I feel like Billy has the same sense of knowing how he wants a song to go as the likes of Prince and Trent Reznor - which can often mean taking on a variety of instruments
@@guitaristssuck8979 Not necessarily, and perhaps not even _usually,_ depending on the genre. I can't recall the names, unfortunately, but I've heard of a number of successful bands that composed primarily by what you might describe as an asynchronous jam session, with the members passing around tapes/DAW sessions/etc and adding or refining their own instrument's part(s) before passing it back to the rest of the band.
@@irrelevantfish1978 that's a complete different case, modern technology helps a lot. In the 90s rockbands like SP were recording on tape and Billy was doing demos on a 4 tracks; very limited. A band like Kyuss for example, since we're talking about the 90s were all about jamming, you can tell because of all those stop and go and repetitive use of ostinatos. Basically Billy can do what in most cases 4-5 heads do.
@@BlockCylinder I highly doubt she hasn't heard that song. It's very odd. Like she knows all the other alt songs so how can't she know Bullet with Butterfly wings
AWESOME job Sharon, you killed it!!! I loved your version of this better than the original!! Had so much fun watching you do this (and could not believe you had not heard this song before. I feel old lol). I love this series that you two do and can't wait to see the next challenge.
Dude, it took me a second to figure out what Sharon was doing, but that little up-tick on the line definitely gave it a cool little differentiation that allowed the bass to have a split second of notice before it clicked into the unison butt-kicking moment...
I'd like to imagine that most older folks like myself would really appreciate that the younger gens are listening and appreciating these older songs for the first time. No one should blast them for earnestly trying. Great job Sharon!
As always, Sharon killed it! Love hearing her talk a bit about the process as she’s going along, I love knowing different peoples approaches to learning songs. I would love to hear someone tackle stuff like Mike Inez’s work with Alice In Chains, especially anything on Jar of Flies where he’s got that sort of bright chorus-heavy tone and is playing all these really unconventional counter melodies and stuff.
I remember the first time I heard Siamese Dream. My GF brought it home the day it came out. We had two huge 15” speaker cabinets at one end of the room. Hummer was the song that made me switch from 6string to bass.
The difference between the lead guitarist/singer writing the bass line for a song versus the pro bass player. The former sits in quietly in the pocket complementing the guitar and vocals while the latter says, “that’s fine, but this song can use much more color”.
Love watching this. I’ve got small hands too…we’re not made for bass. Inspirational to watch another make it work-and so well. Great bass interpretation
oh goody it gives me a chance to tell THIS story again. somewhere in the 80s I was one of the bartenders at Chicago's legendary punk rock bar, dreamerz. my girlfriend had a best friend and she played keyboards. I played bass incredibly badly in a punk band. and one day the three of us were hanging out and the cute blonde friend says to me that she's been invited to join a band as, not a keyboard player, but a bass player. so she asks me if I could teach her to play bass. I told D'arcy she needed to find a better teacher. 😅
Finally, I’ve been waiting for a new “episode”! Another thing; why are nobody talking about the PJ bass (except trash talk)?? I have a Lakland Custom PJ, and I’m really happy with it! More so than the Fender P bass I had for many years. I see Scott with a PJ sometimes, Dan H. rocks a PJ very often (old Ibanez), and James E. has been playing a PJ a lot lately (Sadowsky). There’s almost no videos on the topic of PJs and maybe for a reason, but it would be interesting to hear some pros take on the subject…!
Primarily you have the Precision vs Jazz fight with MM having their own group of people mostly staying out of the fight. They all say PJ can't do anything as good as they can, but I've played PJ since the early 90s. I also tend to avoid mainstream stuff a lot of the time though (like I've only owned a few Fenders, most of my basses are lesser known / unknowns to most players, headless in early 90s, early 5 string player, etc).
@@daevien Yep, primarily that´s how it is! Know a lot of people that jumped on the MM in the 90´s. That being said, I tried out a PJ 11-12 years ago and I´ve been playing it ever since. Sometimes I sit in with a buddy who play acoustic covers, and usually I mainly use the P pup with the tone rolled off a little. Hendrix cover; off with the P pup, full tone and full J pup. Old school soul; roll off the volume a little, tone 3/4 off, full P pup and 1/4 J pup. The PJ works great for what I´m doing!
