you can't fit this much EGO on one stage
Вставка
- Опубліковано 8 чер 2022
- Download transcriptions at georgecolliermusic.com and check out the Discord!: / discord
Original video: • Maynard Ferguson Tribu...
Performed by: The Maynard Ferguson Tribute Band ft. Eric Miyashiro, Patrick Hession, Wayne Bergeon
faq:
Q: how old are you / A: i'm in high school!
Q: how are you related to jacob collier? / A: i'm not, we just have the same last name
Q: how do you transcribe? / A: i use musescore for notation and 'Transcribe!' for beat marking, slowing down etc
Q: do you have perfect pitch? / A: no
Q: where can i suggest videos? / A: / discord
Q: what music do you listen to? A: open.spotify.com/playlist/0zP...
Q: why are some videos not transcribed by you? / A: sometimes other people submit transcriptions, most are commissioned from others who can do a better job than i can. i want to make sure you see the best transcriptions possible!
you know that sound when you get a balloon and slowly let air out the end? that's Patrick in this solo
1st
2nd
It doesn’t sound good.
@@andybaldman ngl i was gunnu ask if hes meemin'.
What I immediately thought!
Eric is a great musician
Wayne is a great musician
Patrick can squeek realy loud
My thoughts exactly
Yeah. Great chops, but most of what Patrick played was distasteful. I liked Eric’s solos the best.
@@ColinMroczko that's what I keep reading but over the years I have heard this bit a lot of times and in my mind I've started to consider his squeaking an integral part of the whole solo section. Wouldn't be the same without it for me...
@@grisznik honestly, that second time Wayne played after Patrick was just so good. So tastefully done, honestly added to a feeling
@@ColinMroczko Disagree totally, while he's not as good as Wayne and Eric when playing normally, which is reasonable to expect from 2 complete legends, the "radio" effect is actually very interesting and works well, not distasteful at all, it just gives sense to what comes next
you know it’s good when the person transcribing has to draw lines
graphical scoring is perfectly valid and should not be marginalised
That's just an overtone scale run (our normal voices)
2x^2 +- 1/3y + z
good is a strong word lol
@@GeorgeCollier do you look at the spectrogram to make that drawing??
3 Trumpets walk into a bar and each make their statement. And then on that unison, everyone's head exploded.
Lol i love it
“Unison”
@@lc9991x that's what he said
the past, present and future walked into a bar.
it was tense.
Been looking for some more animes to watch, what’s the name of your pfp?
everybody gangsta till the gliss becomes doctor's handwriting
Good one
Top comment material right here
That's so funny!
Now THIS is an underrated comment!
get a cookie
Q - How many lead trumpeters does it take to change a light bulb?
A - Five. One to do it, and another four to say how much better they could have done it.
Q - How many second chair trumpeters does it take to change a light bulb?
A - None. They can't reach that high
Spongeroberto As solo chair they’d find the most intricate way to fix it lmao
Question: how many trumpeters does it take to change a light bulb One?
Answer: One. They hold the light bulb up to the socket and the world revolves around them
A - One. But they don't change the bulb, they just keep upping the pitch until visible light is produced from the horn.
IOW, half the number of lead guitarists it would take.....
You know how the lead trumpet always holds that last note a second longer than everyone else? I’m surprised this song had an end!
This needs more upvotes
@@bartveneman89 wrong website
Okay yeah, that got a good hearty chuckle out of me.
bahahahahah!
I used to do just that 👍
I've always liked how Eric started the solo musically, then Patrick is all like MAYNARD MODE ACTIVATED, then Wayne is all like "Guess we're only playing high notes. I'll roll with it."
"Maynard mode activated" is too funny for its own good
@@Nynodon Especially because my first instinct is to read it as being in reference to Maynard from Tool and A Perfect Circle. I guess in that sense activating Maynard Mode would entail going elbow deep inside the borderline.
I feel this lmfao. a lot of people in the comments are shitting on Patrick but he was the one channeling maynard the hardest lmfao.
i really like how eric did The Lick 6 seconds in just to get it out of the way lol
@@tjenadonn6158 hahahhaha fellow tool enjoyer i see
With that many horns on stage, I think the audience was was both figuratively and literally blown away
I attended this concert. It was probably the best Maynard Ferguson concert I'd been to.... and he wasn't there.
