C'est impeccable, du travail de professionnel en cette œuvre ☆ Merci je passe un et toujours de bon moments en cette famille d'instruments de l'épinette ☆ Bravo ❤
so be welcome. I have the feeling i did overestimate long time ago, but better so. Now this composer is new for my ignorance, and looks honestly very good
Cela fait maintenant trois ans que de nouveaux répertoires sont créés depuis que mes enregistrement en matières de clavecin ont été transmis et examinés par l'ancien organisateurs du festival international de grandes musiques à Aix-en-Provence et par la suite aux conservatoire de Paris... merci beaucoup pour l'attention portée à la gratuité des œuvres chaleureusement données par ma personne pour que le clavecin puisse reprendre avec succès ☆ cela me réjouis... ❤ quand à ce domaine nouveaux depuis ces trois dernières années, je dispose d'enregistrement encore mieux mais cela est privé. En vous félicitant tous ☆
The first movement of the first sonata played on here sounds and looks really difficult to interpret. I really like it. The 4’ register on the harpsichord is so nice and sparkly.
Is there a name for this really dramatic subgenre of late baroque / early classical French music? I've been loving the uploads in this vein. Seems like there was some crazy stuff happening in that time, thinking of composers like Royer and Rebel. This guy leans almost towards CPE Bach, with a bit more melodrama.
The name is "French Baroque", it's almost often like that. :D You can find other videos on my channel, like DuPhly, Balbastre, Jacquest de la Guerre, Rameau, and De Bury next Tuesday!
Certainly by 1730, French harpsichord composers adopt a more cosmopolitan, Italianate style, while also retaining the aesthetic sophistication of the earlier composers. The lasting influence of Couperin can be seen (in Royer's 'La Zaide' for instance), but I think it's important not to equate this new style to that of the Bachs or Scarlatti, for instance. My personal theory is that the rather abrupt change in harpsichord style arose from the very fast rise in popularity of Rameau's new operatic style in 1733. We see the inklings of a more virtuosic and florid 'piece de clavecin' in Rameaus's keyboard works from the 1720s, and the only surviving piece by his from after this period (La Dauphine) is quite Royer-esque. I think that, fundamentally, this was more a reinvention of the classical French style (per Couperin's Les Gouts reunis).
I have long been into French classical music and share your observation of this melodramatic style. Recently I got into Carlos Seixas (pupil of Scarlatti) and felt there are parallels. Empfindsamkeit (Sentimentalism) might be an appropriate term. Perhaps someone more knowledgeable could explain how this style spread.
Imagination prodigieuse. Plein d'inventivité dans le goût français.
JE PENSE GOUT ITIALIENE
C'est impeccable, du travail de professionnel en cette œuvre ☆
Merci je passe un et toujours de bon moments en cette famille d'instruments de l'épinette ☆
Bravo ❤
This is sensational.... I have definitely underestimated this period of time in music. Thanks for posting
so be welcome. I have the feeling i did overestimate long time ago, but better so. Now this composer is new for my ignorance, and looks honestly very good
Cela fait maintenant trois ans que de nouveaux répertoires sont créés depuis que mes enregistrement en matières de clavecin ont été transmis et examinés par l'ancien organisateurs du festival international de grandes musiques à Aix-en-Provence et par la suite aux conservatoire de Paris... merci beaucoup pour l'attention portée à la gratuité des œuvres chaleureusement données par ma personne pour que le clavecin puisse reprendre avec succès ☆ cela me réjouis... ❤ quand à ce domaine nouveaux depuis ces trois dernières années, je dispose d'enregistrement encore mieux mais cela est privé. En vous félicitant tous ☆
A very, very underrated composer (and how many overrated ones there are!). His cello sonatas are also great.
Expect his Cello Sonatas in the future then! ;)
Are you aware of any complete recording of Barrière's Cello Sonatas?
@@SPscorevideos ua-cam.com/video/uh7py1tFrHE/v-deo.htmlsi=9hJis6GOaUSkNlzt I am not sure if this is complete.
The first movement of the first sonata played on here sounds and looks really difficult to interpret. I really like it. The 4’ register on the harpsichord is so nice and sparkly.
Quelle découverte à moi, un vrai trésor comme cadeau pascal, MERCI BCP !!! un slt de Salzbourg !
Is there a name for this really dramatic subgenre of late baroque / early classical French music? I've been loving the uploads in this vein. Seems like there was some crazy stuff happening in that time, thinking of composers like Royer and Rebel. This guy leans almost towards CPE Bach, with a bit more melodrama.
The name is "French Baroque", it's almost often like that. :D
You can find other videos on my channel, like DuPhly, Balbastre, Jacquest de la Guerre, Rameau, and De Bury next Tuesday!
Certainly by 1730, French harpsichord composers adopt a more cosmopolitan, Italianate style, while also retaining the aesthetic sophistication of the earlier composers. The lasting influence of Couperin can be seen (in Royer's 'La Zaide' for instance), but I think it's important not to equate this new style to that of the Bachs or Scarlatti, for instance. My personal theory is that the rather abrupt change in harpsichord style arose from the very fast rise in popularity of Rameau's new operatic style in 1733. We see the inklings of a more virtuosic and florid 'piece de clavecin' in Rameaus's keyboard works from the 1720s, and the only surviving piece by his from after this period (La Dauphine) is quite Royer-esque. I think that, fundamentally, this was more a reinvention of the classical French style (per Couperin's Les Gouts reunis).
I have long been into French classical music and share your observation of this melodramatic style. Recently I got into Carlos Seixas (pupil of Scarlatti) and felt there are parallels. Empfindsamkeit (Sentimentalism) might be an appropriate term. Perhaps someone more knowledgeable could explain how this style spread.
Un profluvio di idee magnificamente coordinate e scritte, pathos e reattività. E poi li chiamano "compositori minori".... Bellissimo brano.
Очень интересные сонаты. Никогда ранее не слышал их.
Thank you for this!
Sonata II (D major) - I. Grave - Prestissimo
Sonata V (B flat major) - I. Adagio [00:39:38]
Sonata VI (A minor) - I. Andante [00:49:01]
So many improvised lines here, wow
Thanks!
how did they make the harp sound in the fifth sonata?
It's the lute register of the harpsichord. :)
Any possibility of you doing a video for Bach's toccatas performed on harpsichord?
They're alreay online on gerubach's channel. :)
a lot of barrers
until one can follow this video eating pop corn