Mixing Live Drums!
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- Опубліковано 22 бер 2020
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In today's video, we will go over how to mix live drums, using The Gallery's "Who's in Charge?"
These multitracks will be available for you to download to you can mix them yourself! Click the link at the top to download the multitracks!
We would love it if you posted your mix in the Academy so we can see how you did it! There is a forum set up for you to post your mix!
If you are not already a member of the Academy, it is a great place for you to be able to develop your skills with a community of supportive, like-minded people!
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Hi Friends, thanks ever so much for the amazing live stream! I really appreciate it all of the amazing support you give each other in this community, especially at this time when so many people are stuck at home in need of support! Thank you for everything you do!
sorry i missed it, still working. replay will have to do. LOL
thanks for eqing and mixing of drum room lol I know I was being a pain asking 24/7 lol I also sent u an email about label bizz any way thanks I will save this session
try out Virtual Mix Rack
I'm genuinely impressed how big the change is, despite using only a few plugins and few EQ stuff here and there, nothing fancy, nothing drastic/extreme - and even with those subtle changes, it took over hour real work and ears,
many thanks for taking time into making this live session
Fantastic! Yes, sometimes less is FAR more!! Thanks for the great comment!
Very thankful there are folks out there like you guys. Stay safe!!
Thanks ever so much Trip!
Thank You @ProduceLikeAPro .....
@Warrenhuart and Eric! That was so much fun and cannot wait for tomorrow! Going to work on the tracks right now in Ableton.....Cheers Everyone!
Fantastic Paul! Have fun mixing in Ableton Live!!
Thank you Warren!! 🎛🥁 Live 10 Standard
@@paulsteds Fantastic!!
That was awesome, Warren,. Thank you. I have to try the tom trick on my next mix. So far, I've always completely removed the bleeding between the single tom hits manually. Never had the idea to gain it down. I'm curious to hear the difference. Learned something new today. I love it!
Hi Marc, stay tuned for tomorrow's video! I believe you were love the plug in we are demonstrating!
The amount of teaching content you manage to put out, let alone the amount you put out for FREE, while also working your day job, is staggering. I value so much all of the content I get from you and how it helps me get better at audio. Your always great attitude would make working for you at a studio a total dream job for myself and I'm sure for many more. Keep doing what you do
Warren and Eric thank you!!! This is huge at a time like this, you guys are awesome love you guys!
Thanks ever so much Ian!
Great natural drum sound!!
Thanks ever so much Tim!
Please say there is a part 2 to this!!?? This has been the BEST drum mixing I have found and it sounds great! Thank you for all of your giving back. You are very much appreciated!
Hello warren its leslie from malta
Hi Leslie, in Malta!
This video was marvelously helpful and many thanks for sharing it. I have not had the opportunity, but understand micing and recording drums properly is one of the most challenging aspects of recording/mixing, however you presented this in a fashion that even a child could understand. One of the eye opening moments is when you EQed the low mids of the kick and mostly muted the snare bleed instead of gating (a concept I am still trying to learn). In your book you talk about making moves with intentions and asking yourself why are you making that move instead of being arbitrary. I will try out the concept of placing a reverb on room mics and use the Abbey Roads settings 😊
Thank you Warren for doing these longer sessions, and especially these days! 🙏 Love it when you really go in to the details. Take care, and all the best wishes from Stockholm :)
Downloading now!
Marvellous!
Thank you for the great content Warren! I really enjoy your content.
Incredible information
Thanks ever so much!!
Thanks Warren and Eric for this stream. Started a bit late (checked UA-cam for new videos and saw that you were live) but I loved to watch you working on the drums. You mentioned that you will work on it tomorrow (and showing a great plugin), is it a live stream tomorrow?
Keep safe everyone.
Thanks for the message. Yes, tomorrow I'm going to demonstrate a great plug in for removing the bleed from Toms!!
Nice to see the “cymbal on the floor” trick. Ages ago now, I worked on a Membranes album with Steve Albini, and he did something kind of similar by micing up some bits of scrap metal placed in front of a guitar amp in our live room (actually just a cellar underneath the studio proper).
That first mix is amazing!
Always the best Warren thank you!
Thanks ever so much my friend!
Really great stream I missed it when it was on-line but watching it now and again so much of useful info here. Thanks ever so much Warren!
Sorry I missed the live platform, but loving the taped show. Thanks, as always, Warren, for this wonderful gift.
Good Morning Warren from The UK
To avoid weird phase problems, i prefer recording OH with 2 omnidirectional Bruel&Kjaer 4006 (and a supporting AKG 414 TL in the middle), and top snare with super cardioid Sennheiser 441. The bottom mic is a omnidirectional Bruel&Kjaer 4007, whis is not phase reversed since it is quite far away from the snares, also picking up some HiHat and bass drum depending on the EQ setting. And for a fat room sound, i got two old Neumann Gefell Tube Omnidirectionals in a distance of maybe 2,5 meters that boost the cymbal richness and also Bass drum ambience (if needed). I often also use those ambience channels als a feed for additional reverb, instead of using the Aux on every single drum. Btw, i tried the cardioid SE Electronics SE8 Stereo Set for OH and they are great, but after a while i came back to my B&K 4006. No i use them for my two Hihats, which seems to be a good decision cos they sound very smooth and there are no phasing or leaking probs. You can clearly hear a difference to other cheap small condenser mics. Those chinese SE8 seem to be a real usable substitute for the very much seeked after Neuman KM84. Also very nice on recording acoustic guitars if you want a smooth and realistic, warm sound.