Wayne Bergeron: melodic and methodical
Eric Miyashiro: fast and technical
Patrick Hession: haha glissando go brr
Treading the line between Jazz Solo and Stroke Victim is an art
Holy shit that is absolutely an amazing comment
Hmmm... There's nothing like the sound of a pack of rabid dogs mauling a sack full of squeaky toys, I tell ya.
Thanks, I spilled my drink all over my screen
All of that laughter you heard from people reading this? 80% are trumpet players.
I told my girlfriend I'm a screamer. She didn't like when I pulled out my trumpet.
I love how Eric plays funky melodies, Wayne goes along with Eric, and Patrick just has fun with the solo
Yes! My thought exactly, Eric has funk in him!
Watch as Patrick demonstrates how not to do a solo
Pretty much, Patrick's tone and rhythm both seemed all over the place. It was akin to watching a new student get there instrument for the first time and try playing without a mouthpiece, ultimately making screeching noises and busting their chops. Sure he is hitting high notes but compared to Eric and Wayne he just seemed to fall short in my opinion
So true!!!
It's one thing he is consistent at.
Facts
@@lucasforbear2375 So you were also up at 1 in the morning.
If our jazz band did this but simplified though 😮
Out of all the trumpet players Patrick is one of them.
“Ladies and gentlemen, the greatest trumpet player in the world, Maynard Ferguson” still gets me everytime, just pure chills. Rip to the 🐐
Does anyone here realize that this was the first memorial concert for Maynard Ferguson, held very shortly after his death? I was there, as an alum who worked behind the scenes (I was his tour bus driver for a few years, when he still owned his own bus). The playing might not be the greatest here - there was a LOT of pain and love in that hall that night, and emotions were very close to the surface. These guys were trying to play through the pain while coming together to show their love, dedication, and respect for a man who meant so very much to all of us. What’s NOT present on that stage is ego, because ego was about the LAST thing that Maynard was about. It would have been insanely disrespectful to the man to have come to this event and start copping ego. I never had the opportunity to stand on the stage and play with Maynard, but I do play (bass trombone). I can only imagine how difficult it must have been to perform at all that night, given how much we were all hurting, so maybe a bit more understanding of the situation, and fewer snarky comments might be in order here. No one was there to show off - just to pay tribute and show love to a man who had had such a profound impact upon all of our lives, and whose loss is still deeply felt to this day.
Thank you for understanding.
I was lucky to be sitting in the exact center of the auditorium that night. They played their hearts out.
I can only speak for Eric Myashiro here, met him in a week-long workshop. He's the sweetest guy you could imagine. No ego, just pure love for music and teaching. And he once spoke up to Buddy Rich as a the youngest guy in the band when Buddy fucked up a tune and no one else dared to tell him the truth (according to Victor Lewis). You need some balls for that.
Put your whole heart and soul into that shit. It was a joke
@@adamrosser8650 Easy to allow the man his feelings, considering.
"oh what instrument do you play?" "the metal detector"
*Me and my friends trying to impress the same girl*
as a lead jazz trumpet i can't help but imagine the fight they got into figuring out which of them was lead
🤣🤣🤣😅
You really have no idea who Maynard was as a person at all, do you?
@@Prevost997 "Music is a great source of pleasure; the enjoyment begins with your very first notes. . . and it should never stop. " I never met him, but the men performing payed great respect to him. I have met Wayne Bergeron however, great guy.
Your lines for Patrick’s solos just made me laugh my face off 😂😂😂
Eric and Wayne were both absolutely amazing in this, as for Patrick...... He hit some high notes. I'm not diminishing how hard it is to do, its just that compared to bot Eric and Wayne he didn't maintain his tone and rhythm all that well in my opinion
Not sure he even started with any.
As a trumpet player speaking, Patrick was awful. Truly horrendous! Not at all about skill, just doing silly things, adds nothing.
Also sounded like he was slightly flat when they played in unison. Certainly a hard carry from Eric and Wayne.
