I'm with Adam at a gig in Upstate NY Right now. Adam is the ultimate underground alchemist. And Dave has been extended family for decades which makes this new podcast a must for true techno fans. This is real live action. Praises & pure perfection.
Great interview. I’m very grateful to Dave for taking the time to continue doing the white noise show, I started listening during covid and have discovered a lot of great artists/tunes that I definitely wouldn’t have otherwise!
Took me an extra hour to get to the end as I had to keep looking up tracks Dave was talking about. A few surprises for me to finally ID old tapes from when I was a kid. Claude Young - Nocturnal; Nitzer Ebb - Let Your Body Learn (I missed the original, only knew Richie hawtins orange mash up); Reese - Funky Funk Funk; Rhythm Formation - Ready For The Darkness; Aphrohead - In The Dark We Live (what a track!!). love this podcast series. Thank you Adam
David I remember that dropbass party you were excellent so glad to see you live because I have all the red series and some of your other records ,too see you work your own record awesome
Good on you fellas! This is very accesible and down to earth and I really like Daves story and his approach.( is the issue with new djs cause a lot of them are middle class and are doing it for their own validation and ego's rather than the love of music?)
Unfortunately social media has created this, in the old days the like button was someone buying your record, now it's someone liking an artist photo on a website. Strange times
Adam great fucking interview, I always enjoyed this guys music , totally not to be forgotten.. I geeked out , loving legend stories. stories Feed the dream in this world for me .. nice work as always Mr . Ven roc !! 🤜🏽🤛🏾
I am 53. I so agree with Dave Clarke. To say oh thats from 93??? Nah Its timeless. Can play a 3 hour set ftom 92 would blow the roof off. Dave is too intelligent and too cool. Red is the basis of techno. As a huge techno fan. This guy is so ahead
Many of today’s techno records are more disposable because fewer artists are cutting new ground, and, as a consumer is so much choice between samey shit. Thankfully there are other genres with more ground to explore
A lot of this is because many artists make music music to whatever genre is hot at the moment , in anticipation of getting booked for events. Less risk takers and more bandwagon jumpers to whatever the flavour of the moment is.
Bless him. Many times I bought classy techno records from Dave in Jelly Jam in the afternoon then headed off to cheesy raves in the evening. Sorry Dave ;)
Great interview! I disagree about modern techno not being adventurous. Across the scene releases are super varied but too many big DJs play one very specific type of techno for the whole set. 90s sets generally explored a wider selection of techno. Smaller DJs still do this, while headliners make techno sound monotonous.
Agreed with your statement in regards to dj's playing one specific style through their sets. I myself do feel techno was way more innovative in the first half of the teen decade then now.
@@sonicgroove5395 the Hardgroove renaissance isnt exactly innovative I'll admit. I love the Hardgroove style generally but younger djs just bash out a whole set of the stuff, flattening the energy. It's like they didn't listen to how you guys originally layered it creatively and always countered it with other flavours of international techno to keep the sets exciting and surprising. I think the music is out there they just have to be braver or study the past a little more as Dave suggested. And I bet they play far wilder at home. There's an interesting theory that cokes popularity has shaped the sound of big events. The music doesn't have to be melodic, euphoric and psychedelic anymore, just a pumping rhythm so coke heads can shuffle to it. Ive noticed if you listen to the commercial end of modern techno on E it's not much better, where as pre 2000 techno excites and triggers euphoric feelings, it's E music. A few people I know have noticed this, including people who didn't listen to techno in the 90s.
Read Damon Wild will be on soon. Unless you were going to already, would you mind asking him about his collaboration with Dennis Ferrer, Morph. Stormwatch is one of those album I'd describe as "Cool", because they so successfully fused different styles together. I'd appreciate it.
Dave is right, the main difference to me is everything has slowed way down from a BPM standpoint. In the 90’s everything was so fast, now not so much and I like it alot more.
Heaven, 95 news years eve in queens….. shut down early and when we got outside there was a naked guy yelling “HAPPY NEW YEARS SPECIAL K” Over and over. Always wondered what happened to him….. another Sanctuary special
It’s sad that the original female pioneer DJs get forgotten about by the newer female DJs. No respect for them whatsoever, it’s quite revealing actually.
I'm with Adam at a gig in Upstate NY Right now. Adam is the ultimate underground alchemist. And Dave has been extended family for decades which makes this new podcast a must for true techno fans. This is real live action. Praises & pure perfection.
