The drum tech just retired after 19 years. His last show was the one at Hartwell last week. They did a little thank you/presentation at the end of the show...very cool of them.
Did you notice that unlike many metal guitarists, though I'm sure there are more like him, he only tours with three: Main, backup, and warm-up backstage. And Marko is little different...two and the Beast, if I saw correctly. Totally non-pretentious, and all about the music. Nice.
James LeMaire The reason is that Emppu actually plays just one tuning live. Moreover he needs no 7 string guitars and he did not use a lot of diffrent sounds. So he has basicly the same sound for rythm and solo on every song, why should he carry more guitars arround 🤷♂️ Would be nice to hear him with more diffrent sounds, leads and arrangements.
If anyone's still wondering, the profile is available on Kemper Rig Exchange. It's made by Mikko Karmila. I'm using a regular ESP Horizon from 2008 with Bare Knuckle Aftermath set. I'd say that the tone is 90% identical, given the different pickups and wood (mahogany with maple top vs alder).
@@rafaufaufau Hey, I've posted a reply with a download link for the profile. It was visible for some time, but not anymore, I'm guessing it got flagged for spam. Did you manage to download the profile?
Never noticed Tuomas his keys where that pimped with the oil and glitter finish. Cool. Love how relatively "simple" most of these setups are. Sounds fantastic :)
Ikr! First I was like "I know this dude from somewhere... It looks like Tero... Oh. That's actually Tero! *mindblown*". Everyone's getting old actually, except Marco, he looks the same but with a santa Claus beard xD
Get a Mesa Dual rectifier, a Marshall 4x12 cab, a superstrat with Seymour Duncan pickups (TB-5 in the bridge, SHR-1n in the middle and an SH-2n in the neck), and tune it to D standard (DGCFAD).
The tech show's that he's now using a Kemper Profiler, possibly they profiled his Mesa Dual rectifier? maybe. Least he doesn't have have the actual head & cabs lugged onto stage any longer. Feed the Kemper right up to the Board.
Don't let his mild manner fool you, Tero's nocturnal shenanigans are legendary. Even in a band of boozers and lunatics like Nightwish and their crew he stands supreme above them all. Maybe he has calmed down a lot since then, but back in the day he was unstoppable.
I always wonder what string gauge empu and his tech are actually using. On some site on the web it says a 10-46 set but for Standard D Tuning that is probably not true at all.
I think people tend to go to extremes when tuning down a bit. .56 for a low D string is insanely tense and certainly not comfortable. I play standard D with .11 - .49 and its just perfect. It is the aquivalent to a normal set of strings with E Tuning. In the end its all a matter of taste but playing a .10 on standard D is certainly flobby. We all tested it, we all know it. (On the other spectrum people advise to play .68 or stuff like that just for a drop C or Drop B Tuning. Its just as insane xD)
Winterhe4rt I use a .56 for D and it feels great, sometimes i use .13-.64 for drop A and i tune up to drop C with it, feels a bit tense but comfortable enough to not complain
Obviously there are 2 ways to go: 1. Just calculate the string tension and compare it to the tension you use on Standard E Tuning. (You could also use tables or calculators from google for it to make it easier. daddrio offers great help on this matter on their website) This way the D .49 is nearly exactly the same tension as a .42 on E tuning. or 2.: you go just by feeling. A .56 on a longer scale might feel good for some, but just by the calculated numbers (eg. the accumulated tension in kg) it IS insanely tight and certainly not how most would actually like to play their guitar.
what are the two ASHLY rack mixers @5:32 needed for? anyone has an idea? and what are those blue devices underneath them? and what is the focusrite scarlett needed for in that rack?
