Trust me this is not how you get someone into rh you have to fall in love one song at a time if you don't have a foundation of tracks you love, you'll never find yourself obsessing over tkol
Isn’t that literally their format? In the beginning of every video they say they go through them one at a time. I would argue you’d have to do it an album at a time, but that’s just how I got into it.
Appreciate the comment. In our upcoming mailbag episode I'll address this a little. But the TL:DR is that I don't actually know that he'll ever "get into RH". Frankly I just enjoy sharing something important to me with him and hope he, fan or not, respects good music and remembers that his dad did too.
I think if you force your kids to listen to more experimental or nuanced music while they're developing their own tastes, they might not love what they're hearing, but should develop higher expectations for music. Less chance of your kids growing up to be Ed Sheeran/modern Coldplay fans.
Although it doesnt really match my cadence I find myself listening to this song while going for a run. Followed by there there to power the last few minutes of the run. Nice reaction fellas :)
I used to sing this under my breath when I started working as waiter. It reminds me of navigating through something new. One of the more accessible songs on amsp. Have you done Sail To The Moon yet?
I was at the Glendale, AZ Radiohead TKOL show and they played identikit. I remember the live version being more funky. It's the only time I've seen them. Sigh...
Identikit had so much more energy live. I love Radiohead, but I feel like post Hail To The Thief the recordings became way too polished. Certain songs lack the dynamic energy of the live performances. King Of Limbs was the suffered the worst from the studio treatment (I still like that record, even though some of the songs really breath more live). The drums on Identikit are far too processed, and the instrumentation feels chopped up and looped, a left over from the recording techniques from The King Of Limbs. The synth in the live version sounded a lot better too. I understand this version fits the context of A Moon Shaped Pool better, but the song itself suffers in service of matching the atmosphere of that record. I'm a lot happier about the sound of The Smile, it finally feels like a band that's playing in the same room. Nigel Godrich is flexing his production muscles while maintaining the energy of the band, much like was accomplished on OK Computer.
My question is, what is it to Jakob's left hand side that needs his immediate attention at the end of the videos? Also, what does Scott think of Philip Selway's new album?
Trust me this is not how you get someone into rh you have to fall in love one song at a time if you don't have a foundation of tracks you love, you'll never find yourself obsessing over tkol
Isn’t that literally their format? In the beginning of every video they say they go through them one at a time. I would argue you’d have to do it an album at a time, but that’s just how I got into it.
Appreciate the comment. In our upcoming mailbag episode I'll address this a little. But the TL:DR is that I don't actually know that he'll ever "get into RH". Frankly I just enjoy sharing something important to me with him and hope he, fan or not, respects good music and remembers that his dad did too.
I think if you force your kids to listen to more experimental or nuanced music while they're developing their own tastes, they might not love what they're hearing, but should develop higher expectations for music. Less chance of your kids growing up to be Ed Sheeran/modern Coldplay fans.
Although it doesnt really match my cadence I find myself listening to this song while going for a run. Followed by there there to power the last few minutes of the run. Nice reaction fellas :)
I find that, when I backpack, I hike with a song in my head. It's funny how often the rhythm of the song doesn't always do my pace any favors.
I used to sing this under my breath when I started working as waiter. It reminds me of navigating through something new. One of the more accessible songs on amsp.
Have you done Sail To The Moon yet?
Haven't done Sail to the Moon yet. Yours might be the first suggestion of it.
*Mail Bag Question* What was the Radiohead album you were most hotly anticipating?
I was at the Glendale, AZ Radiohead TKOL show and they played identikit. I remember the live version being more funky. It's the only time I've seen them. Sigh...
I prefer every live version of Identikit to the studio version. But this version will do when I'm just vegging.
*Mail Bag Question* Not sure if you've already mentioned this, but what's your favourite opening track to a Radiohead album?
Identikit had so much more energy live. I love Radiohead, but I feel like post Hail To The Thief the recordings became way too polished. Certain songs lack the dynamic energy of the live performances. King Of Limbs was the suffered the worst from the studio treatment (I still like that record, even though some of the songs really breath more live).
The drums on Identikit are far too processed, and the instrumentation feels chopped up and looped, a left over from the recording techniques from The King Of Limbs. The synth in the live version sounded a lot better too. I understand this version fits the context of A Moon Shaped Pool better, but the song itself suffers in service of matching the atmosphere of that record.
I'm a lot happier about the sound of The Smile, it finally feels like a band that's playing in the same room. Nigel Godrich is flexing his production muscles while maintaining the energy of the band, much like was accomplished on OK Computer.
My question is, what is it to Jakob's left hand side that needs his immediate attention at the end of the videos?
Also, what does Scott think of Philip Selway's new album?
never liked this one, and then suddenly it clicked