A truly wonderful discussion right here Frank
💪💪💪
Glad to hear this after the discog thread 😅. Great podcast
💯💯💯
A techno, legend interviewing another techno legend is very refreshing in this ages of melodictechhouseedm whatever BS
🙏
Memories of Dave Clarke on Discogs :)
So fascinating 🏗
great interview!
90’s music is timeless.
Great interview. I’m very grateful to Dave for taking the time to continue doing the white noise show, I started listening during covid and have discovered a lot of great artists/tunes that I definitely wouldn’t have otherwise!
Took me an extra hour to get to the end as I had to keep looking up tracks Dave was talking about. A few surprises for me to finally ID old tapes from when I was a kid. Claude Young - Nocturnal; Nitzer Ebb - Let Your Body Learn (I missed the original, only knew Richie hawtins orange mash up); Reese - Funky Funk Funk; Rhythm Formation - Ready For The Darkness; Aphrohead - In The Dark We Live (what a track!!). love this podcast series. Thank you Adam
awesome, thats the most important for me, is get the music knowledge out there to others
Dave Clarke is an amazing person. 😊 true heart ❤️. I thank you for your inspiration to me and many others.
Absolutely wonderful discussion, much love and respect to both Adam and Dave!
🙏
So cool. The knowledge of techno shared between these two is intimidating. Felt like a fly on the wall listening to the two coolest guys chat.
brilliant ! thanks so much
Thanks for doing these interviews!
Your welcome and thanks for tuning in!
Amazing chat, so good to hear raw and real conversation.
Eurk is coming back by the way Adam 😉
Yeah! Thanks for both staying true to yourself, an ethos and artistic integrity. Plus you're so much fun.
thanks adam x pretty nice podcast
Ha ha love this interview, good stuff.
You’re speaking to Adam X about very relatable terms like “abroad” and “expelled”. It’s English, he understands English. 😂😂
this is amazing!!! so happy for you! Awesome launch to the first talk.
Thank you for the videography!
@@sonicgroove5395 you forgot that I did the recording too :P
quality discussion, thanks Adam and Dave.
David I remember that dropbass party you were excellent so glad to see you live because I have all the red series and some of your other records ,too see you work your own record awesome
Awesome stuff
I really hope this interview and series gets the traction and views it deserves. Thank you for creating it
..two icons, superb!👍
Loved this....we need to hear the Richie Hawtin story though!
but the hotel was literally right across the road from the venue lol! pretty rad that you guys remember this so vividly. :)
where’s Norman?!😅
Incredible DJ. So unique. He cuts up techno
Amazing!!
Good on you fellas!
This is very accesible and down to earth and I really like Daves story and his approach.( is the issue with new djs cause a lot of them are middle class and are doing it for their own validation and ego's rather than the love of music?)
Unfortunately social media has created this, in the old days the like button was someone buying your record, now it's someone liking an artist photo on a website. Strange times
So psyched for this Adam!!!
Stellar! You're sure off to a great start with this series. Thank you for being real and a good amount of belly laughs 😅 ❤
Thank you!
Shame R&S credited Directional Force to Dave Carter. One of my favourite eps from Dave
Lenny Dee was the Ozzy Osborne of Techno back then 🎉😂❤ Brilliant
This is friggin amazing! Keep it up, mad respect! Also hope someone will interview you back at some point, cheers
I thought about this already. Will try something with this eventually ;)
Great interview. Thank you. .
Good stuff. Look forward to hearing more.
Adam great fucking interview, I always enjoyed this guys music , totally not to be forgotten.. I geeked out , loving legend stories. stories Feed the dream in this world for me .. nice work as always Mr .
Ven roc !! 🤜🏽🤛🏾
Thanks for listening!
❤❤❤❤❤
Awesome 👍😎
This interview is mint 👌🏼
Marcos Salon is a great guy and host . creme of belgium techno and unspoken hero ..nice to hear you speaking about the real techno crew Dv
You will probably like next week's podcast then! ;)
Great chat, everything from DBN to Nitzer Ebb 👌🤘
I am 53. I so agree with Dave Clarke. To say oh thats from 93??? Nah Its timeless. Can play a 3 hour set ftom 92 would blow the roof off. Dave is too intelligent and too cool. Red is the basis of techno. As a huge techno fan. This guy is so ahead
so good!!! ty
Subbed - cannae wait
I ❤ you Dave... miss you and hope to cross paths with you soon !!!!
i told you 🖤
Love this
Go Adam!
