Возраст и пошатнувшееся здоровье...Только музыка и возможность играть до последнего помогали этому великому человеку жить .Наш восторг,восхищение! ...и слёзы.Вчера было 105 лет со дня рождения.
Richter at an old age here and at the very end of his phenomenal carreer. After all these years playing the most difficult and complex pieces, returns to simplicity of first classicism and first Mozart. I love this.
You don't have to imagine it, as we know by now that Mozart didn't compose this. It's an arrangement of other composers piano sonatas. Which is still impressive enough, of course!
@@llamadeusmozart NOT piano sonatas, violin ones I believe. Either way, no one can prove the second movement came from other composer, if you find it out, please let me know
I was surprised to see the comments here saying how this wasn't an original piece from Mozart. But now, after listening to it, it really doesn't seem like Mozart's taste.
Isn't it beautiful to see someone playing with the score? It gives so much more power to the idea that all musicians are equal in front of the greatness of the music: every instrumentalist is important to bring about the beauty of this music, not only the pianist, and it takes away the so pitiful importance of the soloist, and also gives back a place to the one who wrote thew music, in this case Mozart! One should never forget that without him (Mozart), none of this would happen. It is so beautiful, and brings the importance back to the music, without any show, simply that!
The elements of this video reveal the dialectic contrast of old Sviatoslav to play the music of young Mozart, which will last TILL ETERNITY. Thank you indeed for this optimistc message
BRAVO!!!!, what a great combination maestro Richter with maestro Barshai and this wonderful Japan Shinsei Symphony, a "Dream concerto"!!!!. Thanks for sharing this divine material.I read some critics...it loks like some people don't know the miracle of having this music in "live" at our homes thanks to youtube. It is a luxury...before not available for all (beleive me this!!!) and now ready to be enjoyed by all.Muchas Gracias por compartir,Bravo!!!!!
Amo este Concerto N.1K 37 - considerado um dos primeiros Concertos do ainda Infante Genial, uma criança de apenas 11 anos. É extraordinária a delicadeza e profundidade melódica de cada acorde - É realmente uma bela obra!
KV 37, in F major, based on a sonata for keyboard with violin accompaniment by Hermann Raupasch; KV 39 in B-flat major also from Raupasch; KV 40 in D major, based on a concert by Johann Eckard; KV 41 in G major, based on a concert by Leontzi Honauer.
Even his very first pianoconcerto is nice. Performed by a magician and the very musical Japanese is a reason that it is very agreable to listen to. Thanks for this wonderfull upload.
Se oye , se siente y se respira a su maestro y amigo Johann Christian Bach ; con quien el joven Mozart se encontró en Londres a la edad de ocho años . Mozart , magnífico , único , genio inmortal de Salzburg !!
+Karine LeBaron To me, the score in front of the performer means he's unpracticed and simply tossing this performance off. It's customary for a soloist to have memorized the music.
Joseph Happ, thanks for coming to Richter's defence! What you have stated is absolutely the truth. I have never understood why using a score automatically diminishes one's musicianship and encourages false assumptions that the performer has not practised. Until Clara Wieck Schumann began to play without a score (no doubt to score over the men), no one had fixed opinions about playing with or without scores.
@@Largo64 He does look at the score, but, it is also important to keep in mind that memorizing music was Liszt's practice in order to show off his pianistic abilities. So, from a historical perspective tgere is nothing wrong with playing from a score, and I'd say it is reasonable when you are Richter. He was already a legend with nothing to prove, to me he and the audience are just enjoying the music.
Боже. какое СОВЕРШЕНСТВО, ИЗЯЩЕСТВО и ВЕЛИКОЛЕПИЕ ИСПОЛНЕНИЯ! ЗВУКИ ПРОНИКАЮТ И ЛЕТЯТ В БЕСКОНЕЧНОСТИ! .... КОГДА ЗВУЧИТ ТАКАЯ МУЗЫКА ДВУХ ГЕНИЕВ - СЛОВА НИ К ЧЕМУ ..... ИЗЛИШНИ ..... не возможно словами выразить ВЕЛИКУЮ МУЗЫКУ .....