There are "stunt musicians" who know when to pull out their special tricks while still having legit chops and being able to play with a full band. Good example would be Adrian Belew: with King Crimson he can go from making his guitar make noises no stringed instrument should ever be able to make on tracks like "Elephant Talk" and "Indiscipline" to wateryly weaving in with Robert Fripp and Tony Levin on songs like "Three of a Perfect Pair" and "Back Stage." There are stunt musicians who change the game to such a degree that other people learn their rules just just for the privilege of getting to play with them: KC's inimitable Robert Fripp developed such a unique style of playing that he wound up writing some of the most difficult pieces in the guitar repertoire (Fracture and it's companion piece FraKtured make Eruption and Cliffs of Dover look like easy warmup exercises) and developed an entirely new tuning so he could get the range he wanted, his fellow virtuoso Allan Holdsworth basically remade music theory from the ground up and started playing chords that nobody had previously thought possible, and Jaco Pastorius almost singlehandedly proved that the unacompanied electric bass can stand as a solo instrument: every piece for solo bass guitar in some way traces back to "Portrait of Tracy." Then there are the stunt musicians who just play a lot of notes really fast, mistaking technical skill for musical craftsmanship and showing off for music.
It sounds like a heavy+manually modulated synth... If you don't like it you don't like it but there's clear intention not just wanking
Eric is the best in my opinion. He played the best lines and his sound is more full and resonant than the other two.
Wayne better
Both Wayne and Eric were great
@@da11king yes eric was fast but wayne made me cry
@@wonky524I agree wayne was the best
Wayne and Eric have such incredible tones
patrick: *squeak*
you know a transcription is jacked when there are scribbles on the sheet music
And the French Horn player sheds a tear knowing his moment was never going to come.
The mosquito in my room as soon as I turn the light off :
best thing in the world is a great musician with no ego....I've had the honor to play with several in my day and they are a breath of fresh air man.
As a guitarist with bipolar, it's good to see others take things too far once in a while. Shout out to the boys on the horns, I love their passion!
Just reading this as a trumpet player makes my head pound
0:22 Spot on! I heard the exact same notes.
😂😂
If not for that last bit, I was convinced Patrick just picked up the Trumpet.
0:14 Wayne is such a monster! He doesn’t even have to finger the correct notes on what he’s playing. Incredible!!!
A trumpet professor at a local college told me that Wayne actually plays the fingering for the note one step above for intonation purposes in the upper register
just letting you know, that audio is taped over, its not his actual solo if you have a look, he plays a C trumpet, the fingering is completely different. I guess nobody knows why they taped over it.
@@somerandomstuff4920 he’s playing his Kanstul 1600 in Bb, and last rumor I heard he just wasn’t happy with his solo that night and dubbed over it. Too bad Patrick didn’t
At 0:23 you can clearly see he doing some mad trill and the audio is slow notes. They re dubbed it
Wayne wasn't close enough to the mic, so he overdubbed it later.
Wasn't expecting the title to be so accurate
Say no more. All I needed to see was the name Eric Miyashiro. I look up to him as a trumpet player.
I’ve always loved the way Eric and Wayne play here…
I mean when they can all play like that don't you think a little ego is well deserved
It comes included when buying a trumpet
Patrick should audition for voicing a very spooky ghost
nice shirts..after that they went back to their bowling alley and had a fine evening
I personally appreciated the abstract styling of Patricks runs
It honestly added a lot to the solo as a whole imo. Good tension and release between the parts because of it
I thought this was a video about how cool it was until I saw the comments.
It sounds like someone going to town on the knobs of a synth I love it
i personally appreciated your mum last night
@@Bran_Flakesx7 great tension and release; an artist honestly ( ͡° ͜ʖ ͡°)
The Spirit of Maynard was surging through my veins. 🙏🎺😎
Patrick: I never met you, but I drove The Jar for a few years back in the mid-90s, so -hi!
I’m sorry that so many people are giving you so much grief here, and I’ve called some of them out for it, because grief is definitely the operative word. I was there that night. Although I never played a note on stage with Boss, Ed put me on the Alums roster, just like everyone else, and I was profoundly honored by that.
I don’t think most people understand just how special Maynard was to all of us, and just how deeply we felt-and still feel - his loss. If I recall correctly, you were on the band at the time of his passing, so it must have been ESPECIALLY hard for you - to have been touring and recording with him just a couple of months before, and now playing his first memorial concert. I put myself through college and grad school with my bass trombone, but I don’t think there’s any way that I could have ever gotten a note out of my horn in a similar situation, so - yeah - the fact that you were up on that stage that night, doing what you did - I think you deserve to be cut some slack here, because it was probably exponentially harder for you than for any of the rest of them.
There was a lot of love and pain in that hall that night, but no egos - because that would have been galactically offensive to the man, his memory, and his philosophies. It’s just too bad that more people don’t understand that.
Anyway, hang tough, and nice to connect with you, even for just this brief moment.