Billy should take you on tour with him. I can't remember the original bass line (haven't listened to this song since, well, when it came out), but I am sure this is 100% better than it and fits the song perfectly. Have to admit, Gish was the album for me. Didn't really listen to Pumpkins after that, except for when someone else put them on (which was all the time). Gish still has a special place in my heart after all these years.
Always a treat when Sharon is involved. great video as usual. One thing that would be really interesting to see if you can is would be showing your version to the original bassists or the current one of the band when possible
Did D'Arcy actually play the bass on the recording? Billy is infamous for playing most if not all of the guitar and bass tracks, especially on their previous albums (and the newest one).
@@edwardschaller4129 Billy ended up doing the final guitar and bass recordings for most of Gish and Siamese Dream, but most of Mellon Collie was recorded live in studio with the full band.
Definitely the type of video that I prefer! I would really like to see a french bassist Like François C Delacoudre doing this exercise. In the star category Richard Bona or Rich Brown
I've been on a big Smashing Pumpkins kick lately, so this came out at the perfect time for me!! Would love to hear someone try this challenge with something by Radiohead, "Airbag" from OK Computer could be a fun and tricky one to see what someone else would do considering how much empty space is in the original bass line!
Songs like "Galapagos", etc all really show the warmth and tone of the Smashing Pumpkins bass sound. Still to this day one of my absolute top bass sounds and tones. It's powerful and leading, but it never overpowers the other instruments. It's prominent and a massive presence, but inviting and relaxing. Just a truly magical bass that's in the Smashing Pumpkins.
as a drummer I love being able to hear the bass upfront and loud in the mix. Interesting how she ditched the pick pretty quickly. I never knew how much growl there is in bass in this song.
I think I prefer Sharon's version to the original. They are possibly a little too obscure but I'd love to see one of you try to tackle something by Steve di Giorgio (maybe Death's "Cosmic Sea" instrumental, from the album that invented technical death metal), or the late, great Sean Malone (almost anything from the first two Cynic albums would fit the bill).
Ok ok ok ok ok we have to say it, Sharon not only rocked it but also, she, without living the grunge era, totally grasped the grunge concept and grunge sounds, I'd say more than Corgan for this song for the bass line. Not only that I preffer what she does but also pay attention to what she does in the pre chorus. Excellent choice
Fun fact D’arcy never recorded most the bass lines for the Pumkins. It was Billy Corgan who did the records and she learnt them to play live. There’s a very strong chance that’s actually Billy playing.
I love Sharon's process. As a guitarist turned bassist, I tend to formulate the riffs in the higher registers as well, not for my fingers, as much as Scott's impression that it's easier to hear the notes when coming up with the line. I believe the original bass track was recorded by Billy Corgan, and performed live by Darcy, much like Trent Reznor does a lot of his own music and then makes the NiN band learn the parts. I'm going to say in this case that I prefer Sharon's bassline over the original. Served the song well and still threw a few interesting bits in. I was laughing my head off watching her facial expressions while doing the final cut. She was Rockin it!
88 million views on YT, 419 million plays on Spotify AND SHE DOESN‘T KNOW THIS SONG??? Just as incredible as her playing on the track. Outstanding, virtuoso and very impressive.
Pumpkins first 2 albums.. Billy recorded all the bass parts.. Butch Vigs idea.. he thought James and Darcy were not tight enough for the sound he wanted to produce.
@@davidfox7983 There was a lot of great times, but working for them, more so Billy specifically, has a very dark side: He's a very greedy and selfish narcissist, who grants himself credit for what others do and make possible, (that's lying), and although seems non violent, he's just physically meek, but psychologically abusive as all get go, but being a terrible person cannot be covered with a sheep's costume, you just have to be there when the costume is in the closet!
13:10 I don't usually hear other musicians refer to SP as grunge. They were so less grungy than bands like Nirvana, Alice in Chains, etc., and that's one of the things that really drew me to them. Their sound was also usually way more dreamy, complex, layered, etc. To me they were Alt-Rock all the way.
That was fun!! Great job Sharon. Would cool if you guys could have Rob van der Loo of the band EPICA on the show. This Dutch guy is a killer metal bassist. Would be really fun to see him figure out some Dua Lipa tunes
@SO-ym3zs Oh you are absolutely right. She was born after it was made. But we know some bands or genres of music are timeless. Guess it's just not her style.
