Beautiful work! Thanks for taking the time to share such useful and inspiring content. This type of in depth bts really means the world to so many people, myself included. Thank you!
What can one say about this... wow! Brilliantly executed. Thanks for sharing this story. As a location sound recordist I got excited when you mentioned "the other 50%.." as I'd love to know more about how you work with your sound team.
Fun fact, you can control those Sony PTZ cameras using the NODO Inertia wheels, record and playback moves ... amazing work on the food images and the show. Thanks for sharing your process with all of us.
I considered going this route but figured it was impossible sourcing two sets of wheels with the RDX box. The joystick configuration was also probably the better option for our operators who might not be as well-versed operating with wheels.
Love when you do videos about multicam gigs. I love seeing how you light a scene when there are so many cameras to keep in mind. If you are ever in AR i'm opening a kitchen studio built for this kind of stuff you'll have to come check out!
This video is so full of amazing stuff!! Since watching, I’ve been very interested in the FR7s for live event application. Question, was it easy to mount the fr7? Out of the box, they don’t look super mount friendly. Thanks! Great work 🤘🏻
I wouldn't say it was "easy..." but my KG did figure it out 😂 There are two 1/4-20 screws on the bottom so I'd probably recommend a longer QR plate on the bottom mounted to some sort of cheeseplate.
Beware Audiio's policy of not allowing you to cancel without emailing them, and if your subscription renews (at the much higher rate) they will not refund. If you have to use them, email them immediately to cancel future renewals. Their business model is 100% reliant on people renewing when they would prefer not to.
Just happens to change per the job's needs. We still had some Aputure units in play, but a lot of the Nanlux units were a better fit for this specific show IMO.
Everything i have left after my divorce is my FX9 and FX3 camera....BUT never, ever, managed to get this image quality out of them Would love to pay a decent fee to learn your color management of the Sony fx9. I have acces to lights like Vortex 8 and Arri;s but i am on the edge of selling my Sony cameras cause i dont manage to get a nice image out of them.....
You certainly deserve an order of magnitude more (or 3) subscribers than you have.. One of the few out here on YT doing real work. Keep it up sir.
Beautiful work! Thanks for taking the time to share such useful and inspiring content. This type of in depth bts really means the world to so many people, myself included. Thank you!
Hands down the most informative video on the subject. Really glad to have it on YT.
What can one say about this... wow! Brilliantly executed. Thanks for sharing this story. As a location sound recordist I got excited when you mentioned "the other 50%.." as I'd love to know more about how you work with your sound team.
Fun fact, you can control those Sony PTZ cameras using the NODO Inertia wheels, record and playback moves ... amazing work on the food images and the show. Thanks for sharing your process with all of us.
I considered going this route but figured it was impossible sourcing two sets of wheels with the RDX box. The joystick configuration was also probably the better option for our operators who might not be as well-versed operating with wheels.
Love when you do videos about multicam gigs. I love seeing how you light a scene when there are so many cameras to keep in mind. If you are ever in AR i'm opening a kitchen studio built for this kind of stuff you'll have to come check out!
Love it! Thank you.
Gold mine in the world of UA-cam! Thanks for the amazing breakdown 🔥
Just insane, best bts on youtube.
The lighting on those confessional parts was absolutely smooth.
Grat breakdown homie!
Thanks for doing this Robert!
Lots of great info. Thanks for sharing.
The level of insight on your bts videos is just priceless. Thank you man. Hope one day to be able to work in the level you produce 🙏🏼🔥
I appreciate that!
Lovely cameo at the end there
Nice man! Great vid!
Beautiful work. I just realized what the OF stands for. 💀
IYKYK
This video is so full of amazing stuff!! Since watching, I’ve been very interested in the FR7s for live event application. Question, was it easy to mount the fr7? Out of the box, they don’t look super mount friendly. Thanks! Great work 🤘🏻
I wouldn't say it was "easy..." but my KG did figure it out 😂 There are two 1/4-20 screws on the bottom so I'd probably recommend a longer QR plate on the bottom mounted to some sort of cheeseplate.
Goals
Beware Audiio's policy of not allowing you to cancel without emailing them, and if your subscription renews (at the much higher rate) they will not refund. If you have to use them, email them immediately to cancel future renewals. Their business model is 100% reliant on people renewing when they would prefer not to.
Absolutely epic work Rob! Thanks a bunch for the insight. Curious why you've seemingly moved from Aputure to Nanlight / Nanlux fixtures lately?
Just happens to change per the job's needs. We still had some Aputure units in play, but a lot of the Nanlux units were a better fit for this specific show IMO.
Rob, I am over 21 yo, you are actually able to have me on set.
Wait just a minute…..some of those ladies look familiar 😮🥹🥰
Pacers? hahahaha
Everything i have left after my divorce is my FX9 and FX3 camera....BUT never, ever, managed to get this image quality out of them Would love to pay a decent fee to learn your color management of the Sony fx9. I have acces to lights like Vortex 8 and Arri;s but i am on the edge of selling my Sony cameras cause i dont manage to get a nice image out of them.....