Im extremely surprised that you don't like this microphone . It sounds very natural on your voice and acoustic guitar, and I'm always very concerned that a microphone might exacerbate sibilance as it's something that's an issue for my voice. Im not really hearing that in this review and am overall very impressed with its sound, thanks for the review!
I agree. I thought "this is the best mic I've ever heard on his voice." However, I would only use it for speaking; when singing, it was too present and did not blend well.
I just got mine, as far as my singing and bars go this thing is a game changer. I’ve also been using it as a one mic wurst setup on my drums in neutral with the -20 pad on, as well as a mono over head. Shines like a diamond. I’m with the others in the comments, I would’ve thought you’d love this guy
at 4:08 - I officially paused this video to subscribe. Honestly you helped me and my team ironed out so much of our setup and things we actually overlooked. Amazing tutorial from you and this isn't the first we've seen.
Just got this microphone after my old PURE X1 started to play up after nearly 30 years. I kind of jumped in looking at what I could understand of the specs and reading some reviews. But I am really pleased with it's sound, it sounds very natural and I've been performing streaming live singing and everybody seems to like the sound. Thanks for your very comprehensive review!!
I can't agree. I recently got a C214 and compared it with a Rode NT1A and a Shure 87A recording my partner singing while I recorded all three simultaneously with flat EQ. I then asked her which she preferred in a blind playback. We both agreed that the C214 is a warmer mic. The Rode is a slightly brighter mic and the Shure 87A is a vocal recording mic but not quite as "open" sounding (we use the Shure 87A gigs and love them as PA mics. They replaced our SM58's years ago.). So between the AKG and the Rode we went with the AKG track. That might change with future recording projects and styles. We have used a pair of Rode NT1A mics for about 15 years for vocals so maybe we just notice the subtle difference with the AKG and like it. That could change. Other than an acoustic guitar track I haven't used the AKG C214 for other instruments but I am loving it on vocals. It's a matter of preference and subtle differences. I'm still a big Rode NT1A fan for myself.
As someone who had owned two AKG c214s for a few years now and recorded piano almost exclusively with them, I have to admit that they leave a little to be desired. They aren't bad, the build construction is impressive, but they have always felt like they're missing a little something.
Nick, thank you so much for sharing your personal experience with them. I love hearing other folks real world experiences with these mics because I have a limited ability to record every instrument. I appreciate you.
@@Podcastage Thanks. If you go to my channel (I promise, I'm not shamelessly plugging myself, just offering a comparison), every video dating back to February of 2015 was recorded with the AKG c214s. Every video before then was recorded with my guitar center branded $100 mic pair. The c214s don't don't sound bad, but I just can't tell much of quality difference. They cost 7x ($700) more than the cheap mics, but they definitely don't deliver 7x the sound quality.
Great review. Recommendation... > “For spoken word, this microphone sounds a bit too too heavy.” > cuts to clip speaking into preferred microphone > “For my ears, this is the optimal mic sound for spoken word.” Ya feel me?? Same thing for criticisms on guitar sounds and what not. #TryingNotToBromance #ButThemEyez
@@RASDKB Yes and everyone hears a little bit differently. Some people like to HEAR a lot of articulation and 5k - 10k energy. Totally legitimate. Just not my preference.
Well, it depends on the sound source. The other day I recorded a choire with a male solo singer and he had such a deep voice with resonance that my first choice mics were overwhelmed by it. So that´s typical occasion to use mics like this one.
I guess im asking randomly but does any of you know a way to get back into an instagram account?? I was dumb forgot the login password. I would love any help you can give me
I already have a sm58 with a scarlett solo that I love but I always end up coming back to watch random microphone reviews from you. Maybe you're just that entertaining
I think you should revisit this wonderful sounding mic. I actually in most cases prefer it to the TLM103. It’s basically a cardioid only version of the C414XLII and you actually sound really nice on it . Maybe now that you have more experience and have reviewed more products, there’s probably a good chance you’d appreciate it more.
I've used a stereo pair for 4 years now. Overall a very balanced sounding tone although I often find the high end to be a little bit brittle which is probably caused by a "fake" build-in high boost.