@@kawonewilliams1949 I often scratch my head at these Drumeo-style videos that everyone does now, wondering, "How on earth could they not know such and such?" but in fairness there's such a vast amount of music out there, and some of the musicians, like Sharon, haven't had the luxury of getting to listen for many decades like some of us.
Well, I'm 59 years old and I never heard that song before. Not really a Smashing Pumpkins fan, but this song rocks. Sharon improved on the original baseline i think.
The fun part is as soon as Billy hears someone else playing bass on one of his songs, he’ll manifest immediately to play it how he wants.
Same for guitarists but he just wants to teach the correct part, anyone would say the same about their own songs after all.
I feel like Billy has the same sense of knowing how he wants a song to go as the likes of Prince and Trent Reznor - which can often mean taking on a variety of instruments
@@benedictjephcote6815 that's how any composer/songwriter conceive music.
@@guitaristssuck8979 Not necessarily, and perhaps not even _usually,_ depending on the genre. I can't recall the names, unfortunately, but I've heard of a number of successful bands that composed primarily by what you might describe as an asynchronous jam session, with the members passing around tapes/DAW sessions/etc and adding or refining their own instrument's part(s) before passing it back to the rest of the band.
@@irrelevantfish1978 that's a complete different case, modern technology helps a lot.
In the 90s rockbands like SP were recording on tape and Billy was doing demos on a 4 tracks; very limited.
A band like Kyuss for example, since we're talking about the 90s were all about jamming, you can tell because of all those stop and go and repetitive use of ostinatos.
Basically Billy can do what in most cases 4-5 heads do.
I love Sharon's version, listening to a song you haven't heard before and creating a killer riff is an amazing skill.
I don't want to hear other bass players do this challenge. I want to hear Sharon do it 100 more times. Sharon is the personification of joy and bass.
i dont know how, but she must be cheating.
nobody can be that good looking and that skilled at anything.
THIS! 1 Million Times This!!!
Agreed. She’s so cheerful.
I can't imagine hearing that song for the first time in 2024. That is so wild.
If it has the same impact as in 1995 to fresh ears it proves again it's a timeless song.
I'm hearing it for the first time in 2024 and I am not young.
@@Boodoobrown I'm so jealous
It is also not true. This "for the first time" video format is cooked. Of course she has heard this song a hundred times.
@@BlockCylinder I highly doubt she hasn't heard that song. It's very odd. Like she knows all the other alt songs so how can't she know Bullet with Butterfly wings
So cool, guys!!! The chemistry between Ian and the almighty Sharon is absolutely insane... Cheers!!!
in truth, the original needs a more independent bassline than just following the guitar. Let Sharon LOOSE on it!
I agree, though you have to admit that she served the song well. I still think her track was better than Billy's original.
She should go down the Jimmy Chamberlain rabbit hole. What a legendary drummer.
I was a huge SP fan as a kid, and Chamberlain leaving the band was how I learned how crucial drums are. They were never the same without him.
AWESOME job Sharon, you killed it!!! I loved your version of this better than the original!! Had so much fun watching you do this (and could not believe you had not heard this song before. I feel old lol). I love this series that you two do and can't wait to see the next challenge.
More to come from this series (and Sharon!!)
13:55
The album is right there and still someone managed to type "melancholy".
🤣🤣
Sharon, that was incredible. Loved your version.
First off, Sharon is amazing. However, her stock just went way up with this. Holy shit, that was amazing.
I liked it so much, great part, especially the intro played high instead of low.
Dude, it took me a second to figure out what Sharon was doing, but that little up-tick on the line definitely gave it a cool little differentiation that allowed the bass to have a split second of notice before it clicked into the unison butt-kicking moment...
I'd like to imagine that most older folks like myself would really appreciate that the younger gens are listening and appreciating these older songs for the first time. No one should blast them for earnestly trying. Great job Sharon!
Ian and Shaz(z) have such great chemistry it makes their learning process so infectious
As always, Sharon killed it!
Love hearing her talk a bit about the process as she’s going along, I love knowing different peoples approaches to learning songs.
I would love to hear someone tackle stuff like Mike Inez’s work with Alice In Chains, especially anything on Jar of Flies where he’s got that sort of bright chorus-heavy tone and is playing all these really unconventional counter melodies and stuff.
very cool take, she should do Judith by a perfect circle. She already nailed the pony tie up mid bass line.
Right! If no one has said this already, SHE S DONE BETTER JOB THAN THE ORIGINAL BASSLINE!
