What DAW are you using and why? Let me know below! Please check out part two of the series with even more DAWs! ua-cam.com/video/wGPikn2UAPo/v-deo.html
Been hooked on Ableton Live ever since the 'Lite' version was bundled with some hardware about 10 years ago. I've found it more intuitive than others I've tried.
Hi Warren. I use Ableton Live. Why? Well before trying that I tried a few others and just couldn't get on with the layout. They would frustrate me a lot, but when it came to Live. I spent 16 hours straight learning it.. with version 4 I think it was, and I've used it ever since. I stuck with version 10though, because I can operate it in my sleep.
Logic , ‘cus I figured…humm , they make the cheese grater ,I might as well stay with the one that brought stay with logic and also I’m old and lazy 👍🎸🎼
Presonus Studio One 5 :). I also have Cubase 11. I mainly use S1 because I like moving around and carrying a USB dongle is a big no-no. I can upgrade Cubase to 12 just to get rid of that stupid dongle, but I already own S1 and upgrading S1 is cheaper than Cubase. In terms of feature and ease of use, I think they are very similar. I think S1 is faster too, performance-wise.
Home studio hobbyist here... originally bought Reaper because of its unlimited free demo period, and its low price once I decided to commit. I found it easy to get started with the basics. I'm always learning new things, but it's far more capable than I'll ever need. I'm running it on a run-of-the-mill Dell laptop in Windows 10, mostly recording and mixing audio, with occasional bits of MIDI. Anecdotal testament to Reaper's simplicity. When my daughter was in high school, she was running Cubase on a PC. She purchased a third-party VST instrument which we could not get to work. Steinberg's tech support was useless, largely because their hours are basic 8-5 German time, forcing users in the US to resort to email and/or keep really strange hours for on-line support. On the other hand, Sweetwater's support was great, since we bought both Cubase and the plug-in from them. On day, a Sweetwater support agent was helping us via a desktop-sharing session and he suggested trying the plug-in with another DAW to determine if it was the plug-in causing our problem, or Cubase. My daughter's laptop only had Cubase on it, so the agent suggested we try Reaper. Via remote sharing, he called up the Reaper webpage, downloaded Reaper, installed it, opened a project, assigned the plug-in to a track, recorded a few notes and played them back. While he was doing all this, I kept an eye on the clock. IT TOOK TWO MINUTES. From download to playback: TWO MINUTES. My daughter switched to Logic when she went away to college, because that's what the school used. She hasn't touched Cubase since (300 bucks down the tubes) but me? I'm sticking with Reaper. P.S. As a old fart who could never afford studio gear when I was younger, I love that I can make Reaper look like an old Neve or API console, though the standard Reaper skin is probably easier to read on less-than-perfect displays.
I've used Reason at home on a PC since 2016 & have been very happy with it. I've spent many hours in "professional" studios that use Pro Tools, sitting at the desk with engineer, and have never felt I'd be better off with PT.
Me too, since 2015. Reason Essentials 8. Never even felt the need for the full version. It does exactly what I need and I've never felt the need to look elsewhere.
Reaper is my always reliable workhorse. I'm using (and adapting to my personal needs and workflow) for more than 12 years now. I love its always helpful community .
I'm an old school amature that started with a Teac 4 track reel to reel in the 80's and ended up with a hybrid system - a big ol' Tascam 3500 console and a 24 track hard disc recorder in the early "noughties". I gave it away for about 15 years and started again about 4 years ago. At the moment I'm still using the Abelton 10 Live Lite that came free with my Scarlett interface! Limited to 8 tracks. ( And multiple "Chains") I can't believe what is possible. Keeps me amused! AND, I am absolutely convinced that, say, the Taylor Swift's, Ed Sheeran's, John Mayer's, Kanye West's etc etc etc of this world (and/or their "producers"), could produce a No. 1 song in my spare bedroom, with my laptop, my software and my modest selection of low cost microphones and interfaces.. Sure, all of those folks have access to the best gear, best spaces and best people. But its not about the gear. Never has been. Never will be. I reckon the most important thing as far as DAW's go, is just to know,(whatever you are using), well....ie to be "productive".
I am using Studio One Professional under Sphere subscription. It has been perfect for me. The moment I first used S1, I just started mixing right away without reading any manual or watching any tutorial. Everything makes sense and everything is drag and drop. Studio One V6 is just 3 days away as well so stay tuned. Most of the features that the other DAWs have here, Studio One has it. It’s like Reaper. Very lightweight on the CPU, very customizable (but not as advanced as reaper), super stable but easier to use (IMO).
I've used them all (going back to Studer/Dyaxis MacMix in the 1980s), and I adopted HARRISON MIXBUS-32C about 15 minutes after seeing my first demo. It feels like using a mixer rather than a plug-in host. Every channel strip comes with a great (Harrison) EQ and compressor, and every bus includes that plus soft-saturation, so about 80% of your typical plug-ins are already there. Plus you can map any control of any plug-in into a fader in the channel strip, so you almost never need to have plug-in GUIs open. Plus it supports every known format of plug-in (VST2/3, AU, LV, etc.). Plus there are very good in-line oscilloscope and VU meter plug-ins for the inputs and busses. Plus it's fully cross-platform (Mac/Win/Linux) and open-source! Support for touchscreens (think Slate Raven) coming soon... I just switched from a MacPro 2013 to a MacStudio. Plug-ins from Eventide, iZotope, Waves, Voxengo, Harrison, MetricHalo, PlugIn Alliance, Softube, WaveArts and others. Softsynths from NI (Kontakt), Arturia and BFD. Hardware: Antelope Orion Thunderbolt I/O, Audient ASP800 mic-pre/ADC, Grado, Westone & AKG headphones, Adam & Focal monitors (Klipsch sub), Presonus FaderPort controller, Grace m900 DAC + headphone amp.
