the filter sweep sample and changing the sample start point was a great technique. a technique also using the sample start point could be used to make time stretch on trackers. opening other peoples .mods was very educational. same with your ableton project files :)
the timbre wolf sounds absolutely gorgeous. it's super limited but the sequencer is slick. it's like a poor man's perfourmer, same concept with a keyboard.
@@AaronFoltz Cool. I'll check it out. There's also Landrow, who used to be on UA-cam and now seems to be only on Bandcamp. He had a video with a very beautiful solo Timbre Wolf piece, not sure if it's still up, super dreamy, which was how I found out about the synth originally like ten years ago or more, and it seems a lot of the sounds on his various albums could easily be the wolf, it's just that sound. The music is super interesting, like drum-machine driven melancholic space music.
One of the founders of Ensoniq Robert Yannes designed the SID chip, he founded Ensoniq in 1983 soI dunno if there is a link with the Amiga Paula sound chip and Ensoniq because that was after that...? Robert Yannes also designed the Ensoniq Mirage which is also an 8 bit sampler like the Amiga but uses different chips etc.
@@Legoweltofficial right okay, so the founders of ensoniq were former MOS engineers and they designed the c64, then a different MOS engineer designed the paula chip
Timbre Wolf sequencing Prophet V is something like a blasphemy (for synth snobs) but it actually makes sense and sounds really good. Also that director who let actors improvise was indeed Eric Rohmer but it was not that straightforward. He actually had script of the movie already written, but then he had a meeting with actors where they changed dialogues in script to feel more natural. This way he can have characters talking about philosophy and stuff but it feels live and natural.
I'm really interested on that collaboration between him and Ryuichi Sakamoto, but I can't find anything on internet, anyone has more details to share about it?
I love Danny, such a good interview 😊 Though I kinda feel like he's always cutting out them good stories serving him as inspiration. Always so ambiguous when asked that question.
Not even. Yamaha HS5s. I reckon he keeps all his funds for synths, samplers and maybe FX. But the Yamaha HS are really not at all bad. It's possible he has a subwoofer in there somewhere. and looks like there's Genelecs alongside them anyway. So, I'm guessing he's using the HS5s in the same way people use NS10Ms. That's not uncommon, there's plenty of mix engineers out there that use them for that too.
It did sound a bit like something was wrong with the audio of the interviewer's voice. Maybe an SM7b or EV RE-20 would have been better. But it might have been a different problem (severe compression, faulty mic/mic pre/audio interface or something?). I don't know if a de-esser would truly fix it, there's no bass or lower mids either, and kind of a ringing small room tone / comb-filtering. But, anyway, was a good interview so can ignore that aspect.
Sick! Thanks for this! Some of the very first sample packs I grabbed when I started out were from Legowelt and I still use them regularly.
An approachable legend filled with talent and generosity. Thanks for this!
Love Legowelt ❤️🕶️🏴
Great interview.
the filter sweep sample and changing the sample start point was a great technique. a technique also using the sample start point could be used to make time stretch on trackers. opening other peoples .mods was very educational. same with your ableton project files :)
This was an inspiring and rare interview. Thank you so much for sharing!
Love hearing the Casio HT-3000 getting a shout out. My first proper synth, even if it looked like a home keyboard.
Ik ben naar de klote . Best musician in my book great inspiration
the timbre wolf sounds absolutely gorgeous. it's super limited but the sequencer is slick. it's like a poor man's perfourmer, same concept with a keyboard.
There's an artist Zero Punk that did a whole album using the Timbre Wolf. Very cool and minimal.
@@AaronFoltz Cool. I'll check it out. There's also Landrow, who used to be on UA-cam and now seems to be only on Bandcamp. He had a video with a very beautiful solo Timbre Wolf piece, not sure if it's still up, super dreamy, which was how I found out about the synth originally like ten years ago or more, and it seems a lot of the sounds on his various albums could easily be the wolf, it's just that sound. The music is super interesting, like drum-machine driven melancholic space music.
Ensoniq came out of people who worked at commodore, so those people made the amiga’s paula sound subsystem, if i remember correctly
One of the founders of Ensoniq Robert Yannes designed the SID chip, he founded Ensoniq in 1983 soI dunno if there is a link with the Amiga Paula sound chip and Ensoniq because that was after that...? Robert Yannes also designed the Ensoniq Mirage which is also an 8 bit sampler like the Amiga but uses different chips etc.
@@Legoweltofficial right okay, so the founders of ensoniq were former MOS engineers and they designed the c64, then a different MOS engineer designed the paula chip
Timbre Wolf sequencing Prophet V is something like a blasphemy (for synth snobs) but it actually makes sense and sounds really good.
Also that director who let actors improvise was indeed Eric Rohmer but it was not that straightforward. He actually had script of the movie already written, but then he had a meeting with actors where they changed dialogues in script to feel more natural. This way he can have characters talking about philosophy and stuff but it feels live and natural.
I'm really interested on that collaboration between him and Ryuichi Sakamoto, but I can't find anything on internet, anyone has more details to share about it?
Two of my favorite producers together ♥ Something wonderful ♪♪
Hah, I didn't realize the 1201 has a vocoder!
Mine has been sitting in the rack mostly unused for a long time now .. need to take it for a spin.
Danny. King of the sample packs.
This is not an insult!
Great discussion! thank you for sharing it!
danny, we re just very happy about every interview youre doing. and very sympathic interviewer btw. best felix
I love Danny, such a good interview 😊 Though I kinda feel like he's always cutting out them good stories serving him as inspiration. Always so ambiguous when asked that question.
Great interview, thanks
Tascam Space Season!
time goes fast when I hear legowelt I think of the pre-tiktok times which were BETTTERRRRRRR JAJAJA
The Goat!!!
Great stuff 🙂
20:40 The Offside Rule!
LEGOWELT o yeah!
Ik hou van je, Danny.
Love legowelt, this was cool
Are those a pair of the HS8s?
Not even. Yamaha HS5s. I reckon he keeps all his funds for synths, samplers and maybe FX. But the Yamaha HS are really not at all bad. It's possible he has a subwoofer in there somewhere. and looks like there's Genelecs alongside them anyway. So, I'm guessing he's using the HS5s in the same way people use NS10Ms. That's not uncommon, there's plenty of mix engineers out there that use them for that too.
RE: Not being sure if he made a track or not.
LOL Indeed. I've had that happen. It's weird. Also the whole "How did I make that?" thing.
how many "synthesizer" words is he pronouncing per minute in this video?
synthesiser.
Synt-te-tizer
Great interview! Thank you.
Bro!!!
Great discussion.
Great interview
Grandmaster
Nice video, But painfull!! please just put a de-esser on your voice or change your mic. 🙏
yea, was very painful to listen to
darn, i guess my hearing isn't that great. I mean, I can hear all the Ssssibliances, 😂, but it's not "painful."
It did sound a bit like something was wrong with the audio of the interviewer's voice. Maybe an SM7b or EV RE-20 would have been better. But it might have been a different problem (severe compression, faulty mic/mic pre/audio interface or something?). I don't know if a de-esser would truly fix it, there's no bass or lower mids either, and kind of a ringing small room tone / comb-filtering. But, anyway, was a good interview so can ignore that aspect.