot heavier! Liszt was an absolute master! Today's musicians are no where near as knowledgeable in music theory as world class composers such as Liszt were. In other words, Liszt had a better understanding of what actually sounded heavy and not just rely in distortion to supplement that heavy sound.
@@IsraelMedrano "Today's musicians are no where near as knowledgeable in music theory as world class composers such as Liszt were". 1- You're wrongly and unspecifically making comparisons between different approaches to music. 2- Music theory is not at all essential for composing/writing meaningful pieces/songs that are worth paying attention to.
@@IsraelMedrano "Liszt had a better understanding of what actually sounded heavy and not just rely in distortion to supplement that heavy sound." You are mistaking eeriness with heaviness, although they tend to overlap much more in Death and Black Metal. Organized, contextualized loudness via electrical amplification and certain lyrical themes are what define heavy music; that's why Motörhead and Liszt shouldn't be compared, to put a single example.
Totentanz gives me rage. But the good kind of rage. The kind that makes you want to live everything all at once at max intensity and max speed. Therapy is expensive, the recording of Enrico Pace playing Totentanz is free.
Saw this performed live by a young 16 yr old Russian boy, Sasha Voinov, dressed up like a skeleton in a tuxedo. One of the best shows I ever saw. Amazing
So I was just listening to a classical music playlist and this comes out of nowhere. As somebody with an unhealthy obsession with Dies Irae…this is pretty much the greatest thing I’ve ever heard.
This guy sure ate his spinach before he played this. Super dynamic. Never heard such daring tempi in some of the sections. Where is Enrico Pace now? Imagine how avant garde this hyper-dramatic, rather dissonant music would have sounded to people in the mid-19th century! They would have shaking in their petticoats on the carriage ride home.
I've heard this piece played lyrically, but I've never heard it played as if the pianist was attempting to summon Death himself. Surprisingly, I approve.
0:31 When face-to-face with the monster , the important thing is to stay focused . Take a deep breath , clench your fists , swell out your chest , and proceed to run away screaming like a frightened little girl.
IsThisReallyUA-cam actually there is so many composers who composed a Theme they called Dies Irae(at least 3-4, probably more) so it's a bit hard to know which precise theme he is talking about and i don't know a theme my self that sounds similar to this theme(Totentanz)
***** This is the best known Dies Irae melody. It is of medieval origin and so commonly referenced in other works that it is hardly ambiguous to simply state "Dies Irae". It is any other reference that needs qualification or context. Since the Dies Irae is a standard section of the requiem mass there are naturally many others. Other examples or this one include Rachmaninoff ( Rhapsody on a Theme of Paganini), Berlioz (Symphonie Fantastique), and Sondheim (Sweeny Todd) and over a dozen more you can look up. Proof that it is a great tune.
Because its inspired from dies irae,which actuall mostly incorperated with death music on the chatolic realm,and which have many inspiration for horor music
This is the first time I ever heard this piece with an Orchestra. It's sounds way more intense. Until now I only heard Valentina Lisitsa's solo version which is still awesome.
This is Enrico Pace playing with an orchestra. This is the best performance i have yeard for years. After 10 years since i first listened to it and i am still in love.
@@GUILLOM Huh. I have zero musical skills, but was told that some of his music requires you to simultaneously reach keys that are very far apart. Maybe I was lied to.
I've noticed the video of the performance is no longer available, sadly. I enjoyed watching Enrico Pace play this piece. His is the best performance, and I've tried a lot of them. None of them are as soothing to my ear as this one.
Indeed it is! You’re absolutely right! Today’s metal bands echo the preoccupation with death and darkness characteristic of the 19th so-called ‘Romantic’ era. Chopin, Berlioz and Rachmaninov are also precursors of today’s ‘heavy metal’ in all its forms.
I heard recently this commentary that Liszt never played in his concerts his own compositions, and curious to understand who could have inspired him playing only with high and low notes (without medium ones) and finally discovered this in the last Beethoven, surely not surprising !