Great job, Warren & Eric!
Best mentor Warren 👍👍👍
Good work Warren!! Thanks from Tasmania..Learned some great stuff today
Thanks ever so much
Great stuff as usual. Really helpful. Thanks!
Love the cymbal mic. I’ve used a mirror on the floor near the kick and snare with a Crown PZM mic on the glass for a similar effect. Well done Warren!
Warren, I can't express how useful this was. Thanks so much for your kindness, support and loving words. can't wait to get stuck into the remaining tracks! Love to you, the family and, of course, Eric! We have Viking names Eric, except mine is made up and I am a complete fraud. But I do live in South Benfleet, Essex, UK where the Vikings hung out. I am Joan and Peter's son...
i just split each tom into high and low end, and then gate the hell out of just the high end with a super fast response like a clicky kick drum. it lets you keep the ring of the tom in while keeping your gate very harsh.
Yes! Bob Marlette, always does that as well! I've done a video or two where I've shown that technique as well. Thanks ever so much!
Hi from Teo from Italy! Always great info man
Thanks Warren!
Thanks a lot Warren!!!!
Great video!
Amazing video Warren ! Big hugs from London (UK) ;)
Hi Laurent SCHARK Thais ever so much! Greetings in London!
I am starting a mix on a live session so this video is VERY timely. Also, I did purchase the AIXDSP multi Gate yesterday!!!
Good stuff, thanks : )
Greetings from Singapore
Thanks Warren! ...and now I just gotta go hear Ashes To Ashes.
Howdy!!!
Howdy!!
Hi Warren, I love the "boost and cut" eq trick, thanks a lot. These days I'm trying to teach myself mixing with (almost) just a channel strip emulation and with this kind of eqing works great. I've tried it also on other instruments and it sounds good to me. I think that the concept of boosting fondamentals and then highpassing is extensible to other sounds. Do you do a similar thing on other instruments or vocals?
I am a drummer. I mix by audiance perspective. But! I am left handed!
By the way, I always hated a 112 on bass drum. I liked an ATM25 way more. These days, 2022, I like an e602. I use e902s on low toms. 16 and 18". I find I don't need eq with these mics. If I do, it is subtractive. If I add eq, it is for color. The 602 is punchy and has more than enough lowend. Also has plenty of top.
Rhythm guitar tones are reminiscent of teenage fan club, early 3EB.. sounds great!
Hello! Good day!
Great time once more, one more time and again and again.
Thank you Warren and all the staff.
And I confesso you that I've heard when you've said "XY", "ex-wife" a couple of times.. :-)))
Thank you for another great video!!!
Haha thanks Marcelo!
Hi thanks for all the great video. When adding reverb to drums, do you put the verb on the drums aux bus or individual?
Hi Warrren & all the Plappers. Great vid as always.Are the close rooms facing the wall behind the kit or towards the snare.If facing the wall , how close to the wall aare they?
many thanks !! we're in lockdown here in Oz so am getting all those "round tuit" jobs done in the studio. Rock on !
Hi Warren, thanks a lot for the extensive explanations, I have a question. How often would you use a sub kick? Was it unnecessary because of the 602? Stay safe and thanks again!
Dear Warren, I have some questions that kinda off topic. It's about Andrew Scheps Rear Bus technique.
Can you help me clear up my confusion about rear bus and how to implement it on my mixer setup?
So basically my setup is like this:
Master (final output)
I see you time adjusting the kick in to the kick out, and the snare mics to the overheads... but do you need to time adjust the kick to the overheads too?
Oh, BTW...
...There's a new tool for this called NanoPulse (JMG).
It seem not to be "just another transient shaper".
Maybe it could be a subject to talk about...
Interesting! Thanks for sharing
how do you decide whether to boost a specific frequency or to go boosting below and cutting at the same time above? what are the considerations to decide on the approach?
Retched is here
sound Radix Auto Align is a great tool for aligning the samples. Please remember not to try and align the room mics to the overheads otherwise you'll kill the ambience
Hello master
What type of pro tools do you use? I use logic pro and will move to pro tools
Riz fromn kenya
Hello Riz in Kenya!
What does PLAP in the project name mean? I have seen other projects with the same expression in but have never found an explanation for it.
Hi N J ProduceLikeAPro
Hihat track seems to be the biggest problem for me to isolate without any bleed, I hope that the answer isn't parallel compression because I lose info doing that
This all good if this is your cup of tea but do you have any knowledge if recording R&B / Soul Music ?
where is the drum room eq and mix?
Hello
1:01:58
why does it matter what perspective the drums are panned?
Does it? I like drummer's perspective
Those blue headphones are pure 🗑
Take out the loudness of the cymbals next time