Notice the complete lack of theatrics compared with today's pianists who have to show intense emotion on their face, so the camera focuses on their face rather than the hands. Richter lets the music show the emotion, Bravo!
whaatt? i understand only bravo-bravissimo because they are italian words and i'm italian,well i understand even some german words,even in italian we say virtuoso and klavier is the piano :-)
Cómo puede ser posible. El genio de esa magnificencia murió pobre y solo. Nadie sabe dónde lo enterraron. Se dice que un único amigo lo acompaño en sus últimos días. Y ahora! Lo adoramos. Bendita sea tu obra Amado Mozart. Que tu genio pueda iluminar nuestro tiempo pleno de oscuridad e incultura. Benditos quienes gozan de tus celestiales obras
Меня всегда удивляет и возмущает :почему люди не ценят Гениев, которые живут с ними рядом? ВЕДЬМОЦАРТ ~ИЗБРАННЫЙ БОГОМ ГЕНИЙ! У меня душа болит о нем. Я боготворю МОЦАРТА! Слушаю его шедевры каждый день по несколько раз. Он мне помогает жить. Будто Ангел~Хранитель. Бесконечно ЕМУ благодарна!
To user-zq4bd: This isn't even by Mozart! It's a transcription of a work by another composer. And Richter's a genius simply because he's playing a juvenile concero that a talented 10-year-old could manage?
Commovente anche il signore tutto compunto che gira il foglio all'esecutore. Attentissimo e concentrato. Segno di grande stima e rispetto come solo i giapponesi sanno fare. C.G.A.
Mozart's first attempt at a piano concerto, from April 1767, aged 11. It is an arrangement of sonatas by Raupach, Honauer, and another unknown composer, although the slow movement may possibly be by Mozart.
I. Allegro (F major, 168 bars) after Violin Sonata in F major, Op.1 No.5 by Raupach (ca.1762, 1st mvt.) II. Andante (C major, 66 bars) after an unknown composer III. Allegro (F major, 189 bars) after Harpsichord Sonata in F major, Op.2 No.3 by Honauer (1763, 1st mvt.)
Talora Richter qualche errore lo faceva, ma nessuno ricorda che nel 1988 a 74 anni prese a velocità inusitata la I sonata di Brahms, nota per essere tremendamente spaccamani e accuratamente evitata da tutti, facendone un puro capolavoro al festival dello sCHLESWIG holstein...per poi non dire del suo liszt anni 80 assolutamente perfetto...
Infatti lo stesso scorbutico ma grandissimo maestro Neuhaus dopo averlo sentito quasi controvoglia dieci minuti la prima volta così si espresse al suo assistente (Richter praticamente autodidatta aveva 15 anni!): " questo è l'allievo che ho sognato tutta la vita". Credo che ogni altro comemnto sia superfluo e ritengo S. Richter uno dei più grandi pianisti della storia!
El maestro Richter es maravilloso, su ejecucion es tan sobria y bella que hace un total diferencia de un concierto temprano de Mozart, que de hecho son flojos, pero la mano del maestro hace una total diferencia...
wikipedia tells me mozart "borrowed" his first four piano concertos from some German sonatas thanks to Leopold. Is that true? Maybe 11 year old Mozart just arranged or transcribed them?
I have never listened to anyPiano Concerto before no. 9 before and decided to begin at the beginning. Whereas I found the early symphonies not of particular interest, straight away I am captivated by what feels like a mature adult concerto. It is helped by Richter's advocacy - surprising given his stated lack of interest in the piano music of Mozart! - and the avoidance of "le petit Mozart" mannerisms. Nothing porcelain here. I am looking forward to nos 2-8, though I think they will not benefit from Richter and Barshai.
Surprised to see Maestro Richter performance of such early Mozart. Do you guys think he "sight read" the performance? Was this part of a bigger concert. He is great, regardless.
Beh ragazzi leggetevi Neuhaus... Una mia ex insegnante di pf, che veniva dalla Gnesinji, mi diceva che nell'anzianità Richter aveva spesso bisogno dello spartito perché tendeva a confondere le tonalità dei brani.. Ad esempio se un brano in sol maggiore che aveva studiato anni prima, lui magari se lo ricordava in fa maggiore e lo suonava così, a memoria, trasponendolo senza accorgersi.. allora per evitare problemi durante le esibizioni usava lo spartito.. così mi dissero..
esatto! ce l'ho racconta lo stesso artista in un famoso, commovente documentario visibile in rete. Questo a causa della senilità e delle malattie che lo avevano colpito e non tanto per il rischio di steccare. Neuhaus, professore del conservatorio di Mosca, il quale aveva instaurato con Richter anche un rapporto di fraterna amicizia.