Holy crap!!!!!!! That's the fastest and clearest I've heard it played by pianist and orchestra. I've been listening to this work for so, so many years. I had no idea that was the correct tempo. Sorry Alfred Brendel and Idil Biret. This pianist has you both beat!!!
Wspaniałe wariacje na "ciężki" temat z V części symfonii fantastycznej Berlioza "sabat czarownic", w równie wspaniałym wykonaniu. Uczta dla uszu. Dziękuję
This is probably a weird place to ask this, but what's the significance of the bottom arrow being reversed? I'm genuinely interested. I've seen the three arrows around but never with the bottom one looking like that .
@@Joe-oh5ch The three arrows denounced 1. Monarchism, 2. Naziism, 3. Communism. So reversing the bottom one means that while I am still against the first 2, I'm not against the third. I did see fascists reverse the middle arrow before, so it's not always clear.
@Polski Bolszewik First of all, its impressive you answered him after 5 years. Secondly, could I also ask where that arrow symbol came from? And is there a specific reason why it goes monarchism, fascism, and communism? And so if say someone is for monarchism do they then point the first arrow up?
@@CptSeighter123 I'll answer your questions in reverse. Yes, you reverse the arrow to symbolise that you are for something. Note though, that reversing regardless of which one is also subverting the social democratic message. There is a specific order for it, it links to a propaganda poster from three arrows. Please look up images in your browser under the search 'Three Arrows Propaganda', you should see the original poster with three red hands holding the arrows and striking monarchists, nazis and communists. The symbol came from the the "drei Pfeile" which is a social-democratic political symbol of the German SDP.
I was born too early to be a real heavy metal fan. This was my ‘substitute’ which I learned while I was at a Christian Brothers’ grammar school - full of grief, fear, hate, vengeance and satanic fantasies. In those days I got to carry the great cross at requiem masses and funerals while the Dies Irae and In Paradisum were being chanted...
The starting part of this piece may be familiar to fans of Heroes of Might & Magic. Specifically if you've heard the theme for Necropolis towns in HoMM 3, or the menu theme for HoMM 5.
Lizst unbuttomed. Glorious playing. Some moments of genius in the piano writing -particularly that wonderful fugal passage. How are those scales in the finale possible???
"Sword and crown are worthless here, I invite everybody to dance. Laborers , lawyers, church, and gown all make their little prance. This life is full of random deaths, and heaps of grief, and shame, so few are soothed by "accident", you want some one to blame. Fire , plague, and strange disease, drowned, murdered, or, if you please. A long fall down the basement stairs, none are expected, no-one cares. I often work very hard; with sweat running down my skin. After the dance, I then must rest ; and the eating can begin. Death is the ultimate equalizer." -Walrus, Alice : Madness Returns.
The Shining's opening music is an arrangement by Wendy Carlos of the final movement ("Songe d'une nuit de sabbat") from the Symphonie fantastique by Berlioz, which in turn parodied a Gregorian chant. Liszt heard this symphony at the first performance and used the same Gregorian chant for this piece; hence the similarity.
The nationality of Liszt aside, this Danse Macabre (french), or Totentanz (german) if you will, is based on "Dies irae" a Gregorian chant in the sequentia of the requiem mass. The motif of Liszt' composition is the melody with the words 'Dies irae, dies ila, solvet saeclum in favilla. Meaning somewhat as 'Day of wrath, this day, the world shall burn to ashes. Here is also the proof that the name of the piece is not misleading at all. It ís a Death Dance.
I think the best record of this is by Lazar Berman but this is also brilliant. Berman and Liszt, the two geniuses met frequently somewhere in the heaven or in the hell...
lo-fi beats to relax and study to
thanks i use this
And the video is Franz Liszt calmly studying with headphones on while the fires of hell are burning in the background
yes, and gaspard de la nuit helps me fall asleep, especially scarbo.
Bretts lofi version 2
@@user-gl7qx1ww6r I want to see this.
