Pat Metheny & Joe Diorio Throwback Thursday From the MI Library
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- Опубліковано 4 жов 2017
- www.mi.edu/
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HELL YES! Joe Diorio for whatever reason "helped" me to transition from metal to jazz! THANK YOU SIR! RIP !!!!!!
Both guitarists are brilliant. I studied with Joe's early teacher, Vincent Bredice, who little credit is given to. Vince had a Masters degree in music theory that few have. Vince played in Segovia Master classes when he was young and I was one of the few students that ever heard him play classical guitar. Vince taught at Miami Dade Community College for years. He was always an inspiration and a brilliant teacher and musician. I miss him as a teacher and friend. He is rarely mentioned as are so many great musicians and teachers. Everyone wants the limelight but few ever credit the teachers that enabled them to reach that level. One year Vince had a guitar seminar and Tal Farlow was there, another amazing guitar player. Then, another seminar with Joe Diorio. Joe knew theory as well as he played. He was one of the nicest and humble musicians I have ever seen or met, even at his level he would talk about anything you would ask in music or guitar. He had nothing to hide. God Bless Joe and Vince for leaving the world, students and musicians in a better place and raising the bar. I hope that Pat will continue to play and inspire others to become great or above average players dedicated to guitar. Joe and Vince, RIP.
Yeah … that was during my year at GIT (93/94) … Pat played so understated and musical …. and later that evening he played with the Joshua Redman Quartet @ Catalina Bar&Grill and “burned the house down” 🔥😅 What a great time we had 🙏🏼🥰 … thank you MI to have graced us with performances of this caliber throughout our time there … unforgettable ❣️❣️❣️
All the best, Roland 🎸
Joe Diorio is one of the most underrated jazz guitarists of all time!! He's up there w/Pass/Montgomery/Martino, etc. And of course Metheny...
Diorio, is an incredible accompanist. His chord vocabulary is far beyond most other guitar players and his melody lines are belonging as well to the top ten of all Jazz-guitarists since Montgomery. It is sad, that he never reached the fame of Metheny, whose CD "Question and Answer" is to me one of the best Jazz-guitar albums of all times.
Joe's teacher, Vincent Bredice, had a Master's in Music Theory. Joe knew every thing he was doing as a well schooled guitarist. If you studied with Vince, you had to learn the material and play it. Vince, rarely mentioned, was brilliant and a contributing factor to Joe's incredible style. Pat is another one of a kind guitarist that loves his instrument and has aa wonderful style. God bless Joe and Vince, as they have both passed, leaving behind a bar that few musicians will surpass but can learn from eternaly in Jazz and musicianship.
Súper I saw them both just like this, 1989 -90 when I studied at MI , maybe this is the concert, fabulous both, I was always at Joes workshops.
Amazing performance. Joe Diorio is such an influence for jazz guitars players, then and nowadays.
No one comps like Joe. May he Rest In Peace with all the other greats.
all the voicing are so wide open that Metheny could play any pitch and it would have worked ... "All the things you ain't" ;-)
Ive been playing for 45 years and I am still amazed that 2 musicians have the same access to 12 notes, yet approach those notes entirely different. Wonderful duo. RIP JD.
It's like Joe could almost predict what notes Pat will choose to play, and building his own comp by it. Absolutely mindblowing.
That is experience and good schooling.
Diorio is a monster!!!
Joe was probably the only guy at MIT that could keep up and play standard tunes with Pat.
I love how Joe's comping, sounds very pianistic
The mark of a great man no need to command the LIMELIGHT......my respect runs deep .......PAT so unselfish...... genius rises above all that...... What a joy this is...... PEERLESS.......wonderful sympathetic understanding......
Love Joe's singing guitar tone
One guy playing lots of notes, one guy making beautiful music and solos.
00:00 Blues(Bag's Groove)
11:49 All The Things You Are
21:48 Old Folks
31:04 How Insensitive
The first blues is called "Bag's Groove", a tune by Milt Jackson 😎. Thank you!
@@Larriex97 Thanks, title added!
@@markfoster_mkfbass Thank you!! 🙏🏻
I love how everyone claps when they slow the tempo on All the Things and go into a Bossa Nova.
Joe played so many chord voicings in the first 10 minutes that my head is spinning. Wow.
Was at this show. I have an incredibly thick binder of chords that Joe showed me over a year, every Tuesday and Thursday. A very kind person.
Me too 🤔
@@stmusic2164Wow, you're lucky. Didn't know of him till today after watching a George Benson interview where he mentioned him. These CHORDS! 🔥
Love Joe's tone! Great playing all around!
Diorio has a quite interesting and beautiful legato technique
wishing the great JOE DIORIO HAPPY 84 YEARS OLD TODAY!!!!! HAPPY BIRTHDAY JOE !!!!!!
nobody told me about that Bob Ross had such a great tone
awesome playing - both of em
Pat plays blues, wow!
That version of all the things is 💣💥🔥🔥🔥
What a comping by Joe! Incredible! And stereo sound... Of course Pat as always at his est performance!
esta música es como entrar en un trance
Grandi !!! Thanks for post it
Masters at work.
Gênios!!
Fenomenal...
Lovely..
I was there. What a show!
Masters of the Universe!!
Top demais os dois!!!!!
Esto es una animalada exquisita !!
Superbe comme toujours ❤️🌈
Sensacional!!!!
Espetacular o conhecimento aliado à familiariedade com os acordes, e suas fugas melódicas, muito interessante!!
Rest in peace Joe Diorio
been waiting for this one for centuries!
Do you know there is another audio recording of a concert of them much younger at GIT ?
