Bach - Toccata, Adagio and Fugue BWV 564 (on Period Instrument)
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- Опубліковано 20 вер 2024
- Johann Sebastian Bach
Toccata, Adagio and Fugue in C major, BWV 564
1. Toccata 0:05
2. Adagio 6:13
3. Fugue 10:21
1714 Silbermann Organ of Freiberg Cathedral - David Goode
Everything about this is staggering. The beautiful opening titles, the wide-angle view of the Freiberger Dom and Gottfried Silbermann instrument; the thunderous entry of the pedal ... the pacing, the resonance, clarity, plangency, separation of parts ...
The fugue at 10:21 has the power to transport me to another place - somewhere very like heaven.
Very nice, a dream of harmony and peace 🌺🎶...Bach
Crystal-clear recording of a magnificent performance on a spectacular instrument. Thank you and congratulations!
David Goode is the best -- not just goode, but GREAT.
cet orgue represente un des sommet de l art du facteur d orgue , et pouvoir l ecouter ici tres bien toucher dans une des plus belle composition de bach et un privilege certain qui restera graver dans ma memoire ! merci a l organiste et felicitation . pierre-xavier de chassot .
Nice ornamentation of the Adagio. Lovely performance all round!
Un orgue sublime. Une excellente performance.
May seem controversial but I absolutely love the equal seeming temperament on this instrument despite it's time. It just sounds amazing. Almost perfection.
Très belle interprétation sur un orgue aux sonorités proches du parfait
Wow! Equals my Hurford and Bowyer accounts.. and the setting - I could stare at that image of Freiberger Dom all day with its golden stone polygonal columns, gilded Silbermann pipes and (not in view) Miners and Tulips pulpits
3:37...spettacolare trillo!!!!
incredible! loved hearing this
Bravo bravo bravo super super super wow wow wow
Amazing !!!!
So Beautiful!
Fantastic!
Der große silbermann orgel!
Siempre !e ha gustado la musica de cámara
Wonderful !
bach+silbermann il meglio
Bravisimo!!
How can the stupid advertisements be eliminated from the videos?
legal.
David's over phrasing doesn't make this more musical, it makes it distorted.
If you mean his free and idosyncratic approach to the toccata, maybe it makes it relate better to its context, stemming from the tradition of semi-improvisatory,, 'stylus phantasticus' - of Buxtehude and Buttstett.
@@annawood5725 Yeah, perhaps so for the first part and pedal solo of the toccata, but the third part of the toccata really isn't in "stylus fantasticus" now, is it? In any event, I LOVE this organ, so there's that.