Is the LUMIX GH7 Ready for Hollywood?
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- Опубліковано 30 лип 2024
- Can the LUMIX GH7 keep up with the stellar ARRI Alexa Mini LF? That's what we set out to find when we created "No Good Legend" short film! Hopefully you all enjoy this behind the scenes content of a proper production like this! Check out all the sponsor that supported us and made this possible down below!
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Discount Code: connor70
🤠 No Good Legend Trailer:
=============================
• No Good Legend - Offic...
Our Wonderful Sponsors!
@craterrcrew
www.hollyland.com
kondorblue.com
shop.panasonic.com/pages/lumix
nanliteus.com
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Gear used in "No Good Legend":
LUMIX GH7: geni.us/LumixGh7
HollylandPyro S: geni.us/HollylandPyroS
Hollyland Coms: geni.us/HollylandC1Pro
Nanlite: geni.us/NanLuxLight
Kondor Blue GH7 Cage: geni.us/GH7Cage
Like my color? Try my LUTs here:
geni.us/MyCustomCreativeLUTs
Creators of "No Good Legend"
@KofiYeboah • Video
@BradyBessette • What Does A Cinematogr...
@mondobytes • We Filmed a MOVIE with...
@cammackey • “UA-camrs” Aren't Fil...
@TerryWarfield • This was TOUGH.. I tri...
@BrittneyJanae • Essential Cinematograp...
@chrisbrockhurst • Without this camera ge...
@LeeZavitz • Behind The Scenes On A...
00:00 - Hollywood Ready?
00:51 - Lumix GH7 + ARRI Log C3
02:14 - Rigging the Lumix GH7
03:53 - Rigging the ARRI Alexa Mini
05:38 - Anamorphic Lenses
06:08 - $200 Upgrade
06:37 - Production Equipment
07:44 - Side by Side Color Test
08:42 - Lighting Breakdown
10:30 - Low Light Footage
11:02 - ARRI Mojo
11:33 - Hollywood Ready
#NoGoodLegend #LumixGH7 #arrialexa - Наука та технологія
Can the LUMIX GH7 keep up with the stellar ARRI Alexa Mini LF? That's what we set out to find when we created "No Good Legend" short film! Hopefully you all enjoy this behind the scenes content of a proper production like this! Check out all the sponsor that supported us and made this possible down below!
🤠 No Good Legend Trailer:
=============================
ua-cam.com/video/IKi1Wk9U7jo/v-deo.html
Our Wonderful Sponsors!
@craterrcrew
www.hollyland.com
kondorblue.com
shop.panasonic.com/pages/lumix
nanliteus.com
bokehrentals.com/
blackstone-films.com/blackstone-studios/
Gear used in "No Good Legend":
LUMIX GH7: geni.us/LumixGh7
HollylandPyro S: geni.us/HollylandPyroS
Hollyland Coms: geni.us/HollylandC1Pro
Nanlite: geni.us/NanLuxLight
Kondor Blue GH7 Cage: geni.us/GH7Cage
Get 70% off Audiio Pro Account!
audiio.com/connorm
Discount Code: connor70
Creators of "No Good Legend"
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@@connormccaskill Thanks so much .💯🫡🎉
This is what Fujifilm should be doing. Put in raw in their mirrorless camera.
Thanks for the amazing video! I bought the GH7 as an upgrade from my GH5 :)
That’s awesome 👏 I’ve heard that with the GH series you should only get the “odd numbered cameras” ie gh3, gh5, gh7 😅
@@connormccaskill 😃
@@kenslyder smart🫡
@@connormccaskillcan’t wait for gh9
lol I suppose
Thanks for taking us along!
For sure! Thanks for tagging along
LUMIX and ARRI…Nikon and Red…big competitors now trying to level up in different ways. 😮
Yup! It’s an exciting time for cameras!
I shot a feature film with the GH5. So, yea, the GH7 is ready for filmmaking of any level. My own experience is all I need to make that decision. The inclusion of the ARRI log profile is an added bonus.
Oh absolutely! I think with the addition of ARRI LOG it just made it that much more useful
Netflix needs to approve this and the S5 II / S5 IIX as primary cameras.
Haha that would be something if they did!
@@connormccaskill They approved the S1H, and I don't see how that is superior to the S5 IIX. They both even have fans!
While they show Blair Witch Project and Paranormal Activity on Netflix, they have no business not approving these cameras for use lol.