@@GeraldoHBulhoes1 Well, it was 4-5 years before this. They did this exact duo at GIT in 1989, and then again, which is this performance in 1993 or 94. I was there! I just cannot remember if it was 1993 or 1994.
@@vbassone yes , exactly . It is around 5 or Maybe a Little bit more years . I did GIT from 1987 to 88 And This first concert you said ,was already available in The school for students watch or listen . I used to have This tape recording ( haha ) , we didn’t have Cd Recorder avaliáble in that time yet . Thanks for The confirmation Vincent . All The Best ! I Like very much your music And your Brother’s Music also . Congrats !
Masters!! Exelent!!!
El Gaby Trova Romantica de Boleros ... Sounds like their targeting chord tones and are constructing all their licks around them.. Master improvisers .. Total freedom..wow !
Reharmoniziing the heck at of these tunes. They ve spent allot of time with Stella by Starlight and Jobim thats for sure ..and turned them into high art !
Are really Masters Musicians both!!!
Joe Diorio Harmony!!!!!!!
1993. I was there. Still can’t figure out Joe’s chords to this day....
I was there too!
hahahahaha
@@pholeare what's so funny??
Vincent Guarna He’s laughing at the original comment i.e. he’s had 27 years to figure out this shit but he hasn’t 😂
David Becker can help you with that!
R.I.P. JOE DIORIO
Creativi e geniali entrambi
Joe's right hand grooves so hard it's stupid.
Peavey bandit !!
👏👏👏👏👏👍
I was a student at MI, 1993-94 I think it's after my time the 2 Lions played together?? Pat an Joe plays a lot on string set 123 - Great 👍
not only did they play together, they did this more than once at MI in various years.
We are on Mars, so to speak...
interesting material! what year?
Recorded in Los Angeles Musicians Institute on tuesday, the 26 of october 1993.
Actually, both of us were wrong. But thanks to you, I found the exact date of this event > marc.morvan.free.fr/pmdb/chronology/live-recordings/19931026.htm
Pat went several times everywhere and the concert in 1979 was here too, but with the Pat Metheny Group. ;)
@@vanguard4065 it wasn't 1991 because I was there as a student and it was 1993.
Wow! What year is this?
Wish PM used this tone through his career. This sounds less processed to me.
He likes reverb/delay, but if you're referring to the chorus sound, he ditched that more than 30 yrs ago.
Whats with the camera man ffs? Joe is tearing it up like fresh lettuce and were tunnel visioned on pat.
whats with the sound quality?!? One of the first year recording engineers at EIT would have done a better job a recording this......
At the very beginning of Pat's solo on Insensatez I can hear a note that he actually doesn't play. I cannot make out where this not is coming from. Any idea?
9:20 and on he quotes witch hunt
Were the speakers blown in Pats amp? lol
Thanks for all the detailed information about this performance in notes. You know, like the year.
I would like to think that an educational institution would understand the importance of these kinds of details.
I guess not. Got the phone number to the sales office though.
Couldn't agree more. As 'timeless' as great art might be, it still requires the context of time, for that is also what enhances its impact, provides perspective and also for the sake of the player' development, a 'simple' - but crucial - thing as a date, informing when it happened makes all the difference and also enhances the significance of human creativity.
Diorio rips him apart 9 50 the deed is done
The camera operator has a Metheny fetish. Diorio is ripping during "Old Folks" and the camera is practically fixed on PM.
@nitroxsam66: Yes, the camera is 'fixated' on the one (PM) who's jazz-challenged.
21:42 What's the name of this tune?
"Old Folks"
I probably shouldn't say this, but I prefer Joe's solos in this setting; he seems more harmonically and rhythmically developed than Pat.
The damn cameraman clearly disagrees!😡🙄
As much as I like this and have liked pat since the late 70’s joe pass and Wes Montgomery are light years ahead of these guys Wes is the man also jahn Ackerman from focus who is still around today making great jazz at 74 years of age
Came for the voicing, stayed for the voicing...Love Pat still tho :) Lots of major 7ths in minor voicing, lots of harmonic minor shapes I suppose.
what tune is the first?
It’s “bags groove” by Milt Jackson.
thanks man
Sorry ! Its "blues for Pat" by Charlie Haden :)
Sorry it's both. Bag's Groove in the beginning, Blues for Pat, at the end... ;-P
My guitar will make some good kindling wood.. I give up...
It's so hard to imagine that any of it is on purpose.
at 5.09 Metheny is broken, he needs to be repaired...
I thought the same thing.
i once heard an interview with a jazz guitar legend, can not remember which one, but he talked about metheny and that he is often underestimated for his soft sounding slow stuff. then he said, he is 100 percent sure that if metheny would play fast bebop with the legends of bebop guitar, he would smoke anybody in terms of speed creativity and crazy licks. here you go. :D
@@SeanRosati We just want to hear good music form each one, in their own way.... which is always different! that's jazz!
Gotta practice your scales... why not get paid.
This is the Pat I like. Not into his original music.Please don't flame me.
Taught him everything he knows
Just wish he used a jazz III pick. The one he used here sounds like shit.
Like he cut it from a ice cream bucket. Yuck
The only side of Pat that i like is when he plays real jazz not the so-called fusion
Too much notes.
Too many "Musicians" who don’t feel and understand jazz improvisation
What notes would you have them leave out?
@@davidsheriff9274 About one out of every three. :)
@@victorsethy I think you're looking for Jim Hall then, and if you are, I'm right there with you. Jim is my favorite.
@@davidsheriff9274 Some msuicians are just "borned" to be fast, and others to be slow. And this is ok. But when it gets to be some kind of a competition of tempo, and more and more notes, it's just not music any more... at least less music can take place.