Si commenta da solo questo Quando Corpus. Eccezionale eeeee👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏 Due voci perfettamente sincronizzate e perfette come accostamento vocale, di timbro....praticamente perfetto! Bravissime
To think this man composed this when he was 26 years old! What talent! No more talented musicians left in this world. I'd have loved to have heard Maria Callas sing it...
La prima volta ho visto nella DDR la FrauenKirche nel 1988: un cumulo di rovine. Due anni dopo l'ho rivista: ogni pietra era numerata in attesa della ricostruzione. Una emozione infinita. Non l'ho più vista, solo in video durante una pesante malattia, con le note di Pergolesi. Da tempo penso che l'unico luogo al mondo che vorrei visitare, è questa Chiesa che dovrebbe suggerirci le più profonde meditazioni
@@markowicz3687 The Amadeus version is almost perfect. The only flaws are that the Quando Corpus part is too fast and that the Amen part is too slow. If you find the video and change the speed to 0.75x until the start of the Amen part and then change it to 1.25x then it's perfect.
It's much better than Mozart IMHO. Mozart was a genius but one thing he couldn't write very well was deep spiritual music. For that one needs Monteverdi, Bach, or Pergolesi.
It's the opening piece in Amadeus, if not it is early in the movie. It's my favourite piece from the film and I was shocked to find out it wasn't even Mozart.
И мне так показалось. В ансамбле нужно слушать и слышать не только себя. Если не научиться любованию создаваемым образом в музыке, то остается для исполнения не так уж и много произведений. А любоваться своим голосом не обязательно на большой сцене.
Any time I'm listenninng to those voices, I can hear much more than partition written. A blown hope that sincerely touches my heart my soul, and my body feels so calm. That is one of the most powerfull piece I have ever loved. The light in the shadowing moment of loss. How can we translate Love better than that? I Mean, the unconditionnal Love of a mother for a child. In Amadeus, as fiction is deeply true, especially when Slieri says that anyway the man was Amadeus, he was God's tool, to make Beauty been written on earth by a man. To me, he's much more than a tool, but a soul touched by Grace. Toul seems to be so humanized... and through this , as well as the Cuando Corpus Moriertur and, above all, the Amen, there is no word to write... so I try. But, it is in the piece itself the Light is. It makes me thing about Leonard Cohen : "There is a crack in every thing, this is how the light gets in..." Death is the crack in here, hear the Light gets in... than listen to it.
Девчата - МОЛОДЦЫ! Оркестр превосходен! Орган - великолепен! Зал - сказочен, представляю, как звук течёт вверх! Вместе с direttori жму руки не только Первой и Второй Скрипке, но и всем музыкантам, а уж девчат заобнимал бы при случае, вах! обе прекрасны! Всё гармоничнейше
Lovely performance. I wonder what Amen would sound like with a Contralto and a Mezzo Soprano duet. Especially with two of the best Female Operatic voices today aka: Sarah Mingardo:Contralto and Cecilia Bartoli: Mezzo Soprano. Oh, Wow! That would be treat to hear!👂💃🎵🎶🎼👍
Love the violin sound! So sorrowful, begging for absolution, yet powerful at the same time. But i agree, i prefer renditions with male sopranos and altos (children)
Hai ascoltato la versione diretta dal M.sto Muti con la Marshall e la Valentini-Terrani? A mio parere l'esecuzione più bella in assoluto. Sentine l'amen...
I came to hear this because I heared it first sang by two Symphonic Metal fron tladies: Floor Jansen (After Forever, Revamp, Nightwish) and Simone Simons (Epics) 😎 Well the first bit onley actually I think 👀
Margaret Marshall, Lucia Valentini Terrani, Claudio Abbado: è questa l'interpretazione più toccante, per finezza e grazia, di un'opera commovente. Anna Netrebko è invece buona per l'opera verista. L'attacco dell'Amen è assolutamente fuori di luogo.