I think that we don't have the "right" to "add" something to a music... we can just "add" our personality to the piece... and i think Richter made it ... if you want to "add" things to the music, so i sugest you to write one... (this just my opinion)...sorry for my bad english
I think it depends on the situation and composer. I tend to not add anything unless it’s the kind of music that welcomes it or in special cases needs it.
richter played this before without pages and from memory, in his older years he had a few memory stumbles so put the sheets on the piano just in case, he is not sight reading this prima facie
Interpreter - 79 years old !
Composer - 10 years old !
Amazing!
Bery Prachovsky That’s life Bery, That’s life! But please, don’t drink
@@elsaalcala5486 🤣🤣
yes Bery. Please stop drinking.
Not exactly. The melodies were not written by Mozart. He arranged this piano concerto with his father using preexisting melodies.
@@ClassicalMusicAndSoundtracks Name them.
I could listen to Mozart's music continuously for years
Я тоже! ❤
Возраст и пошатнувшееся здоровье...Только музыка и возможность играть до последнего помогали этому великому человеку жить .Наш восторг,восхищение! ...и слёзы.Вчера было 105 лет со дня рождения.
Hello from Brazil! Are you alive?
Richter at an old age here and at the very end of his phenomenal carreer. After all these years playing the most difficult and complex pieces, returns to simplicity of first classicism and first Mozart. I love this.
It's not difficulty or complexity that makes music good, thats why Mozart is played more than Liszt
Diese Musik kommt von ganz oben und geht tief in die Seele!!
Thank you for the beautiful music Maestro Mozart!
I really can´t imagine that mozart wrote this when he was so young , i really can´t ! Mozart was the biggest Genius and Composer ever !
You don't have to imagine it, as we know by now that Mozart didn't compose this. It's an arrangement of other composers piano sonatas. Which is still impressive enough, of course!
Mendelssohn was even more precocious, unbelievable as it may be...
@@llamadeusmozart NOT piano sonatas, violin ones I believe. Either way, no one can prove the second movement came from other composer, if you find it out, please let me know
I was surprised to see the comments here saying how this wasn't an original piece from Mozart. But now, after listening to it, it really doesn't seem like Mozart's taste.
А может быть такое, что это сочинил Леопольд, а не Теофил?
So heiter und lebendig! Danke, Mozart, danke Swjatoslaw Richter!
子供だったモーツァルトがこの曲を作曲したことは信じられないほど凄いことだし、リヒテルさん凄い、何を弾いても、素晴らしい、やっぱり本物の巨匠ですね❗真摯な物腰も大好きです👌🎶有り難うございます。🎶😊❤️
この曲自体はモーツァルトの曲ではなく他の方が作曲したものを編曲したものです。編曲はほとんど父親がしたそうです。
@@オア-u3z え～⁉️そうだったんですか❗😱私は、来年70才になりますが、死ぬ前に学習できました。知らないことばかりで恥ずかしいです。教えてくださって有り難うございました。🎶🙆❤️🙏🙏🙏
いえいえ(^_^;)
なんか偉そうにすみません笑
自分も高校生ながら毎日クラシックばかり聞いてます。
70歳なんてまだまだお若いと思います！
@@オア-u3z 有り難うございます。お若い‼️これからまだまだ沢山名曲を聴けますね。私は、８才のとき、亡き父が昔のレコードを手動の蓄音機でシューベルトの即興曲三番を聴かせてくれました。あまりにも美しい調べに子供ながら涙ぐみました。いまはキーシンの演奏で同じ曲を聴いて涙ぐんでいます。あなたもいっぱい楽しんできださいね👌👌🎶🎶🎶
↑お2人の素敵なやりとり😊
Isn't it beautiful to see someone playing with the score? It gives so much more power to the idea that all musicians are equal in front of the greatness of the music: every instrumentalist is important to bring about the beauty of this music, not only the pianist, and it takes away the so pitiful importance of the soloist, and also gives back a place to the one who wrote thew music, in this case Mozart! One should never forget that without him (Mozart), none of this would happen. It is so beautiful, and brings the importance back to the music, without any show, simply that!
This concert is soo nice! The music is like caress in my ears
The elements of this video reveal the dialectic contrast of old Sviatoslav to play the music of young Mozart, which will last TILL ETERNITY. Thank you indeed for this optimistc message
❤
BRAVO!!!!, what a great combination maestro Richter with maestro Barshai and this wonderful Japan Shinsei Symphony, a "Dream concerto"!!!!. Thanks for sharing this divine material.I read some critics...it loks like some people don't know the miracle of having this music in "live" at our homes thanks to youtube. It is a luxury...before not available for all (beleive me this!!!) and now ready to be enjoyed by all.Muchas Gracias por compartir,Bravo!!!!!