I performed this for a competition and during the glissandos, my blister exploaded so there was literal BLOOD on the keys. The sacrifice had been successful
thats fuckin metal dude
@@emrys6559 *That’s fugue-ing Classical, sir
fuckin hardcore man, respect
Madlad
The spirit of Liszt smiles upon you
Now I understand why Lizst broke so many pianos! He also wrote some of the most difficult piano music known to man!!
Yes ! He also wrote a piece only he could play it ! It remains that way stil to this day centuries later !!!
@@spark_6710 which one?
@@GreenTea4 valentina played el contrabandista tho
@@Mihailowo She's not the greatest ...her tones & sounds are not so beautiful ! Sorry ...but I'm being very honest ! For an example , compare her playing ' La Campanella ' to others in videos ! The Korean player & Chinese ( I believe ) not Lang Lang...they did the very best job as far as the tones & sounds & speeds & techniques go ! Hats off to them ! Claritu is A MUST TO HAVE !!! Especially, when you play a piece named after bells !!! And for any piece ! Walter Klein was the very best when it comes to the superb clarity & sounds & tones !!! Speechless beauty his plays were !!!
@@GreenTea4 Just because other pianists haven't recorded it doesn't mean they do not possess the ability to play it. As Spark has mentioned, she's definitely not the greatest pianist, there are numerous pianists that can outmatch her, technically or musically.
Liszt always had a talent for his masterful usage of the lower register of the piano.... never too muddy and he uses it to incite fear. And this performance is spectacular
Liszt taught the world how to "properly" use the piano, like how Paganini did that with the violin.
Yup him and Rachmaninov really knew how to use the lower notes. If you listen to Valentina Lisitsa playing Rach PC 2 without the orchestra the bottom notes sound almost like bells 🤯
@@lighting7508 have a listen to Rachmaninov's first piano sonata, it really has some impressive use of the lower register imo, especially in the 1st and 3rd mvts
Repent and trust in Jesus. we deserve Hell for our sins. For example lying, lusing, saying God's name as a cuss word and stealing our just some examples of sin which we can all admit to doing at least one of those. For our sin we deserve death and Hell, but there is a way out. Repent anf trust in Jesus and you will be saved. Repentence is turning from sin. So repent and trust in Jesus. He will save you from Hell, and instead give you eternal life in Heaven.
John 3:16
Romans 3:23❤😊❤❤
@@lowlightpiano7110G*d you! And G*d off!
*Rockers and metalheads:* The drop of my music is satanic
*Franz Liszt:* hold my beer
Most of metal draws major inspiration from prolific ivory tickling.
*Franz Liszt:* hold my fingers
Where do you think black and death metal gets it's inspiration from? Classical music, of course. Certainly not blues..
that pirate song (i don’t know what it’s called) is also inspired by this piece for sure
Symphony X all i have to say. Symphony X is the only band that can create such amazing classical inspired songs
I love classical music, it's so relaxing 🥰
This is black metal
@@giovannicristinzio3461its a joke
Have you listened to Mephisto Waltz no.1 of Liszt:)))))??
@@HM2145 yesssss! I put it on everytime I study it helps me focus, it's so soothing
@@Isegawa2001me too:)))
AND LISZT'S CRAZINESS CONTINUES
I'm digging deeper and deeper into Liszt pieces, I'm liking him immensely.. what a discovery
@@RussellTeapot LISZT was GENIUS GENIUNELY ! THERE'S NOBODY LIKE HIM ! THE TRUE MASTER OF MUSIC !!! He made music larger than life in 19th century ! Imagine it !
@Khizar ali LOOOL I missed your comment, the Liszt pun made my day
@@spark_6710 I can't have an educated opinioin about that, but surely is a composer that moves my soul.. Hurray Liszt! Even he has an unpronounciable surname!
@@RussellTeapot Thank you for your reply ! You'll never ever get tired of Liszt !!! 👍💜💜💜🎼🎵🎹🎶🎤🎵🎶🥁💙💙💙💖💕💞🌍
If we can listen it now, it means somebody played that.
It could be robot, but I know there are people who played that. I think that everything is playable except 3:15. No idea how to play that (I don't play piano, only clarinet)
@@user-nb6zu3rk4f Nah, that's very possible. Much more possible than the rest of it. It's called a glissando, and you just slide your hand/back of thumb across the keys. Hurts like a bugger for me though.
