Yes it's a fine interpretation. John Williams also has a nice version as well. Of Sor's many studies, I find that I gravitate to this No.17 most often.
Me gustó mucho. Bien tocado y grabado pero si se puede mejorar la dinámica, vibratos y algo de rubato para hacerla mas intensa. Es una pieza aparentemente sencilla pero trae muchos elementos técnicos y musicales. Saludos.
Christopher Parkening's method is also a good start for learning how to read classic guitar music. Then eventually move on to Frederick Noad's '100 graded classical guitar stidies' (Sor, Giuliani, Carcassi) to master technique. They were invaluable to me anyway.
It sounds great to me and I've been listening to John Williams version of this alot recently. Different interpretations of the same song are always refreshing to me.
This a delightful piece. The addition of the butterfly enhances it.
Как трогательно, лирично, будто душой касается струн! ❤❤❤👏👏👏
Oh que oui. Des âmes sensibles ne peuvent qu'être touchées par autant d'émotions procurées par ce morceau
Superbe interprétation, . C'est toujours avec une grande émotion que j'écoute cette pièce très expressive de Fernando Sor. Merci
When one reads "study" cannot imagine that that piece of music would be a piece of art.
Op.6, No.11 is one of Sor's most beautiful works. I like it played at this slower tempo. This is my favorite version so far on UA-cam. Magnificent!
Estoy estudiando esta bella obra de Fernando Sor y casi la termino. Excelente tu Interpretación, felicidades.
im going to play this to perfection some day
Bellissima interpretazione e bellissimo timbro. Io ho suonato molti anni la chitarra.
why would anyone dislike this performance? it was intelligently played. please post your version if you don't like it. i say bravo!
because they are twats
Felicitaciones... magnífica interpretacion de esta pieza de Sor. Saludos Carlo
Muy hermosos y excelente ejecución
Fernando Sor 🇪🇦 ..Sublime
Very well played
Probly one of the best ones I've seen on video
Keep it up!
Ed
Los Angeles
Wonderful performance!
Très jolie étude de SOR !!!!
Hermoso maestro. Un abrazo
Hermoso!!
Maravilloso
Que genio profee❣
Increíble profesor un genio
My favorite version. You make it look easy (but I know it's not - I'm trying to learn it now)
Yes it's a fine interpretation.
John Williams also has a nice version as well.
Of Sor's many studies, I find that I gravitate to this No.17 most often.
Ahora algo de Fernando Sor
Bravo super joli
Opus 6, number 11. Sor wrote it and numbered it, not Segovia.
Me gustó mucho. Bien tocado y grabado pero si se puede mejorar la dinámica, vibratos y algo de rubato para hacerla mas intensa. Es una pieza aparentemente sencilla pero trae muchos elementos técnicos y musicales. Saludos.
2 versions I've saved, yours and Samantha Muir's
me gusta mucho!!!!
buenísimo profeee (:
Great
bella esecuzione
Very well played!! Could someone tell me what Opus this music is from? Thanks
Op 6 no 11
Wow!
Muuy bueno profeeeee(:
Good
hermoso profe
👍🏼❤️
I think Sor would have wanted the 'score' to come out of the player's 'noodle' for a full conquestional interpretation of the music.
✔
I wish i could read music :( im confined to guitar tabs which suckk
pick up aguado method and learn it man takes like 3 weeks to get pretty decent at it
Christopher Parkening's method is also a good start for learning how to read classic guitar music.
Then eventually move on to Frederick Noad's '100 graded classical guitar stidies' (Sor, Giuliani, Carcassi) to master technique. They were invaluable to me anyway.
what is not ok is the sound, there is no sense of touch. i am sorry.
It sounds great to me and I've been listening to John Williams version of this alot recently.
Different interpretations of the same song are always refreshing to me.
No dynamic at all
Beautiful piece. With a bit more practice & confidence, could be played with more bravado, as it deserves.
If I could play better then this then I would criticize!!
Maravilloso
Increíble profesor un genio