Merci pour ce beau moment en ce lieu magnifique ? le stabat mater est impressionnant ,mais perd en religiosité il y a une règle pour cela : ne jamais prendre des grands chanteurs d'opéra pour le baroque, car on perd l'esprit du morceau de musique l'inverse est vrai , les voix baroques n'étant pas exercées pour Wagner Verdi etc et même Mozart Ce fut le cas pour le requiem de Gilles dirigé comme un opéra dans les années 70 mais ceci reste beau musicalement !!!
Voix superbes mais style compassé. Ces personnes semblent n'avoir jamais entendu parler de René Jacobs, Gérard Lesne, Nikolaus Harnoncourt... brefs, des chercheurs en style baroque.
The AMEN was spectacular!! Thank you ladies.
Спасибо вам за прекрасное исполнение и профессионализм! Замечательное произведение, исполнители чудо. Анна Нетребко ты лучшая 🤩
Si commenta da solo questo Quando Corpus. Eccezionale eeeee👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏
Due voci perfettamente sincronizzate e perfette come accostamento vocale, di timbro....praticamente perfetto! Bravissime
До слез тронуло, это исполнение! ❤❤❤
To think this man composed this when he was 26 years old! What talent! No more talented musicians left in this world. I'd have loved to have heard Maria Callas sing it...
"No more talented musicians left in this world." you're pathetic.
@@alicjaalvena1120Ikr
Sadly he died at 31. It's why he is not so well known. Mozart probably was inspired by this piece when he wrote his requiem.
La prima volta ho visto nella DDR la FrauenKirche nel 1988: un cumulo di rovine. Due anni dopo l'ho rivista: ogni pietra era numerata in attesa della ricostruzione. Una emozione infinita. Non l'ho più vista, solo in video durante una pesante malattia, con le note di Pergolesi. Da tempo penso che l'unico luogo al mondo che vorrei visitare, è questa Chiesa che dovrebbe suggerirci le più profonde meditazioni
Absolument splendide, sublime, à écouter avec le plus grand respect.
ТАКОЕ ВПЕЧАТЛЕНИЕ, ЧТО ПОПАДАЕШЬ В Б-ЖЕСТВЕННОЕ ПРИСУТСТВИЕ ВЛАДЫЧЕСТВУЮЩЕГО ВО ВСЕЙ ВСЕЛЕННОЙ! БЛАГОДАРЕНИЕ СОЗДАТЕЛЮ!
Maravillosas!!!!! BRAVO
Anna Netrebko with Marianna Pizzolato. It really is wonderful.!!!!
Immer wieder schön, danke Lilli. LG☆
i agree
Anna Netrebko with Mariana Pizzolato - wonderful when their voices match !!!!!!!!!!!
Most beautiful performance thanks bless you friend!!
delightful! both artists are blessed.
The greatest music of all times and with the most beautiful performance. How could anyone but just admire it!
La verión en Amadeus la supera. Sobre todo el Amén.
@@markowicz3687 The Amadeus version is almost perfect. The only flaws are that the Quando Corpus part is too fast and that the Amen part is too slow. If you find the video and change the speed to 0.75x until the start of the Amen part and then change it to 1.25x then it's perfect.
Cosi! Cosi! Fantastiche!
So similar to Mozart's Lacrimosa of his Requiem... Lovely! The Amen reminds me of a church scene of Amadeus! Nice to listen too...
It's much better than Mozart IMHO. Mozart was a genius but one thing he couldn't write very well was deep spiritual music. For that one needs Monteverdi, Bach, or Pergolesi.
It's the opening piece in Amadeus, if not it is early in the movie. It's my favourite piece from the film and I was shocked to find out it wasn't even Mozart.
You find similarity because it was used in Amadeus.
One could not resist nor deny thinking of that poignantly heartrending scene of the Pieta during that infamous Friday evening.
