The fact that he does not SPRINT through it is brilliant (and rare) in and of itself. After all, it's about pleasing the listener with the beauty of the music rather than showing off what a brilliant technician the performer is. He clearly gets it. Very, very, very nice.
An inspirational performance! Bach is my favourite composer, and as a budding classical guitarist with hopes of one day being able to bring his beautiful music to life on my instrument, it’s performances like this that inspire me to pick up my guitar and practice! Bravo, well done.
Interesting to watch this performance, with different fingerings than I've seen before. That is encouraging that there are a number of ways to tackle this work.
Great to hear a performance of this prelude which actually has a preludial quality, and some sense of it as a lute piece rather than the standard toccata-like Heifetz-inspired approach.
man, i would do anything to have the sound of these arppegios (0:40) on my violin, arguably is one of the things guitar does better than the violin, such a beautiful interpretation!
Awesome Giacomo. Turn your back to nasty criticism and follow your inner impulses. Look and listen to the giants ( Bream, Segovia) and go on! Brilliant!
Does anyone know what type of strings he is using? The treble strings seem thick compared to normal CG strings. You can get a good view of them at 2:56. They don’t sound thin/plastic when compared got he bass strings as CG strings often do.
Nice performance, solid sound. One thing aside from musical realm (at least off the performance): you have tree microphones there and the sound is quite "thin". Dont know who did it, but it could value your thumb sound lot more, take out some mid range frequency, around 2k ~6k hz, there a lot of unwanted sounds there. Best regards!
Excelent, I found a staff with other way of playing it, it is wrong if I change some positions regarding my staff? Someone can help me? Thanks for your help.
Once and for all, technical execution and impassioned performance are not mutually exclusive! Nor is it necessary to rubato the ever-loving-snot out of a piece (especially a Baroque piece) to make it expressive. This performer provides many forms of expression appropriate to the music, but they require more careful attention to appreciate. Failure to listen carefully is not the fault of the performer, but of the listener. However, if I could offer one constructive note, it would be to rethink the approach to using slurs throughout the work. In many cases, the slur (applied coincidentally, as a result of the specific arrangement) inadvertently highlights a weak beat or subdivision within a beat and/or diminishes what should be a stronger rhythmic event. This frequently leads to an unclear and sometimes un-musical phrase. One solution is to eliminate slur altogether; Another is replacing some of the slurs with RH articulations and vice-versa; In many cases, though, it is necessary to completely re-finger entire passages to make possible a more thematic application of slurs to highlight strong beats and diminish the weak. (For example, in a sequence, the exposition of the material uses slurs to highlight the underlying rhythmic structure, and then the sequenced phrase carries slurs in the same relative position in each iteration.)
Technically brilliant. Emotionally flat. I think he need to switch between ponticello and dolche a bit, certainly on the arpeggiated passages which can lend to needing a lovely sul tasto effect. He is very good but not enjoyable to listen to.
I think this guys right actually.. I first listened to this piece by Jakob Lindenberg on the lute and there are some very deep emotions created through his playing.. technically brilliant but there isn't little variation in tempo and dynamics
0:09 Prelude
4:43 Loure
8:24 Gavotte en Rondeau
11:32 Menuet I
14:01 Menuet D.C.
14:58 Bourrée
16:21 Gigue
The fact that he does not SPRINT through it is brilliant (and rare) in and of itself.
After all, it's about pleasing the listener with the beauty of the music rather than showing off what a brilliant technician the performer is.
He clearly gets it.
Very, very, very nice.
ogni nota ha il suo ruolo, interpretazione eccezionale
Dude... this interpretation of Gavotte en Rondeau i’ve never heard. That was nice!
An inspirational performance! Bach is my favourite composer, and as a budding classical guitarist with hopes of one day being able to bring his beautiful music to life on my instrument, it’s performances like this that inspire me to pick up my guitar and practice! Bravo, well done.
Just beautiful, and so articulate and graceful!
Interesting to watch this performance, with different fingerings than I've seen before. That is encouraging that there are a number of ways to tackle this work.
Great to hear a performance of this prelude which actually has a preludial quality, and some sense of it as a lute piece rather than the standard toccata-like Heifetz-inspired approach.
Great technique , sound and phrasing !!! EXCELLENT WORK, THANK YOU !
finally someone paying the music respect by playing it slowly so we have time to savor it
This performance is so beautiful, musically brilliant with a solid technique! Keep it up the goid job! Saluti da Napoli 👏👏👏👍🏻
This sounds wonderful. Beautifully played with a clear and great sounding guitar!
David Rubio.
Excellente interprétation bravo maestro 🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵
Applausi!! Bravissimo Giacomo!
man, i would do anything to have the sound of these arppegios (0:40) on my violin, arguably is one of the things guitar does better than the violin, such a beautiful interpretation!
Fantastic performance! Just stunning!
Great Giacomo!
Fabulously played! 😀
Magnifique !
Excellent!