I bought 2 C214s and 1 C414 XLS II. I had a C214 in the past and was unimpressed but gave it another chance. I was thrilled that it did such a great job recording my electric guitar with some dirt on it. It was pretty good on my acoustic guitar too. I don't use it on vocal so I can't address your 'metalic' comments. But on electric guitar it didn't seem to have the high frequency issues you're talking about. The C414 appear to add some high end so I actually like that C214 more on my amp. I've learned to appreciate the flat response of some mics like this and the KSM33. I tried it on my bass guitar amp and it did well on the lower end. But didn't have much definition in the high end. Actually, my P220 did better in that regard even if it didn't pick up as much lower end. I could hear the detail of my fingers plucking the strings on the P220 but missed that definition on the C214. I ultimately chose the C214 over several options including the SM57, I5, and E906 dynamic mics. I'm guessing it fit my P90 pickups and cleared some things up without having to EQ much. So in conclusion, my tests were different and so were my conclusions. I appreciate your videos. I end up using only about half of the mics I buy and end up selling the others that don't work out. Right now I've kept the C214 (and the C414 XLS II, TLM103 for drum over head, and MD421 on my bass cabinet). I've got a dozen other mikes too but this fits my rock type setup with drums, bass and guitar. The C214 is a keeper this time around. The other C214 may find some use but for now one is staying on my electric guitar amp.
I thought this was a good review but was suprised at your verdict of not liking it. I was thinking of buying it beforehand and your review has convinced me to get it! Different strokes ... I guess.
I would really like to see a versus review between this mic and the oc16. They are similar price point, but I am curious about how they match up. I am currently leaning toward the oc16, but it would be so useful to see a video from you on it. Thanks for all this great info!
Great video and very helpful! Thank you but I disagree with the review because Akg are known for their microphones having lots of high end that's thier selling point and as this is the microphone down from the c414 it makes sense, like RnB tenor singers like this mic because of the high end. So it depends every microphone has it"s different uses, in your review I would put in a counter-argument and say why a microphone could be good as well. It also would have been nice to see the mic amped up.
On the bright side of the negative side; this microphone actually taught me how to better handle sibilance and plosives while singing (bc it REALLY does enhance both those issues unlike other mics I’ve heard). I do love the tone and realism of the mic, but granted it has what I would call a STEEP learning curve (so if you’re buying it to record others it’s definitely not the best choice, and but even for ourself; there maybe better mics in the ballpark price)..
I love this mic. I found a great deal of a use done for 130$ and since I’m really only prosumer it works great for what I’m doing. Also with its nice low range it’s great on a base drum for covers?
Great review amigo! I think you are right, it sounds a bit metallic, but I actually would like that effect for voice over on my videos, I'm kinda crazy hahaha
my pros (having owned the mic)- very nice sounding mic, especially for vocals cons- absolutely can accentuate sibilance in certain voices (see frequency curve) - very sensitive mice ("hot")- might not be the best fora noise home studio environment - plastic shock-mount expensive to replace..is not robust
Hey man..read your comment.on 214..i have the most none exsisting voice. Sounds die off my lips. But i can whale.no pitch problem..just a dead texture..i use a cheap rode.n1...u87 didnt impress... any sugestions
I thought, that this mic is a bit expensive for its results. I can get banned to oblivion and back, but i think, that NT1(A) can give at least the same results as this one. And if you get to the high-end condenser mics, they are much better sounding, than this one. So I would agree, that it's not worth it.
Just found this review. I own this mic and everything he said about the sibilance is spot on. I regret purchasing this mic. I went back to my Rode NT1-A.
A colleague is offering to trade two of these for my nearly new focusrite clarett 4pre. Your review was the first one I discovered in helping me make my decision. I must say, it’s remarkable that you are ultimately down on this model so I will look and see if you gave a review for the 414s and hopefully gain some perspective on your opinions.
I mainly use the C214 in single-mic setting for a bluegrass band and in this setting, it works really well. Even the brittle highs are actually beneficial in this setting. However, in the studio, we have not yet found a setting where we would happily use it . . . the C414 XLS is a much more pleasant sounding mic overall. Hint: check out the Austrian Audio OC18 ;)
$465.00 is the current price in 2023.... I'm battling what version of a 414 to buy. Many offerings from Lewitt..Austrian Audio .... borrowing from this classic design. Is there a 414 death match video? Thank you HAPPY NEW YEAR!!
