Of the most sumptuous, fully grounded, beautifully acted, cleanest sung renditions of this scene I've seen yet. I actually hear Verdi, not a singer's vanity. Brava, Anna Tomowa-Sintow!
OMG! I also can't stop watching this video! The Sets! The Costume! everything sets up the scene for this grand performance! I just started working on this aria and it's helps to see such a stellar performance! Thanks for posting this!!
One of the most underrated sopranos--at least in this country. OK she is not Italian but when they start producing singers of this quality ....... She ascends to the high C with total confidence, the voice is firm and resonant. Caniglia explodes at this point. The best Aida--it's on the Ofeo label, conducted by Muti with Domingo Tomowa-Sintow and Brigite Fassbender. Muti is on fire and inspires his singers. It's a live performance with excellent sonics. TS sings Amelia with Pavarotti in a DVD that should still be in the catalogue. Also an excellent Amelia (Simon Bocanegra) in the Met taping is stunning as the voice blossoms as she ascends the scale. Glorious.
A NOSSA SINA Na ária Ecco l'orrido campo, da ópera Un Ballo In Maschera, de Verdi, tem a revelação tétrica: "Meia-noite! - e o que eu vejo? Um espectro Do subterrâneo ele se levanta ... e, em métrica, Suspira! Ele tem um lampejo de raiva em seus Olhos. Ele é terrível! Ajude-me, oh! Senhor, Ergue meu pobre coração!" Ao inimigo adeus. Tudo se resolve com o coração cheio de amor. Como num incêndio, a pandemia em rescaldo. Mas as pessoas com medo chama as chamas. E o perigo ronda os medrosos sem respaldo. A fé no todo que nos envolve e a todos ensina O caminho que chega ao lugar sem haver lamas. Deslindar os mistérios a todos é a nossa sina. (*) (*) FERNANDO PINHEIRO, presidente da Academia de Letras dos Funcionários do Banco do Brasil. - A NOSSA SINA (poesia), de Fernando Pinheiro. - in O mundo de Morfeu, de Fernando Pinheiro.
Maybe it's just me, but she seems to be forcing weight into her middle register too much. Amelia is very heavy on the middle of the voice, and it seems a bit taxing for her. The intonation and crescendo up to the High c6 is very good though.
I heard her many times and her center was very firm, she had a big sized instrument and the voice ran very well. Her top was extraordinary, a creamy sound that never sounded forced.
Not her best role (Amelia needs a voice like Lady Macbeth & Aida & Trovatore & Don Carlo )..... She has a more lirico liric con Spinto voice BUT luxurious & very very fine Legato
Lady Macbeth and Elisabetta in Don Carlos certainly do not require the same voice.They are at opposite ends of teh spectrum!! Freni had the perfect voice for Don Carlos. In Aida she was somewhat out of her depth and fortunately she bever even attempted the other orles you mentioned.
¡ BRAVO ! Miss Tomowa Sintow is out of this world ! Excellent ! Her voice is beautiful. A real soprano spinto.
Definitely one of my favourite singers of all time. Like the Germans say: sie ist ja einfach der Hammer!
The absolutely very greatest singer of the last decades of the last century. My heart starts beating higher everytime I am listening her singing.
a very great singer...she's special.
She KILLS me. Wow!! Just out of this world.
My GOD, she is sublime!!!!!!!!!!!!!!!!!!!!!!!!!!
Oggi non esistono artiste cosi Grandi, meravigliosa!
C'è Saioa Hernandez... oggi
🙀
@@babbonatale9362vero....grande soprano la cui maestra è stata la Cabaille ...
Of the most sumptuous, fully grounded, beautifully acted, cleanest sung renditions of this scene I've seen yet. I actually hear Verdi, not a singer's vanity. Brava, Anna Tomowa-Sintow!
Grandissimo chailly
Avessimo oggi delle artiste di questo calibro. Eccezionale, stupenda!
OMG! I also can't stop watching this video! The Sets! The Costume! everything sets up the scene for this grand performance! I just started working on this aria and it's helps to see such a stellar performance! Thanks for posting this!!
One of the most underrated sopranos--at least in this country. OK she is not Italian but when they start producing singers of this quality .......