@@MusicTheoryWithNour Robot can play with emotion, it's just hard to make such a robot.
M C if you look at the sheet music during the glissandos, you’ll see the Bb in the key sig. is marked natural, so not as hard as you were thinking
*laughs in Liszt*
1838's symphonic black metal
Lorenzo Rossi I can hear some of that, I can also see a tech death band playing a song like this. Especially the crazy arpeggiated piano parts
If you were to play this piece with electric guitars, drums, bass and (optional) keyboards, it would most certainly sound like symphonic black/death metal. Without a single doubt..
This is actually a lot heavier! Liszt was an absolute master! Today's musicians are no where near as knowledgeable in music theory as world class composers such as Liszt were. In other words, Liszt had a better understanding of what actually sounded heavy and not just rely in distortion to supplement that heavy sound.
@@IsraelMedrano "Today's musicians are no where near as knowledgeable in music theory as world class composers such as Liszt were".
1- You're wrongly and unspecifically making comparisons between different approaches to music.
2- Music theory is not at all essential for composing/writing meaningful pieces/songs that are worth paying attention to.
@@IsraelMedrano "Liszt had a better understanding of what actually sounded heavy and not just rely in distortion to supplement that heavy sound."
You are mistaking eeriness with heaviness, although they tend to overlap much more in Death and Black Metal. Organized, contextualized loudness via electrical amplification and certain lyrical themes are what define heavy music; that's why Motörhead and Liszt shouldn't be compared, to put a single example.
no one:
Absolutely no one:
Liszt: “hey guys, watch this!” *bREAKS PIANO STRINGS*
Liszt said vibe check
Franz Schubert lol wtf 🤣
Lol
Was there in 1989. Goosebumps.... Enrico Pace & Liszt created magic that night!
00:00 - Theme - Dies Irae
01:30 .Variation - Allegro moderato
03:00 2.Variation
03:46 3.Variation - Molto Vivace
04:19 4.Variation - Lento (canonique)
07:08 5.Variation - Vivace (fugato)
11:06 6.Variation - Sempre Allegro (ma non troppo)
Totentanz gives me rage. But the good kind of rage. The kind that makes you want to live everything all at once at max intensity and max speed.
Therapy is expensive, the recording of Enrico Pace playing Totentanz is free.
Saw this performed live by a young 16 yr old Russian boy, Sasha Voinov, dressed up like a skeleton in a tuxedo. One of the best shows I ever saw. Amazing
You’re definitely haunted now
16 yr old him: TOTENTANZ
14 yo me:
Damn, I’m 16 and barely learning revolutionary etude 😭
So my boy was basically portraying the piece… (srry that was a bit harsh)
No one:
Liszt: *D* *I* *E*
So I was just listening to a classical music playlist and this comes out of nowhere. As somebody with an unhealthy obsession with Dies Irae…this is pretty much the greatest thing I’ve ever heard.
Best 15 minutes of my life
Listen to Valentina's version for a better fifteen minutes.
@@Ace1King1 nah this is way better.
@@p-y8210 i agree. all other performances are rather weak compared to pace's work right here.
Just gorgeous.
Oh hi fanchen
This guy sure ate his spinach before he played this. Super dynamic. Never heard such daring tempi in some of the sections. Where is Enrico Pace now? Imagine how avant garde this hyper-dramatic, rather dissonant music would have sounded to people in the mid-19th century! They would have shaking in their petticoats on the carriage ride home.
100% agree, "Daring tempi" is the best description of this performance
I've heard this piece played lyrically, but I've never heard it played as if the pianist was attempting to summon Death himself. Surprisingly, I approve.
18th century rock.
@@spectrum3808 19 th century not 18th !
