Isamu Noguchi: There’s no such thing as time
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- Опубліковано 8 лют 2025
- "Artist Isamu Noguchi discusses the limitations of industrial tools and how he transcended the constraints of the time in which he lived. He also reflects on the future of furniture design and offers a peek inside his studio and living space in these excerpts from Isamu Noguchi, 1972, Michael Blackwood Productions.
Noguchi and Japanese Internment: • Video
Counterpoint: Liam Everett tries to stay in the present: • Liam Everett: The art ...
Isamu Noguchi genius Artist.
Shoji Sadao looking very dapper.
WoW. Thank You!!!
A great artist.
Un pied à terre sur Mars 😉
Where is this footage taken from? Is there more that is not being shown here?
It's from a 1974 TV documentary, www.imdb.com/title/tt1270676/?ref_=nm_flmg_slf_6. Slightly more of it is available here: ua-cam.com/video/U8hB3IVX40U/v-deo.html
I love him; his brain produces it’s own acid 😂😘🥰
Isamu: "There is no such thing as time
Also Isamu: wearing wrist watch
where can i find the whole thing? thanks
I have Akari.
only the perception of time..
Man, he sounds like Alan Watts.
Weird, he doesn't seem to have an American accent.
He doesn't have to be to American lol, one can still live abroad their whole life and naturalize later or even be born in USA and then have parents move as a child to spend their childhood in another country where they acquire a different accent or part of one
@@DivineLightPaladin Can one?
Actually, he sounds to have a pronounced Mid-Atlantic accent.
@@thomasmatthew7759 Japanese father, American mother. He was born in the U.S, lived in Japan for some years but then studied and lived most of his life in the U.S
@@shenanigans3710Yes, I believe one can...
He has an amusing shtick.
Creatives really are the best at talking bollocks!
means of existence :D
better than non creatives, who are actually worse after once they talk and reveal their lack of depths
I pity you
He is particularly pretentious in his incessant waffling, which sets him apart from his Japanese heritage and clearly places him within the American tradition. The Japanese leave all expression to the piece itself and are quite reticent to discuss what it all "means". This is, of course, as it should be.