You could make a strong case for it for UA-cam run & gun. Amazing stabilization. I don’t own any lenses but definitely B Cam worthy
Exactly! It’s a strong contender for B Cam
3:43 please could you find out the name of the app that Brittney was using?
Damn, the shots look insane, what a set too! Really cool video dude, just shows how good consumer grade cameras are getting 😳
Thanks bro! Yeah, the lines between a proper cinema camera and consumer cameras get closer every year!
That rig is so sick and the results look great
Yeah the camera team put in the work! Appreciate you stopping by to say hey 👋🏻
@@stalman georgous💯
Thank you for mentioning commercial film makers - IE not Hollywood Cristopher Nolan types. I know people that film commercials, business to business videos, music, concerts, training videos, class rooms, seminars, etc. They do not need a $40k RED camera. They of course want it to look as good as humanly possible, but the margins just aren't there or worth it for what is gained. We are now at the point where our amateur concert footage or business training seminar videos will look ppreettttyyyy damn close though with the GH7.
Yeah man! Top of the line and consumer cameras get closer every year
A lot of wonderful people in this video :)
For sure, some of the best! Appreciate the kind words
So to expose next to the arri do you bump iso to match being you prob dont change the lighting and retake for the Gh7 angle ?could you just run all audio off the gh7 w xlr2 and set record button to trigger all the cameras via atomos airglu for the sync process so all on file properly synced in cam Gh6? Or is wireless booms and lavs not good enough?🤯🤷Thank You.
We compensated with different lenses on the GH7. As far as everything else you said, I’m going to go with a solid… maybe ha. Can you condense your question?
@@connormccaskill so if 1.4 ff equals 2.8 mft meaning less light. Compensate exposure w iso ? Im new🤪
M43 sensors don't let less light in than a full frame sensor. The DOF just appears differently. The GH7 at 800 iso would match the Alexa LF at 800 iso with the same lens and aperture.
The only difference between sensor sizes is that they physically are different in size so the field of view is different(which effects how much DOF is produced).
The camera really doesn’t make much difference for that. Really the focal length is what we needed to account for mostly.
The soul of the video is in the production design, lenses and the lighting that was used. It’s nice that ARRI provides a color conversion interpretation for the GH7, but the same can be done with a lot of cameras that have log/raw capabilities. I doubt that the filmmakers who have the budget to hire ARRI will skimp on hiring a colorist or have DIT adapt other cameras to fit the needs of their production. It saves many minutes of looking at color charts and tweaking primary wheels - if, as a colorist, one is charging by the hour, it’s sure nice to have. Take any modern prosumer camera (a7siii, Fuji xt/xh, etc) they all have custom profiling capabilities - beyond initial ballpark, the rest is done by professional colouring skills if different sensor is used. ARRI is exceptional because of how close their sensors resemble each other - same can’t be said about Panasonic, Blackmagic and many others. That means that even by applying ARRI profile to a Gh7 you’ll still be left with production variations given the price point difference between the GH7 and the ARRI. The dream of “mini pocket ARRI” is still alive though and maybe we’ll see it for around 10-15k $ in the near future.
Maybe so. I think what you are saying is mostly true, but I'd bet colorist have camera preferences for sure when it comes to grading. Some camera LOGs are just more challenging to deal with. So if LUMIX can use the ARRI standard, I think that'll be very appreciated long term.
@@connormccaskill I’m all for cross-support and the removal of gatekeeping in the camera industry, because cameras we use is case sensitive and can vary even on one project. Manufacturers need to realise that “good image quality” has become so accessible there is very little point in bragging which is better, so why not let filmmakers the freedom to cross-use as many as possible for every budget line and for every crew size.
Colour is nice … but the big thing that’s noticeable to me is the way the cameras render motion ( motion cadence) ARRI looks like film but the GH7 has that digital look ( slight soap opera effect ) . But it’s not too bad especially considering the price.
I would think braw is a better codec than ProRes clog to match with other cameras and do heavy post production.
But if you use braw through hdmi to a BM video assist, there is no way to add a video transmitter since it’s not a regular video signal going through the hdmi port? Or maybe the BM assist does it through sdi ? I know the Atomos doesn’t
Braw would be awesome..
Maybe an update later? If possible
You were amazing Connor! Def a Cam Op I would hire! Great ideas, super collaborative! You killed it!