Soul Well, starting with the obvious, microphone. There are vast amounts of different types of microphones for live use, and it would have been nice to have it included in this. If you're not a musician, you might not realise that the difference between mics is huge. Then the more non-obvious stuff, a.k.a vocal processing. A singers´ voice always goes through at least one device for compression, de-essing, attack-release settings and reverb etc normal stuff. The more helpless singers (not Floor) also need more processing like autotune. In some cases they use for flavor all kinds of effects, which might be on the same device or an another. Since musicians usually own their own gear (singers too buy their own gear and have to ponder about the choices) it would've been nice to see how the great voice of Nightwish is handled :)
Soul I remember when I started to sing with a band, quite a culture shock in how much has to be done and considered to get the singer to cut through the band live and sound good from the tech side. I was used to singing with karaoke backings before that and it was so simple back then, just up the volume or gain and voilá. It is definately worth the effort to learn about the basics of sound mixing and live sounds, if you're going to sing with a live band. A lotta sleepless nights for having sounded like crap on your first performance live let me tell you :D Would've been avoided had I done homework first.
It's for saving midi tracks and loading program data and the like. The Karma came out around 2001 I wanna say. It wasn't until a year later KORG replaced the floppy with an optical drive capable of burning audio, which was then replaced by memory card reader and writer soon afterward.
Anast Av His Esp‘s are made out of alder. The neck is three piece maple neckthru, the freboard is ebony. The neckprofile is a bit different from the standard horizon 2. The pickups are seymour duncan tb 5 custom, an hotrail and an sh2-n. On the efmb record he used an ruokangas custom as well as on the sunbound record. It features spanish zedar as body wood and neck too i think 🤔 I am not sure about that i got the specklist I have to look it up.
If you want the same guitar Emppu uses, look for ESP EV-1 (the letters EV come from Emppu Vuorinen). I think those are not manufactured anymore so you're basically looking for collector's item and prices are quite high. However, the *sound* that you hear in the shows is EV-1 fed to custom Kemper Profiler configuration which I think is not available publicly because it was created for Nightwish as explained in this video. Mladen Molnar wrote above that Kemper Rig Exchange might have something made by Mikko Karmila so maybe search there?
Wish they'd go back using standard tuning (white guitars) in older songs. Songs were toned down for Anette, but Floor could easily do them the old way. Like the song Wishmaster, my all time live favourite, is just missing something when it's played lower.
Mylkkäri I think it's just easier this way... Emppu has just three guitars... When you are on tour, you need a backup, and he would have needed 5 guitars... two in D, two in standard, one for warm up... As he seems to like simple setup I think it's the reason =)
Even if somebody did replicate the drum sound, they'd still have to figure out a way to replicate the way Jukka plays them, and that just ain't gonna happen! Cheers! Get well Jukka!
@@radupopescu7661 His health comes first, if he can't function normally even in normal circumstances due to insomnia, it's not wise to go touring. At least Jukka got Kai, his close friend, as his replacement and not some stranger.
Hi! Can somebody clarify, how they use Click Track. It seems that they have click track only for parts with symphonic orchestra, but not for full track. how do they synchronize between those parts?
I believe that the click track is played at the same time that the orchestra tracks are played. Obviously they're rooted to different outputs. Say that the orchestra + stuff are Outputs 1&2, and click tracks 3, 4, 5, 6, 7 and 8 (Based on the number of members) Each of those outputs must have plugged in the inputs of the In Ear system and then it goes to the receiver in each musician. That way, they know exactly when to play, hit or strum, without having Kai Hahto marking every measure or beat. Maybe they mute click parts for all musicians except the drummer. Which by the way, if you saw the Drum part, Kai has his own mixer where he can control the volume of the click, backing track, monitoring and the rest of the band for his own use. I'm a musician who has endured small and medium venues, and I think this is the most logical scenario, but if any pro out there knows better, hit me up :D Cheers!
Does anyone know what device Troy has resting over the strings by his picking when he plays guitar? Specifically on his parts in Nemo and Greatest Show On Earth.
@@derrickparran hey I think I finally found the guitar tone, I use amplitube 5, a mesa rectifier as amp and a metal zone as preamp, all with a compressor and a basic noise gate. for eq I put B6 H6 but for mids depends on the guitar, for my schecter demon 6 fr with stock active pickups y use M4.5. just play with the eq but that is what I use and a little spring reverb for the romanticide solo. still trying but that is what I god for now. (pd: sorry for my english Ñ :b)
+higler420 I don't know if they started that way, but they are the same company as of now. They share a website. Warwick is all bass guitars and bass amps, and Framus is all guitars and guitar amps.