@@spark_6710 Mozart's piano concerto 24 goes hard af and it's 18th century 🔥 his mass and requiem too 🔥 Mozart really be pure heat 👏😎
theme-- 0:00
var 1-- 2:02
var 2-- 2:56
var 3-- 3:45
var 4-- 4:20 (canone) cadenza-- 4:35 andante-- 6:16 presto-- 6:55
var 5-- 7:08 (fugato) cadenza-- 9:51
var 6-- allegro-- 11:07
allegretto scherzando-- 11:34
cadenza-- 13:42
presto-- 14:11
allegro animato-- 14:22
0:31 When face-to-face with the monster , the important thing is to stay focused .
Take a deep breath , clench your fists , swell out your chest , and proceed to run away screaming like a frightened little girl.
lol
lmao best comment of the year
Yes, one should most certainly practice the fine Shaolin art of Runs like a bitch under these circumstances.
Banana Bus
Good one.
Aww, man, I adore that "Dies Irae" theme. It's awesome.
who composed the "Dies Irae" theme?
***** I did
IsThisReallyUA-cam actually there is so many composers who composed a Theme they called Dies Irae(at least 3-4, probably more) so it's a bit hard to know which precise theme he is talking about and i don't know a theme my self that sounds similar to this theme(Totentanz)
***** okay boyyyyyy
***** This is the best known Dies Irae melody. It is of medieval origin and so commonly referenced in other works that it is hardly ambiguous to simply state "Dies Irae". It is any other reference that needs qualification or context. Since the Dies Irae is a standard section of the requiem mass there are naturally many others. Other examples or this one include Rachmaninoff ( Rhapsody on a Theme of Paganini), Berlioz (Symphonie Fantastique), and Sondheim (Sweeny Todd) and over a dozen more you can look up. Proof that it is a great tune.
Holy shit i was looking into Liszt music and everything was joyful and beautiful, and then this... I shit myself out of awesomeness.
Just heard both and i have to tell you, they're amazing!
AHAHAHAHAHAHAHAHAH
How many fingers do you need to play this?
Liszt: *yes*
Just bang your head in to the piano
Just push the piano downstairs
A 15 minute journey from the depths to the sky's. Brilliant and beautiful. IMO no other music can tell a story quite like a classically composed piece
Whoa, this is a brutal performance, in the best sense! The chords in the beginning felt like literal punches 😱
This is the most beautiful piece of piano music I have ever had the pleasure of hearing.
So... see you on the dance floor!
This sounds like Sarouman thinking.
Yeah! that's exactly what I was thinking. 😱
In fact it is the theme of Isengard!
Helena G.
It’s not the Isengard Theme
Helena G. They’re similar
You are naive and infantile. Your head and nose are very small.
Because its inspired from dies irae,which actuall mostly incorperated with death music on the chatolic realm,and which have many inspiration for horor music
Happy Birthday Liszt!!!
9:00 pure art
Totally agree
ua-cam.com/video/eVsokduw330/v-deo.html that's coolua-cam.com/video/eVsokduw330/v-deo.html that's cool
3:45 The third variation is my absolute favorite, almost sounds like a Roman battle. I wish it was longer though...
Tim Madden absolutely....
I wish this variation melody could be more audible...and unleash it s full potential
Push the piano down the stairs. Now add some trombones and a timpani.
Dude, I've pushed pianos. They didn't make me jizz.
you gotta push it REAL good
@@marvinkmooneyoz lol
Lol
🔰💄👞👟👑👒🎩🎓👓⌚👔👕👖👗👘👙👠👡👢👚👜💼🎒👝👛💰💳💲💵💴💶💷💸💱🔫🔪💣💉💊🚬🔔🔕🚪🔬🔭🔮🔦🔋🔌📜📗📘📙📚📔📒📑📓📕📖📰📛🎃🎄🎀🎁🎂🎈🎆🎇🎉🎊🎍🎋📱📲📟☎📞📠📦✉📨📩📪📫📭📬📮📤📥📯📢📣📡💬💭✒✏📝📏📐📍📌📎✂💺💻💽💾💿📆📅📇📋📁📂📃📄📊📈📉⛺🎡🎢🎠🎪🎨🎬🎥📷📹🎦🎭🎫🎮🎲🎰🃏🎴🀄🎯📺📻📀📼🎧🎤🎵🎶🎼🎻🎹🎷🎺🎸〽
I never thought I could headbang to a piano piece but that opening.