So kind of you to say! I really enjoyed working with you! You are extremely talented
Excellent 👍 video. The GH7 is a must for me coming GH5. With the way it’s I believe the successor to the S1H might be better than the Alexa LF. Nice to see Armando there
Yeah, I think if this goes well for LUMIX we could see ARRI LOG get introduced to other camera lines
Lovely video Connor.
What's that monitor on both the alexa and the GH7?
Thank you! We were using the Hollyland Pyro 7, but I don't think it's available quite yet! I'll add it to the description of this video when it is available!
Why was there no gold mount on the GH7?
Amazing job as always dude, love you bro!
Thank you man! I'm really grateful to be apart of this!
This is amazing Connor. A quick question please. Can the ARRI Log be bought and install in other cameras by Lumix like the S5IIX?
Appreciate it! So far it’s just the GH7 and the GH6 but who knows! They may add it to the S52X which would be crazy cool
@@connormccaskill The world is waiting on that brother.
Kinda difficult, because it has to be certified by Arri and I think the sensor on the s5ii and s5iix is different then the gh6 and gh7
Why didn’t you guys use a speedbooster? Could’ve gotten more character from the Atlas lenses.
I suppose that’s true, but I think we wanted to test it as is for the sake of comparison if that makes sense. It was a test as much as we were making a short film. Appreciate the comment!
Muy inspirador este tipo de videos
¡Me alegra que hayas disfrutado el vídeo!¡ Te agradezco que veas mi video!
Awesome! So when does the western come out?
July 18th!
it does look good, but you can still easily tell which is alexa ;)
Yeah the Alexa has some magic to it!
all looks so well but i have to say no matter how they rig and present these smaller camera. it still has the digital look as supposed to a cinema camera.
Every UA-camrs were on this movie? 😅Is this an ad for the GH7?
To be upfront, LUMIX provided the camera for the production (as it was unreleased when we were filming), but no it's not an "ad". All of us are apart of Craterr, which is a collection of filmmaking UA-camrs trying to make these large scale projects possible! It's pretty amazing how it is working so far. I'm open to feedback on how we can communicate that better. Thanks for your comment Jean!
Yes it’s clearly an Ad for LUMIX, Kondor Blue and Hollyland
Well yeah, they were sponsoring the production?? How do you think movies get made exactly? Do you think all the Audi cars in marvel movies are there by accident? Marketing provides funding so that we can make creative things. The difference is that we disclose what is sponsored, proper movies don't. Unfortunately, we are not rich to self fund a large production.
@@connormccaskill I understand your point, but are you aware that many of us have stopped trusting camera reviews because of sponsored UA-cam content?
What's the point of listening to a review if we know the reviewer is paid to speak positively about the product? I hate to say it, but come on, it's no wonder we feel this way...
I don't disagree with that. That's why you should only give time to people who you think are on the up and up. For myself, I only take sponsorship from products that I either enjoy myself or that I think can be useful to others. I've had to turn down a bunch of deals because of that. I feel like a majority of "reviewers" that I personally know do the same. Also, I don't make reviews for products if it is sponsored, because I feel like it is more of a commercial or even just showing us using it in some way. It's a lot to covey in text so sorry for the longer message.
This is location is on the high demand for youtubers lol
Is it? That's awesome if it is. It's a really cool spot
Short answer: already has been 😎
Haha
@@connormccaskill the footage looks amazing. Very excited to see the full film!
Ayyyyyyy those hat doeeeeeee
It's my new favorite hat bro!
It says translate to english below your comment cammackey😂looks almost as good as your colorgading!🎉
FIRST
indie films with lower budgets
The GH7 would shine for that
@@connormccaskill I have the G9II right now but at some point might make a trade for the GH7.
תמיד יש את הסרטונים האלה שרק מוכיחים כמה אנשים לא מודעים למציאות. תקציב המצלמה בסרט הוליוודי כלל לא רלוונטי. גם הסרט שצולם בסוני FX3 תקציבו היה מעל ל80 מיליון דולר..לא סרט דל תקציב. באותה המדיה יכלו לצלם באלסקה מיני והתקציב היה נשאר כמעט זהה….כל כל יום צילום יש בממוצע יום וקצת פוסט…וגם למה שמישהו ירצה לצלם סרט בלומיקס…מה ההיגיון כשיש לך את היכולת לעבוד עם הציוד הכי טוב ואתה בוחר לעבוד בקקי? בקיצור עוד סרטו חסר תכלית…
Panasonic losers just need to make their own full frame sensors, you cant trust sony to give you their best sensors.