Thank you very much for this fantastic video. We are thrilled that the VNE performed so well for you but we are absolutely knocked out by the vocalists you worked with. Simply amazing.
Joe.....it's always a pleasure to watch you work and review gear. No airs or gracies, just straight to the point and down to earth. Thanks very much. That comp is wicked. Cheers
We have MANY favorite vocal compressors like 1176, 2a, 3a, Fairchild, Distressor, etc. But this Hazelrigg VNE is a very special box. Let us know your current favorite “go to” vocal compressors (hardware or software)
What a wonderful compressor, I had the honor to mix the wonderfully talented Gloria Anderson and James Dupre thanks to the tracks you provided to Produce Like a Pro and the mix contest (I didn't win😜), Thank you. I ran her and him through my Black Lion Audio Seventeen Comp and then into Black Lion Audio's Bluey for some saturation that the Bluey can provide. Thanks for showing us this compressor.
Do you know if there are differences between this and the fearn vt7 other than being one channel and no knee control? Also, I'm looking for a centerpiece compressor. I'm selling smaller pieces of gear for more high-end pieces. I'm between snagging a fearn or a stamchild. I know that they are pretty different pieces. But if you had to have only one for your studio, which would you pick? I like the fearn for the duality of having it as a vocal compressor that reacts like this. I also like the glossy transparent character for modern music. I like the stamchild for the features, depth, and character. Also looks pretty snazzy haha. Is it too much of a one trick pony?
Anything based on the Fairchild is definitely not a one trick pony. It is capable of being a stereo bus compressor, group master, vocal, and so many other things. That would honestly be a really tough pick. As far as what the differences are between this and the other fern products I truly don’t know. I’ve never used the fearn compressor. Only the pre and EQ
I talked with the Hazelrigg guys and they told me the VT7 basically 2 VNE’s that can be used as a stereo bus comp. Plus the added knee control. I got one and so far I’m astonished. It does something special to the low end and has a sort of clear sheen in the highs. Not an extra added sheen though. More like when you put on prescription glasses. It is WAY more than dynamics controller.
Really great compressor and great presentation. My favorite comp is a new thing called a Verspyck/Hirsch Clear Compressor. It has a similar purpose. (keep your eye out for it)Often compression is used to mask a singers limitations. A compressor like the VNE doesn't mask anything. This is what you spend the money on. If you are starting with beautiful and awesome and you want to retain the subtleties of a masterful performance I would think a comp like the VNE would be essential. I'm looking forward to checking one out and comparing it to my VH. Thanks again !
The Hazelrigg guys owe you a nice dinner. I just checked out a VT7 because of this vid and ended up buying it. If my wife is reading this I got it for super cheap and uhh sold some other stuff….
Thanks for the dope vid....with Protool examples.....Liked the vocalists alot....Really impressed with the Hazelrigg VNE......My classical buddies use the Crane Hill Titan and I believe it is PWM as well and really transparent....I have had a CL1B and it has its thing for Rap and RnB, but I really love the "finger on the fader" compression that the VNE has.....Wowzers...gonna have to grab a pair of VLC's and VNE sometime the next year.....Wowzers! Best Wishes😄 Heres a track I did through a Gordon Model 5 and N22 ua-cam.com/video/PvKyJnbHTxw/v-deo.html&ab_channel=Dr.CoCoL1na
I have yet to use those, but I just mixed track at a Masterclass at Warm Audio that Warren had used those mics on and everything sounded great!! I do wish my friends at Warm Audio would send me some 😂
I was at the Masterclass with @InTheMixJoeCarrell and Warren and I can vouch for the WA-44 and WA-19. We used two 44's and five 19's. I ended up buying both... 🙂
@@gfromshankside no but that’s not to say I don’t love Distressors. I have two of them in hardware form and use them as my second vocal compressor quite a bit in the box. If you turn off the harmonic types and use a lower ratio like 2:1 or 3:1 you could get some nice less audible squish
@@InTheMixJoeCarrell I just bought an ART dual limiter that is PWM and it's like a $200 dollar piece so not even in the realm of this but some people call it a poor man PYE compressor.
@@rocketsauce5067 i’m not sure if that’s the same stereo compressor tube output stage that they’ve had for quite a long time or not but if it is, I used to have one of those as well.
I’ve own a VNE and have worked my entire career on a cl1b. I’m going with the VNE . They’re different but the VNE is better for tracking for sure. Mixing can be a little more subjective
@@TheDukeOfBlues I only demoed the unit on various vocals personally. Although an LA2a should thicken and darken the sound a little by nature if the e circuit. This unit would be more transparent.
