Damrau is almost unrecognizable in this scene! I can only tell it is her by her voice. Although it is a wonder to hear her as Olympia, Antonia and Giulietta in this production -- three very different acts but sung brilliantly by the same voice.
I love how in this production, this defaming has the reflection irony. It's a nice rendition of a dystopian/mafia-ish/retro vibe with the creepy face collector
Both Damrau and Brower are magnificent!
Восхитительно
любимая часть так подана роскошно! Спасибо!!
Damrau is almost unrecognizable in this scene! I can only tell it is her by her voice. Although it is a wonder to hear her as Olympia, Antonia and Giulietta in this production -- three very different acts but sung brilliantly by the same voice.
René Pariente: Quelle magnifique voix pour les contes d'Hoffmann
I love how in this production, this defaming has the reflection irony. It's a nice rendition of a dystopian/mafia-ish/retro vibe with the creepy face collector
The singing is marvelous but the production is surrealistic, at best.
I love the orchestral adaption. There's something different about it.
Anna and Elina , had sing it in 2007.
"Ceci n'est pas une pipe".
what's with the men smoking pipes?