Thank you for making this. I am starting to look into doin sync. This is very helpful and useful. I believe I can be successful at this have thousands of lyrics and couple hundred compositions need to tighten up. Helps to know there may be a home for them in the future
Someone sent me this to take a listen to. I have some feedback. If you’re going to drag an episode of 10+ minutes of personal conversation and not what the topic says in the title please use time stamps. Or cut down your personal talk. If you can’t do that new listeners needs to know what part of the video to listen to that covers the topic in the title. I’m not a fan of you yet, I just got this link from a friend. It’s a bit long winded and I’m wondering how much I have to listen to banter before you get to what I actually want to listen to. 10:30
Well, it IS a podcast, so meant to be longer content for our fans. BUT, I usually put timestamps in so thanks for the reminder. Should be easier to find the section you want to hear now. We do banter quite a bit. We're banterers.
Dostoyevsky’s favorite word (in English translation) was “suddenly.” “He was minding his own business for years and suddenly there was a knock at the door.” “He worked to learn how to compose, then he composed, then he pitched and pitched and pitched. Suddenly, he made a direct sale.” Enjoyed the podcast, but can we agree the title is clickbait? Every so-called quick payout discussed implies immense prior effort. I think if you’re looking for a quick payout, there are two other questions you need to consider first. 1. Do I like doing all this? If I do, I’m happy all along the way. 2. Did I solve The Problem otherwise, namely of how to pay the rent or mortgage? If I did that, then the happiness I get out of #1 makes it sustainable. If I come back with two no’s for those questions, a good, well-considered choice is to quit.
Love the quote. Well, I think I made it clear that the first thing is music. Some may come to licensing with high end music already made (like artists or composers who have been doing this for a while.) If they do already have material, and get connected with a sync agent or make direct deals, income can come faster than the standard library route. If you want reasons not to do sync, look at Jesse’s series at SyncMyMusic. He pretty much laid out the reasons you may want to stay away from sync.
wish you wouldn't talk over each other so much, you both provided great talking points and should listen to each other all the way through, it definitely seemed as though the guest could've expanded more at certain points but perhaps you were managing time. still high quality conversation and walking away with something so thank you. If you actually see this could answer whether its smart to get with a library like epidemic sound that restricts its artist from signing up with a PRO. Im assuming artlist and motionarray aren't doing that
Yes, sorry! We just get so excited!! LOL! No neither of us agree with signing to a library that doesn't allow PRO. it would be one thing if I could sign with Epidemic and just make the songs they sign be non-PRO that would be fine. But they don't want ANY of your songs in any PRO. That to me is so restricting, I cannot abide.
Ok. It’s such a bummer company’s are that strict since the splice samples are royalty free. What’s the point of splice if artists are just gonna be dinged.
Well that's the world we live in. Every platform is listening and they can't tell the difference between you suing that loop and someone else using it. That's why I say chop those loops up, replay them, do something to them to make them unrecognizable.
They went public in 2018, but I think they sti,ll struggle to be profitable. This is a good article about it: medium.com/brain-labs/why-spotify-struggles-to-make-money-from-music-streaming-ba940fc56ebd#:~:text=This%20means%20that%20Spotify%20still,28%25%20for%20its%20premium%20revenue.
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Thank you for making this. I am starting to look into doin sync. This is very helpful and useful. I believe I can be successful at this have thousands of lyrics and couple hundred compositions need to tighten up. Helps to know there may be a home for them in the future
Just know it is a very long game, not unlike investing.
@@MakeMusicIncome I'm aware. I'm also an artist so might make do that instead. Half the battles getting started.
Great Content guys!! 💯
Thanks!!
Great info great show thanks! 💯
Thanks so much for having me on, was great to catch up with you dude! 🎉
Always welcome! See you soon pal!
Great conversation. I will keep tossing stuff out there and see what happens!
Someone sent me this to take a listen to. I have some feedback. If you’re going to drag an episode of 10+ minutes of personal conversation and not what the topic says in the title please use time stamps.
Or cut down your personal talk.