@@maninironmask7925 oh, you mean for my voice got it. That is their new “content creator “microphone called the Ray. which essentially is a 440 with some really cool bells and whistles to keep the volume and tone of the microphone sounding the same as you move around. Very clever.
I definitely hear very significant difference. But also there are times we really do want to hear the compression. We want to hear the coloration of the tone or the grab so to speak. Best wishes.
Thank you very much for this fantastic video. We are thrilled that the VNE performed so well for you but we are absolutely knocked out by the vocalists you worked with. Simply amazing.
@@DWFearnHazelriggIndustries yes!! They are all three fantastic. Thank you for making such fantastic gear!!
You sell in the UK?
@@DWFearnHazelriggIndustries we have a friend asking below if you have a distributor in the UK.
@@Mike-vr7mb Hello. Yes, absolutely. You can find a full list of our dealers on our website.
Joe.....it's always a pleasure to watch you work and review gear. No airs or gracies, just straight to the point and down to earth. Thanks very much. That comp is wicked. Cheers
Thank you Joey
Sounds fantastic - even on phone speakers!
The real world test of 2024 😂
We have MANY favorite vocal compressors like 1176, 2a, 3a, Fairchild, Distressor, etc. But this Hazelrigg VNE is a very special box. Let us know your current favorite “go to” vocal compressors (hardware or software)
The second singer has such a nice voice, really good performance as well
She’s amazing! Love her voice. Really sweet lady too
What a wonderful compressor, I had the honor to mix the wonderfully talented Gloria Anderson and James Dupre thanks to the tracks you provided to Produce Like a Pro and the mix contest (I didn't win😜), Thank you. I ran her and him through my Black Lion Audio Seventeen Comp and then into Black Lion Audio's Bluey for some saturation that the Bluey can provide. Thanks for showing us this compressor.
Those are some great singers huh!!??? Glad you enjoyed the multis 🎉
Would love to see a video on the Locomotive 14B.
@@teachingincontext i absolutely plan to do that. It’s a monster piece. I liked it so much I bought two for duets 😂
Thanks so much, Joe! This is fantastic. Almost like a physical version of Waves' Vocal Rider plugin.
@@GloveBunniesVideos love it!!
Really like every video Joe has! Wealth of information!
Thank you very much!!
Sold! Wonderful sounding unit.
@@ernestbuckley8671 thank you for watching!
Absolutely amazing
Thank you for introducing us such a wonderful compressor!!!
@@yevheniimelnyk8911 thank you for watching!!
def sounds great!!
@@jason.martin thank you for watching Jason!
I run my VNE into my locomotive 14b and it’s the best sounding compressor combo I’ve heard !
@@Javarrockamore that’s one of the chains I would do first
I kinda use it like a 76/2A thing during tracking and mixing . The sound is transparent with a little extra texture and character
Do you know if there are differences between this and the fearn vt7 other than being one channel and no knee control?
Also, I'm looking for a centerpiece compressor. I'm selling smaller pieces of gear for more high-end pieces. I'm between snagging a fearn or a stamchild. I know that they are pretty different pieces. But if you had to have only one for your studio, which would you pick?
I like the fearn for the duality of having it as a vocal compressor that reacts like this. I also like the glossy transparent character for modern music.
I like the stamchild for the features, depth, and character. Also looks pretty snazzy haha. Is it too much of a one trick pony?
Anything based on the Fairchild is definitely not a one trick pony. It is capable of being a stereo bus compressor, group master, vocal, and so many other things. That would honestly be a really tough pick. As far as what the differences are between this and the other fern products I truly don’t know. I’ve never used the fearn compressor. Only the pre and EQ
I talked with the Hazelrigg guys and they told me the VT7 basically 2 VNE’s that can be used as a stereo bus comp. Plus the added knee control. I got one and so far I’m astonished. It does something special to the low end and has a sort of clear sheen in the highs. Not an extra added sheen though. More like when you put on prescription glasses. It is WAY more than dynamics controller.
Really great compressor and great presentation. My favorite comp is a new thing called a Verspyck/Hirsch Clear Compressor. It has a similar purpose. (keep your eye out for it)Often compression is used to mask a singers limitations. A compressor like the VNE doesn't mask anything. This is what you spend the money on. If you are starting with beautiful and awesome and you want to retain the subtleties of a masterful performance I would think a comp like the VNE would be essential. I'm looking forward to checking one out and comparing it to my VH. Thanks again !