I have been using Studio One for about 4 years now. I really love it and feel it is one of the best DAWS. I have used other DAWS, and while I like them, namelt FL Studio (my first), reason from version 3, Cakewalk (when Sonar had it), Ableton (which I use presently for live gigs) and some others, I have stuck with Studio One. But I also feel there are other things that you can very easily achieve on other DAWS that you may not be able to acheive on some others. Each DAW has its uniqueness and they should be celebrated for that.
Studio one 5 is my favorite! Couldn't be happier with it. It does everything from normal daw, mastering page, and you can use it live too. One stop shop🤘 P. s Great to see Joe on here! Joe and gregor have taught the S1 users so much
I used to use protools then about 10 years ago I tried Reaper, I could not believe how much easier it is. Reaper is just so flexible, I love it. I never went back to protools.
I've used Digital Performer, Live, Reason, Logic, Reaper, Bitwig and dabbled with the rest. I come back to DP all the time. It's the crazy list of features that does it: Run Command, Mix takes, Chunks, V-Racks, Track Selection, all of the MIDI, great comping, and built in pitch correction and stretch / beat detection, extended movie scoring support, and newer features like the Clips window, MPE, Articulation maps, ARA, AU, VST2 , VST3 support etc. I do love the others ones as well, but DP covers the most bases in one swoop. That I can set a Clip to fire a tuning command and SysEx with the patch on an old synth without it bogging up the timeline for instance is just cake, or I can have that whole process in a separate Chunk in the same project, along with remixes like mentioned already. Anyway they're all great, DP just gets the least press for some bizarre reason.
Thanks for the in depth love about DP! I really only could get into a couple of features during the interview and was of course limited on time as to not take up so much space.. But I definetly have worked other DAWs before and found the same conclusion.. Its like I said in the video.. It feels like a second skin.. DP works at the same speed you do.. Its SUPER musical.. I'm just glad I was able to get the chance to make more people aware of it! . Plus the themes keep it "classy" lol! 🤣🤣 Thanks for your comment!
I use FL for 11 years now, it’s my first DAW and it’s really working for arrangements and cooking some new stuff. But if you’re mix engineer, you need more tools, than creative features and many professionals choose Reaper. It’s cheap and give you great bunch of different tools, but it’s hard to start creating new music in it, especially electronic. All DAW have their users 😊
I use Reason because I love the idea of an interface which mimics analog gear, and because the Reason rack instruments really offer an amazing variety. While I know it's popular with those making so-called electronic music, I use it for making fusion/progressive rock style music, recording my live drums and bass. For keys/synths/pads I use the MIDI editor and included virtual instruments. The included rack gear is also impressive, and my only processing plug-in is the AIX-DSP multiband gate and EQ I use for drums. It's pretty easy to change time signatures and tempo mid-track in Reason too. Reason isn't perfect, but it does offer a lot in one package.
I'm actually using two DAW's. I have Logic Pro on my iMac, and I have Ableton Live on my laptop (which is a PC). I love them both, however, I get a lot of latency issues with Ableton, which I believe is due to the processor in my laptop not being fast enough. But the Logic Pro on my Mac is flawless.
I use Harrison Mixbus 32C, mostly because my sessions are relatively simple and the workflow is exactly like using a Harrison Console. I love the way that works, and the EQ and built in compressor in each channel strip is fantastic. It sounds awesome, especially once you get to grips with the metering and saturation controls on the buses. MIDI is pretty good too, more than good enough for me!
Long-term Reason user. Its toy-like skeuomorphic UI is great for experimentation & looks fantastic. Recently switched to PC from Mac without a hitch. Definitely getting squeezed by the weak & expensive upgrades but I’m locked in, having thousands of files. Been loving the MIDI players, there’s nothing quite like them in other DAWs. I am still inspired by Reason after 20 years.
I use Logic and LUNA. Logic because I am used to it for many years and LUNA for its idea of having and giving a sound to the audio and the vintage real studio feeling of former times.
The best daw is the one that works for you. All too often musicians and producers think that they way they create music is the ONLY way, which is obviously BS. There are so many ways to make music, each as valid as the last.
I'm using Cubase since my early Atari ST days. We also hooked it up to a TRS-8 and later Adats. I did try other DAW and I'm far from claiming it to be the best DAW, but it is for me. I have never been tempted to leave it and it is one of the most complete, if not the most complete DAW. I've never felt restrained by a missing feature and my only complain is merely PC related. ASIO should support aggregation, but other than that I'm fine. The upgrade policy sometimes feels like a subscription, but this is true for many packages. If you are a little bit like me, stick to whatever keeps you going and if it is Cubase, welcome to my world :).