+Stonebreaker6088 Man, it happens in every industry, huh? Seems like there are hundreds of brands, but all owned by the same 5-10 companies. Shit, Korg owns how much, Fender/Jackson and same with BOSS/Randall... and of course like any other industry, if a new brand/company does emerge they get bought up(X2 wireless bought by Line 6, etc..)
higler420 I used to work for a music store and we were always being told about companies getting bought out. Between FMIC, US Music Corp and BOSS/Roland it's ridiculous. Hell, one conglomerate owns both Schecter and ESP. And you can always bet that if any kind of accessories companies that go out of business will get bought up by Dunlop. It's just how the business works. It's when they start screwing over dealers and customers(I'm looking at you FMIC) that I start thinking about not buying them. Kinda why I'm liking Carvin/Kiesel's vibe lately
@@CloroxJelloShot , A bit later but I still wanted to add a bit. To me same owner isn't automatically bad but problems start when they decide not allow competition between different brands that they own. Competition between brands is the thing that drives innovation forward. Pretty much like patents are bad for innovation (like many examples from history show) but they are good for big companies owning them who have money to lobby policy makers. Of course monopoly can also screw people with pricing and retail agreements etc.
@@suokkos I have a good friend who has a shop still. He use to be the Fender dealer. He had to let them go because they wanted some outlandish buy in for a shop his size. He had supported them for years, and they changed the deal with no room for movement. FMIC and Gibson are the only ones that can get away with it. Stores don't challenge it because of the names attached. He's now an ESP dealer, and having worked at the previous dealer in the area I know he is getting treated well by them. They are super easy to work with and I honestly don't think I'll buy any other guitar. Their product from top to bottom is always quality.
greekfreak1980 yeah, right? I have an Irish bouzouki and the neck is much longer. However, Troy's whatever-it-truly-is looks great and I want to have one XD
Kai Hahto, my idol, using Balbex! That seriously warms the heart... For years I've been telling everyone that Balbex are awesome sticks, greatly crafted and balanced ;) And even though I've been using SUPER 5B Martin Vajgl for years, Kai Hahto's suits me better ;) Learn from the Legends \m/
Václav Gembala maybe go back to TR’s which were used during the DPP tour. He also sometimes swapped out the karma for a TR also. Having a Triton Pro X, 2/3 TR’s
Why on earth would he use something different from what he will actually be using on stage? It's not like he can't afford those guitars. And, to answer your question, every guitar player who has custom guitars does that.
"Name of the song at the beginning"....I was about to say, does NO ONE use SoundHound?? Then I realized, oh, NVM, this is five years old....MOVING ON....
I thought Kai's Cymbals looked smaller than jukkas. I think jukka used two 18s, a 19, and a 20 for crashes and two 20 chinas. I think jukka's ride is bigger too.
Jukka sits lower, same amount of drums, bigger cymbals, setup for power and big from the shoulder arms playing. Kai sits higher and is a wristy type speed player and maybe the gong drum makes his setup bigger in number.
The drum tech just retired after 19 years. His last show was the one at Hartwell last week. They did a little thank you/presentation at the end of the show...very cool of them.
There's a few cracks here and there. Bangs the headstock against the edge of the cabinet. xD
Thats Metal
it said in a minute wed find out why. lol we did. lol
Yeah they made that observation in the video...
Emppu's main purple ESP is magnificent. Regal, classy and metal AF.
Did you notice that unlike many metal guitarists, though I'm sure there are more like him, he only tours with three: Main, backup, and warm-up backstage. And Marko is little different...two and the Beast, if I saw correctly. Totally non-pretentious, and all about the music.