Pienso exactamente igual. Yo no podría decirlo mejor.
This is the best recording on this concerto hands downnnn! Perfect! Perfect! Perfect!
Joyful music to listen and play by extraordinary artists~Thank you!
❤Великолепно!Такая легкость и в то же время глубина!!!
Amo este Concerto N.1K 37 - considerado um dos primeiros Concertos do ainda Infante Genial, uma criança de apenas 11 anos. É extraordinária a delicadeza e profundidade melódica de cada acorde - É realmente uma bela obra!
So beautiful 😍 🤩
KV 37, in F major, based on a sonata for keyboard with violin accompaniment by Hermann Raupasch; KV 39 in B-flat major also from Raupasch; KV 40 in D major, based on a concert by Johann Eckard; KV 41 in G major, based on a concert by Leontzi Honauer.
Great concert!thank you!
Excelent concert! Tank you!
Гений написал, Гений исполнил, Гений~дирижер, Гений~оркестр! Музыка Небес! Браво!!! Благодарю!!! ❤❤❤
Even his very first pianoconcerto is nice. Performed by a magician and the very musical Japanese is a reason that it is very agreable to listen to.
Thanks for this wonderfull upload.
Implying that an entire nationality is a certain trait is laughably old-fashioned and ridiculous. Have someone drag you into the 21st century, please.
Mozart was a genius since 0 years
Se oye , se siente y se respira a su maestro y amigo Johann Christian Bach ; con quien el joven Mozart se encontró en Londres a la edad de ocho años . Mozart , magnífico , único , genio inmortal de Salzburg !!
Mozart never met Bach.
@@classictastic , you mean Johann Sebastian !
He has a score in front of him. I love it. The feeling of it that he is playing right from the writings of Mozart.
+Karine LeBaron To me, the score in front of the performer means he's unpracticed and simply tossing this performance off. It's customary for a soloist to have memorized the music.
Larry Gott richter had a crisis in his old age and after that he always used the music.
Richter was top shelf all his life.
Joseph Happ, thanks for coming to Richter's defence! What you have stated is absolutely the truth. I have never understood why using a score automatically diminishes one's musicianship and encourages false assumptions that the performer has not practised. Until Clara Wieck Schumann began to play without a score (no doubt to score over the men), no one had fixed opinions about playing with or without scores.
@@Largo64 He does look at the score, but, it is also important to keep in mind that memorizing music was Liszt's practice in order to show off his pianistic abilities. So, from a historical perspective tgere is nothing wrong with playing from a score, and I'd say it is reasonable when you are Richter. He was already a legend with nothing to prove, to me he and the audience are just enjoying the music.
14:10 - A MASTERPIECE! The beauty of the sound shuts up the voices of the incopetents! Sviatoslav in the legend! HE WAS 79 YEARS OLD !!!!!!!!!!!!!
Боже. какое СОВЕРШЕНСТВО, ИЗЯЩЕСТВО и ВЕЛИКОЛЕПИЕ ИСПОЛНЕНИЯ! ЗВУКИ ПРОНИКАЮТ И ЛЕТЯТ В БЕСКОНЕЧНОСТИ! .... КОГДА ЗВУЧИТ ТАКАЯ МУЗЫКА ДВУХ ГЕНИЕВ - СЛОВА НИ К ЧЕМУ ..... ИЗЛИШНИ ..... не возможно словами выразить ВЕЛИКУЮ МУЗЫКУ .....
Он жил так мало, но его прекрасное искусство сделало его бессмертным.
Вы правы: прослушал много пианистов и только исполнение Рихтера остается в памяти!
Notice the complete lack of theatrics compared with today's pianists who have to show intense emotion on their face, so the camera focuses on their face rather than the hands. Richter lets the music show the emotion, Bravo!
Гримаси делают те, которые не уверены в себе....
ma chi non lo ricorda??? Quando mai avremo un genio del genere ancora? Sviatoslav è una leggenda della musica secondo solo ai geni dei compositori.
heard this performance live!
The concert was full of musical delight.❤
I was still a college student!
The Japanese language sounds so beautiful.
Doubtless this was broadcast on NHK 2 channel on Sunday evening. That's normally when they show classical concerts.
Great pianist!! He's The Best ever!! Thank you!!