Does the latest Cubase still have the issue with midi timing where notes are placed later or earlier than they were played in real time (in my case about a 32nd note late)? I plan to upgrade to the latest version in the next year but that issue has been driving me crazy for years. I’ve been a Cubase user since the late 90s. I can work around that issue but it’s a PITA.
@@filmjazz I've never had that issue with my current MIDI interface. I remember having something like that, when I was using a cheap USB to MIDI plug, but was able to fix it with the system MIDI latency settings and maybe channel settings. But I understand that this is highly annoying. I'm a PC user, too. There's a trial now for all three versions, so you could give it a try upfront.
I've tried over the years many DAWs....Sonar, Nuendo, Cubase, Pro Tools, Studio One, Reaper, Digital Orchestrator....now, it's Cakewalk and I will never go back,does everything all DAWs do,plus it's FREE!!!!
My liking of Adam Steel's videos from the very beginning of this audio journey is what made me go with Reaper. 'Tis a mighty beast of a program. Not for the faint of heart.
Reaper is my favourite by far. I also love using the players through the midi out in the reason rack within reaper to control all of my third party instruments. Reaper is extremely stable, hardly ever crashes, routing is very intuative and rendering is as fast as lightning. No messing about with technical issues which saves time and is infinately customisable. Everything i need in a DAW.
I too use these DAWs. I like Mixbus 32c because I can get a decent mix (my opinion) with no plugins. Each chanel has a full EQ section and Compressor/Limiter/Leveler just like the 32c console used to mix "Thriller". It has as sound which is unlike all the other DAWs.
i was a young studio engineer in training in the day of 16-track tape and big format analogue desks, the only digital things were lexicon reverbs and ultraharmnizers in the rack; I stopped working in studios and came back to it, and the world had gone digital and everyone using a daw was a NASA engineer in my eyes, I tried logic on a low power laptop, and it was horrible, so I gave up. I tried Ableton as my friend and an Ableton tech for a bunch of big touring acts, but that was again so difficult for me trying to see how it all was laid out, I ended up buying an MPC hardware unit, and that did me well for a year while my brother and I set up a company selling copyright free music for creators then I upgraded to a 2022 MacBook air M2 32GB ram and 500TB drive and bought logic and 4 failover plugins, I also purchased the SSL uf8 desk flying fader controller and the SSL UC-1 channel strip section controller and was in heaven, the laptop was so overpowered for me right now I have zero latency, can handle all the big plugins, and the external daw controllers mean I can mix with my hands and ears, not my eyes and a mouse trying to sweep a virtual eq knob. I have adapted so much faster now, I'm still in the box, but I have all the physical knobs and dials I was used to and feel more at home with for me logic Pro x, and this setup is the ultimate home studio for me and what I'm producing and selling,
I use Studio One. I'm very much a beginner with DAWs, but I find its interface intuitive, and I can get encouraging results as I learn. I'm looking forward to exploring the content here to get a better understanding of how I should do things.
Cakewalk by Bandlab! A mature DAW that has had a lot of owners, and was at its most expensive when owned by Gibson. AS Gibson allmost fell over, it was luckily taken over by Bandlab who offers it for free. Continuing updates, and has the best support forum. Allways left out due to being free I suspect. It knocks a lot of the competition right out of the field. I've tried many of them.
I agree. Seems Cakewalk always gets left out of the DAW conversation. I've been usung it for years and years. Probably gets left out because its free but i will put it up against any DAW.
Cakewalk all the way. For me it’s most similar to Cubasis but without the licensing nightmare that comes with the multitude of bundled versions I have (so I like Yamaha stuff). I would really like to move to Reaper as it is ridiculously stable and runs on everything but midi editing is not pretty and I need that to fix my cruddy keyboard playing
I agree. You should have added Mike over at Creative Sauce to this video to discuss Cakewalk by Bandlab. (Mike was pitching both Studio One and Cakewalk, but seems to have become exclusively Cakewalk focused. I bought Reaper and Studio One, after the Gibson debacle. I am forever thankful to Bandlab for what they did.
I first started with Propellerhead's Reason, which I still use form time to time for the really good instruments it has. Then I tried Pro Tools briefly before moving on to Studio One (which came with my audio interface). But then I heard about Reaper and that the developer is the same guy who wrote Winamp... I was sold. It's my primary DAW, ridiculously fast and stable, does everything I need it to do and the price is incredibly affordable compared to other options. With extensions the program takes on whole other life too, it's sensationally good imho.
I like how you used people who predominantly use these specific daws so we can get a better perspective on each one. A lot of youtubers start dismissing daws because they have never/rarely used them.
Reaper on Windows 10. I do amateur home recording. One feature I like is the remote control feature where I can use my phone as a remote controller (or any device with a web browser) to control the tracking process. I do this away from the computer to minimise computer noise or to choose the place in the room for best sound
I keep meaning to try the remote control function in Reaper. My studio is in a spare bedroom with gym equipment. If I am running out of space I want to move some keyboards to the living room and run MIDI and cat5 audio to the studio. Then I can just use my phone to control Reaper so I don't have to use my laptop and then transfer files to my desktop.
There is also a way to create controls for musicians to control their headphone mix. They can use their phone or tablet to slide faders. You can create a single control for a headphone mix or break it into several faders where each can control a track or groups of tracks. If you work alone where you are the engineer and playing as well then letting them mix their own headphone mix relieves you of a task that can interrupt the flow of the session.