Il soprano è un disastro totale! Non si urla così! È un canto mesto accennato non vibrato e dai finali incerti!!! Grandissima la Pizzolato,❤️
La pizzolato è straordinaria
И мне так показалось. В ансамбле нужно слушать и слышать не только себя. Если не научиться любованию создаваемым образом в музыке, то остается для исполнения не так уж и много произведений. А любоваться своим голосом не обязательно на большой сцене.
LUXURY! ШЕДЕВР!
Preformed this piece in high school and still remember it to this day. Beautiful preformance
Просто совершенство, как будто наступило перерождение себя.... БРАВИССИМО!!!!
👏👏👏👏👏👏👏👏👏👏
❤❤❤❤❤❤❤❤❤❤
💐💐💐💐💐💐💐💐💐💐
Fabuleuse performance. Quel duo merveilleux !... Merci à Martine ROL notre chef de chœur de nous mener sur une oeuvre aussi grandiose.
Acabo de descubrir a esta maravillosa mezzo, Marianna Pizzolato...puro talento!!! Bravooooo!!!
мне очень нравиться. Часто слушаю. Красивые профессиональные голоса!!!
Очень красиво!
absolutely fabuleus:what a perfomance.tears in my eyes
Whant a beautilful, warm mezzo voice!
Just listening to this song makes my mind travel somewhere and levitate
Meraviglia delle meraviglie ❤
This performance of "Quando corpus morietur" gives me goosebumps.
Exactly the same for me
It kills me!
Any time I'm listenninng to those voices, I can hear much more than partition written. A blown hope that sincerely touches my heart my soul, and my body feels so calm. That is one of the most powerfull piece I have ever loved. The light in the shadowing moment of loss. How can we translate Love better than that? I Mean, the unconditionnal Love of a mother for a child. In Amadeus, as fiction is deeply true, especially when Slieri says that anyway the man was Amadeus, he was God's tool, to make Beauty been written on earth by a man. To me, he's much more than a tool, but a soul touched by Grace. Toul seems to be so humanized... and through this , as well as the Cuando Corpus Moriertur and, above all, the Amen, there is no word to write... so I try. But, it is in the piece itself the Light is. It makes me thing about Leonard Cohen : "There is a crack in every thing, this is how the light gets in..." Death is the crack in here, hear the Light gets in... than listen to it.
Quando corpus morietur
fac, ut animae donetur
paradisi gloria.
Que genias las dos!!!
LINDO, AS VOZES SÃO UNAS, PERFEITAS, MOMENTO MARAVILHOSO!
Il migliore Amen di Pegolesi sentito! Pizzolato è bravissima
Pizzolato è un gioiello, un italiana della quale dovremmo andare fieri
Io che nn sono social volevo dedicare i versi più belli che conosco per condividere un dolore GRAANDE DI UNA PERSONA A ME MOLTO CARA
Анна, браво! ❤🎉
Grazie infinite a te, PrestigiosoGaston. Versione bellisssima dello S.M. Le due voci sono straordinarie, ancor piu' belle insieme.
Девчата - МОЛОДЦЫ! Оркестр превосходен! Орган - великолепен! Зал - сказочен, представляю, как звук течёт вверх! Вместе с direttori жму руки не только Первой и Второй Скрипке, но и всем музыкантам, а уж девчат заобнимал бы при случае, вах! обе прекрасны! Всё гармоничнейше
G B Pergolesi….god bless u..ur musik divine is
Maravillosas! que hermoso escuchar estas obras en voces grandes... bellísimo!
I LOVE Netrebko.
UNTHINKABLE!
No me gusta nada el clero
Pero me encanta la música sacra
Preciosas voces gracias por compartir 🐈🧡🇪🇦
Outstanding!
Lovely performance. I wonder what Amen would sound like with a Contralto and a Mezzo Soprano duet. Especially with two of the best Female Operatic voices today aka:
Sarah Mingardo:Contralto and Cecilia Bartoli: Mezzo Soprano.
Oh, Wow! That would be treat to hear!👂💃🎵🎶🎼👍
simplesmente magnífico!!!!
