Fumi-san, an army of thousands of Ritchie fans, on numerous forums dedicated to Ritchie and in which I have been participating for a very long time, admire your sound and your playing. Many people say that no one on the entire Internet sounds as similar as you. Of course, among all the fans there are always a lot of different opinions, but from your videos it also becomes very clear to many that the sound formed by Mr. Blackmore was never built by the traditional way of thinking for today's musicians. Today, all musicians try to hide behind a lot of pedals and processors. But there is no naturalness in these sounds. Many people still don’t understand why an ordinary tape recorder made up such a significant part of Blackmore’s sound. Therefore, we have a very big request for you to make a video in which you can show the sound through the AIWA and immediately pull out the jack from the AIWA and plug it directly into the amplifier. We will immediately see and hear the difference, as many believe. But how big is this difference? Because many base their opinion on the fact that in the famous video in California Jam, at the end of the song Space Truckin', when Ritchie pulled the jack out of AIWA and plugged it directly into the amplifier, the sound did not change much. フミさん、リッチーファンの何千人もが、私が長い間参加してきたリッチー専用のフォーラムで、あなたのサウンドと演奏を賞賛しています。インターネット全体であなたほど似たサウンドを持つ人はいないと多くの人が言っています。もちろん、ファンの間では常にさまざまな意見がありますが、あなたのビデオを見ると、ブラックモア氏が作り上げたサウンドが、今日のミュージシャンの伝統的な考え方で作られたものではないことも多くの人に非常に明らかになります。今日、すべてのミュージシャンは多くのペダルやプロセッサーの後ろに隠れようとします。しかし、これらのサウンドには自然さがありません。多くの人々は、なぜ普通のテープレコーダーがブラックモアのサウンドの重要な部分を占めていたのかをまだ理解していません。したがって、AIWA を通したサウンドを示し、すぐに AIWA からジャックを引き抜いてアンプに直接差し込むことができるビデオを作成するように、非常に大きなリクエストがあります。多くの人が信じているように、私たちはすぐに違いを見て聞くことができます。しかし、この違いはどれくらい大きいのでしょうか?なぜなら、多くの人は、カリフォルニア・ジャムの有名なビデオで、曲「スペース・トラックイン」の終わりに、リッチーが AIWA からジャックを引き抜いてアンプに直接差し込んだとき、サウンドがあまり変化しなかったという事実に基づいて意見を述べているからです。 Fumi san, I also would like to add many requests from my friends - where we can find your book?
Thank you for the compliment. You're right. I think the amp has a big impact. I'll record it this weekend. It took me 25 years to complete my current amp modifications, even though I was a novice. I had a lot of help from a lot of people.
@@MARENGL09V Fumi-san thank you. This is truly very important to me and the wider community of Blackmore fans around the world. I was recently invited to play in the evenings in a small restaurant made in the Renaissance style and where I can play Blackmores Night music on acoustics. Since I am retired, I gladly agreed. But surprisingly, visitors sometimes ask me to play Deep Purple and Rainbow songs on an electric guitar, since I often play them on an acoustic. I'm getting ready to install a 4x12 cabinet there near the fountain and a small Marshall of only 1 watt with an attenuator inside. It sounds great and quite powerful for a small restaurant. But I want to warm up the Low channel a little. And please let me know about your book which is just interesting to me to read.
Fumi-san good afternoon, I wanted to ask you for a favor. Could you shoot a short video of your AIWA by focusing the camera on the volume knob of the mic input where the guitar cable goes in? Assuming that the entire range of this potentiometer is similar to the clock from 7 to 5 clockwise. Then, provided that the volume on the guitar is at 10, then I need to know what the tone of the guitar will be at 8 o'clock, 9 o'clock, 10 o'clock, 11 o'clock, 12 o'clock, 13 o'clock, 14 o'clock, 15 o'clock and 16 o'clock. When does the moment of overload occur and how does it then develop? I am currently restoring my old AIWA and replacing transistors that have already leaked. Unfortunately, the choice of transistors is very large and they are quite expensive, because they were made back in the 60s. I can't buy 20 or 50 transistors at once and test them one by one. And I need to hear how the sound changes. フミさん、こんにちは。お願いしたいことがあります。 ギターケーブルが接続されているマイク入力のボリュームノブにカメラの焦点を合わせて、AIWA の短いビデオを撮影していただけますか? このポテンショメータの範囲全体が、時計回りの 7 時から 5 時までと同様であると仮定します。 次に、ギターのボリュームが 10 であるとすると、8 時、9 時、10 時、11 時、12 時のギターの音がどのようになるかを知る必要があります。 時計、13時、14時、15時、16時。 過負荷の瞬間はいつ発生し、その後どのように発展するのでしょうか? 現在、古いAIWAを修復し、すでに漏れが発生したトランジスタを交換しています。 残念ながら、トランジスタの選択肢は非常に多く、1960 年代に作られたものであるため非常に高価です。 一度に 20 個や 50 個のトランジスタを購入して、1 つずつテストすることはできません。 そして音がどのように変化するのかを聞く必要があります。
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Brilliant tone.
thankyou favorite song.