Lifelong Cubase user, tried all the others but have always gravitated back to Cubase, probably the best DAW is the one you know and feel most comfortable with..
Reaper!! It is quite versatile and low drama with easy installation. You don't need a ton of requirements for it to do its thing. Plus, you can "skin" it to look and work like Pro Tools.
I’m a Reaper user now but I started out using Steinburg pro 24 on an Atari ST. I still have a Steinberg SMPTE dongle that plugged into the parallel port of the Atari to control my Fostex half inch 8track recorder. The thing I like about Steinburg apart from creating VST and sharing it is that in my family is that Pro24 has been passed down to the next generation because my son uses Cubase now. Thank God for the Atari & Steinberg!
I've been using Pro Tools on a PC for 13 years. I find it very intuitive and easy to use. Other DAWs might have more features but Pro Tools for me is my digital tape recorder!
Started on Amiga with Octomed. Then moved to PC with Impulse tracker and Cubase. Then used Ableton for a while before moving to a Mac with Reason. Dumped Mac and Reason and ended up with Studio One and the Reason Rack on PC since 2019. Love it!
Digital Performer has some incredible features no other DAW has. Every program has it's plusses and minuses - but the DP features I can't live without like multiple mixes, chunks, the Drum Editor, articulation maps and customization are just a few. They continue to keep the program fresh and are staying with the industry with Clips, ARA support, MPE, etc. I'm faster on this DAW than any other and have been using (and teaching) different platforms for MIDI sequencing and audio for over 35 years.
Awesome comment! I wish I could have gotten into that kind of depth with my interview.. Im just stoked DP was able to get some awareness in this video! I was glad to be a part of it!
It’s always fun watching people say what they like about a DAW and how it’s so much harder to do in another DAW, yet it operates exactly the same way in most DAWs. Not a knock, though it shows how much more focused they are on their preferred DAW. Which is honestly better than kind of knowing more than one DAW.
Everyone's favorite DAW is the one they've been using the longest. The differences have become so nuanced. If you're entirely confused start with Reaper because it's a place to start. I settled on Reason because the GUI is kind of warm and organic.
Seems to me that one of the ways DAWs are different are in how much is packed into menus - main or contextual. To me both Reaper and Logic are PACKED with menus, all loaded with dozens and dozens of features & choices/options, and filing cabinets of prefs & settings. Very appealing to someone who _loves_ savouring the endless features! (
I have been using Cubase since ‘96. I was taught Sound recording Technology during autumn ‘91 and spring ‘92 in a 24 track analog studio at a music school. The centerpiece of the studio was a Soundtracs IL3632 mixing console and we recorded on a Studer A800. Back then Cubase was not a DAW yet, but we used a timecode box connected to the Atari 1040 to stribe SMPTE code to the tape recorder so that we could syncronise Cubase to the timecode on the tape.
Reaper: 1) Low cost - great for me as I was starting out, and potentially for future students and artist colleagues looking to learn a DAW on a low budget; 2) Low CPU usage by it and native PIs - also good for students and artists who want/need a low barrier of entry; 3) Very high level of customisation via open-source scripting - this enables custom automation, linking with third party software, and streamlining of workflow for various applications; 4) Active user and developer community - that is highly knowledgable and generous in sharing their insights and improvements on the DAW. In the past I've worked with Digital Performer and (the not quite a DAW) Garageband. Looking forward to learning Logic, Ableton and Pro Tools in time as well.
I started using Ardour on Linux and Windows and am nowadays using Mixbus32C v8 on Mac Mini M1 and MacBook Air M1. I really like the console like workflow and usability, the routing capabilities, the included features, the ability to run it on Linux, Windows and Mac, and last but not least the overall sound.
Yeah, same here. Started with Ardour, then bought Mixbus and finally upgraded to MB32C. The switch is easy as they're all built on the same platform. I like that it's cross platform, but in my experience the Windows version sadly doesn't compare at all in performance. Very unstable. In a Linux environment I really haven't had any issues, it just works.
Yeah, I'm using Mixbus v8 too (starting from v5). I like that "analog" style of mixer-window and editing possibilities. Want to mention an outstanding Mixbus support from guys out there within the shortest time!
@@carlkolthoff5402 32C v8 runs flawlessly on my setup. I find that with any Windows system it's important to dig in and optimize it for audio. I use a Ryzen processor and a low level workstation GPU (Radeon WX2100) and a stripped down build, with all the most stable driver versions I can find (no beta or bleeding edge stuff). Run a clean install of Windows and only install what you need. (bloatware kills it!)
@@neuroeder great to hear! For me personally, I was a Linux user long before I discovered Ardour, so I'll happily keep that platform in my studio (although I use Windows on a daily basis too, but only for work).
Cakewalk by Bandlab. I started using the cheapest paid version about 20 years ago, and it was fine, but when the full version became free, I was completely blown away. I've never used anything else seriously, but when users of logic and protools have seen me use it, they are impressed with the features that are built-in an don't require plugins. A second cost-benefit is that Windows machines are about 30% of the price of an equivalent Apple.
I am using Reaper with a windows 10 gaming PC. I JUST started with recording my music in December 2021. I used to record on a little 8 track machine and wanted to upgrade. Reaper has a learning curve but I'm enjoying it. I use my 280HD Pro after watching your headphone comparison :) for mixing and trying to master. I'm nowhere near good with this yet but I'm learning.
