I am a 13 year old oboist based in auckland, and i am playing this piece with the Auckland Youth Orchestra, this recording gave me a lot of inspiration!!!
I play the Oboe for six years. And now my teacher wants me to play this peace to complete my "education as a student" since I am going to attend university this autumn which means I am no longer a student ;-) Came here to get an impression of what awaits me. I guess, I am very proud he thinks I can manage this piece, but I am sure it will be hard
If you love the piece and really want to play it, that will give you the motivation you need to do the work to pull it off. Make sure you have reeds that are not too tiring to play. They must be stable, which consists of three things: 1. Sufficiently up in pitch so you are not lipping up, 2. With a tone that doesn't go to wild when you let go with your embouchure, and 3. Not too open, which would require you to exert pressure to hold the opening closed (which is related to #2). This removes any reason to have to hold on tight, so you can relax, open up, and blow. This will help with endurance.
Pido a Dios estar viva para celebrar tus trescientos años , magnífico maestro , genio del Clasicismo , uno de los máximos representantes del Sturm und Drang . Bravísimo !!!
I am an oboe player myself (and a compatriot of Holliger). There are many comments about Holliger's sound and I'd like to mention that he completed his musical education in Paris. This may have some influence on his way of playing and sound preferences. French oboe players like Pierre Pierlot, Maurice Bourgue or, today, François Leleux have a distinctive sound and technique that is characteristic. Maybe it comes from their instrument or the way they make their reeds. If you compare, German oboe players like Albrecht Mayer or Lothar Koch (from the Berliner Philharmoniker) don't sound the same. And British oboe players are probably closer to what American musicians are used to hear in their orchestras. The same differences can be perceived with bassoon, if I take the same family of instruments. Everyone may have a preference and express it, but respect for musicality and expression should prevail in every comment.
He used very soft Reed to play for comfortable and less stamina. but any how, intonation, expressions and techniques were so perfect. Successful!! Do you agree?. How ever Oboe is very Difficult Investment to play.... What is your opinion..
..vaya..vaya...el estado de mi alma....ha sincronizado con estos sonidos...No como otras veces...somos un mar....gracias por compartir Rita Breznova. (lo llevare en mi celular, pues en mi selva amazónica no hay internet)
This is what I was looking for a beautiful concerto. The oboe is most difficult to play since the note is so long for the breath. I respect the player obeys the all the note and memorized nearly 30 minutes of the entire music!
These artists are amazing. Regarding memorization watch Saint Saens Piano Concerto #5 played by Thibaudet. And this is one many very difficult works that he has totally memorized.
Thank you very mch, dear Nodas, I wish you all the best in the year 2017! Btw I'm looking forward to Rhodes I booked hotel already for summerholiday.You know, I love Rhodes. :-)
Great player and well performed.thank you Sir. ....opinion for them, who mentioned about Oboe Sound...... He used very soft Reed to play for comfortable and less stamina. but any how, intonation, expressions and techniques were so perfect. Successful!! Do you agree?. How ever Oboe is very Difficult Investment to play.... What is your opinion..
From Wiki: The Oboe Concerto in C major, Hoboken number (VIIg:C1), commonly attributed to Joseph Haydn, was most likely composed around 1790.[1] However, modern musicologists agree that Haydn did not write the concerto.
@@danielalain9808 -- Pretty sure it was Schmuel Markowitz, Landgraf-Markgraf-Pfalzgraf of Leuchtenberg und Stühlingen [cf., Mayer, Theodor, 'Herzogtum und Landeshoheit,' Fürsten und Staat. Studien zur Verfassungsgeschichte des deutschen Mittelalters (Weimar 1950) 276-301]
Stevee GALLO : Thank you so much for the information. Wow...I would not have accredited this beautiful piece of music to anyone else had I written it myself.
@@danielalain9808 -- That said, you MAY have done it, in some prior incarnation or transfiguration. Whatever, Geen dank, no hay porque, prego, para servirle….This is what I DO, pal! عذوبه صوته بسم الله ماشاء الله سلام ,عليكم المكسيك
Hi, it's just my opinion. Holliger is a great name. The sound of the oboe has been evolved to a much more deeper and richer tone. Holligers tone in this recording is old fashioned; thin and hard.. Also no dynamics and not warm
doeevennormaalman The sound of the Oboe hasn't evolved, people's preference of the sound of the Oboe has. This is still what an Oboe should sound like, and people are also gradually going back to this sound.