Floyd Stegall
*Opens the window for 3 seconds in the summer*
-Mosquitoes:
Did Wayne re-record his first line on this?
Also the down gliss Eric does in bar 13 to start his line is WICKED
He said he did. He re-recorded several lines from the show due to bad recording quality / mic coverage.
He also had been playing all night so by the time they got up to this section he was extremely tired.
@@danielboyle1647
It was rough on everyone. Keep in mind, this was shortly after Maynard passed, so emotions were very close to the surface, anyway. There was a lot of love and pain in that hall that night, but no egos - because ego was something that Maynard was never about. It would have been horribly disrespectful to the man, his memory, and the moment to have come in copping ego on that stage.
@@Prevost997 no I mean wayne was in the band for the entire night playing lead then they put him in front with solos. He was physically drained because of the amount of high playing he had to do
As a trumpet player this hurts my heart (and lips) to hear
and cheeks
If my range on trumpet was like this, I would play literally everyday. I'm a freshman in high school and kinda suck with range
@@CRAVEST0 pedal tones, my guy. You'll thank me later
I agree.
My ears
Eric has some great licks and inserts them within the style of the music!
Wayne also has great licks and inserts them within the style of the music!
Patrick can play high.
Love the fact that basically all of the loudest players like rapa and bergeron are actually the most humble people you'll meet
When you leave the hot dog in the microwave too long 😂
I was the kid that put so much distortion on my guitar you never heard the notes - but damn I felt powerful
you could fit 10,000,000 eric and wayne's on that stage and still have plenty of ego room. patrick on the other hand...
So right.
Couldn't agree more
I used to watch this video so much a decade ago when I was in middle school, and I was so eager to just hit really high notes. Thank you so much for transcribing a nostalgic video.
Eric is my favorite out of that trio, bros runs were so clean you could've eaten off them
I'll never understand the obsession of trumpet players to play high pitches, but I'll make damn sure to watch all the youtube videos of it.
It's like a climber, he wants to see how high he can climb, it's like a guitarist, he wants to know how fast he can shred. It's like a surfer, he wants to know how big the waves he's able to surf. Well, you have understood.
The quality of this is simply incredible. THIS IS what music is about. These guys are doing history there with their statements.
A comprehensive guide on how to intimidate brass players
Nah, how to motivate.
I CAN DO BETTER!!!(does worse. horribly worse. I think a grabdmother died?)
Eric’s first solos are some of the tastiest lines I’ve heard in my life
I've always wondered what an aneurism in musical form was like 👍
It has happened. One of the lead players in the Note had a thrombotic stroke.
I want to say that while Patrick was definitely a lot less musical than both Eric and Wayne, it was still impressive what he played. And I think he was trying to capture some of the essence of maynard, in that a lot of times he'd play in a very flashy way, because he was an entertainer as much as he was a musician, so he didn't always play super clean.
Although of course maynard still sounded good for the most part, and I think Patrick pushed himself too hard to the point were it became less than musical.
But after hearing this so many times, it almost seems to fit in, balancing with the amazing cleanliness and technique of Wayne and Eric
I disagree - he did this because he didn't have any better musical ideas and it sounds like it. Same as every other effort of his I've heard so far. Not a soloist.
It’s impressive yes. And it was pretty nice. But however it kinda comes as showing off and having a big ego
@@JonF0721 that’s kinda the whole point of this section lmao
Yea seeing a lot of Patrick critics when clearly in the latter half he was keeping up just as well with hitting real notes - he was trying some experimental shit in the beginning...and that's ok too!
It sounds like you really just took way too long to get the point with that last paragraph.... They all follow each other and lead each other in using their unique styles.
giga chad trumpet playing.
Wow! Just think about the nerve needed to go there and -- blow, hoping for the best. Hats off!
It’s time like these when I see and hear something so amazing and I recognize it instantly that I realize I was raised by a legend and my childhood rocked! Thanks, dad 😁
you should tancribe the happy fits cello covers!
theres only 2 so far and theyre yt shorts- you would absoloutely love them, the happy fits is a small indie band and they are 3 extremely talented musicians i would love to see some of their musical shenanigans gain traction :)
here they are-
ua-cam.com/users/shortsmb8c6nqDnL0?feature=share
ua-cam.com/users/shortsGwaH-6jd7Aw?feature=share
gasp another happy fits fan
rare to find one in the wild
@@calcraig-lundry6883 yess! im going to see them in october, very excited (:
The call and response at 00:39 is fabulous.