Cakewalk, hands down. Just because it's free doesn't make it lame lol! Used it for midi early on and then computers finally got fast enough to make latency a non issue. Have since been using it as an all in one box, tho I do have a Yamaha DM2000 for a board with 48 channels of lightwire in and out. Absurdly good! And plugins are never an issue. It just works.
Hi Warren, I use Predominatly Cubase 12 Pro. Ive been using it since the VST version came out in the early 90's so now over 20years . I also use Ableton for Sound design, ive been using that since early 2000's along with interfacing with NI Maschine, i have both run on PC and Linked for when i want to intergrate them together, loads of flexiability.
Using Mixbus32C for tracking, editing and mixing, Reaper for MIDI, and MuseScore for scores. OS: Linux. I find the workflow of Mixbus32C and its effectiveness to be the best for me.
Over the years I've tried (in order starting back in 2000) Cakewalk, Sonar, Pro Tools, Cubase, Sonar, Digital Performer, Pro Tools, Reaper, Pro Tools, Reaper. I could write a huge story about why I switched between them all, but it's not really important. haha. I learned Pro Tools in college, and when I started being able to make money in my studio, I switched to Pro Tools because it is the "industry standard" and all the big studios here in Seattle use it. Its common for bands here to track drums at one studio, guitar at another, vocals at another etc. so for them to be able to just take the PT session from studio to studio made it easy. In 2020, I was getting tired of Pro Tool's limitations, and its infamous ability to crash at the least opportune times. A person I'm in a band with wanted to trade ideas back and forth so I suggested we use Reaper. I did a few tunes on it, and generally liked it, but just didn't have the time to really get good at it and abandoned it for a while. Fast forward to a few months ago, and again I just got tired of Pro Tools and it's nonsense, so I switched officially to Reaper and now that I've got the time to actually dig into and learn it, it's fantastic. I still have my PT subscription in case a client wants to use PT, but that won't last long at this point. My studio is focused on drum recording primarily, so I need to be able to work fast, and edit drums fast. Reaper is just infinitely faster than Pro Tools at this for me. Even only being moderately capable in Reaper, I can edit an entire drum take in a fraction of the time it would take me in Pro Tools. I actually think transients sound better in Reaper, less harsh sounding compared to Pro Tools. The simplicity of certain actions, like not having to make an AUX track, or slip editing with the touch of a button, the folders functions etc I really love. Not to mention how much less intensive it is on your computer's processor. Pro Tools isn't all bad, it's group functionality is much easier to use than Reaper, switching from one take to another is much more intuitive, the click track is more flexible in terms of the sounds it can play (at least as far as I can tell). Pro Tools "feels" better, if that makes any sense at all, it could just be the GUI's aesthetic, but it looks more "professional" than Reaper. That doesn't matter at all, but its worth noting IMO. The most important feature that Pro Tools beats Reaper at is such a mind numbingly simple concept, and that's the default function of the mouse. In reaper, scrolling your mouse wheel without pressing any other buttons, zooms in and out. In every single other DAW I've ever used, scrolling the mouse wheel scrolls up and down on the track window. Having to hold a button down in order to scroll up and down, or make sure the curser is not over a media item, is one of the most frustrating things I've ever dealt with. It seem so simple, but when you're flying through, trying to work as fast as you can and all of a sudden you've zoomed in 50 times it really throws me off. I'm adapting to that, and maybe I'll even find a way to change that, but Pro Tools wins in terms of simplicity of navigation.
Right now I'm using Studio One, Bitwig and Reason as a Plugin. I sometimes use Reaper because many of it's features (also, I just love it for what it is.) I find being DAW gnostic is the way to go. DAWS are part of the creation, and each do things differently that are amazing in their own ways
I started in 1988 with Notator from C-lab on an Atari ST. When the PC became better I switched to Windows and my DAW became Cakewalk in 1998 and I still use it. I always combine MIDI with audio tracks. Finally I make a master 2-tr. I know Cakewalk quite well and it operates like a mixer and a multi track recorder. And for an amateur it’s great that’s is for free!
I'm using Studio One Sphere. Several reasons for using it but the main things are the ease of use. Once set up it's easy going start the program and you'll be recording within minutes. The Sphere version let's you also have it installed on 5 computers at the same time so I have a computer in our studio/rehearsel room and can record directly then upload the song/recording to the provided cloudservice and then when I get home I just download it and can continue working from home.
Pre Sonus Studio One is all I use. Was literally using an ipad with Garage Band for ages- then met my new best mate who uses Studio One...the rest , as they say is history!
If I am making solely electronic music - it’s bitwig now. It’s the most advanced for that stuff. However, when recording and working with live instruments, S1 is still king for me. The arrangement features are off the charts and it allows you to do everything you could need to do in one program. Still also think pro tools is the best for mixing. But there we go. They each have their strengths
I agree. I'm primarily an Ableton User and Bitwig feels very much like Ableton but with some different querks that I like. The updates have just been making it better bit by bit.
I agreed.. i used fl studio 15years and tried many daws, But finally i find a daw smooth and easy Daw for my music industrial.. its bitwig ❤️💪 im really like it
I started my music journey on Sony Soundforge, then tried Reason 2.5, but ended up settling for FL Studio, have it since v7 and I feel like I know it inside out by now. For any new musician, it's an easy DAW to learn and make noise fast, it has free updates for life, meaning, you pay once and upgrade forever, and that's very good selling point, considering the prices of DAWs these days. Plus, it's a powerhouse of editing and the Piano Roll is a delight to use.