"Here's Johnny!"
9:02 is a masterpiece, the best part
9:01 probalbly one of the most epical parts in this piece, I love it!
It sounds so modern for some reason!
Holy shit this is fucking insane. I love it so much
This variation leading to the glissandos at 2:57 is perfect!
5:47 and 8:43 are just genius!
8:43 favorite
This is the first time I ever heard this piece with an Orchestra. It's sounds way more intense. Until now I only heard Valentina Lisitsa's solo version which is still awesome.
I prefer orchestra version, it is more intense
This is Enrico Pace playing with an orchestra. This is the best performance i have yeard for years. After 10 years since i first listened to it and i am still in love.
a lot of things can be said about lisitsa's performance of this piece and awesome is not one of them in my opinion.
I hate the solo version actually after the orchestra version
Fun fact - Liszt had very long fingers, great for playing piano. So for mere mortals his pieces can be incredibly difficult.
Big hands usually do not improve piano skills, they just make large intervals more comfortable.
@@GUILLOM Huh. I have zero musical skills, but was told that some of his music requires you to simultaneously reach keys that are very far apart. Maybe I was lied to.
@@demilung depends on the composer.
@Franz Schubert ?
GUILLOM that’s true.
My Personal Favs:
0:03
1:30
2:03
3:12
6:55
8:12
9:02
11:07
12:56
My favorite is the opening of Dies Irae of this piece.
8:12 one of my favorite piano parts
WHAT AN INCREDIBLE RECORDING!!! THIS ORCHESTRA HAS DRIVE!!! I MEAN @ 0:00 THAT'S JUST TIMPANI CRUELTY!!! ONE OF LISZT'S BEST, THANKS SO MUCH!!!
0:03 Opening - part 1
0:31 Opening - part 2
1:03 Opening - part 3
1:30 Opening - part 4
2:03 Variation 1 - part 1
2:20 Variation 1 - part 2
2:40 Variation 1 - part 3
2:57 Variation 2 - part 1
3:28 Variation 2 - part 2
3:45 Variation 3
4:19 Variation 4 - part 1
5:47 Variation 4 - part 2
6:14 Variation 4 - part 3
6:55 Variation 4 - part 4
7:05 OCTAVES #1
7:09 Variation 5 - part 1
7:39 Variation 5 - part 2
8:13 Variation 5 - part 3 (OCTAVES #2)
8:24 Variation 5 - part 4
8:43 Variation 5 - part 5
9:19 Variation 5 - part 6
9:52 Cadenza #1 - part 1
10:22 Cadenza #1 - part 2
10:40 OCTAVES #3
10:43 Cadenza #1 - part 3
11:07 Variation 6 - part 1
11:34 Variation 6 - part 2
12:38 Variation 7 - part 1 (OCTAVES #4)
12:55 Variation 7 - part 2
13:20 Variation 8 (OCTAVES #5)
13:43 Cadenza #2 - part 1
14:11 Cadenza #2 - part 2
14:17 OCTAVES #6
14:22 Ending - part 1
14:30 Ending - part 2
14:47 OCTAVES #7
One of my absolute favorites, it truly isn't long enough! ^_^
Your so right!
Cutting off the applause at the end is a crime! What a performance
Enrico Pace is a master and Franz Liszt was a genius!
What a performance! That's the best I've ever heard of that piece - electric!
Fortissimo posible is not enough for Liszt
Amazing to play on piano alone but, I have to say, its definitely one of the hardest pieces I'm learning! :) Well done Liszt for another masterpiece
ua-cam.com/video/eVsokduw330/v-deo.html that's coolua-cam.com/video/eVsokduw330/v-deo.html that's cool
I've noticed the video of the performance is no longer available, sadly. I enjoyed watching Enrico Pace play this piece. His is the best performance, and I've tried a lot of them. None of them are as soothing to my ear as this one.