I saw a review of this microphone on another channel where they had two readers read the same text. They also tested to other microphones, but for this microphone with one of the readers, who had somewhat of a dark voice, it was amazing, for the other reader there wasn't that much of a difference between this and the two other microphones. So I think it has a great effect on certain kinds of voices. For me that like to be close to it and talk in somewhat of a low voice until I start yelling (at the game I play), it might be a good choice. Not sure really. I've been looking at the Røde NT1 and Blue Baby Bottle as well. Do you have any thoughts about these microphones?
In a music recording session you have to be aware that this mic shouldn´t be the only one you´re using. Because - if you would use it for every track this boost would be maximized as it would be on every track you record and that would be a very unpleasant sound. So this is a special mic that you should only buy if you had various other, more neutral mics.
Thank you for the good reviews. I think this microphone is bigger to think differently from person to person. Because it's a unique boost sound. Especially if it's used by various vocalists. Can you give me an Aston Spirit review next time?
What frequencies do your S sounds show up the most? For me it’s 6khz. This mics frequency response isn’t bosted at all at 6khz. It’s boosted at small about at 4khz, and 7-8khz. So that makes me wonder where your sibilants show up. Are you harsher around 4khz?
Great review! I'm thinking about buying that AKG, but.. rode nt1 / nt1a is way cheaper and sounds really similar to c214. What would you advise me to choose?
hey lo adoro ha hecho review de los microfonos q he tenido en mente y los q he podido comprar hasta del beringuer b2 pro xDD saludos amigooooo desde la distancia from Perú
Plus it is very versatile you can use it on a lot of sources like vocals, guitars, drum overheads and room mics for 270 euro I think this is one of the best mic's you can get!
im torn between this mic (akg c214) and the rode nt2a mic , (used for rap vocals) anyone recommend one or the other , or is there another microphone even better thats around $400?
Best way to figure it out would be to record you singing something then analyze what frequency range your voice is in and then pick a microphone that has good frequency response in those ranges.
Hey Bandrew! Greetings from Buenos Aires, Argentina. Have you had the chance to try the new Rode Podmic? Here, we have to wait a little longer, due to import policies. Many people (including me) would love to hear a comparison or vs series between the podmic and Procaster. Also, more researched, I think you could do a vs series between the condenser Broadcaster and dynamic Procaster, since when one is looking for any of them, generally they look after the other one. Remember Travis from "podcastmic" used to say: "you can get from the Procaster 80% out of you can get from the Broadcaster". I'd like to hear your opinion about that statement, since after testing both of them, I completely agree.
Good entertainment. I wonder, with what results you would come up with, if you ever gonna do a review on your mikes again another time. Would they be the same?
Hello Brother, I think this guy sounds awesome on your voice, but maybe you didn’t like it and you have your own reasons for it, the sibilance is an issue, so are the highs but overall I think the sound is polished and usable for voiceovers or even podcasting, however this seems an overkill for podcasting
Hello, thanks for your review. I was waiting for it. Would it be possible to receive somes Large condenser references of Mics with low sibilance and pops and not very sensible at the acoustic of the room ? thanks
And ... I own several of each 214s and 414s ... I do use the 414s on distance micing sometimes, especially if i need figure-8 pattern. For a true figure 8 for M-S or Blumlein recording, you really need a single diaphragm microphone like a symmetrical ribbon (sE Voodo) or the Schoeps condenser.
I came just to see you throw the box and there was no box throw. There was no damn sticker either. Why I'm I watching this? It's because Bandrew is awesome.
My first thought was that it sounded 'scooped'. You later said 'v-shaped'. I guess that's the same thing. I don't know what it costs, but obviously there's better choices for the money.
If someone wants that super bright breathy sound, then they may like it. That's why I include all the samples and do not just describe it and say "trust me". I want people to hear the sound that is being recorded and be able to make up their own mind on what they think and then agree or disagree with me.