Great video! I use Reason as rack plug-in with Reaper DAW. Reaper has insane CPU efficiency, track folders and other great features, and Reason is a sound design dream, so it makes for a great combo.
In the broadcast industry, I started with tape, razor blades and china markers. When digital appeared we started with Cool Edit and Cool Edit Pro. When Adobe bought Cool Edit, we got lifetime licenses for Adobe Audition. Which is fine for basic things like podcasts and voice work. I am now trying out several pro-level things including Reaper, which I like.
I’ve been on Logic Pro for over 10 years. So people know upgrades are included in the price ($199) for the major release and the updates since the 10 /“X” release in 2013 have been great including many new plugins, instruments and capabilities. Key takeaway is the updates are not just bug fixes. So far it has cost me an average of about $20/year for a pro DAW. I will say you need to invest some time in optimizing your configuration with your audio interface. This is critical to prevent the notorious clicks and pops. My rig has been running flawlessly for years with a UAD Apollo interface on 2017 MacBook Pro with 16GB of RAM. Instruments are fantastic and infinitely adjustable, no limitations to tracks or bus counts and the stock plug-ins are really good especially the compressors. Editing is a dream when it comes to comping and retiming audio tracks. I feel for the money and capabilities Logic Pro is once of the best DAWs for artists and producers. I work with multiple artists who are on Logic and we can share Logic “packages” to collaborate without wasting time with exports and imports.
Been liking it myself for the most part as well, but haven’t tried others. It does seem over valued next to pro tools, but it’s not like anyones going to hear a diff. Which stock compressor/s do you like most, and which reverb? Thanks
@@chinmeysway Hi. I use all the various compressors offered in LPX as well as some third party plugins from UAD. The LPX compressors are modeled after some great studio classics and it all depends on the what I’m trying to accomplish. The Platinum is nice as a transparent ducker using a side-chain. The vintage opto is nice on vocals to level. The studio vca is nice on a summing bus. Do a google search on the types of compressors in Logic and there is a wealth of profiles of the models. As for the reverbs I use them all depending on the application. I will say ChromaVerb is very clean with a long decay.
Reaper and Cubase are my go to DAWs. But I love FL Studio and also use Ableton Live. And sometimes I also open up Pro Tools but Reaper and Cubase are my main
I grew up using a reel to reel tape deck, including covering the erase head to allow multi tracking. Entered the digital world (which I love) working with AMD 8 core and m-audio audiophile 24/96 sound card via a Yamaha MG10 UX mixer and questionable headphones. Now running a reasonable spec Intel PC including M.2 SSDs with SSL 2+ interface and Adam Audio T5V monitors. Perfect for my needs and home recording space. Got into digital home recording with Mackie Tracktion, with a Reaper dabble on route, to sticking with Tracktion Waveform, the work flow and GUI layout just works for the way my brain processes things. Haven't produced anything of note but that isn't the point, recording and producing my own music is my chill out time.
So many great DAWs! I've been using Cakewalk for about two decades now and I think it's every bit as good the others on the list - if your main use is recording and mixing audio, or working a lot with MIDI. It's now free so doesn't include a lot of extras such as 3rd party plugins, but it has a core set of plugins to get you started and then you can spend the money you saved on your own plugin library. It's also Windows 10 only. Under Gibson they were working on a Mac version, but that project was abandoned at some point before Bandlab bought Cakewalk. Thanks.
I am tinkering with Bandlab, but the vocal recording and editing seems very limited for this DAW which otherwise can become a super DAW. So i am now trying to learn Avid Pro Tools the free version, but it seems to be a very difficult DAW to learn because it's operating functions seem to be based on key strokes in preference over simply mouse clicks. Even the set up of the software seems complicated. Now after downloading stuff, it looks like zi am now running the ultimate version instead of the free version. How did that happen? Avid ProTools? Still undecided.. Ableton live was doing ok, but always seem painful ti keep everything working....and limited tracks for free version. If pto tools is too complicated, then I may give Reaper a try. Just a retired guy looking for a music hobby. If I find something great like an improved version of vocal editing BandLab, then that would be great but it's not considered a serious DAW it seems more like a toy at this stage and badgers its users to participate in collaborative activities, which is not to my liking.....hope privacy is not breached by the software.
@@tyronelowe7090 You probably want Cakewalk (by Bandlab), not Bandlab. Note that they will be discontinuing the free version of Cakewalk eventually, replacing it with a paid version. It's Windows only. I use Cakewalk because I've been using it for 2 decades. It's not supported by certain hardware products such as DAW controllers as it's no longer considered one of the top DAWs. Whatever DAW you pick, they all have a learning curve. I think the most popular for Windows right now are Ableton and Studio One.
I am in a committed relationship with Logic but that Reaper demo was intriguing. And also the Ableton demo. Honestly this is one of the most useful videos you have ever posted.