She ascends to the high C with total confidence, the voice is firm and resonant. Caniglia explodes at this point. The best Aida--it's on the Ofeo label, conducted by Muti with Domingo Tomowa-Sintow and Brigite Fassbender. Muti is on fire and inspires his singers. It's a live performance with excellent sonics. TS sings Amelia with Pavarotti in a DVD that should still be in the catalogue. Also an excellent Amelia (Simon Bocanegra) in the Met taping is stunning as the voice blossoms as she ascends the scale. Glorious.
Mature big & elegant liric soprano Spinto = lirico-Spinto
It´s a fabulous performance and one of my favorites of this aria here on UA-cam. It showcases the high level of this exceptional singer with grandeur.
Marvellous. I can't stop watching this video.
Una bellissima performance
A true Verdian.
Love this whole performance!!!!!
Magnifica Aria. impresionante interpretación de Anna Tomowa..¡¡¡
One of the best Bulgarian singers ever.
Anche se sbaglia una parola ("qual forza m'arretra", non "m'arresta") è veramente bravissima! La pronuncia è ottima e il colore è bello ed omogeneo.
Grandioso, sempre brava e magnifica
Wunderbar! Sie hat so oft bei uns in der Staatsoper gesungen!
I love everything about her
Stunning!
With Pavarotti and Cappuccilli, I was lucky enough to be there! And big Pav cracked twice ...
Quanto e' brava.
Divina
Bravissima!
BRAVA!!!
PERFECT, the woman is just ridiculous
VOICE VOICE & MORE VOICE!!! 🎵🎼🎶☝😀
A NOSSA SINA
Na ária Ecco l'orrido campo, da ópera Un Ballo
In Maschera, de Verdi, tem a revelação tétrica:
"Meia-noite! - e o que eu vejo? Um espectro
Do subterrâneo ele se levanta ... e, em métrica,
Suspira! Ele tem um lampejo de raiva em seus
Olhos. Ele é terrível! Ajude-me, oh! Senhor,
Ergue meu pobre coração!" Ao inimigo adeus.
Tudo se resolve com o coração cheio de amor.
Como num incêndio, a pandemia em rescaldo.
Mas as pessoas com medo chama as chamas.
E o perigo ronda os medrosos sem respaldo.
A fé no todo que nos envolve e a todos ensina
O caminho que chega ao lugar sem haver lamas.
Deslindar os mistérios a todos é a nossa sina. (*)
(*) FERNANDO PINHEIRO, presidente da Academia de Letras dos Funcionários do Banco do Brasil. - A NOSSA SINA (poesia), de Fernando Pinheiro. - in O mundo de Morfeu, de Fernando Pinheiro.
When was this recorded?
1984 I think. She is truly one of the greats.
Ja inderdaad na renee flemming is zij de beste op haar gebied
Please what year was this performance
?
1983/84
2:35
4:03
IS SHE STILL SINGING ???
I think she's 80 now...
So, no.
Maybe it's just me, but she seems to be forcing weight into her middle register too much. Amelia is very heavy on the middle of the voice, and it seems a bit taxing for her.
The intonation and crescendo up to the High c6 is very good though.
jmiller05 It's just you
I heard her many times and her center was very firm, she had a big sized instrument and the voice ran very well. Her top was extraordinary, a creamy sound that never sounded forced.
yea it's just you.
Yup, it's you. She sang very well until 60
She doesn't force weight in her middle register, put she puts it there. But I agree with you that there is no need whatsoever.
Not her best role (Amelia needs a voice like Lady Macbeth & Aida & Trovatore & Don Carlo )..... She has a more lirico liric con Spinto voice BUT luxurious & very very fine Legato
Lady Macbeth and Elisabetta in Don Carlos certainly do not require the same voice.They are at opposite ends of teh spectrum!! Freni had the perfect voice for Don Carlos. In Aida she was somewhat out of her depth and fortunately she bever even attempted the other orles you mentioned.
@@Yves_Ka Freni was not an Aida voice.
@@liedersanger1 that is what I wrote
@@Yves_Ka Yes you did! Sorry.
Bravissima! What are those things on the floor?