Nice.
timo tolkki's visions esp was more legendary
James LeMaire The reason is that Emppu actually plays just one tuning live. Moreover he needs no 7 string guitars and he did not use a lot of diffrent sounds. So he has basicly the same sound for rythm and solo on every song, why should he carry more guitars arround 🤷♂️ Would be nice to hear him with more diffrent sounds, leads and arrangements.
Tero Kinnunen, the invisible member of Nightwish... You don't see him at concerts, but he was there from the first album \m/
Thanks for being an awesome crew for Nightwish and all you do!
Empuu has some sick guitar tones live. Love his style😎
What badass looking basses!
To the person that makes the written comments in the video: you rock!
If anyone's still wondering, the profile is available on Kemper Rig Exchange. It's made by Mikko Karmila. I'm using a regular ESP Horizon from 2008 with Bare Knuckle Aftermath set. I'd say that the tone is 90% identical, given the different pickups and wood (mahogany with maple top vs alder).
I can't find the profile anymore in Rig Exchange can you upload the profile on dropbox or similar cloud? I would like to try it 😊
Do you have this profile somewhere?
@@rafaufaufau Hey, I've posted a reply with a download link for the profile. It was visible for some time, but not anymore, I'm guessing it got flagged for spam. Did you manage to download the profile?
@@MladenMolnar Sadly, nope :((
The caption at the beginning was awesome. Glad I subscribed.
Never noticed Tuomas his keys where that pimped with the oil and glitter finish. Cool. Love how relatively "simple" most of these setups are. Sounds fantastic :)
Almost forgot the mighty Kai Hahto plays drums for them now.
That drumkit is pure and exquisite porn.
08:15 "Tuomas wants to also feel it, not just hear it" :)
Just like we feel Tuomas music and lyrics in more ways than one :)
It's funny if you watch the documentary End of Innocence first and then you see that Tero is getting old xD
Ikr! First I was like "I know this dude from somewhere... It looks like Tero... Oh. That's actually Tero! *mindblown*". Everyone's getting old actually, except Marco, he looks the same but with a santa Claus beard xD
Tero with clothes on is the real shocker.
this was a gift seeing brother emppus personal stash and here he made me spring for 10 ESPS.....NICE SALESMAN.
Thank you for show to us the Nightwish's Gear! All the best!
Ellos son los encargados de que todo salga a la perfección , tanto de atrás de la mejor banda para mí , campeones
Thanks a lot! Been waiting for something like this for years :D
Emppu early white Washburn was Legend.
Emppu's tone. I MUST have it. It will be miiiine!!!! ;)
@@visaavtonomoff9157 yeah, to me it sounds like a Dual Rectifier Rev F. Same basic sound since End of An Era.
Get a Mesa Dual rectifier, a Marshall 4x12 cab, a superstrat with Seymour Duncan pickups (TB-5 in the bridge, SHR-1n in the middle and an SH-2n in the neck), and tune it to D standard (DGCFAD).
The tech show's that he's now using a Kemper Profiler, possibly they profiled his Mesa Dual rectifier? maybe. Least he doesn't have have the actual head & cabs lugged onto stage any longer. Feed the Kemper right up to the Board.
Don't let his mild manner fool you, Tero's nocturnal shenanigans are legendary. Even in a band of boozers and lunatics like Nightwish and their crew he stands supreme above them all.
Maybe he has calmed down a lot since then, but back in the day he was unstoppable.
"Then we have legendary..."
"...N364"
"More like N36 dork"
Classic 😂
I didn't get this one. Can you explain?
@@SamStormsKBD It was a comment they made around 7:11
@@niksthekicks Yeah but what's the joke with that?
@@SamStormsKBD 'Dork' sounds like 'four', so his friend was making fun of him. Instead of model number N364, he said N36dork.
@@niksthekicks oh, I thought there was something else that I missed 😂
Fuck I waited for this since years!!!
love that marco still use boss GT ME50B on live perform...
Would have love to see Jukka's setup!!
That Rob Chapman bit at the end fucking had me
Please do a video with Sonata Arctica, Children of Bodom and Ghost!
