Thanks Man, not 100% what I am looking for but there was still a lot of great stuff in this video that was helpful. Sounds like you nailed the Snare mic placement and the Phase inverse was practically unnecessary. Thanks for posting!
Oh good, more self-taught church audio people spewing nonsense. When talking about 0°-180° in reference to phase, it’s not referring to the physical orientation of the microphones but the time alignment of the source waveform. Flipping polarity isn’t making something coherent, they’re just slightly more or slightly less in phase with each other. To make something coherent would require physical delay (movement) or electronic delay.
Thanks for your feedback. Not self taught, 17 years of experience, a bachelors in music technology/audio production, and the concepts I’m discussing are based on practices learned from a combination of years of experience, education, and a variety of tips and tricks from other highly successful audio engineers. The point is to maximize phase coherency, of course it can’t be perfect because of varying time alignment from having multiple mics on multiple instruments all at once, but these techniques will make the whole sound more cohesive. These techniques have been vital for me in my career and when not adhered to, result in lack luster drums sounds. Thank you for stopping by, I hope you have a Happy Thanksgiving, cheers.
Thanks Man, not 100% what I am looking for but there was still a lot of great stuff in this video that was helpful. Sounds like you nailed the Snare mic placement and the Phase inverse was practically unnecessary. Thanks for posting!
Oh good, more self-taught church audio people spewing nonsense. When talking about 0°-180° in reference to phase, it’s not referring to the physical orientation of the microphones but the time alignment of the source waveform. Flipping polarity isn’t making something coherent, they’re just slightly more or slightly less in phase with each other. To make something coherent would require physical delay (movement) or electronic delay.
Thanks for your feedback. Not self taught, 17 years of experience, a bachelors in music technology/audio production, and the concepts I’m discussing are based on practices learned from a combination of years of experience, education, and a variety of tips and tricks from other highly successful audio engineers. The point is to maximize phase coherency, of course it can’t be perfect because of varying time alignment from having multiple mics on multiple instruments all at once, but these techniques will make the whole sound more cohesive. These techniques have been vital for me in my career and when not adhered to, result in lack luster drums sounds. Thank you for stopping by, I hope you have a Happy Thanksgiving, cheers.