Diese Musik von alten Meistern, wird mit Sicherheit die moderne Musik bald überholen und mit großer Beliebtheit Einzug halten.❤
I am a 13 year old oboist based in auckland, and i am playing this piece with the Auckland Youth Orchestra, this recording gave me a lot of inspiration!!!
Hi, I’m an oboist too. I saw your playing. Your sound is very beautiful and freely. Keep up good work 😃
Haydn’s oboe music will quench and moisturize your parched soul In this transient world so much hassle and annoyances
1:57 first movement
10:51 second movement
17:00 third movement
Creo que Mozart se inspiró en gran manera en Haynd, bestial.
Big fan of Holliger since I was a child. Yes, sound preferences have changed but his phrasing and musicality is just incomparable.
a model of generations
Indeed!
Thank God in Europe an Oboe can still sound as as an Oboe and not as a muffled soprano Tuba.
Csodaszép, mesterrmű mesteri megszólaltatás ! ♥️
Voilà un grand artiste!Ce hautbois est grande finesse et d'une clarté lumineuse!Merci à cet ensemble et petit clin d'oeil à SB !
Schöne Musik aus schönen vergangenen Zeiten.
In questo brillante concerto mi pare di apprezzare una contabilità italiana. Holliger è superlativo!!!!!!
1:57 is where the solo starts !!
Whoever wrote it, I really love the way Holliger and I Musici play it :)
I play the Oboe for six years. And now my teacher wants me to play this peace to complete my "education as a student" since I am going to attend university this autumn which means I am no longer a student ;-) Came here to get an impression of what awaits me. I guess, I am very proud he thinks I can manage this piece, but I am sure it will be hard
To soon ater six years. It is not only the oboe. Anyway, when you don't feel ready..you are not www ninnanannaninnananna blogspot com
After one year I feel quite comfortable with this piece. I'm soon going to play it with an orchestra for the first time. Looking forward to it!
Thenn try this one and tell us if you keep feeling comfortable :
ua-cam.com/video/bb_7dW7BOFg/v-deo.html
Then try this one and tell us if you keep feeling comfortable :
ua-cam.com/video/bb_7dW7BOFg/v-deo.html
If you love the piece and really want to play it, that will give you the motivation you need to do the work to pull it off. Make sure you have reeds that are not too tiring to play. They must be stable, which consists of three things: 1. Sufficiently up in pitch so you are not lipping up, 2. With a tone that doesn't go to wild when you let go with your embouchure, and 3. Not too open, which would require you to exert pressure to hold the opening closed (which is related to #2). This removes any reason to have to hold on tight, so you can relax, open up, and blow. This will help with endurance.
Pido a Dios estar viva para celebrar tus trescientos años , magnífico maestro , genio del Clasicismo , uno de los máximos representantes del Sturm und Drang . Bravísimo !!!
The phrasing of music is great !!
He played the first cadenza is a single breath :O
Holliger's sound is unique!
I am an oboe player myself (and a compatriot of Holliger). There are many comments about Holliger's sound and I'd like to mention that he completed his musical education in Paris. This may have some influence on his way of playing and sound preferences. French oboe players like Pierre Pierlot, Maurice Bourgue or, today, François Leleux have a distinctive sound and technique that is characteristic. Maybe it comes from their instrument or the way they make their reeds. If you compare, German oboe players like Albrecht Mayer or Lothar Koch (from the Berliner Philharmoniker) don't sound the same. And British oboe players are probably closer to what American musicians are used to hear in their orchestras.
The same differences can be perceived with bassoon, if I take the same family of instruments. Everyone may have a preference and express it, but respect for musicality and expression should prevail in every comment.
He used very soft Reed to play for comfortable and less stamina. but any how, intonation, expressions and techniques were so perfect. Successful!! Do you agree?. How ever Oboe is very Difficult Investment to play.... What is your opinion..
..vaya..vaya...el estado de mi alma....ha sincronizado con estos sonidos...No como otras veces...somos un mar....gracias por compartir Rita Breznova. (lo llevare en mi celular, pues en mi selva amazónica no hay internet)
Wonderful playing.
2. Satz Andante (10:47)
Без преувеличений, великолепно!
Спасибо.
..que paz....que sosiego...y eso que soy tan solo un apostol de la construcción...!gracias Ria Brezova!..por sobar mi alma...