If you can’t do that new listeners needs to know what part of the video to listen to that covers the topic in the title.
I’m not a fan of you yet, I just got this link from a friend.
It’s a bit long winded and I’m wondering how much I have to listen to banter before you get to what I actually want to listen to. 10:30
Well, it IS a podcast, so meant to be longer content for our fans. BUT, I usually put timestamps in so thanks for the reminder. Should be easier to find the section you want to hear now. We do banter quite a bit. We're banterers.
"If I knew where the good songs came from, I'd go there more often." - Leonard Cohen. 😁
Love it!
Thank yaz Steves!
🌹❤🌹🐝
Hello Eric, the video audio is going out around 18:00 or so on my end! I’m not sure if I’m the only one, but thought I’d let you know!
Thanks!
I’m not hearing it on my end.
Great Show I dig the honesty and the content. I'll be back.
Thanks! Glad to have you watching!
Thank's Eric please i need you
Info about video title does not start for 21 minutes.
Sorry about that. Let me check if there was an issue with timestamps/
Dostoyevsky’s favorite word (in English translation) was “suddenly.”
“He was minding his own business for years and suddenly there was a knock at the door.”
“He worked to learn how to compose, then he composed, then he pitched and pitched and pitched. Suddenly, he made a direct sale.”
Enjoyed the podcast, but can we agree the title is clickbait? Every so-called quick payout discussed implies immense prior effort.
I think if you’re looking for a quick payout, there are two other questions you need to consider first. 1. Do I like doing all this? If I do, I’m happy all along the way. 2. Did I solve The Problem otherwise, namely of how to pay the rent or mortgage? If I did that, then the happiness I get out of #1 makes it sustainable.
If I come back with two no’s for those questions, a good, well-considered choice is to quit.
Love the quote. Well, I think I made it clear that the first thing is music. Some may come to licensing with high end music already made (like artists or composers who have been doing this for a while.) If they do already have material, and get connected with a sync agent or make direct deals, income can come faster than the standard library route. If you want reasons not to do sync, look at Jesse’s series at SyncMyMusic. He pretty much laid out the reasons you may want to stay away from sync.
You did make it clear! Thank you. Love the show. I understand the distinction you make. I’m not criticizing, just enjoying my own follow on. 😎
Hey Eric, your use of jingles and cheers etc sounds like a send up of Taxi videos
I have sounds built into ecamm now which is the software I use to do videos now.
wish you wouldn't talk over each other so much, you both provided great talking points and should listen to each other all the way through, it definitely seemed as though the guest could've expanded more at certain points but perhaps you were managing time. still high quality conversation and walking away with something so thank you.
If you actually see this could answer whether its smart to get with a library like epidemic sound that restricts its artist from signing up with a PRO. Im assuming artlist and motionarray aren't doing that
Yes, sorry! We just get so excited!! LOL!
No neither of us agree with signing to a library that doesn't allow PRO. it would be one thing if I could sign with Epidemic and just make the songs they sign be non-PRO that would be fine. But they don't want ANY of your songs in any PRO. That to me is so restricting, I cannot abide.
@@MakeMusicIncome you're the man thank you so much for youre response!
Would u say don’t even use drum loops from splice?
If you do, really change and hide them inside other loops. They can just be identified by listening software and cause claims and other problems
Ok. It’s such a bummer company’s are that strict since the splice samples are royalty free. What’s the point of splice if artists are just gonna be dinged.
Well that's the world we live in. Every platform is listening and they can't tell the difference between you suing that loop and someone else using it. That's why I say chop those loops up, replay them, do something to them to make them unrecognizable.
Nice Intro
Thanks!
I thought Spotify broke even in like 2018, no? 😯
They went public in 2018, but I think they sti,ll struggle to be profitable. This is a good article about it: medium.com/brain-labs/why-spotify-struggles-to-make-money-from-music-streaming-ba940fc56ebd#:~:text=This%20means%20that%20Spotify%20still,28%25%20for%20its%20premium%20revenue.
Am I only nocturnal here?
What do you mean?
@@MakeMusicIncome Only boy who works at night