Hey friend, do you have a recommendation or favorite choice for a similarly priced microphone? I was also turned off by the metallic/shrillness, but hunting for something with similar presence. Ive been using the Shure SM7 religiously for years, but ready to try to jump back into condensers. Any recommendations are appreciated. Thanks bud!
Hi! I want to buy a microphone, but i’m very undecided. Now i have Akg C214 but in the high frequenci is very disturbing.. it’s my opinion. What do you recommend me? Blue or Rode or Newmann? I want heading to Bluebird or Baby Bottle, but i don’t know.Thank you so much! 🙂
That's difficult. I love the Rode NT1, I love Blue Baby Bottle, I love the Neumann TLM102 and TLM103. I would also suggest checking out the sE Electronics sE4400a. I know it's not what you want to hear but it does come down to personal preference.
I agree with a lot of what your review has to say about this microphone. I'm a young singer-songwriter who owns the mic and have the question, what would you do with regard to vocal production to mitigate the negative effects of this microphone?
Compression and EQ. This is a close proximity mic. You get the lower end sound quality when the mic is right up the sound source whether it be a vacalist, guitar, drum or amp.
In my opinion, this mic really shines for voice related work when you take advantage of its proximity effect and get close to it.
Im extremely surprised that you don't like this microphone . It sounds very natural on your voice and acoustic guitar, and I'm always very concerned that a microphone might exacerbate sibilance as it's something that's an issue for my voice. Im not really hearing that in this review and am overall very impressed with its sound, thanks for the review!
I agree. I thought "this is the best mic I've ever heard on his voice." However, I would only use it for speaking; when singing, it was too present and did not blend well.
BANDREW is right.
@@rrrafiel well trained ear.
Sounds clear to me i use. Akg c214 on my radio show every week
I just got mine, as far as my singing and bars go this thing is a game changer. I’ve also been using it as a one mic wurst setup on my drums in neutral with the -20 pad on, as well as a mono over head. Shines like a diamond. I’m with the others in the comments, I would’ve thought you’d love this guy
at 4:08 - I officially paused this video to subscribe. Honestly you helped me and my team ironed out so much of our setup and things we actually overlooked. Amazing tutorial from you and this isn't the first we've seen.
Wow. Thank yoiu so much for the kind words! Really happy to hear it helped out.
@@Podcastage It's truly a pleasure and i appreciate you taking the time to reply. Keep up the good work.
Just got this microphone after my old PURE X1 started to play up after nearly 30 years. I kind of jumped in looking at what I could understand of the specs and reading some reviews. But I am really pleased with it's sound, it sounds very natural and I've been performing streaming live singing and everybody seems to like the sound. Thanks for your very comprehensive review!!
Finally, this C214 review. You sound great with it!
I like how it sounds, I think it will work well with my voice. Thanks for your honest review.
The guy at Guitar Center said he recommended this one particularly, glad to hear another prospective
Doesn’t flatter your voice. Doesn’t give you that warm sound that you like.
I can't agree. I recently got a C214 and compared it with a Rode NT1A and a Shure 87A recording my partner singing while I recorded all three simultaneously with flat EQ. I then asked her which she preferred in a blind playback. We both agreed that the C214 is a warmer mic. The Rode is a slightly brighter mic and the Shure 87A is a vocal recording mic but not quite as "open" sounding (we use the Shure 87A gigs and love them as PA mics. They replaced our SM58's years ago.). So between the AKG and the Rode we went with the AKG track. That might change with future recording projects and styles. We have used a pair of Rode NT1A mics for about 15 years for vocals so maybe we just notice the subtle difference with the AKG and like it. That could change. Other than an acoustic guitar track I haven't used the AKG C214 for other instruments but I am loving it on vocals. It's a matter of preference and subtle differences. I'm still a big Rode NT1A fan for myself.
As someone who had owned two AKG c214s for a few years now and recorded piano almost exclusively with them, I have to admit that they leave a little to be desired. They aren't bad, the build construction is impressive, but they have always felt like they're missing a little something.
Nick, thank you so much for sharing your personal experience with them. I love hearing other folks real world experiences with these mics because I have a limited ability to record every instrument. I appreciate you.
