I just figured out who or what this song reminded me of. It sounds like Starship, or Jefferson Starship. Whatever they were calling the band at that point. It's totally a soft, adult contemporary piece of fluff. It's a nice song, but damn, both songs sound like men begging women to love them. This album may have gotten airplay over the radio, but it was sort of the death of the band's older image. And 38 Special was always a topical band lacking song writing depth, kind of like Blackfoot. Nothing that 38 Special wrote got close to being thought provoking. Who has dwelled much on thinking about a 38 Special song? This is OK though. They the band members had musical careers and continued to made money. We all know what became of "Southern Bands" in the 80's. They were told they were dated and out of fashion. Molly Hatchet tried to broaden their style and appeal to reach a larger audience. All they did was turn a decent band into one people stopped listening to. ua-cam.com/video/32ScTb6_KHg/v-deo.html Wikipedia "Sara" is a song recorded by the American rock band Starship which reached number-one on the U.S. Billboard Hot 100 chart on March 15, 1986. It was sung by Mickey Thomas, of the newly renamed band Starship, from their first album Knee Deep in the Hoopla, and Grace Slick provided the backing vocals.[1] The recording became one of the best-selling singles of 1986 in North America. It was the band's second number-one hit after the song "We Built This City" hit that mark a few months earlier in 1985. It also became the band's first number-one song on the adult contemporary chart, where it remained for three weeks.[2] Although written by Peter and Ina Wolf, the song was named for Sara (née Kendrick), Thomas's wife at the time.
@@jaxflfreebird I love this stuff not gonna lie. John Waite's "Missing You," post-Cetera Chicago (the biggest and best of is "Look Away), all of Richard Marx's singles from his first couple albums, I could go on... I like it.
Me emocionan. Sus temas me encantan, me transporta.
R.R.H.F worthy come on people get them in. Not just for this song but the the ones from Barnes
A second chance......... 50 years ago. What could have been..........
I just figured out who or what this song reminded me of. It sounds like Starship, or Jefferson Starship. Whatever they were calling the band at that point. It's totally a soft, adult contemporary piece of fluff. It's a nice song, but damn, both songs sound like men begging women to love them. This album may have gotten airplay over the radio, but it was sort of the death of the band's older image. And 38 Special was always a topical band lacking song writing depth, kind of like Blackfoot. Nothing that 38 Special wrote got close to being thought provoking. Who has dwelled much on thinking about a 38 Special song? This is OK though. They the band members had musical careers and continued to made money. We all know what became of "Southern Bands" in the 80's. They were told they were dated and out of fashion. Molly Hatchet tried to broaden their style and appeal to reach a larger audience. All they did was turn a decent band into one people stopped listening to.
ua-cam.com/video/32ScTb6_KHg/v-deo.html
Wikipedia
"Sara" is a song recorded by the American rock band Starship which reached number-one on the U.S. Billboard Hot 100 chart on March 15, 1986. It was sung by Mickey Thomas, of the newly renamed band Starship, from their first album Knee Deep in the Hoopla, and Grace Slick provided the backing vocals.[1]
The recording became one of the best-selling singles of 1986 in North America. It was the band's second number-one hit after the song "We Built This City" hit that mark a few months earlier in 1985. It also became the band's first number-one song on the adult contemporary chart, where it remained for three weeks.[2] Although written by Peter and Ina Wolf, the song was named for Sara (née Kendrick), Thomas's wife at the time.
@@Charlee_Murphee How about The Cars with Drive, it's also the same smooth rock. This reminds me of some Peter Cetera soft rock too.
@@jaxflfreebird I love this stuff not gonna lie. John Waite's "Missing You," post-Cetera Chicago (the biggest and best of is "Look Away), all of Richard Marx's singles from his first couple albums, I could go on... I like it.