Thank you for placing this lovely concerto. Wish you all the best for 2017!
You are always welcome, Pieter! I wish you all the best in the year 2017 too!
This is what I was looking for a beautiful concerto. The oboe is most difficult to play since the note is so long for the breath. I respect the player obeys the all the note and memorized nearly 30 minutes of the entire music!
These artists are amazing. Regarding memorization watch Saint Saens Piano Concerto #5 played by Thibaudet. And this is one many very difficult works that he has totally memorized.
Thx
I got a distinction on my grade 7 oboe because of the second movement
Sound = musicality
Beautiful ! Thank you dear Ria !
You ae very welcome, dear Gerhard! Have a nice week!
Bravo Maestrissimo!
Great !! Thanks A LOT once more Ria !! Best wishes for the rest of 2017. Bye from GREECE. Nodas
Thank you very mch, dear Nodas, I wish you all the best in the year 2017! Btw I'm looking forward to Rhodes I booked hotel already for summerholiday.You know, I love Rhodes. :-)
3. Satz Rondo (16:58)
I'm listening and i'm so glad
Especialy this wonderful second movement "Andante" ... because life is beautiful !
Awesome
完美的演出
Great player and well performed.thank you Sir. ....opinion for them, who mentioned about Oboe Sound...... He used very soft Reed to play for comfortable and less stamina. but any how, intonation, expressions and techniques were so perfect. Successful!! Do you agree?. How ever Oboe is very Difficult Investment to play.... What is your opinion..
the gorgeous 2nd movement is used in the movie "devotion of suspect X" of the Chinese version...love that scene with this wonderful piece of concerto
I play this concerto on the viola 🎻
Like a coool water on a summer day
ありがとうございます！素晴らしいホリガーの演奏！
Cadenza 1st movt.
9:59
Thanks Ria Brezova!
You are always welcome, Arnold van der Waals1
Devine
Musicologists thinks Ignaz Malzat, not Haydn, is the author of this concerto. A great composer. Go listen to more of his works dear friends!
Malzat, Michael Haydn, Emmanuel Bach, etc...
Atribuído a Haydn, porém poderia ser de Antonio Rosetti, sabe-se lá. É bom de escutar. Obrigado Ria Brezova.
17:00
🇰🇷🇰🇷🇰🇷👍😊🙂🙏🙏🙏
10:46
1:56
5:27
Haydn did not write this concerto.
That said, enjoy it (or not), but forget Haydn altogether - it doesn’t even sound like Haydn!
From Wiki: The Oboe Concerto in C major, Hoboken number (VIIg:C1), commonly attributed to Joseph Haydn, was most likely composed around 1790.[1] However, modern musicologists agree that Haydn did not write the concerto.
Who wrote this concerto, if not Haydn, please?
@@danielalain9808 -- Pretty sure it was Schmuel Markowitz, Landgraf-Markgraf-Pfalzgraf of Leuchtenberg und Stühlingen [cf., Mayer, Theodor, 'Herzogtum und Landeshoheit,' Fürsten und Staat. Studien zur Verfassungsgeschichte des deutschen Mittelalters (Weimar 1950) 276-301]
Stevee GALLO : Thank you so much for the information. Wow...I would not have accredited this beautiful piece of music to anyone else had I written it myself.
@@danielalain9808 -- That said, you MAY have done it, in some prior incarnation or transfiguration. Whatever, Geen dank, no hay porque, prego, para servirle….This is what I DO, pal! عذوبه صوته بسم الله ماشاء الله سلام ,عليكم المكسيك
Очень может быть. Прекрасная музика, но как то не звучит как Гайдн.
1:48
1:56
2:25
2:35
2:53
3:15
3:49
9:12
Awful oboe sound .. thin and less dynamics. The orchestra however is fine!
I think we can all be critics, even though we may not be as famous as these people. But please critique in a respectful manner, I request.
Hi, it's just my opinion. Holliger is a great name. The sound of the oboe has been evolved to a much more deeper and richer tone. Holligers tone in this recording is old fashioned; thin and hard.. Also no dynamics and not warm
doeevennormaalman The sound of the Oboe hasn't evolved, people's preference of the sound of the Oboe has. This is still what an Oboe should sound like, and people are also gradually going back to this sound.
Jasper Goh, lol. Should go to? Holliger's thin sound and out of tune in the high notes? Hope not :)
but perhaps something else...
10:48