Thank you for letting me know. Links updated.
How. On. Earth. Have. I . Only now discovered this?
I. Don't. Know.
I'm wondering the same, I just found out about this piece. Better late than never I guess
@Whited Out relatable xD
How. Should. I. Know?
Ludwig van Beethoven You. Are. Everywhere. Hi
We had buss stop named by herr Liszt
Everlasting glory to this immortal genius
Now I imagine Liszt performing Totentanz by hittng the Liszt bus stop with metal rods
THIS IS METAL !!!
Mrinal Nandi classical metal
no, this is a dream, a bad one, but very intense
Indeed it is! You’re absolutely right! Today’s metal bands echo the preoccupation with death and darkness characteristic of the 19th so-called ‘Romantic’ era. Chopin, Berlioz and Rachmaninov are also precursors of today’s ‘heavy metal’ in all its forms.
This is what Metal wishes it could be.
😂
I'm mainly a metalhead, but damn. Liszt just hits all the right spots.
@Daniel Saw your post on Berlioz's "Witch's Sabbath" and glad I found this piece you mentioned! Thank you for uploading a great version of it.
Them Glissandos... brutal!
I heard recently this commentary that Liszt never played in his concerts his own compositions, and curious to understand who could have inspired him playing only with high and low notes (without medium ones) and finally discovered this in the last Beethoven, surely not surprising !
Great work, buddy. It's so good to hear while reading - actually trying to read - the sheet.
fantastic! it is so full of almost "animal" energy, one of the best rendition i have ever heard!
11:07 my favorite part
Holy crap!!!!!!! That's the fastest and clearest I've heard it played by pianist and orchestra. I've been listening to this work for so, so many years. I had no idea that was the correct tempo. Sorry Alfred Brendel and Idil Biret. This pianist has you both beat!!!
3:45 when someone is going to eat the last cookie in the packet
"Nooooooo"
(Quand quelqu'un s'apprête à finir le paquet de biscuits)
Wspaniałe wariacje na "ciężki" temat z V części symfonii fantastycznej Berlioza "sabat czarownic", w równie wspaniałym wykonaniu. Uczta dla uszu. Dziękuję
8:45, 11:09, 12:37, 13:20 - the best parts!
Another brillant piece by Liszt. Crazyiness
15 minutes of music all based off of one chant...
Agreed. I was thinking "ehh...theme and variations..." filled with fancy pyrotechnics and showy stuff. But pretty good, anyway... :)
There's 7 hours of music based on the same chant.. Sorabji's Sequentia Cyclica for piano (a recording will be released soon)
@@bckm54 Cringe
@@pjimenez08 Yeah, that's rock!
00:03 was expecting Darth Vader and the Stormtroopers to come around the corner any minute
or the uruk hai
@@DPSAX95 exactly!!!!
Or rather me
HE WAS 22 YEARS OLD WHEN HE PERFORMED THIS. THAT'S AWESOME
Patrick Smith Not sure why you would say that. The first version (not this one) was published in 1849.
@@gojewla I think he's talking about the performer of this recording maybe
A huge life bar with a badass boss name in it appears every time this theme start.
Amazing work. Being an amateur pianist this work is beyond me, however, I can follow the music and see how difficult it is.
so great performance
love it 🥰🥰
2:55 It is amazing what you find out, this song clearly inspired the Necropolis song from Heroes of Might and Magic 3!
This is probably a weird place to ask this, but what's the significance of the bottom arrow being reversed? I'm genuinely interested. I've seen the three arrows around but never with the bottom one looking like that .
@@Joe-oh5ch The three arrows denounced 1. Monarchism, 2. Naziism, 3. Communism.
So reversing the bottom one means that while I am still against the first 2, I'm not against the third.
I did see fascists reverse the middle arrow before, so it's not always clear.
@Polski Bolszewik First of all, its impressive you answered him after 5 years. Secondly, could I also ask where that arrow symbol came from? And is there a specific reason why it goes monarchism, fascism, and communism? And so if say someone is for monarchism do they then point the first arrow up?