No.
I don't think so. Bass does need to be always present. Listen to an orchestra. It has to be a sum of a bigger part.
You guys make some of the BEST entertainment videos for bassists, this format is my kind of sitcom. Sharon did amazing !
I can NOT believe how much I loved Sharons take. So good!
Billy played the bass on all the songs. Darcy was the eye candy. Same with Iha’s parts. Corgan did those too.
I remember the first time I heard Siamese Dream. My GF brought it home the day it came out. We had two huge 15” speaker cabinets at one end of the room. Hummer was the song that made me switch from 6string to bass.
🔥🔥🔥
I preferred Sharon's version!!! Great job! Loved the walking... \m/
4:57 epic bass face! Good work Sharon - loved learning your process. Great song - great version!
Sharon Rocks, Ian Rocks, Scott Rocks....love it
Thanks Shaz & lan, absolutely love these challenges, with the humour, comradery & of course great bass playing ! ❤
Cheers, glad you're enjoying these!!
The difference between the lead guitarist/singer writing the bass line for a song versus the pro bass player. The former sits in quietly in the pocket complementing the guitar and vocals while the latter says, “that’s fine, but this song can use much more color”.
Sharon is so awesome
I would like to see Mike Herrera from MXPX and Goldfinger do this challenge. His "chick magnet" bass line was a staple for any punk learning bass.
You guys brighten the universe.
Cheers!
Love watching this. I’ve got small hands too…we’re not made for bass. Inspirational to watch another make it work-and so well.
Great bass interpretation
Try a short-scale bass :)
I always assumed Billy actually played this bass part on record.
oh goody it gives me a chance to tell THIS story again. somewhere in the 80s I was one of the bartenders at Chicago's legendary punk rock bar, dreamerz. my girlfriend had a best friend and she played keyboards. I played bass incredibly badly in a punk band. and one day the three of us were hanging out and the cute blonde friend says to me that she's been invited to join a band as, not a keyboard player, but a bass player. so she asks me if I could teach her to play bass. I told D'arcy she needed to find a better teacher. 😅
He found one.
she 😂@@guitaristssuck8979
D'arcy found one?
D'arcy is a she, not a he. @@guitaristssuck8979
Played this with my band in my high school talent show when it came out
I love this challenge... i watch all of drumeos version of this and can't wait to see more of these on this channel
Glad you're enjoying them, more to come!!
Finally, I’ve been waiting for a new “episode”! Another thing; why are nobody talking about the PJ bass (except trash talk)?? I have a Lakland Custom PJ, and I’m really happy with it! More so than the Fender P bass I had for many years. I see Scott with a PJ sometimes, Dan H. rocks a PJ very often (old Ibanez), and James E. has been playing a PJ a lot lately (Sadowsky). There’s almost no videos on the topic of PJs and maybe for a reason, but it would be interesting to hear some pros take on the subject…!
Primarily you have the Precision vs Jazz fight with MM having their own group of people mostly staying out of the fight. They all say PJ can't do anything as good as they can, but I've played PJ since the early 90s. I also tend to avoid mainstream stuff a lot of the time though (like I've only owned a few Fenders, most of my basses are lesser known / unknowns to most players, headless in early 90s, early 5 string player, etc).
@@daevien Yep, primarily that´s how it is! Know a lot of people that jumped on the MM in the 90´s. That being said, I tried out a PJ 11-12 years ago and I´ve been playing it ever since. Sometimes I sit in with a buddy who play acoustic covers, and usually I mainly use the P pup with the tone rolled off a little. Hendrix cover; off with the P pup, full tone and full J pup. Old school soul; roll off the volume a little, tone 3/4 off, full P pup and 1/4 J pup. The PJ works great for what I´m doing!
Sharon seems like a distant cousin to CiCi from Andertons bass channel. Both ladies are BEAST!!!
Janes Addiction - Then She DId
Sharon you smashed it, love the high riff! Neeeed more!!!
Jet City Woman. Great bass line that bounces between a pick and fingerstyle.
Nailed it right off the top. Great job!
I saw Darcy era Pumpkins play twice in the 90s, and her bass was something you felt more than heard. It was intense!
Nothing about your content can match your love for music. Both of you
Love watching Sharon work in real time- so cool!
Jeeezzz Sharon ... that was freakin' awesome. The Pumpkins are indeed so cool, weird & dark. You really nailed it ! Respect.