The squealing contest between trumpet players is always good for a laugh!!!!
I love Eric's sound. It's just to clear at high notes...
You forgot that the best part of this video was the tenor sax solo though.
this
Patrick… oh patrick.
Squeals don’t count.
i keep watching this over and over again its so amazing
My band had a master class with Wayne and his wife. Needless to say he was incredible.
who is that joker on the left just screeching as high as he can with no musical direction or purpose
🤣
Wayne's trills are literal perfection. The control is unbelievable!
I see that Eric is the only one who has figured out that underneath all of those high notes, there is a staff.
Damn, everyone is so harsh on Patrick. It was pretty good, and took a lot of skill. It added nice tension to the solo, and the others used it effectively. I don't see why people are hating on him so much for that.
Fairly confident saying not a damn soul in these comments could hit one of the notes Patrick did lol
@@hadoken95 you'd be surprised actually. It really isn't that uncommon to play that high, especially in the college+ level.
Not saying it's easy to do it well, and I'm actually a defender of P.H most of the time, but in terms of just getting that high, really not that hard
0:20 And this part is epic so yeah
iirc Wayne wasn't feeling well and had to dub new recordings over his parts. The full recording is definitely worth a listen
@@hadoken95 I can
Trumpets *sigh*
I’ve just read your faq, and all I can say is THANKS 🙏🎻
Dang bro is that a trumpet or an RC monster truck motor
He’s reached another level of music
Just keeping in mind how they’re (all 3) taking turns mimicking what one handled on his own continuously. 😊
There's a reason Wayne is called "Waynard". Both he and Eric can easily handle a Maynard Ferguson part single handedly.
that is quite something to watch!!! amazing
Gotta love this over and over again 🤩
Patrick’s ability to hit those extreme high notes never ceases to amaze me.
Shame his ability to solo musically is nowhere near the caliber of his chops. I have never heard a PH solo that interested me in the least.
Huh? It was just silly things, not musical at all. Bizar that he did that. Especially compared to the great player beside him. And I’m a trumpet player.
@@gertnood yeah but it looks like he’s having fun lol
This sounds like the interlude in every upbeat Ricky Martin song.
farthest to the left guy isn't even playing music until the very end. he's just flexing high notes.
Normal people: Sees lines
Doctors: Why is this transcription telling me to buy 4 pounds of beans?
0:38 literally beats the engine
Funny to think it takes 4 amazing trumpet players to replace one Maynard.
Patrick, the one with the weird solos was Maynards Lead Player so the guy can scream
I love how Wayne stayed calm and humble
Finally! A transcription that I've been waiting for...
I am amazed by how brass players can play that fast stuff with any kind of accuracy. I was a woodwind player and on the sax it makes sense we don't use embouchure as much as brass players. So color me very inmpressed.
Holy @#$@#$. I didn't just get chills down my spine...i had them all the way down my legs to my feet.
I enjoy how this ended up on my feed
As a trumpeter, I can confirm the woodwinds hate us
As a fellow trumpeter, I say the woodwinds just need to get better
WAYNE'S TRILL THO
No but seriously
He’s in Gordon goodwins big band so he has to have a good trill to give them that distinct sound
Everyone’s making fun of them for only playing high but personally i love the way wayne sounds from his tone, to the notes he plays
They destroyed it! I loved the interplaying. Imagine seeing this in concert.
I didn’t even know it was possible to be this good at a certain task
too sreetchy
That was NOT ego! That was pure friggin' talent! Those boys have no need of big egos.
True. If you run into Wayne somewhere, like ITG,. he's very approachable.
While he can (obviously) play, Patrick is the stereotypical trumpet player. 99% ego. Not pleasant to be around. Wayne and Eric are the exact opposite.
@@garymartin6987 Good to know. Thanks for the inside info.
I take it you haven't played in a band before lol
@@kevinzhang6623 LOL! You make a GREAT point.
I actually played lead (split) for many years in a big band. So. YES! I am familiar with the egos of lead players. In fact, I'm of the opinion that to be a truly great lead player, you have to have a pretty good sized ego.
I'm just in awe of this latest generation of lead players, especially Wayne. These guys are capable of things that we would never see in the 70's and 80's. And there seem to be so many amazing players that make double C's and above look and sound effortless.
Wow, great memories! I am so glad we were able to be there, thank you for sharing!!
I just subscribed damn this is soo good