Look for Rig Rundown Janne Wirman. It's in finnish, but you can see some of Janne's gear. Alexi Laiho has bunch of videos of his rig around here.
that was interesting to see, they have click track in monitors to keep tempo with the orchestral parts coming from the tape
Сколько всего, фантастика просто! Сколько всего надо знать!!!!
wow drums are sooo.... really great :D not bad :D
How far into the rabit hole am I now?
So sad that they didn’t include the gear used for the voice 😢😢😢😢😢
Not much to show. "Here's her mic, here's her in-ears" lol :) But yeah it's would've still been nice to see
Doesn't really matter. The mic is just a stage prop anyway. She doesn't need it.
the gear is floor jansen's lungs and vocal chords
@@AngryBob4213 Well, and the fan of course.
Incredible video, thanks for sharing
Marco uses a Boss ME-50B on stage? I thought I was the only one. :-D
i went full fanboy remodeling his live sound based on that video xD
I'm pretty sure i saw him at the Beast in Black show yesterday too. As a guitar/bass tech
Los Angeles outdoor and I saw them at universal indoors....sweet
what a magnificent venue though
The greek Theater in LA...
Dear god, Ulsch and Tero got old...time flies I guess
So Empuu's joined the Kemper army as well. Wonder if he'd share that profile :)
Yeah! That's a cool gear check!
Thanks Gear Gods! :-)
1:01 fired
Came here to find out how to get that guitar sound. Found out he uses Kemper and thats it :D Great. Welcome to a new era guys.
It's a Mesa Boogie Dual Rectifier originally. With a guitar that has Seymour Duncan pickups and tuned to D natural.
Great video, I am not too fussed about their English but just wanted to see what gear they use :-)
Tnx for this. I was wondering what keys Tuomas uses
@@MrDjTilo Yeah, I also found other videos in which he states that
Amazing! Thx for uploading
thank you guys!
I wish they recorded that before Emppu switched to Kemper... Cool video anyway :)
I always wonder what string gauge empu and his tech are actually using. On some site on the web it says a 10-46 set but for Standard D Tuning that is probably not true at all.
I think he actually does use the 10-46 gauge. I mean it is pretty floppy on d standard, but floyds don't handle heavier gauge strings too well.
.11-56 Is good for standard D and a Floyd can handle it really well
I think people tend to go to extremes when tuning down a bit. .56 for a low D string is insanely tense and certainly not comfortable. I play standard D with .11 - .49 and its just perfect. It is the aquivalent to a normal set of strings with E Tuning.
In the end its all a matter of taste but playing a .10 on standard D is certainly flobby. We all tested it, we all know it.
(On the other spectrum people advise to play .68 or stuff like that just for a drop C or Drop B Tuning. Its just as insane xD)
Winterhe4rt I use a .56 for D and it feels great, sometimes i use .13-.64 for drop A and i tune up to drop C with it, feels a bit tense but comfortable enough to not complain
Obviously there are 2 ways to go:
1. Just calculate the string tension and compare it to the tension you use on Standard E Tuning. (You could also use tables or calculators from google for it to make it easier. daddrio offers great help on this matter on their website) This way the D .49 is nearly exactly the same tension as a .42 on E tuning.
or 2.: you go just by feeling. A .56 on a longer scale might feel good for some, but just by the calculated numbers (eg. the accumulated tension in kg) it IS insanely tight and certainly not how most would actually like to play their guitar.
Thank you for the Video ! Is the kemper Profil of emppu uploaded on kemper.com ?
+Anonym YES! I would REALLY like his Kemper Profile. If 'people' in the know read this . . . I will pay for his profiles.. :)
what are the two ASHLY rack mixers @5:32 needed for? anyone has an idea? and what are those blue devices underneath them? and what is the focusrite scarlett needed for in that rack?
Nothing on Floors' tools. Singers have lots of gear too..
Luonnis ahm,like what?
