Clara Schumann Piano Concerto | Asiya Korepanova with Pegasus Orchestra & Karen Hakobyan.

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  • Опубліковано 31 гру 2024

КОМЕНТАРІ • 20

  • @limitstoprogress
    @limitstoprogress День тому +1

    A sensitive performance of this glorious piece! Thank you, Asiya, well done! Also, lovely 'cello solo, and fine conducting by Maestro Hakobyan. Greetings, from Canada.

    • @AsiyaKorepanova
      @AsiyaKorepanova  День тому

      @@limitstoprogress thank you for your kind words!

  • @sergiol.m.fortuna
    @sergiol.m.fortuna День тому +1

    Clara Josephine Wieck Schumann (13 September 1819 - 20 May 1896) is emcionated with your superb performance! Congratulations!

  • @LightHouseMusicschool
    @LightHouseMusicschool 4 години тому

    New year greetings from India

  • @LorenzKerscher
    @LorenzKerscher 4 дні тому +1

    Thanks for this powerful and inspired rendition of this rarely performed jewel!

    • @AsiyaKorepanova
      @AsiyaKorepanova  4 дні тому +1

      @@LorenzKerscher thank you so much for your kind words!

  • @das_ein
    @das_ein 10 днів тому +1

    Beautiful 💖

  • @Yuntoll11
    @Yuntoll11 2 дні тому +1

    클라라 슈만의 피아노협주곡은 낭만주의 피아노협주곡의 뭍혀진 보석!! Primašpielt* Asiya!

  • @paulgreen6921
    @paulgreen6921 3 дні тому +1

    Kinda of a magisterial intro. And the octaves accentuates the undulating drama. Clara had Robert who wrote his piano concerto with her in mind. Except it’s original conception was as a fantasy. Nice piece! PWG. Must be a lady in Redd.

  • @Алексей-я2н8ч
    @Алексей-я2н8ч 10 днів тому +1

    ❤ Bravo, Asiya!!!

  • @catherineDaniels-l1g
    @catherineDaniels-l1g 19 годин тому

    🌹 I'm still waiting for matter.I don't give up👸🏽

  • @kkeoekkoli
    @kkeoekkoli 4 дні тому +1

    슈만의 아내인 클라라 슈만이 작곡한 협주곡인가 보죠? 그녀는 작곡가이며, 명 피아니스트였다는데요. 이렇게 아름다운 곡을~ 피아니스트이고 여성이기에 더 할수없는 아름다움이 숨어있네요❤

  • @paulcapaccio9905
    @paulcapaccio9905 День тому

    No need to memorize anymore !!!

    • @AsiyaKorepanova
      @AsiyaKorepanova  День тому

      I respectfully disagree❤
      With virtuoso repertoire, one has way more freedom and sensitivity not being glued to reading the score while performing.
      Also, once the music is memorised it means one lived with it well and long enough to truly internalise it, which translates into a better performance as well.

    • @paulcapaccio9905
      @paulcapaccio9905 21 годину тому

      @ most music doesn’t need to be memorized to be performed incredibly well. Most of the music was never meant to be memorized anyway. Take Bach for example. Totally unnecessary to memorize. Why put oneself through the again and anxiety of it. With most music it can be a sort of arrogance to memorize making it more about the performer than the composer. Liszt started it as a stunt.

    • @AsiyaKorepanova
      @AsiyaKorepanova  21 годину тому

      @@paulcapaccio9905I respectfully disagree. As someone who performed both books of Well-Tempered Clavier, both at first from the score and then memorised, I MUCH prefer playing from memory as it allows me to better focus on the music and internal voices and processes within it. Watching the score takes away from that focus, as it engages the brain in an additional activity.
      And it doesn't matter here who started the memorisation, and why - imagine all actors in movies and theater reading their lines from the paper. Would they still be acting? Yes! Would having to read be distracting for them - yes also!

    • @paulcapaccio9905
      @paulcapaccio9905 20 годин тому

      @ it’s a discipline that I belief has had its day. Bach was never ment to be memorized.