For audio only work, especially mixing in the box - Protools n Cubase n logic For live loops/DJ/EDM - Live For EDM production - FL/Live/Bitwig For overall usabilty/shortcuts - Studio One I have used all of these, settled on Cubase. Because I prefer acoustic music/live tracking guitars etc... But also need great midi editing for additional programming. Logic is a close competitor, but Cubase let me do all of that in more flexible manner. And it might be a much debated topic but in my view Cubase gives closest sound during mixdown and after export. Peace!
The best one is the one you know how to use properly. The one you learned all the shortcuts to. The one you set up properly and made a template for, with everything you need easily at hand. The one where you saved the presets so you can easily get what you want to do done. The best is where your personal workflow works without interruptions. That one is the BEST DAW.
I started with Cakewalk ProAudio on PC nearly 25 years ago, then Sonar, now Cakewalk by Bandlab - I can still open projects I created 25 years ago. Perfectly happy with it. I also use Cubase occasionally and Wavelab for 2-track editing
I've been using Logic Pro for about 10 years now...but i also switch between that and Pro Tools if someone asks for the PT session after. I also been using Ableton Live here and there but mainly using it for backing tracks for live.
Reaper! It’s super affordable, very expandable and customisable. It’s got a great evaluation license for anyone to try the software with no restrictions. It’s the future!
I use reaper on windows 7. I saw Adam interviewed on your channel and was sold! I never even used the free trial... just bought it the same day and love it! Thanks, Warren love your channel and also thank you, Adam, for the tutorials. PS: I use to teach Pro-tools for corporate multi Media departments in the early '90s.
I've started producing music in 2003 using a cracked Reason v1. Later on, I've discovered Fruity Loops v3 (also cracked), which became my go-to DAW. Up until this day I use both (legally licensed 😁), but FL Studio (formerly known as Fruity Loops) is my main DAW! I think that the best DAW is the one that you're the most familiar with, and which enables you to create whatever you have in mind.
It's an endless debate but for my part, I use Reason 10 for electronic music, and Studio One 5 for any recording session and production. Thank for this video and cheers from Canada.
I actually own and use most of these. It's been a huge learning curve to wrap my head around some of the shortcuts and such, but the differences in workflow actually inspire me to create out of my comfort zone.
Studio One for the win! Seriously though, it's just so easy to use. Drag & drop functionality, epic audio editing capabilities. You also get melodyne included (pro version) which is great for turning audio into midi as well as tightening up those tunings! Also, the user interface just seems to get me 'in the mood' ! I learned the basics in Reaper, tried FL Studio but the workflow just didn't suit me. I dipped my toe into Studio One and dived straight in. The Sphere membership is a no brainer for $15 a month.....👍
Used FL for 3-4 years and switched to Logic X after getting into Apple ecosystem due to iCloud sync. I would love to learn cubase soon. I’ve seen people work on DAWs and inspiring others to get THAT daw. It’s all about how thoroughly you know things inside. ❤ Love this channel.
Been using Pro Tools for many years. I believe the important thing for us home studio people is to pick a DAW and really learn how to make it yours. I don’t know how to do everything in Pro Tools but I know how to do what I need so the workflow doesn’t get in the way.
Started with Cakewalk (DOS) which became Sonar, then BandLab, the SONAR, then Cakewalk again ... added Emagic which morphed into Logic Pro ... added MixCraft (Acoustica) ... now I'm on Digital Performer 11.x. Easiest to use is MixCraft ... hardest is Digital Performer 11.x ... most flexible is Digital Performer 11.x (it does it all).
I started out recording in 2000 using Roland 1680 and then the VS 2480. Loved it for hands on recording. I now use the Presonus Studio One V5 Pro on a Mac Mini. I love all the generic plugins that cover Pro EQ, Compression. The editing and Midi recording is wonderful. Right now I am using Arturia Keylab Essential 49 to get any Synth Sounds needed. Like you say, it's what you are used to using, so I chose Presonus and love their updates have been using it since 2015. . Also they were recently purchased by Fender; so I'm looking forward to see what that will do for the Software and hardware in Presonus.
This is a really good comparison with good justifications. For those starting out choosing a DAW is a big commitment and investment of time so the pressure is there to make a good decision before starting on the road. Ableton does so much with samples and clips that it was my choice for composition, however if I was a Mac user I'm sure I would have taken Logic. Whatever you choose, stick with it and don't re-compare for a long time as the principles for the majority are similar, and you need to enjoy your time rather than get caught in a loop of reconsideration. I remember how much fun I used to get out of a Tascam 4 track tape, so ultimately it's about enjoying making your own music. Great video - Thanks to Warren and all the contributors!!
Started learning on Studio One 5. It's very drag and drop. But I moved over to REAPER after learning some things. It uses about .01 gb of Memory and I get a dopamine hit everytime I figure something out. Just learned to use scripts! It's fun to learn the DAW and leaves CPU/RAM to use plugins and VSTs.
I use Mixcraft. I've tried a lot of daws, but I found Mixcraft to be very easy to navigate through. They used to call it the GarageBand for PC's. Now it has evolved into a very worthy DAW.
I use Harrison MixBus 8, Nuendo 12, and Studio One. The focus, however, has been on Nuendo, which is very much like Cubase with post production toys, but I usually export the audio into MixBus, which to my ears, sounds better than anything else I've heard.
The best DAW is any DAW you understand and have. I used to sell DAWs so I feel comfortable with most of them. Personally I favour Cubase on Mac (M1 Max Studio linked to Mac Minis via Vienna Ensemble Pro) but there isn’t one stand out over most others.