Zum neuen Jahr 1994 begruesst Ihnen hier heute ein toller Virtuos auf dem Klavier !
BRAVO-BRAVISSIMO !!!!
He is quite a hand at a piano !
whaatt? i understand only bravo-bravissimo because they are italian words and i'm italian,well i understand even some german words,even in italian we say virtuoso and klavier is the piano :-)
As with the first four piano concertos, arrangements of work by others - perfect for learning and the genius to come!
Beautifully performed
Cómo puede ser posible. El genio de esa magnificencia murió pobre y solo. Nadie sabe dónde lo enterraron. Se dice que un único amigo lo acompaño en sus últimos días. Y ahora! Lo adoramos. Bendita sea tu obra Amado Mozart. Que tu genio pueda iluminar nuestro tiempo pleno de oscuridad e incultura. Benditos quienes gozan de tus celestiales obras
Меня всегда удивляет и возмущает :почему люди не ценят Гениев, которые живут с ними рядом? ВЕДЬМОЦАРТ ~ИЗБРАННЫЙ БОГОМ ГЕНИЙ! У меня душа болит о нем. Я боготворю МОЦАРТА! Слушаю его шедевры каждый день по несколько раз. Он мне помогает жить. Будто Ангел~Хранитель. Бесконечно ЕМУ благодарна!
From Wikipedia: Concerto No. 5 (1773) KV. 175 was his first real effort in the genre, and one that proved popular at the time.
an 80 year old piano giant plays the music of an 8 year old supergenious
Sviatoslav Richter? A legendary pianist!
Mozart's my favorite.. I discovered him in 1975 when I was 25 yrs old..Herbert von Karjan Mozart symphonies.
大好き❤💕
Thank you for posting. I listened to it for my blog 'Tonedeaf Troglodyte Tries Mozart'
Это феноменальное прочтение произведения великого Моцарта гениальным солистом и дирижером. БОЖЕСТВЕННО.
start at 1:55
The Fine Arts e
Гений - композитор и Гений Рихтер!
To user-zq4bd: This isn't even by Mozart! It's a transcription of a work by another composer. And Richter's a genius simply because he's playing a juvenile concero that a talented 10-year-old could manage?
Commovente anche il signore tutto compunto che gira il foglio all'esecutore. Attentissimo e concentrato. Segno di grande stima e rispetto come solo i giapponesi sanno fare. C.G.A.
Hai ragione!❤
Mozart's first attempt at a piano concerto, from April 1767, aged 11.
It is an arrangement of sonatas by Raupach, Honauer, and another unknown composer,
although the slow movement may possibly be by Mozart.
Вот это интересно! Я этого не знал. Спасибо
отлично, маэстро!!!
СПАСИБО!
I. Allegro (F major, 168 bars) after Violin Sonata in F major, Op.1 No.5 by Raupach (ca.1762, 1st mvt.)
II. Andante (C major, 66 bars) after an unknown composer
III. Allegro (F major, 189 bars) after Harpsichord Sonata in F major, Op.2 No.3 by Honauer (1763, 1st mvt.)
I would say this is one of his earliest concerti. Is it?.Never the less in its simplcity lies its sublime beauty
Magistral el arte de que los dedos canten
Рихтер большои маестро,великолепный оркестр,спасибо
Talora Richter qualche errore lo faceva, ma nessuno ricorda che nel 1988 a 74 anni prese a velocità inusitata la I sonata di Brahms, nota per essere tremendamente spaccamani e accuratamente evitata da tutti, facendone un puro capolavoro al festival dello sCHLESWIG holstein...per poi non dire del suo liszt anni 80 assolutamente perfetto...
Infatti lo stesso scorbutico ma grandissimo maestro Neuhaus dopo averlo sentito quasi controvoglia dieci minuti la prima volta così si espresse al suo assistente (Richter praticamente autodidatta aveva 15 anni!): " questo è l'allievo che ho sognato tutta la vita". Credo che ogni altro comemnto sia superfluo e ritengo S. Richter uno dei più grandi pianisti della storia!
Simplemente Maravilloso
Приятно слышать ваше исполнение. удачи Вам
El maestro Richter es maravilloso, su ejecucion es tan sobria y bella que hace un total diferencia de un concierto temprano de Mozart, que de hecho son flojos, pero la mano del maestro hace una total diferencia...
Não sabia que Mozart é tão belo.Grata
Page turner was probably on pins and needles. Oh Crap! The pages stuck together!