@@CptSeighter123 I'll answer your questions in reverse.
Yes, you reverse the arrow to symbolise that you are for something. Note though, that reversing regardless of which one is also subverting the social democratic message.
There is a specific order for it, it links to a propaganda poster from three arrows.
Please look up images in your browser under the search 'Three Arrows Propaganda', you should see the original poster with three red hands holding the arrows and striking monarchists, nazis and communists.
The symbol came from the the "drei Pfeile" which is a social-democratic political symbol of the German SDP.
One of my favorite pieces of all eternity.
Incredibly vital and inspirational interpretation of Lizst master piece!
I was born too early to be a real heavy metal fan. This was my ‘substitute’ which I learned while I was at a Christian Brothers’ grammar school - full of grief, fear, hate, vengeance and satanic fantasies. In those days I got to carry the great cross at requiem masses and funerals while the Dies Irae and In Paradisum were being chanted...
Coroner brought me here. I love that song. And this one is also great.
Day Dies Irae though. Who would've thought Liszt was a fan of plainchants.
Probably his fascination vvith dead forced him to compose this...
True ! He vent to prisons, chapels, graveyards...
This piece sounds like so much fun:)
The starting part of this piece may be familiar to fans of Heroes of Might & Magic. Specifically if you've heard the theme for Necropolis towns in HoMM 3, or the menu theme for HoMM 5.
Impossible music...no words for this.
Lizst unbuttomed. Glorious playing. Some moments of genius in the piano writing -particularly that wonderful fugal passage. How are those scales in the finale possible???
this makes me happy. so genius.
7:09
The best begining I have ever heard.
"Sword and crown are worthless here, I invite everybody to dance.
Laborers , lawyers, church, and gown all make their little prance.
This life is full of random deaths, and heaps of grief, and shame,
so few are soothed by "accident", you want some one to blame.
Fire , plague, and strange disease, drowned, murdered, or, if you please.
A long fall down the basement stairs, none are expected, no-one cares.
I often work very hard; with sweat running down my skin.
After the dance, I then must rest ; and the eating can begin.
Death is the ultimate equalizer."
-Walrus, Alice : Madness Returns.
+Jenny Armstrong aaaaayyyy
an absolutely gorgeous piece. one of my favorites:)
I searched Liszt Zombie Apocalypse and found this on the first video
The Shining's opening music is an arrangement by Wendy Carlos of the final movement ("Songe d'une nuit de sabbat") from the Symphonie fantastique by Berlioz, which in turn parodied a Gregorian chant. Liszt heard this symphony at the first performance and used the same Gregorian chant for this piece; hence the similarity.
It’s heard in the beginning too. By the way Rachel Elkind supplied vocals to that.
Magnifico
beatiful.good.liszt is magic
"Classical music its so relaxing".
Classical music:
The nationality of Liszt aside, this Danse Macabre (french), or Totentanz (german) if you will, is based on "Dies irae" a Gregorian chant in the sequentia of the requiem mass. The motif of Liszt' composition is the melody with the words 'Dies irae, dies ila, solvet saeclum in favilla. Meaning somewhat as 'Day of wrath, this day, the world shall burn to ashes. Here is also the proof that the name of the piece is not misleading at all. It ís a Death Dance.
From 13:20 to 13:36 I can hear an inspiration for "Titanic" soundtrack when the ship is sinking and the water floods the staircase.
Fabbrica
The opening sound like the first sequence of "The Shining (1980) :o
Yeah, they have the same theme from the Gregorian chant Dies Irae.
or the opposit
The Shining Theme was inspired by this.
Why It? Not exactly true. It was based off of Berlioz’s Symphonie Fantastique, not this piece.
@@abraxasstone nope berlioz was inspired dies irea a gregorian chant
0:08 0:32 2:57 3:27 3:28
I want this to be played everytimes I enter a room, just for people to ntoice that I'm their absolute cancer.
I think the best record of this is by Lazar Berman but this is also brilliant. Berman and Liszt, the two geniuses met frequently somewhere in the heaven or in the hell...
True music, master on the piano xx