This man plays the prelude like John Williams who IMO was the best rendition well now there are two best renditions well done
Just, beautifully done.
Enjoyed that! All the best to the audition for YAP 2016!
Wonderful performance! Thanks for sharing with us !
Impressive work. Thank you!
Wow! So interesting what you've done! Something new to my ears ❤️...
Superb.
Awesome Giacomo. Turn your back to nasty criticism and follow your inner impulses. Look and listen to the giants ( Bream, Segovia) and go on! Brilliant!
you forgot williams wtf
It sounds so much tighter and crisper on a guitar. Lutes are beautiful but...loose.
Très belle exécution,sobre,bonne cadence....bravo
Wow. No words. That's it, wow.
SO BEUTIFULLY PLAYED.......EXCELLENT GUITARIST....!
Following him in Spotify now. The sound of this is better in my opinion.
que hermoso te felicito excelente ejecución e interpretación !!!
beautiful i really loved it :)
Eccezionale...!
I totally enjoyed it.
He drew a lot out of that score. Excellent stuff.
Excelente estas 4. Suites no tienen desperdicio son hermosas yo tengo las 4 en un libro con digitación de Jerry Willard excelente trabajo
que hermoso que tocas y que lindo sos gracias
Qué pasoooooooooooo
There are so many bad executions of this piece, yet this one is suburb!
Does anyone know what type of strings he is using? The treble strings seem thick compared to normal CG strings. You can get a good view of them at 2:56. They don’t sound thin/plastic when compared got he bass strings as CG strings often do.
Magnifico
Nice performance, solid sound. One thing aside from musical realm (at least off the performance): you have tree microphones there and the sound is quite "thin". Dont know who did it, but it could value your thumb sound lot more, take out some mid range frequency, around 2k ~6k hz, there a lot of unwanted sounds there.
Best regards!
The sound is not thin, not thin at all. Nothing to do with how many microphones he's using.
@@NeverTalkToCops1 Its not about how many mics he's using, its about what to do in the post production with them.
Exelente...más q exelente!!!!!
Parabéns 👏👏👏👏
The guitar sounds so good... I wonder who built it ?
This guitar is by the luthier David Rubio, I think.
8:23
Excelent, I found a staff with other way of playing it, it is wrong if I change some positions regarding my staff? Someone can help me? Thanks for your help.
Bravo
Qué gran versión, un gran trabajo. Felicitaciones!!! De quién es la transcripción?
es por el propio bach, lo nombró como suite de laúd N.4 como una transcripción de la obra originalmente para violín
YES....YES......YESSSSSSSSS...!
BRAVOOOOO
Which guitar do you play?
Eichinger
bravo
capo de la villa!
nice one!
❤❤🥰🎶
Bach não era desse mundo !
Why do you allow ads to interrupt your performance?
You don't. UA-cam forces them on everyone.
You don't. UA-cam forces them on everyone.
genius ! haters can suck it
Try at the speed x1.25
Once and for all, technical execution and impassioned performance are not mutually exclusive! Nor is it necessary to rubato the ever-loving-snot out of a piece (especially a Baroque piece) to make it expressive. This performer provides many forms of expression appropriate to the music, but they require more careful attention to appreciate. Failure to listen carefully is not the fault of the performer, but of the listener.
However, if I could offer one constructive note, it would be to rethink the approach to using slurs throughout the work. In many cases, the slur (applied coincidentally, as a result of the specific arrangement) inadvertently highlights a weak beat or subdivision within a beat and/or diminishes what should be a stronger rhythmic event. This frequently leads to an unclear and sometimes un-musical phrase. One solution is to eliminate slur altogether; Another is replacing some of the slurs with RH articulations and vice-versa; In many cases, though, it is necessary to completely re-finger entire passages to make possible a more thematic application of slurs to highlight strong beats and diminish the weak. (For example, in a sequence, the exposition of the material uses slurs to highlight the underlying rhythmic structure, and then the sequenced phrase carries slurs in the same relative position in each iteration.)
Well, show us how it's done since you seem to know very well how it should be played.
Give this man a better guitar!
Beutimous wonder what it would sound like with distortion?
Why?
Beautiful, but why does it sound out of tune?
three telefunkennnnn????? O.O
like 324
Not an imperfect note.
#yu
Er spielt zwei Gitarren auf einmal. Mit dem spielt wohl keiner, was? Jedenfalls nicht in seiner Liga.😅
Technically brilliant. Emotionally flat.
I think he need to switch between ponticello and dolche a bit, certainly on the arpeggiated passages which can lend to needing a lovely sul tasto effect.
He is very good but not enjoyable to listen to.
I wouldn't agree with technically brilliant...
You are showing your ignorance.
I think this guys right actually.. I first listened to this piece by Jakob Lindenberg on the lute and there are some very deep emotions created through his playing.. technically brilliant but there isn't little variation in tempo and dynamics
Everyone has his own style.... For guitar expression I like Dimitri Illarionov...