Billy should take you on tour with him. I can't remember the original bass line (haven't listened to this song since, well, when it came out), but I am sure this is 100% better than it and fits the song perfectly. Have to admit, Gish was the album for me. Didn't really listen to Pumpkins after that, except for when someone else put them on (which was all the time). Gish still has a special place in my heart after all these years.
This bass line is a definite improvement. Bass lines in Pumpkins songs tend to be pretty forgettable. Sharon upgraded it.
Insane she has never herard this, that little additions in the intro were better than the OG! Nice job
Always a treat when Sharon is involved. great video as usual. One thing that would be really interesting to see if you can is would be showing your version to the original bassists or the current one of the band when possible
That would be cool to get their reactions to these!!
Can we all just agree… Sharon is a beast!! 🙌🏻🙌🏻🙌🏻
Fantastic episode. Sharon, you're the most fun ever! Thanks.
Well done, Sharon! These episodes are the best!
Appreciate that, more to come from Sharon!!
Great stuff Sharon! Very cool track. I remember I wanted silver trousers like him. Never found them. What a song. What an album. What a band. 🤘🏻
Beautiful Sharon! Lets try Rock the Casbah from The Clash.
Did D'Arcy actually play the bass on the recording? Billy is infamous for playing most if not all of the guitar and bass tracks, especially on their previous albums (and the newest one).
Billy played bass and all the guitar parts on the records.
@@edwardschaller4129 Billy ended up doing the final guitar and bass recordings for most of Gish and Siamese Dream, but most of Mellon Collie was recorded live in studio with the full band.
My favorite band from my childhood, heard this song thousands of times, and I also never noticed they were 3-bar phrases in the chorus.
Definitely the type of video that I prefer! I would really like to see a french bassist Like François C Delacoudre doing this exercise. In the star category Richard Bona or Rich Brown
She is really amazing at how she figures out a song so quickly. She is very talented. Hard to believe she hasn't heard the song before.😂🙂👍
It's all pentatonic based lol
She developed her ear. The more you figure out songs, the quicker you get. 😊
You guys are the best!! Sharon you're a bad ass!
I've been on a big Smashing Pumpkins kick lately, so this came out at the perfect time for me!! Would love to hear someone try this challenge with something by Radiohead, "Airbag" from OK Computer could be a fun and tricky one to see what someone else would do considering how much empty space is in the original bass line!
I grew up on this song but never paid attention to the bass part. This was great.
Good job Sharon! Great riffs! Awesome Bass Face!
Songs like "Galapagos", etc all really show the warmth and tone of the Smashing Pumpkins bass sound. Still to this day one of my absolute top bass sounds and tones. It's powerful and leading, but it never overpowers the other instruments. It's prominent and a massive presence, but inviting and relaxing. Just a truly magical bass that's in the Smashing Pumpkins.
Wow!!! Just wow!!!! I’m blown away.
Awesome work! I loved your version.
as a drummer I love being able to hear the bass upfront and loud in the mix. Interesting how she ditched the pick pretty quickly. I never knew how much growl there is in bass in this song.
Shazz needs to see Smashing Pumpkins live. Life changing
That P bass tone! Absolutely gorgeous.
gotta love a P bass!
@devinebass Amen to that! They're never wrong for any mix.
Got me curious, are these stock pickups on Sharon's 40th anniversary? It sounds so good!
better than original actually, really cool
I think I prefer Sharon's version to the original.
They are possibly a little too obscure but I'd love to see one of you try to tackle something by Steve di Giorgio (maybe Death's "Cosmic Sea" instrumental, from the album that invented technical death metal), or the late, great Sean Malone (almost anything from the first two Cynic albums would fit the bill).
Master song writing by Billy with this song. 3 bar chorus! Who’d have thought
What a brilliant take on that song. She's a monster. Love it
🧡🧡🧡
Ok ok ok ok ok we have to say it, Sharon not only rocked it but also, she, without living the grunge era, totally grasped the grunge concept and grunge sounds, I'd say more than Corgan for this song for the bass line. Not only that I preffer what she does but also pay attention to what she does in the pre chorus. Excellent choice
Fun fact D’arcy never recorded most the bass lines for the Pumkins. It was Billy Corgan who did the records and she learnt them to play live.
There’s a very strong chance that’s actually Billy playing.