Soul Well, starting with the obvious, microphone. There are vast amounts of different types of microphones for live use, and it would have been nice to have it included in this. If you're not a musician, you might not realise that the difference between mics is huge. Then the more non-obvious stuff, a.k.a vocal processing. A singers´ voice always goes through at least one device for compression, de-essing, attack-release settings and reverb etc normal stuff. The more helpless singers (not Floor) also need more processing like autotune. In some cases they use for flavor all kinds of effects, which might be on the same device or an another. Since musicians usually own their own gear (singers too buy their own gear and have to ponder about the choices) it would've been nice to see how the great voice of Nightwish is handled :)
Luonnis thanks for the in-depth explanation,i'm a singer in training,so i don't know any of the tech stuff yet :)
Soul I remember when I started to sing with a band, quite a culture shock in how much has to be done and considered to get the singer to cut through the band live and sound good from the tech side. I was used to singing with karaoke backings before that and it was so simple back then, just up the volume or gain and voilá. It is definately worth the effort to learn about the basics of sound mixing and live sounds, if you're going to sing with a live band. A lotta sleepless nights for having sounded like crap on your first performance live let me tell you :D Would've been avoided had I done homework first.
Keep working on your singing. The techs will take care of everything else.
That esp is beautiful
4:07 Nightwish still play the bazooka live on stage? What for? They have Floor now, she's a goddamn nuke!
Could somebody say me what is the device placed just below the floppy unit of the keyboard Korg Karma of Tuomas? What is it for?
It seems to be a wireless MIDI interface to transmit data without any cord
It's for saving midi tracks and loading program data and the like. The Karma came out around 2001 I wanna say. It wasn't until a year later KORG replaced the floppy with an optical drive capable of burning audio, which was then replaced by memory card reader and writer soon afterward.
Hey, anyone can give more info about the guitar gear? I really love his guitar sound!!!
Anast Av His Esp‘s are made out of alder. The neck is three piece maple neckthru, the freboard is ebony. The neckprofile is a bit different from the standard horizon 2. The pickups are seymour duncan tb 5 custom, an hotrail and an sh2-n. On the efmb record he used an ruokangas custom as well as on the sunbound record. It features spanish zedar as body wood and neck too i think 🤔 I am not sure about that i got the specklist I have to look it up.
If you want the same guitar Emppu uses, look for ESP EV-1 (the letters EV come from Emppu Vuorinen). I think those are not manufactured anymore so you're basically looking for collector's item and prices are quite high. However, the *sound* that you hear in the shows is EV-1 fed to custom Kemper Profiler configuration which I think is not available publicly because it was created for Nightwish as explained in this video. Mladen Molnar wrote above that Kemper Rig Exchange might have something made by Mikko Karmila so maybe search there?
Floor uses Shure Mics....maybe Sm-58....
If someone knows better.....please,correct me.
bohemianrhapsody it’s the beta 58
Shure SM-58 Beta version
Tero is the man!
Wish they'd go back using standard tuning (white guitars) in older songs. Songs were toned down for Anette, but Floor could easily do them the old way.
Like the song Wishmaster, my all time live favourite, is just missing something when it's played lower.
Mylkkäri I think it's just easier this way... Emppu has just three guitars... When you are on tour, you need a backup, and he would have needed 5 guitars... two in D, two in standard, one for warm up... As he seems to like simple setup I think it's the reason =)
and to add to this troy donockly uses the uillean pipes which are in the key of D and you can't change the tuning
I think they tuned down to fit Marco's bass. Nothing to with singers. The last two albums with Tarja were mostly in D I think
What is the software they used for the click track, and clock ?. Does anyone knows ?
Pro tools .... ua-cam.com/video/QwVgaBOvP9s/v-deo.html
A swinging bar metronome with a microphone taped to it. Most definitely.
@@SomeUA-camTraveler I heard they call it "Kai Hahto".
The communication/explaining skill of these Finns is .... zero :D But I bet they're good at their job :)
What is the instrument called at 1:47
Bazouki The Irish version which has a flat back.
What is the name of the song that is playing at the beginning of this video? Thanks!