@@Podcastage Thanks. If you go to my channel (I promise, I'm not shamelessly plugging myself, just offering a comparison), every video dating back to February of 2015 was recorded with the AKG c214s. Every video before then was recorded with my guitar center branded $100 mic pair. The c214s don't don't sound bad, but I just can't tell much of quality difference. They cost 7x ($700) more than the cheap mics, but they definitely don't deliver 7x the sound quality.
She sounds great -- just like all other AKG condenser cards do!
Great review. Recommendation...
> “For spoken word, this microphone sounds a bit too too heavy.”
> cuts to clip speaking into preferred microphone
> “For my ears, this is the optimal mic sound for spoken word.”
Ya feel me??
Same thing for criticisms on guitar sounds and what not.
#TryingNotToBromance #ButThemEyez
That’d a great suggestion.
Are trying trolling me to see if I’ll correct yer grammar?????
No. I typed on my phone, it should have been THAT’S
Podcastage
I’m trying to think of another witty reply to keep you from being productive, but I am all out. Have a great day, good sir!
I do own a c214. To me its a really good Microphone for the Price. Its very present in the Mix and for modern Music very good. Good Resolution too.
the akg 214 sounded well-rounded and great on my macbook pro speakers. this microphone can also be used to record woodwind instruments.
I like this thing for matched overheads while recording drums.
Same here
It is funny to me that some people like more of that high end and others not. I'm not a huge fan of that extra crispy top-end sound.
Does it not always depend on your voice and the way a mike wants to be treated?
@@RASDKB Yes and everyone hears a little bit differently. Some people like to HEAR a lot of articulation and 5k - 10k energy. Totally legitimate. Just not my preference.
Well, it depends on the sound source. The other day I recorded a choire with a male solo singer and he had such a deep voice with resonance that my first choice mics were overwhelmed by it. So that´s typical occasion to use mics like this one.
@@anonymusum Fair point.
I guess im asking randomly but does any of you know a way to get back into an instagram account??
I was dumb forgot the login password. I would love any help you can give me
I already have a sm58 with a scarlett solo that I love but I always end up coming back to watch random microphone reviews from you. Maybe you're just that entertaining
That means a lot. I too find it interesting to hear different microphones, even if I don't need them.
You’re supposed to throw on the filter when doing vocals on that mic, it says so in the booklet.
david entendu Please don’t tell AKG, we don’t want no trouble!
For plosives. Not for the slight dulling effect of a foam windscreen.
I think you should revisit this wonderful sounding mic. I actually in most cases prefer it to the TLM103. It’s basically a cardioid only version of the C414XLII and you actually sound really nice on it . Maybe now that you have more experience and have reviewed more products, there’s probably a good chance you’d appreciate it more.
I've used a stereo pair for 4 years now. Overall a very balanced sounding tone although I often find the high end to be a little bit brittle which is probably caused by a "fake" build-in high boost.
Your mic sounds so much smoother than mine. Mine is really not appealing in the higher frequencies
I bought 2 C214s and 1 C414 XLS II. I had a C214 in the past and was unimpressed but gave it another chance. I was thrilled that it did such a great job recording my electric guitar with some dirt on it. It was pretty good on my acoustic guitar too. I don't use it on vocal so I can't address your 'metalic' comments. But on electric guitar it didn't seem to have the high frequency issues you're talking about. The C414 appear to add some high end so I actually like that C214 more on my amp. I've learned to appreciate the flat response of some mics like this and the KSM33. I tried it on my bass guitar amp and it did well on the lower end. But didn't have much definition in the high end. Actually, my P220 did better in that regard even if it didn't pick up as much lower end. I could hear the detail of my fingers plucking the strings on the P220 but missed that definition on the C214. I ultimately chose the C214 over several options including the SM57, I5, and E906 dynamic mics. I'm guessing it fit my P90 pickups and cleared some things up without having to EQ much. So in conclusion, my tests were different and so were my conclusions. I appreciate your videos. I end up using only about half of the mics I buy and end up selling the others that don't work out. Right now I've kept the C214 (and the C414 XLS II, TLM103 for drum over head, and MD421 on my bass cabinet). I've got a dozen other mikes too but this fits my rock type setup with drums, bass and guitar. The C214 is a keeper this time around. The other C214 may find some use but for now one is staying on my electric guitar amp.