Fumi-san, an army of thousands of Ritchie fans, on numerous forums dedicated to Ritchie and in which I have been participating for a very long time, admire your sound and your playing. Many people say that no one on the entire Internet sounds as similar as you. Of course, among all the fans there are always a lot of different opinions, but from your videos it also becomes very clear to many that the sound formed by Mr. Blackmore was never built by the traditional way of thinking for today's musicians. Today, all musicians try to hide behind a lot of pedals and processors. But there is no naturalness in these sounds. Many people still don’t understand why an ordinary tape recorder made up such a significant part of Blackmore’s sound. Therefore, we have a very big request for you to make a video in which you can show the sound through the AIWA and immediately pull out the jack from the AIWA and plug it directly into the amplifier. We will immediately see and hear the difference, as many believe. But how big is this difference? Because many base their opinion on the fact that in the famous video in California Jam, at the end of the song Space Truckin', when Ritchie pulled the jack out of AIWA and plugged it directly into the amplifier, the sound did not change much.
フミさん、リッチーファンの何千人もが、私が長い間参加してきたリッチー専用のフォーラムで、あなたのサウンドと演奏を賞賛しています。インターネット全体であなたほど似たサウンドを持つ人はいないと多くの人が言っています。もちろん、ファンの間では常にさまざまな意見がありますが、あなたのビデオを見ると、ブラックモア氏が作り上げたサウンドが、今日のミュージシャンの伝統的な考え方で作られたものではないことも多くの人に非常に明らかになります。今日、すべてのミュージシャンは多くのペダルやプロセッサーの後ろに隠れようとします。しかし、これらのサウンドには自然さがありません。多くの人々は、なぜ普通のテープレコーダーがブラックモアのサウンドの重要な部分を占めていたのかをまだ理解していません。したがって、AIWA を通したサウンドを示し、すぐに AIWA からジャックを引き抜いてアンプに直接差し込むことができるビデオを作成するように、非常に大きなリクエストがあります。多くの人が信じているように、私たちはすぐに違いを見て聞くことができます。しかし、この違いはどれくらい大きいのでしょうか?なぜなら、多くの人は、カリフォルニア・ジャムの有名なビデオで、曲「スペース・トラックイン」の終わりに、リッチーが AIWA からジャックを引き抜いてアンプに直接差し込んだとき、サウンドがあまり変化しなかったという事実に基づいて意見を述べているからです。
Fumi san, I also would like to add many requests from my friends - where we can find your book?
Thank you for the compliment. You're right. I think the amp has a big impact. I'll record it this weekend. It took me 25 years to complete my current amp modifications, even though I was a novice. I had a lot of help from a lot of people.
@@MARENGL09V Fumi-san thank you. This is truly very important to me and the wider community of Blackmore fans around the world. I was recently invited to play in the evenings in a small restaurant made in the Renaissance style and where I can play Blackmores Night music on acoustics. Since I am retired, I gladly agreed. But surprisingly, visitors sometimes ask me to play Deep Purple and Rainbow songs on an electric guitar, since I often play them on an acoustic. I'm getting ready to install a 4x12 cabinet there near the fountain and a small Marshall of only 1 watt with an attenuator inside. It sounds great and quite powerful for a small restaurant. But I want to warm up the Low channel a little. And please let me know about your book which is just interesting to me to read.
Fumi-san good afternoon, I wanted to ask you for a favor. Could you shoot a short video of your AIWA by focusing the camera on the volume knob of the mic input where the guitar cable goes in? Assuming that the entire range of this potentiometer is similar to the clock from 7 to 5 clockwise. Then, provided that the volume on the guitar is at 10, then I need to know what the tone of the guitar will be at 8 o'clock, 9 o'clock, 10 o'clock, 11 o'clock, 12 o'clock, 13 o'clock, 14 o'clock, 15 o'clock and 16 o'clock. When does the moment of overload occur and how does it then develop? I am currently restoring my old AIWA and replacing transistors that have already leaked. Unfortunately, the choice of transistors is very large and they are quite expensive, because they were made back in the 60s. I can't buy 20 or 50 transistors at once and test them one by one. And I need to hear how the sound changes. フミさん、こんにちは。お願いしたいことがあります。 ギターケーブルが接続されているマイク入力のボリュームノブにカメラの焦点を合わせて、AIWA の短いビデオを撮影していただけますか? このポテンショメータの範囲全体が、時計回りの 7 時から 5 時までと同様であると仮定します。 次に、ギターのボリュームが 10 であるとすると、8 時、9 時、10 時、11 時、12 時のギターの音がどのようになるかを知る必要があります。 時計、13時、14時、15時、16時。 過負荷の瞬間はいつ発生し、その後どのように発展するのでしょうか? 現在、古いAIWAを修復し、すでに漏れが発生したトランジスタを交換しています。 残念ながら、トランジスタの選択肢は非常に多く、1960 年代に作られたものであるため非常に高価です。 一度に 20 個や 50 個のトランジスタを購入して、1 つずつテストすることはできません。 そして音がどのように変化するのかを聞く必要があります。
Of course we can help. Unfortunately, the big holiday in Japan is over today. It will be a while until then.
@@MARENGL09V Thank you very much.