Scarlatti - Sonata in A major, K. 208 - Berenika Glixman
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- Опубліковано 21 жов 2024
- Berenika Glixman performs Scarlatti - Sonata in A major K. 208 at the Arthur Rubinstein Piano Master Competition (May, 2011, Tel Aviv).
Since its inception in 1974, the Arthur Rubinstein International Piano Master Competition is one of the foremost Piano Competitions in the world. Arthur Rubinstein, who gave his blessing to the competition, headed the jury of the first two competitions (1974 & 1977).
The competition, is held every three years in Tel Aviv, Israel.
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Absolutely exquisitely played. Thank you so much!
Berenika Glixman! Good job! 🎹🎶👏👏
She probably has three hands. Two of them she uses to play the keyboard. The other one she uses to touch our soul in a soft and delicate way. Very beautiful.
I love this piece! I had to choose a piece of absolute music (music without a story associated with it) and turn it into programmatic music (music with a story) by writing a story to go along with it for my music class. I am really happy with the way the story turned out!
I'm curious what story you came up with?
You play this sonata so beautiful !
Maria João Pires much much more beautiful and without this amount of extra tremolous
This is a beautiful sonata
Wonderful!!! 💕
"Too slow"? Dear jorgemcr75, of course everyone is entitled to their opinions, but the score says "Andante e cantabile", and it seems to me that Berenika Glixman plays it perfectly.
"Like a romantic piece"? Yes, indeed. In this sonata Scarlatti does show a tender, sentimental mood. Is that offensive to you?
Max Ciani This tempo feels right to me.
Il tempo: Adagio e cantabile.
@@eustachiodemarco scarlatti didn't write a tempo marking on the original score almost certainly.
@@espressonoob insomma....ognuno suona come gli pare, non credi?
@@eustachiodemarco that's kind of what I was alluding to, there's no tempo marking. you can inform yourself and kind of guess what it was supposed to be played at, but we never will really know.
What publisher? you mean modern publishers? The fact of the matter is, very few Scarlatti's sonatas were published during his lifetime. 30 sonatas (the so-called "Essercizi per clavicembalo") were published in 1738; other 30 sonatas in 1742. And then nothing. Maybe Scarlatti didn't realize he was a genius; maybe he didn't care.
there are many different notes in my score, which edition is this?
lmao I thought it was just me, I started going through the comments to see if others noticed haha
Yes I'm also looking to find this edition.. does anyone have the score?
❤
Listen to Maria Joao Pires in this sonata. Gorgeous.
Bravo!
This sonata is one of the best in the history of the music. Not even Mozart wrote something more beautiful. Scarlatti is really a great composer.
In terms of this Baroque sonata, Mozart is a musical alien from a different planet, and as a reference point is completely irrelevant.
This is not a baroque sonata, Scarlatti is not a baroque composer. Il you consider him baroque, you don't have really understood his art.
@@Christian-uv6gstransitional and pretty difficult to pigeonhole. Baroque heading to romantic to who knows where? I think she’s got it but there’s something missing.
@@Christian-uv6gs
K208 is a Baroque aria transcribed for harpsichord; if you think of it in this way, perhaps it helps to place it, which is exactly of its own time.
There is nothing Classical, Romantic, transitional,or anything else about Scarlatti, he is simply a keyboard genius of such immense stature that he himself defines a very personal and unique part of the Baroque age of music.
@@jeffreyadams648
You might find my contribution above of interest.
Great cover, I am working on this piece for College auditions!
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Were both the soft pedal and pedal used in this performance?
brava
Bravissima!!!
The score on my book says Allegro and the cd that comes with it plays it fast too. Mine is copyright 2015 though
Rachel Chen The score on "MY book "...)))
preciosa!!!!!!!!!!!!!!!!!!!!!!!
I don't think the score says "Andante e cantabile" I don't believe Scarlatti wrote any tempo indications, I might be wrong though :) but I'm pretty sure it's the publisher who put that there !
Well. Then you can play any tempo? This tempo is good.
@@daniloapostolov-dacatv1536 you can, doesn't mean it's tasteful (not saying I dislike this tempo) but no tempo marking doesn't mean one isn't implied, it was just assumed that the interpretor knew the appropriate tempo because back in the day, musicians thought more for themselves than having a publisher think for them lol.
@@espressonoob
In the two main sources of the sonatas (there are others) to be found in Venice and Parma*, this sonata is marked as Adagio e cantabile in one, and Andante e cantabile in another.
In short, the player needs to find an appropriate tempo for his/her own interpretation of what I think is an Italian aria; also worth noting that if played as a pair with its partner - the dance-like K209, this might be a factor in judging a suitable tempo for both sonatas.
I always play K208 and K209 as a pair.
(Ralph Kirkpatrick in his essential biography of Scarlatti identified 388 sonatas conceived as pairs, and a further 12 as threesomes).
Beware of attributing to 18th century music 19th century metronome-type tempo instructions such as Adagio = 55-65 bpm; most ‘tempo’ instructions in Scarlatti are in fact more indications of the spirit and mood of a piece.
There are exceptions, such as K427 which is marked ‘Presto quanto sia possibile’** which is clearly an instruction regarding tempo.
Taking Adagio as an example, if we go back to the actual Italian word, ad agio actually means ‘at ease’, and it is only in the later 18th and 19th century it came to mean ‘slowly’, so to backdate this to Scarlatti is clearly an anachronism.
Hope that’s of some interest to yourself or anyone else passing by.
* Except of course the anomaly of the 30 Essercizi (K1-30) published in London in 1739 which were virtually the only sonatas to leave the Portuguese and Spanish royal palaces during Scarlatti’s lifetime.
** = As quickly as possible.
@@daniloapostolov-dacatv1536
You might find my longer contribution above of some interest.
Midnight Diner S2E1
Was looking for.midnight diner people. Have loved Scarlatti and this piece for a long time but I just started watching midnight diner and heard this
I've played her interpretation of this song!
This is not a "song"
Do you have this particular sheet? I've looked everywhere and I can't find this version...
@@elinaglou1230
There is only one ‘version’ of this sonata.
You either find an clean Urtext edition, or one edited with suggested fingering and dynamics.
It’s not difficult to find as it is a very popular sonata that appears in many collections; it appears in Volume IV of the excellent Henle Verlag edition of selected Scarlatti sonatas.
Hey does anyone know another such Scarlatti but in D minor, which I can go totally rubato on?? Thanks!!
Rohan Potdar Try K32 and K213. :)
PikaPianist Thanks but I've already decided...... I'm doing l.108. Still thanks!
+Rohan Potdar I will suggest K32 in D minor and K466 in F minor
listen to Emil Gilels version. very rubato
Wtf? Wrong notes or am i just reading wrong?
Nope. You're right. I got super confused also at first, but it is what it is.
@@anandbenegal I'm playing this for my grade 6 and there're two versions it seems- very weird but yep it do be what it is
@@vijzon right. Makes sense then^ thanks for clarifying^
In my opinion the 208 was a bit too romantic. But otherwise a great performance!
beautiful ... but too slow and played like a romantic piece