Is the c214 and c414 sound quality is same? Except those extra switches?
Man that's a pretty piercing sound signature, through HD 6XX
I absolutely LOVE my HD 6XX headphones
Im dead with my HD800 X_X
finally, a condenser microphone review again YAY!
Love your reviews! and your funny songs with your lovely harmonies😉
I personally feel that C214 beats MK4 as it has fuller "body" compared to Sennheiser's trademark sound
I thought this was a good review but was suprised at your verdict of not liking it. I was thinking of buying it beforehand and your review has convinced me to get it! Different strokes ... I guess.
I would really like to see a versus review between this mic and the oc16. They are similar price point, but I am curious about how they match up. I am currently leaning toward the oc16, but it would be so useful to see a video from you on it. Thanks for all this great info!
Great video and very helpful! Thank you but I disagree with the review because Akg are known for their microphones having lots of high end that's thier selling point and as this is the microphone down from the c414 it makes sense, like RnB tenor singers like this mic because of the high end. So it depends every microphone has it"s different uses, in your review I would put in a counter-argument and say why a microphone could be good as well. It also would have been nice to see the mic amped up.
Just EQ out the 'top-heaviness' as you call it,...AKGs take EQ very well.
On the bright side of the negative side; this microphone actually taught me how to better handle sibilance and plosives while singing (bc it REALLY does enhance both those issues unlike other mics I’ve heard).
I do love the tone and realism of the mic, but granted it has what I would call a STEEP learning curve (so if you’re buying it to record others it’s definitely not the best choice, and but even for ourself; there maybe better mics in the ballpark price)..
I love this mic. I found a great deal of a use done for 130$ and since I’m really only prosumer it works great for what I’m doing. Also with its nice low range it’s great on a base drum for covers?
I love the way the vocals sound - the air and treble boost sounds more like sparkle to me
That's why I include the samples so you can hear the mic and determine if it's something that's right for you. Thanks for sharing your thoughts.
Not sure on this mic yet, but that was your best song ever. Something different than your usual blink 182 stuff.
Great review amigo! I think you are right, it sounds a bit metallic, but I actually would like that effect for voice over on my videos, I'm kinda crazy hahaha
Sounds good. Thanks for the demo with the 90 degree rotational comparison of sounds 🤓🤓🤓🤓😎🤓🤓🤓
my pros (having owned the mic)- very nice sounding mic, especially for vocals
cons- absolutely can accentuate sibilance in certain voices (see frequency curve)
- very sensitive mice ("hot")- might not be the best fora noise home studio environment
- plastic shock-mount expensive to replace..is not robust
Hey man..read your comment.on 214..i have the most none exsisting voice. Sounds die off my lips. But i can whale.no pitch problem..just a dead texture..i use a cheap rode.n1...u87 didnt impress... any sugestions
I thought, that this mic is a bit expensive for its results. I can get banned to oblivion and back, but i think, that NT1(A) can give at least the same results as this one. And if you get to the high-end condenser mics, they are much better sounding, than this one. So I would agree, that it's not worth it.
Wonderfull mic I use it on my home studio for guitars, voice e drum’ rooms.
Amazing quality
I love your reviews. Here's hoping Burt's Bees gets onboard.
Just found this review. I own this mic and everything he said about the sibilance is spot on. I regret purchasing this mic. I went back to my Rode NT1-A.
I loved your doubled singing voice on the microphone, im surprised you didnt like it very much...
A colleague is offering to trade two of these for my nearly new focusrite clarett 4pre. Your review was the first one I discovered in helping me make my decision. I must say, it’s remarkable that you are ultimately down on this model so I will look and see if you gave a review for the 414s and hopefully gain some perspective on your opinions.
I mainly use the C214 in single-mic setting for a bluegrass band and in this setting, it works really well. Even the brittle highs are actually beneficial in this setting. However, in the studio, we have not yet found a setting where we would happily use it . . . the C414 XLS is a much more pleasant sounding mic overall. Hint: check out the Austrian Audio OC18 ;)
Moravista, oh I have the OC818....it's AWESOME!