Uh
Richter è incredibile!
The music starts at 1:56
8 people are Salieri's students! :D
forse qui Richter era già malato, eppure che grande interpretazione! Impossibile ricavare di più da questo Concerto.
❤❤❤
❤
Très beau
ESCUCHADO HOY JUEVES 9 DE MARZO DE 2017
莫扎特的音樂總是特別優美!!!
wikipedia tells me mozart "borrowed" his first four piano concertos from some German sonatas thanks to Leopold. Is that true? Maybe 11 year old Mozart just arranged or transcribed them?
Mozart sonata p piano
Young Mozart and old Richter. Very strange couple. The result is fresh, though, as if young age had triumphed.
I have never listened to anyPiano Concerto before no. 9 before and decided to begin at the beginning. Whereas I found the early symphonies not of particular interest, straight away I am captivated by what feels like a mature adult concerto. It is helped by Richter's advocacy - surprising given his stated lack of interest in the piano music of Mozart! - and the avoidance of "le petit Mozart" mannerisms. Nothing porcelain here. I am looking forward to nos 2-8, though I think they will not benefit from Richter and Barshai.
Number 7 is the problably the best of the first 8 concertos, you should listen to it, all the movements.
Beginn 1,24. A nice shot. By the way, don't be angry, the note flipper looks like Beria had it ready.
20:00-20:32 is Richter :)
Début : 1:58
like seeing a giant spraying water on a flowerbed
Surprised to see Maestro Richter performance of such early Mozart. Do you guys think he "sight read" the performance? Was this part of a bigger concert. He is great, regardless.
Браво МОЦАРТУ! Браво РИХТЕРУ! Браво ВАМ за отзыв!
All few passes is all that’s needed. I think. The amount an accompanist would need to play along a soloist.
LA MUSICA TRANQUILIZA LAS FIERAS...
Beh ragazzi leggetevi Neuhaus...
Una mia ex insegnante di pf, che veniva dalla Gnesinji, mi diceva che nell'anzianità Richter aveva spesso bisogno dello spartito perché tendeva a confondere le tonalità dei brani.. Ad esempio se un brano in sol maggiore che aveva studiato anni prima, lui magari se lo ricordava in fa maggiore e lo suonava così, a memoria, trasponendolo senza accorgersi.. allora per evitare problemi durante le esibizioni usava lo spartito.. così mi dissero..
Paolo Bosisio Verissimo!!!!!!!
They are all in my site: beautiful-music with an org on he end.
even as no.1 this song articulates personality of amadeus for example youthful bright and footlight.
18:14 look at him
music start at 01:57
esatto! ce l'ho racconta lo stesso artista in un famoso, commovente documentario visibile in rete. Questo a causa della senilità e delle malattie che lo avevano colpito e non tanto per il rischio di steccare. Neuhaus, professore del conservatorio di Mosca, il quale aveva instaurato con Richter anche un rapporto di fraterna amicizia.
Symphonie 1 Beethoven
Music starts at 1:58
... and keeps up a 11 year old genius!
I think that we don't have the "right" to "add" something to a music... we can just "add" our personality to the piece... and i think Richter made it ... if you want to "add" things to the music, so i sugest you to write one... (this just my opinion)...sorry for my bad english
Mozart him self added a whole concerto based on others melody and cadenzas are improvised back then.
I think it depends on the situation and composer. I tend to not add anything unless it’s the kind of music that welcomes it or in special cases needs it.
richter played this before without pages and from memory, in his older years he had a few memory stumbles so put the sheets on the piano just in case, he is not sight reading this prima facie
It's a fairly easy piece, in comparison, to much of Richters repertoire, but delightful. I though he has retired long before the 90s
How old was Mozart when he wrote this concert? Can somebody tells me please?
Claudio Tornaboni He was around 11 years old. Pure talent.
Yes but it's a transcription and orchestration of one of Johann Christian Bach sonata.
Oliva de la Frontera.
any one knows the smp level of this piano concert for the piano?
superb @__@!
8:40
início __ 01:58
Lernten Musik mit Faeusten und Fusstritten der Hit Hit
It does sound Mozartian.....
ha ragione alcotts, un uomo un macigno, stecca pure a 6:15!!!
mooi ! !
Really ? These kind of adds in the middle of the music ?
hearing this music makes me cry of how stupid i am 😂
Hi, You are not stupid, me too for 30 years. First time i listened this work when I was 17. Greetings :):) We both are incorrigible dreamers