I've already commented once but I'll comment again. This music is just, it's just so much. It's strange to relate to someone of the 1600s. There's so much going on that just fills you with emotion. If ghosts were real I'd have to have a beer with this one. Such a shame we can't have record of them in their casual life. This music truely transcends time.
From what I've listened to and heard about, Accademia Bizantina is good at taking liberties with Baroque music without losing historical accuracy. I really like their work
I love how every obscure composer I come across you already have a video of. Barrière is incredible, specially these works. La Plancy is hysterically good
Обожаю Баррьера! Именно он познакомил меня с барочной музыкой. Я очень люблю эту готичность и мрачность, а также экстравагантность в его произведениях. Больше всего люблю его первую сонату для виолончели и шестую сонату для клавесина,первую часть.
Thank you for posting hidden gems like this collection! I've borrowed a harpsichord for a few months and learnt to play 'La Dupont' - although the arpeggios make it sound difficult, it is very comfortable to play. I got really intrigued by the beginning of the piece, which has a passage almost sounding like stride piano!
Pues yo la veo y oigo como música de COrte real ratonera y arpera de saltimbanqui,nada del otro mundo q propicia el stres si la escuchas repetitivamente, vamos q potencia el llegar a ninguna parte jajajajaja
I am not to impressed by this. In those days a moderately skilled musician was supposed to improvise sth like this just by reading a ciphered bass. Even now I am able to do this.
I would have to disagree on the basis that the French conception of 'pieces de clavecin' contains an inherent importance of the piece as the composer wrote it out, as opposed to other musical traditions which you reference.
@@CameronK665 I felt you, I also disagreed with what he said. Because these pieces needed to be improvised to make it sound like musician's own interpretation in my opinion. I like those that have improvisations, actually. But of course, again, anyone can make a critique of an art because of a matter of taste or other factors.
@@farrelpermadi5471 you CAN, but you really SHOULDN'T with zero idea of what you're saying, like the the original post lol. it's a totally trash comment.
@@christianwouters6764 I really don't get your point. Why do random braindead people decide to go to a video, leave the most stupid coment you can think of and then leave forever without elaborating further?
I've already commented once but I'll comment again.
This music is just, it's just so much. It's strange to relate to someone of the 1600s. There's so much going on that just fills you with emotion.
If ghosts were real I'd have to have a beer with this one.
Such a shame we can't have record of them in their casual life. This music truely transcends time.
I love when you find players who take a little improvisational liberty with the score. Baroque music can get so dry without a little spirit.
From what I've listened to and heard about, Accademia Bizantina is good at taking liberties with Baroque music without losing historical accuracy. I really like their work
@@gaydvorak7053 Ottavio Dantone is the man!
It does sound great but I think its also an outstanding composer!
I love how every obscure composer I come across you already have a video of. Barrière is incredible, specially these works. La Plancy is hysterically good
It's the most lovely part to be frank
holy shit, this is royer level stuff. insane.
Обожаю Баррьера! Именно он познакомил меня с барочной музыкой. Я очень люблю эту готичность и мрачность, а также экстравагантность в его произведениях. Больше всего люблю его первую сонату для виолончели и шестую сонату для клавесина,первую часть.
The second and third movement are pure power moves
Che forza, che energia e che bell'esecutore
Thank you for posting hidden gems like this collection! I've borrowed a harpsichord for a few months and learnt to play 'La Dupont' - although the arpeggios make it sound difficult, it is very comfortable to play. I got really intrigued by the beginning of the piece, which has a passage almost sounding like stride piano!
That wonderful chord progression at 9:30 ... yesssss
Compositore talentuosissimo. Grande gusto. Clavicembalista ispiratissimo.
Thanks for the great music 🎉
This is so melodramatic it could almost be Grand Guignol, especially La Dupont. 💜
What an amazing hidden gem! Do you have a link to a modern typed out sheet music version aside from the manuscript on IMSLP?
The engraved score is on IMSLP too, it's in the same page where you found the manuscript. :)
Pues yo la veo y oigo como música de COrte real ratonera y arpera de saltimbanqui,nada del otro mundo q propicia el stres si la escuchas repetitivamente, vamos q potencia el llegar a ninguna parte jajajajaja
no entendi KASJKASASK
more like le bacon narwhals at midnight amirite har har
I am not to impressed by this. In those days a moderately skilled musician was supposed to improvise sth like this just by reading a ciphered bass. Even now I am able to do this.
I would have to disagree on the basis that the French conception of 'pieces de clavecin' contains an inherent importance of the piece as the composer wrote it out, as opposed to other musical traditions which you reference.
@@CameronK665 I felt you, I also disagreed with what he said. Because these pieces needed to be improvised to make it sound like musician's own interpretation in my opinion. I like those that have improvisations, actually. But of course, again, anyone can make a critique of an art because of a matter of taste or other factors.
@@farrelpermadi5471 you CAN, but you really SHOULDN'T with zero idea of what you're saying, like the the original post lol. it's a totally trash comment.
Eh bien, allez-y, ne nous privez pas du talent qui est le vôtre. Sûre, my Dear, that you would shine at thé Court of Louis XV !
@@christianwouters6764 I really don't get your point. Why do random braindead people decide to go to a video, leave the most stupid coment you can think of and then leave forever without elaborating further?