Oh it absolutely is. Same for James Iha - he plays very little on the records, it’s all Billy. The source of much ill feeling in the band back then.
She has beauty in so many ways 😁
I love Sharon's process. As a guitarist turned bassist, I tend to formulate the riffs in the higher registers as well, not for my fingers, as much as Scott's impression that it's easier to hear the notes when coming up with the line. I believe the original bass track was recorded by Billy Corgan, and performed live by Darcy, much like Trent Reznor does a lot of his own music and then makes the NiN band learn the parts. I'm going to say in this case that I prefer Sharon's bassline over the original. Served the song well and still threw a few interesting bits in. I was laughing my head off watching her facial expressions while doing the final cut. She was Rockin it!
Swell job, Sharon
Very cool!!! I from Brazil, i watch all videos to channel!
Cheers, appreciate you checking them out!
I love her facial expressions! Good playing too.
More Sharon! She's great! You have to have her back to do some other tunes!
Lots more to come from Sharon!!
Sharon is a total badass. Wow. Sooooo gooood,
88 million views on YT, 419 million plays on Spotify AND SHE DOESN‘T KNOW THIS SONG??? Just as incredible as her playing on the track. Outstanding, virtuoso and very impressive.
Alright, this is my video. I've followed you for years, but the Pumpkins were my first love.
Sharon smashed pumpkin all over the original. So talented 👏🏻
Jean-Jacques Burnel of the Stranglers is a cool bass player, listen to "Nice n' Sleazy" from their Black and White album. Coll intro.
Yep, Sharon does a great job... (again) 🎶
Pumpkins first 2 albums.. Billy recorded all the bass parts.. Butch Vigs idea.. he thought James and Darcy were not tight enough for the sound he wanted to produce.
You are right for the most part, but since I was there, let me correct you: Replace the word All, with Most, and you have it right.
@Bob-of-Zoid you were there.. wow.. that's class
@@davidfox7983 There was a lot of great times, but working for them, more so Billy specifically, has a very dark side: He's a very greedy and selfish narcissist, who grants himself credit for what others do and make possible, (that's lying), and although seems non violent, he's just physically meek, but psychologically abusive as all get go, but being a terrible person cannot be covered with a sheep's costume, you just have to be there when the costume is in the closet!
@@Bob-of-Zoid yeah.. he seems difficult..
13:10 I don't usually hear other musicians refer to SP as grunge. They were so less grungy than bands like Nirvana, Alice in Chains, etc., and that's one of the things that really drew me to them. Their sound was also usually way more dreamy, complex, layered, etc. To me they were Alt-Rock all the way.
Superb stuff Sharon.
Sounds great and Billy is always in need of a bassist, so if she needs a job in the future.
Sharon that was awesome! The GONK you`re getting from that gold P is heavenly. Your stank face is epic. I can`t love this more if I tried.
That was fun!! Great job Sharon. Would cool if you guys could have Rob van der Loo of the band EPICA on the show. This Dutch guy is a killer metal bassist. Would be really fun to see him figure out some Dua Lipa tunes
Thanks for the suggestion, we would love to have him on!!
Wow! Blown away.
I wonder what would anyone play on Interpol's Obstacle 1 if they had never heard the song before...
This was rad. Well done Sharon.
Glad you enjoyed this, ,more to come from Shaz!!
I think Sharon's take was better than the original! 😃
Shar, Ya'all had me headbanging!❤❤
This is crazy that Sharon has never heard this. It could be a sign of how old I am that this was ever present when I was growing up.
She looks like she was born after this song came out.
@SO-ym3zs Oh you are absolutely right. She was born after it was made. But we know some bands or genres of music are timeless. Guess it's just not her style.
@@kawonewilliams1949 I often scratch my head at these Drumeo-style videos that everyone does now, wondering, "How on earth could they not know such and such?" but in fairness there's such a vast amount of music out there, and some of the musicians, like Sharon, haven't had the luxury of getting to listen for many decades like some of us.
@@SO-ym3zs you are right. It's funny when the technical jazz drummers hear Slipknot and have to recreate it. We all have our own lanes of music.
Well, I'm 59 years old and I never heard that song before. Not really a Smashing Pumpkins fan, but this song rocks. Sharon improved on the original baseline i think.
Darcy and SP were big influences to me, along with many other rock female bassists
SHARON Knocked it out the park, what about nite club from the specials