Of course you have to interview the 'Ozzy Osborne of Techno' now!!
Yes of course. It's already in the works :))))
Seconded!
Woody McBride is a must as well.
@@martywhitaker85for sure
excellent work Adam
Glad you liked it!
interesting interview!
I believe it was Adam or Jimmy who actually sold me Dave Clarke, The Four Seasons lp at Groove Records Avenue U Brooklyn
I hope you still have it, that's a bad ass record still.
Great content my friend!
Thanks my friend! :)
Excellent
Enjoyed this. Nice work Adam. wonder what Dave got expelled for :)
Great interview
And remember him playing the party he was talking about in Chicago with Mike Dearborn was twisted in 1996
Im 40 mins into the podcast, great stuff, looking forward to future guests.
Anyone know what the infamous Ritchie Hawtin story is? 😆
Many of today’s techno records are more disposable because fewer artists are cutting new ground, and, as a consumer is so much choice between samey shit. Thankfully there are other genres with more ground to explore
A lot of this is because many artists make music music to whatever genre is hot at the moment , in anticipation of getting booked for events. Less risk takers and more bandwagon jumpers to whatever the flavour of the moment is.
Bless him. Many times I bought classy techno records from Dave in Jelly Jam in the afternoon then headed off to cheesy raves in the evening. Sorry Dave ;)
This legend would spray Ellnete hairspray on his number plate to avoid speed cameras 😂
Great interview! I disagree about modern techno not being adventurous. Across the scene releases are super varied but too many big DJs play one very specific type of techno for the whole set.
90s sets generally explored a wider selection of techno. Smaller DJs still do this, while headliners make techno sound monotonous.
Agreed with your statement in regards to dj's playing one specific style through their sets. I myself do feel techno was way more innovative in the first half of the teen decade then now.
@@sonicgroove5395 the Hardgroove renaissance isnt exactly innovative I'll admit. I love the Hardgroove style generally but younger djs just bash out a whole set of the stuff, flattening the energy. It's like they didn't listen to how you guys originally layered it creatively and always countered it with other flavours of international techno to keep the sets exciting and surprising.
I think the music is out there they just have to be braver or study the past a little more as Dave suggested.
And I bet they play far wilder at home.
There's an interesting theory that cokes popularity has shaped the sound of big events. The music doesn't have to be melodic, euphoric and psychedelic anymore, just a pumping rhythm so coke heads can shuffle to it.
Ive noticed if you listen to the commercial end of modern techno on E it's not much better, where as pre 2000 techno excites and triggers euphoric feelings, it's E music. A few people I know have noticed this, including people who didn't listen to techno in the 90s.
Read Damon Wild will be on soon. Unless you were going to already, would you mind asking him about his collaboration with Dennis Ferrer, Morph. Stormwatch is one of those album I'd describe as "Cool", because they so successfully fused different styles together. I'd appreciate it.
It’s long done already
@@SonicGroovePodcast Too bad.
Dave is right, the main difference to me is everything has slowed way down from a BPM standpoint. In the 90’s everything was so fast, now not so much and I like it alot more.
It's actually very fast at the moment , 140-150 is the average. Not many dj's playing peak time sets at 130 BPM.
❤
its like listening to 2 talking encyclopedia's
We were always told the "compressor" was a Dbx 88.
RED Hering .
Sonic Boom
Alan’s parties were known to get raided.
Heaven, 95 news years eve in queens….. shut down early and when we got outside there was a naked guy yelling “HAPPY NEW YEARS SPECIAL K” Over and over. Always wondered what happened to him….. another Sanctuary special
It’s sad that the original female pioneer DJs get forgotten about by the newer female DJs. No respect for them whatsoever, it’s quite revealing actually.
not all female DJ's/producers ;)
Whitesnake😂
Why does he think Americans don't understand words like, "abroad or expelled"? lol
That's Dave Clarke for you . He's an awesome producer but always has to remind you how much he dislikes America.
@ERMAC4482 that's OK, I enjoyed the interview. Do you happen to know what Bones track he was referring to when they were talking about sampling?
@@jaxsondobbs8213 no idea but something about it being a very long sample
🫡 AX @ DC