Nightwish - Stargazers
Want to replicate Nightwish drum sound? naaaaah f u. thats so custom you might as well play drums on the moon haha. pretty cool
Even if somebody did replicate the drum sound, they'd still have to figure out a way to replicate the way Jukka plays them, and that just ain't gonna happen! Cheers! Get well Jukka!
@@johnpendleton2227 That was actually Kai Hahto's drumkit not Jukka's. It even says his name on the sticks.^^
@@VerkkoVirta wish it was Jukka's drum set reviewed in this video
@@radupopescu7661 His health comes first, if he can't function normally even in normal circumstances due to insomnia, it's not wise to go touring. At least Jukka got Kai, his close friend, as his replacement and not some stranger.
Nice vídeo!!
Love the Aussie flag on Tero's right sleeve :)
Does anyone know the name of the song that is playing at the very beginning? I'm still searching, but I haven't found it yet.
Stargazers from the Oceanborn album.
@@kayfranks87 Thank you Kent!
They need to start selling Tero's shirts in latam NOW.
do a rig down with trivium
What is the name of that small headphone mixer in 13:51?
Looks like an ART Powermix 3...
But I could be wrong.
Setlist says the show is in LA, California, but does anyone know what the venue is called?
Hi! Can somebody clarify, how they use Click Track. It seems that they have click track only for parts with symphonic orchestra, but not for full track. how do they synchronize between those parts?
I believe that the click track is played at the same time that the orchestra tracks are played. Obviously they're rooted to different outputs. Say that the orchestra + stuff are Outputs 1&2, and click tracks 3, 4, 5, 6, 7 and 8 (Based on the number of members)
Each of those outputs must have plugged in the inputs of the In Ear system and then it goes to the receiver in each musician. That way, they know exactly when to play, hit or strum, without having Kai Hahto marking every measure or beat. Maybe they mute click parts for all musicians except the drummer. Which by the way, if you saw the Drum part, Kai has his own mixer where he can control the volume of the click, backing track, monitoring and the rest of the band for his own use.
I'm a musician who has endured small and medium venues, and I think this is the most logical scenario, but if any pro out there knows better, hit me up :D
Cheers!
Does anyone know what device Troy has resting over the strings by his picking when he plays guitar? Specifically on his parts in Nemo and Greatest Show On Earth.
It's an E-Bow :)
Ohhh, cool! Thank you!
anyone knows what strings gauge emppu uses
"I'm from Germany by the way." Nein wirklich? Ich hätt's gar nicht gemerkt :D
haha ja
BOSS IN YOUR ESTIMATE HOW MUCH EURO PRICE ALL AM SERIOUS QUESTION THANK YOU
180eur :)
Which power amp for Kemper Emppu using ?
Emppu use the new rack poweramp version which you can connect with the marshall Box.
1:00 i know now where the crack its came😂😂
does anyone know how to get emppu s guitar tone?
I know how you feel. Im trying to find the guitar tone for the beginning of Greatest Show on Earth.
@@derrickparran hey I think I finally found the guitar tone, I use amplitube 5, a mesa rectifier as amp and a metal zone as preamp, all with a compressor and a basic noise gate. for eq I put B6 H6 but for mids depends on the guitar, for my schecter demon 6 fr with stock active pickups y use M4.5. just play with the eq but that is what I use and a little spring reverb for the romanticide solo. still trying but that is what I god for now. (pd: sorry for my english Ñ :b)
@@ismaeljorgearaujoovando6190 dude you rock for even trying. thanks i will give it a shot.
Ok, so Warwick and Framus are the same company or owned by the same company?
+higler420 I don't know if they started that way, but they are the same company as of now. They share a website. Warwick is all bass guitars and bass amps, and Framus is all guitars and guitar amps.