I agree. It sounds metallic, especially if I boost volume in post-production.
I'm only posting a comment because of the song. THANK YOU. Great content, great review.
I listen to this with Etymotic er4xr connected to sennheiser gsx 7.1 and to me this sounds better than rode nt1 without a doubt. I can clearly tell.
Can you review Akg c414
$465.00 is the current price in 2023.... I'm battling what version of a 414 to buy. Many offerings from Lewitt..Austrian Audio .... borrowing from this classic design. Is there a 414 death match video? Thank you HAPPY NEW YEAR!!
I saw a review of this microphone on another channel where they had two readers read the same text. They also tested to other microphones, but for this microphone with one of the readers, who had somewhat of a dark voice, it was amazing, for the other reader there wasn't that much of a difference between this and the two other microphones. So I think it has a great effect on certain kinds of voices. For me that like to be close to it and talk in somewhat of a low voice until I start yelling (at the game I play), it might be a good choice. Not sure really. I've been looking at the Røde NT1 and Blue Baby Bottle as well. Do you have any thoughts about these microphones?
Thank you! Thinking of investing in this mic... Super informative.
Neumann TLM 102 vs AKG C212? Which one is better for vocals and raps? Thank you for your suggestions!
In a music recording session you have to be aware that this mic shouldn´t be the only one you´re using. Because - if you would use it for every track this boost would be maximized as it would be on every track you record and that would be a very unpleasant sound. So this is a special mic that you should only buy if you had various other, more neutral mics.
I REALLY like this mic , but I don´t know if I 'd prefer this one over a Shure SM 27 , gotta analise it better ...
Thank you for the good reviews.
I think this microphone is bigger to think differently from person to person. Because it's a unique boost sound.
Especially if it's used by various vocalists.
Can you give me an Aston Spirit review next time?
The best for acoustic guitar!
The plosives are due to the way you are addressing the mic. You never square up and address a condener like this.
which one do you recommend to update me on at 4040 or akg c214
What frequencies do your S sounds show up the most? For me it’s 6khz. This mics frequency response isn’t bosted at all at 6khz. It’s boosted at small about at 4khz, and 7-8khz. So that makes me wonder where your sibilants show up. Are you harsher around 4khz?
FUN FACT: Lil Peep used this microphone to record his album HELLBOY. Personally I think slate is way better, pricing around $800.
this mic sounds.... metallic. I don't know how else to describe it. like the metal mesh grill is vibrating with each word
Great review! I'm thinking about buying that AKG, but.. rode nt1 / nt1a is way cheaper and sounds really similar to c214. What would you advise me to choose?
What kind of acoustic treatment do you have, if any in the room that you're in?
hey lo adoro ha hecho review de los microfonos q he tenido en mente y los q he podido comprar hasta del beringuer b2 pro xDD saludos amigooooo desde la distancia from Perú
just the test i was wanting thank you thank you
When will you talk about the Boya Bym800 and Bym1000 microphones? they don't seem bad at all.
love the MIC for recording ..
I have seen dozens of your videos at this point, so: what's you personal favorite mic under $500 for male voice? Thanks!
I don't agree. This Mic sounds great to me. I use this for my main vocal recording and voiceover. I have no issues with this mic. But dope review.
Plus it is very versatile you can use it on a lot of sources like vocals, guitars, drum overheads and room mics for 270 euro I think this is one of the best mic's you can get!
im torn between this mic (akg c214) and the rode nt2a mic , (used for rap vocals) anyone recommend one or the other , or is there another microphone even better thats around $400?
Have you done a review of the Audix Micro Series 1255HC?
Great review! Thank you very much. I have a question. How do I activate the high pass filter? Do I push the button up or down for activation?
i love this composition another microphone.....🌸💐😊
Can anyone help?
I'm in the process of deciding a mike for vocals. AKG P220 or AKG C214 or Rode NT1?
Suggestions with reasoning would be so helpful. 🙏
Best way to figure it out would be to record you singing something then analyze what frequency range your voice is in and then pick a microphone that has good frequency response in those ranges.
mine makes my voice sound really tinny and metallic and it’s annoying is mine broken?
