Flamenco Guitar 101 - 06 - Picado: Accuracy - Speed
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- Опубліковано 25 чер 2017
- Flamenco Guitar 101 Training Page: www.atrafana.com/beginners.html
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I think your name is atrafana...first please take a big bow from me...i live in india and there is no flamenco player or teacher over there..you are the man thinking for us thanks man...god bless you all the time....
Soumyajit Pyne thank you for your kind words
atrafanaschool can you keep a request of me please...can you make a tutorial of malaguena of paco de lucia...
This is really a very good site. Excellent teacher. I looked at it a lot.
It is very similar to practice arpeggio on classical guitar, The result is all about economy of movement. The less wasted movement, the quicker you can be.
Спасибо 🙏🙏🙏
Is this thumb position a must? I have it on the 6th string not under.
Alas! A slow tutorial for picado. Thanks you
May I ask something? in such a speed, of course your brain will analyze the pattern that you are making with your finger pretty nice, but once you move into faster speed while keeping the same pattern, at a certain speed, your brain cannot resolve the fingers pattern and playing-muting sequence any more. So in general how such a training can improve the accuracy and speed? Don't you think this is the anatomy and physiology of your finger-brain that keep the accuracy and speed and not staccato? Thanks
Iman Abdollahzadeh This exercise trains your fingers to do 2 things with 1 signal from the brain. Try it.
Thanks Orhan for the reply. Indeed with this exercise your brain gets used to such a pattern, but during the way that I developed speed of my picado, I figured out that such a staccato training only pushes your brain the self-teaching at lower speed and in high speed regime, basically, cannot help. Of course perhaps the way you developed your speed is completely different. I would like to get your comment on this.
Besides, I got another completely irrelevant question to this video:
I have a problem performing picado at high speed while doing ascending or descending patterns. To me, playing passages starting from string 1 towards 6 is much more efficient and smooth and accurate while the way down, I can see obviously that my speed falls to like 10% of that for ascending. I figured out that since the natural fingers bending in upward, it makes it easier to play ascending and during the descending, you should do something unnatural to your fingers which keeps you away from your top speed. Have you also had such a experience? Could you please make a comment to this query too? I will appreciate your time, your videos, and your nice comments. Cheers.
That is normal. As you correctly observed, the curvature and push direction of the fingers is the issue. I haven't found a drill or approach that addresses this yet.