+Stonebreaker6088 Man, it happens in every industry, huh? Seems like there are hundreds of brands, but all owned by the same 5-10 companies. Shit, Korg owns how much, Fender/Jackson and same with BOSS/Randall...
and of course like any other industry, if a new brand/company does emerge they get bought up(X2 wireless bought by Line 6, etc..)
higler420 I used to work for a music store and we were always being told about companies getting bought out. Between FMIC, US Music Corp and BOSS/Roland it's ridiculous. Hell, one conglomerate owns both Schecter and ESP. And you can always bet that if any kind of accessories companies that go out of business will get bought up by Dunlop. It's just how the business works. It's when they start screwing over dealers and customers(I'm looking at you FMIC) that I start thinking about not buying them. Kinda why I'm liking Carvin/Kiesel's vibe lately
@@CloroxJelloShot , A bit later but I still wanted to add a bit. To me same owner isn't automatically bad but problems start when they decide not allow competition between different brands that they own. Competition between brands is the thing that drives innovation forward. Pretty much like patents are bad for innovation (like many examples from history show) but they are good for big companies owning them who have money to lobby policy makers. Of course monopoly can also screw people with pricing and retail agreements etc.
@@suokkos I have a good friend who has a shop still. He use to be the Fender dealer. He had to let them go because they wanted some outlandish buy in for a shop his size. He had supported them for years, and they changed the deal with no room for movement. FMIC and Gibson are the only ones that can get away with it. Stores don't challenge it because of the names attached. He's now an ESP dealer, and having worked at the previous dealer in the area I know he is getting treated well by them. They are super easy to work with and I honestly don't think I'll buy any other guitar. Their product from top to bottom is always quality.
Gosh darn it I miss Jukka.
This isn't a ''bouzouki'' it's an electric irish mandolin.
greekfreak1980 yeah, right? I have an Irish bouzouki and the neck is much longer. However, Troy's whatever-it-truly-is looks great and I want to have one XD
Oh yes, drum sticks from Czech Republic :)
Kai Hahto, my idol, using Balbex! That seriously warms the heart... For years I've been telling everyone that Balbex are awesome sticks, greatly crafted and balanced ;) And even though I've been using SUPER 5B Martin Vajgl for years, Kai Hahto's suits me better ;) Learn from the Legends \m/
Anyone know what that song at the intro was?
J D Stargazers
Shout out EV1-gang
Badass video 👍👍
Teroooooooooo :D :D :D
He looks so mature now, good old memories from old nightwish dvds
with the cap he is wearing he so looks like Tuomas...
name of the song at the intro please.
Stargazers.
And still, we don't know how the baby spider is tilted. We found out that it has a screw hehe
There's a bolt under the Spider's "arm" to keep it tilted like that. Very simple.
Hahahahahaha the way he said a bolt
I did it in mine and it works. I made a video explaining how
preview shows keyboards but not the video :(
nac5000 6:20
So what will happen to Nightwish when Tero runs out of n364s? :D
Václav Gembala maybe go back to TR’s which were used during the DPP tour. He also sometimes swapped out the karma for a TR also. Having a Triton Pro X, 2/3 TR’s
Sample it and load it up to whatever Korg releases.
Kempers are taking over metal.
Demon drive on a tambourine. 👍
Wtf, who uses his custom guitar for backstage warmup
Aidan Henson i dont think so
@@aryabiswas1409 They are. The purple ESP he uses on stage and the white one are the EV-1 model, custom built for him years ago.
Alejandro I. García J. 1:21
Why on earth would he use something different from what he will actually be using on stage? It's not like he can't afford those guitars. And, to answer your question, every guitar player who has custom guitars does that.
Thaaaaaaaaaaanks !!!!!!!!!
"Name of the song at the beginning"....I was about to say, does NO ONE use SoundHound?? Then I realized, oh, NVM, this is five years old....MOVING ON....
So... no actual specs then? Okay
I thought Kai's Cymbals looked smaller than jukkas. I think jukka used two 18s, a 19, and a 20 for crashes and two 20 chinas. I think jukka's ride is bigger too.
Jukka sits lower, same amount of drums, bigger cymbals, setup for power and big from the shoulder arms playing. Kai sits higher and is a wristy type speed player and maybe the gong drum makes his setup bigger in number.
When Teri says "Wedges" it sounds like he's saying "wet cheese" : 07:52