@@bobdhoffnar thanks for watching Bob
The Hazelrigg guys owe you a nice dinner. I just checked out a VT7 because of this vid and ended up buying it. If my wife is reading this I got it for super cheap and uhh sold some other stuff….
@@bobdhoffnar oh yeah they’re super cheap. She has nothing to worry about 😂😂. Enjoy Bob!
Sounds great! Love my Summit TLA100, but can imagine this would compliment it perfectly…
That’s my plan. I want it to be my first compressor in a series of 2
I want to use it on all my vocals!
I think it absolutely is an every song type of piece!
You can really tell how good it is on “call” and “all”
@@Skkyyyyyyyyyyy absolutely. I am saving my Penny’s already 😂
I go Distressor -> Manley Vari-Mu in series typically. On the software front I find the SSL X-Comp to be amazingly transparent but seriously effective
@@SylvanPaul nothing wrong with chain
@@SylvanPaul nothing wrong with chain
I want it!
You and me both!!
Thanks for the dope vid....with Protool examples.....Liked the vocalists alot....Really impressed with the Hazelrigg VNE......My classical buddies use the Crane Hill Titan and I believe it is PWM as well and really transparent....I have had a CL1B and it has its thing for Rap and RnB, but I really love the "finger on the fader" compression that the VNE has.....Wowzers...gonna have to grab a pair of VLC's and VNE sometime the next year.....Wowzers! Best Wishes😄
Heres a track I did through a Gordon Model 5 and N22
ua-cam.com/video/PvKyJnbHTxw/v-deo.html&ab_channel=Dr.CoCoL1na
@@Dr.CoCoL1na You are correct. The crane Song piece was also PWM. Thank you for watching! Best wishes
How about reviewing the new Warm Audio mics. The WA-19 and the WA-44?
I have yet to use those, but I just mixed track at a Masterclass at Warm Audio that Warren had used those mics on and everything sounded great!! I do wish my friends at Warm Audio would send me some 😂
@@InTheMixJoeCarrell me too!
I was at the Masterclass with @InTheMixJoeCarrell and Warren and I can vouch for the WA-44 and WA-19. We used two 44's and five 19's. I ended up buying both... 🙂
@@cleedev very nice!
big like from "ISRAEL" !!
@@אפיאליאב thank you for watching!
Do you think a Distressor could do what this does?
@@gfromshankside no but that’s not to say I don’t love Distressors. I have two of them in hardware form and use them as my second vocal compressor quite a bit in the box. If you turn off the harmonic types and use a lower ratio like 2:1 or 3:1 you could get some nice less audible squish
Price wise is similar to cl1b. I would like to see VNE vs CL1b. Thanks for your time Joe. 🙏
@@kos.studio9304 definitely different pieces. This was the first PWM piece I’ve ever been able to try. I’m going to be buying one. I can’t unhear that
@@InTheMixJoeCarrell I just bought an ART dual limiter that is PWM and it's like a $200 dollar piece so not even in the realm of this but some people call it a poor man PYE compressor.
@@rocketsauce5067 i’m not sure if that’s the same stereo compressor tube output stage that they’ve had for quite a long time or not but if it is, I used to have one of those as well.
I’ve own a VNE and have worked my entire career on a cl1b. I’m going with the VNE . They’re different but the VNE is better for tracking for sure. Mixing can be a little more subjective
is it only for vocals? what about acoustic guitars?
@@TheDukeOfBlues since it has an adjustable attack and release, it would work on many sources for sure
@@InTheMixJoeCarrell my question would go in the direction how it would sound for eg. versus a CL 2A, which is very open and detailed
@@TheDukeOfBlues I only demoed the unit on various vocals personally. Although an LA2a should thicken and darken the sound a little by nature if the e circuit. This unit would be more transparent.
Which Lewitt is that, 440?
Which vocalist of the three are you asking about?
@@InTheMixJoeCarrellThe one you are using to produce the video
@@maninironmask7925 oh, you mean for my voice got it. That is their new “content creator “microphone called the Ray. which essentially is a 440 with some really cool bells and whistles to keep the volume and tone of the microphone sounding the same as you move around. Very clever.
@@InTheMixJoeCarrell Nice! Thanks for the detailed response.
@@maninironmask7925you bet
As an ordinary person, I can't differentiate between expensive and cheap compressors, to me they are the same
I definitely hear very significant difference. But also there are times we really do want to hear the compression. We want to hear the coloration of the tone or the grab so to speak. Best wishes.
Anybody have $4500.00 I can borrow? 👀
Right??!! 😂😂