Hey Bandrew! Greetings from Buenos Aires, Argentina. Have you had the chance to try the new Rode Podmic? Here, we have to wait a little longer, due to import policies. Many people (including me) would love to hear a comparison or vs series between the podmic and Procaster. Also, more researched, I think you could do a vs series between the condenser Broadcaster and dynamic Procaster, since when one is looking for any of them, generally they look after the other one. Remember Travis from "podcastmic" used to say: "you can get from the Procaster 80% out of you can get from the Broadcaster". I'd like to hear your opinion about that statement, since after testing both of them, I completely agree.
the best review that I see
🐝bee-utiful engagement song
Good entertainment. I wonder, with what results you would come up with, if you ever gonna do a review on your mikes again another time. Would they be the same?
Hello Brother, I think this guy sounds awesome on your voice, but maybe you didn’t like it and you have your own reasons for it, the sibilance is an issue, so are the highs but overall I think the sound is polished and usable for voiceovers or even podcasting, however this seems an overkill for podcasting
Hello, thanks for your review. I was waiting for it. Would it be possible to receive somes Large condenser references of Mics with low sibilance and pops and not very sensible at the acoustic of the room ? thanks
Great test! You Rock my friend! 👍
And ... I own several of each 214s and 414s ... I do use the 414s on distance micing sometimes, especially if i need figure-8 pattern. For a true figure 8 for M-S or Blumlein recording, you really need a single diaphragm microphone like a symmetrical ribbon (sE Voodo) or the Schoeps condenser.
I came just to see you throw the box and there was no box throw. There was no damn sticker either. Why I'm I watching this? It's because Bandrew is awesome.
Sorry to let you down. Haha.
According to you
what is the best microphone for a guitar and for singing / or both ???
SM-57
Thanks for an honest review.
All Great reviews!!
Let me know Your opinion for studio recording to record clarinet AKG c214 or AT 4040?
Thanks
I was having the same internal debate and just picked the akg c214... let’s see how it goes
My first thought was that it sounded 'scooped'. You later said 'v-shaped'. I guess that's the same thing. I don't know what it costs, but obviously there's better choices for the money.
I am stuck between 441 Flex and C214! Pls give me some facts! which one?
This microphone clearly cuts my ear! After NT1000, i say no... Ur song is great anyway :D
such a great youtuber! you deserve more subs, very professional
Oh my god! I want this one the most now!
Oh no by the end...
isn't the breathy sound exactly what most singers are looking for? And also the bright high frequencies?
If someone wants that super bright breathy sound, then they may like it. That's why I include all the samples and do not just describe it and say "trust me". I want people to hear the sound that is being recorded and be able to make up their own mind on what they think and then agree or disagree with me.
Hey friend, do you have a recommendation or favorite choice for a similarly priced microphone? I was also turned off by the metallic/shrillness, but hunting for something with similar presence. Ive been using the Shure SM7 religiously for years, but ready to try to jump back into condensers. Any recommendations are appreciated. Thanks bud!
I agree with the assessment you have given
Please review the Boya BY-M1000 Condenser microphone. Thanks
Hi! I want to buy a microphone, but i’m very undecided. Now i have Akg C214 but in the high frequenci is very disturbing.. it’s my opinion. What do you recommend me? Blue or Rode or Newmann? I want heading to Bluebird or Baby Bottle, but i don’t know.Thank you so much! 🙂
That's difficult. I love the Rode NT1, I love Blue Baby Bottle, I love the Neumann TLM102 and TLM103. I would also suggest checking out the sE Electronics sE4400a. I know it's not what you want to hear but it does come down to personal preference.
Thank you! But between Nt1 or Baby Bottle, wich you prefer?
I agree with a lot of what your review has to say about this microphone. I'm a young singer-songwriter who owns the mic and have the question, what would you do with regard to vocal production to mitigate the negative effects of this microphone?
Compression and EQ. This is a close proximity mic. You get the lower end sound quality when the mic is right up the sound source whether it be a vacalist, guitar, drum or amp.