Que potente!! La mejor que me he encontrado por UA-cam
Bravo!!! Belissimo!!!
...semplicemnte divino: "anche se qualcuno non riesce a comprendere il testo, la musica ti eleva senz'ali!"... donluigibalsamo
petite pépite musicale...
Bravo 👏 👏 👏
Amo os duetos de Anna e Mariana neste Stabat Mater! maravilhosas !
Божественно!
Mirabili!
Grazie.
Qué bella voz la Pizzolato!!!
Worldclass
Beautiful
Love the violin sound! So sorrowful, begging for absolution, yet powerful at the same time. But i agree, i prefer renditions with male sopranos and altos (children)
Schitterend !!!
Hai ascoltato la versione diretta dal M.sto Muti con la Marshall e la Valentini-Terrani? A mio parere l'esecuzione più bella in assoluto. Sentine l'amen...
A mio dire, Pizzolato eccellente.Netrebko non molto calata nel ruolo.
Pizzolato il massimo
Maravilla de voces...
Невероятно!
Amen!
"And you know what happened?........ A miracle!"
Only slightly better than their dolorosa performance. In general they didn’t do justice to Pergolesi’s timeless masterpiece.
I'm dying! 🙏❣
Лучшего исполнения желать и не стоит!🥰
Просто божественно!!!
Virtuoos!
Amazing!!
good music
Ay la canción de xica da silva q bellloooooooo
jeremy romero de quién?? O.o
Как бы не старались контратеноров - красоты женского голоса им не затмить!
the best~~!!
The best version is that of the Westminster Choir (which was sung in the movie Amadeus).....all others pale in comparison
Анна я тебя люблю!!
Hello ThePrestigiosoGaston, update Fac ut ardeat cor meum??? pleaseeeeeeee.... thank you so much!!
Excelente
I came to hear this because I heared it first sang by two Symphonic Metal fron tladies: Floor Jansen (After Forever, Revamp, Nightwish) and Simone Simons (Epics) 😎 Well the first bit onley actually I think 👀
Margaret Marshall, Lucia Valentini Terrani, Claudio Abbado: è questa l'interpretazione più toccante, per finezza e grazia, di un'opera commovente.
Anna Netrebko è invece buona per l'opera verista. L'attacco dell'Amen è assolutamente fuori di luogo.
Divin..............................
ろ❣️
anyone did come from mind hunter :D
yes!
Same 😅
Господи!Анна ,неужели Дива взвешивается в килограммах!!!!так хотелось верить что вы ещё споёте и Джульету!!!!
Кто про что... М .. да
Merci pour ce beau moment en ce lieu magnifique ? le stabat mater est impressionnant ,mais perd en religiosité
il y a une règle pour cela : ne jamais prendre des grands chanteurs d'opéra pour le baroque, car on perd l'esprit du morceau de musique
l'inverse est vrai , les voix baroques n'étant pas exercées pour Wagner Verdi etc et même Mozart
Ce fut le cas pour le requiem de Gilles dirigé comme un opéra dans les années 70
mais ceci reste beau musicalement !!!
❤️
합창 12번 3:18
Почему то вспомнилось произведение Верещагина Апофеоз Тамерлана
♥🎶😍😍😍
Анна бомба!!
Hola.
Harmony.....
Те кто сравнивает!!
Если бы Каллас взялась за это посмели бы вы квакнуть что то , а их никак нельзч сравнивать )) молоко и бензин))
6-в посоны??
Voix superbes mais style compassé. Ces personnes semblent n'avoir jamais entendu parler de René Jacobs, Gérard Lesne, Nikolaus Harnoncourt... brefs, des chercheurs en style baroque.
Omg! Yes please don't sing baroque. This is probably one if the worst stabat mater I ever heard. Stylistically, a catastrophe!
mindhunter... anyone?
yup 🤣
А сзади Городничий с виоллой
Not one moment of prayfulness in this perfomance