Finally seeing someone else who uses this. Have just started dabbling in audio production to create a soundtrack for a game I am making and waveform was the best thing I came across that was free. Was a bit surprised that nobody seems to mention it even though it is well reviewed...
I’m a Luna and Logic user. Disappointed that Luna didn’t get a mention in this video as it’s free with an Apollo. And there is one sitting right there on the desk! I mainly use Logic for it’s built in instruments and guitar amp/pedal models. Mix everything in Luna.
I used Studio One for many years before learning about Bitwig. Now I use both but for different reasons. Bitwig for songwriting/sound design, and studio one for mixing and mastering. It's the perfect combo for me.
I'm like you ... a Gen Xer who started using ProTools on an old TDM system back in around '98. What I love about it now is I also have a C24 surface, so mixing in the box is just like mixing on a console. ProTools really got controller hardware integration right.
I'm at about 6:00 now, and I think you overlooked one major aspect in your overview: not all DAW versions (say: the more affordable ones) are capable of recording (or even processing) audio (tracks). When you want to record singing or playing guitar you need audio tracks, and not all entry level DAWs have those/are capable of recording audio. That renders them useless for a large group of home-recorders/producers and the real entry level is the one above.
Team Cubase! aha (and sometimes Ableton depending on the project if workflow asks for it) but even then I always end up back in Cubase with stems for mixing!
What DAW are you using and why? Let me know below! Please check out part two of the series with even more DAWs! ua-cam.com/video/wGPikn2UAPo/v-deo.html
Been hooked on Ableton Live ever since the 'Lite' version was bundled with some hardware about 10 years ago. I've found it more intuitive than others I've tried.
Hi Warren. I use Ableton Live. Why? Well before trying that I tried a few others and just couldn't get on with the layout. They would frustrate me a lot, but when it came to Live. I spent 16 hours straight learning it.. with version 4 I think it was, and I've used it ever since. I stuck with version 10though, because I can operate it in my sleep.
Logic , ‘cus I figured…humm , they make the cheese grater ,I might as well stay with the one that brought stay with logic and also I’m old and lazy 👍🎸🎼
I use reaper and it’s super simple and extremely versatile for mixing and mastery sound effects and field recording for my library.
Presonus Studio One 5 :). I also have Cubase 11. I mainly use S1 because I like moving around and carrying a USB dongle is a big no-no. I can upgrade Cubase to 12 just to get rid of that stupid dongle, but I already own S1 and upgrading S1 is cheaper than Cubase.
In terms of feature and ease of use, I think they are very similar. I think S1 is faster too, performance-wise.
Home studio hobbyist here... originally bought Reaper because of its unlimited free demo period, and its low price once I decided to commit. I found it easy to get started with the basics. I'm always learning new things, but it's far more capable than I'll ever need. I'm running it on a run-of-the-mill Dell laptop in Windows 10, mostly recording and mixing audio, with occasional bits of MIDI.
Anecdotal testament to Reaper's simplicity. When my daughter was in high school, she was running Cubase on a PC. She purchased a third-party VST instrument which we could not get to work. Steinberg's tech support was useless, largely because their hours are basic 8-5 German time, forcing users in the US to resort to email and/or keep really strange hours for on-line support.
On the other hand, Sweetwater's support was great, since we bought both Cubase and the plug-in from them. On day, a Sweetwater support agent was helping us via a desktop-sharing session and he suggested trying the plug-in with another DAW to determine if it was the plug-in causing our problem, or Cubase. My daughter's laptop only had Cubase on it, so the agent suggested we try Reaper. Via remote sharing, he called up the Reaper webpage, downloaded Reaper, installed it, opened a project, assigned the plug-in to a track, recorded a few notes and played them back. While he was doing all this, I kept an eye on the clock. IT TOOK TWO MINUTES. From download to playback: TWO MINUTES.
My daughter switched to Logic when she went away to college, because that's what the school used. She hasn't touched Cubase since (300 bucks down the tubes) but me? I'm sticking with Reaper.
P.S. As a old fart who could never afford studio gear when I was younger, I love that I can make Reaper look like an old Neve or API console, though the standard Reaper skin is probably easier to read on less-than-perfect displays.
I am a Reaper User for 3 years. The interface being very similar to Sony Vegas is what sold me to it.
I've used Reason at home on a PC since 2016 & have been very happy with it. I've spent many hours in "professional" studios that use Pro Tools, sitting at the desk with engineer, and have never felt I'd be better off with PT.
Me too, since 2015. Reason Essentials 8. Never even felt the need for the full version. It does exactly what I need and I've never felt the need to look elsewhere.
Since 2003! Best creative DAW for me.
It's the best DAW
Studio One and Ableton are my 2 go-to DAWs, but I respect all other DAWs for their own unique merits.
Thanks ever so much for sharing!
Reaper is my always reliable workhorse. I'm using (and adapting to my personal needs and workflow) for more than 12 years now. I love its always helpful community .
I'm an old school amature that started with a Teac 4 track reel to reel in the 80's and ended up with a hybrid system - a big ol' Tascam 3500 console and a 24 track hard disc recorder in the early "noughties". I gave it away for about 15 years and started again about 4 years ago. At the moment I'm still using the Abelton 10 Live Lite that came free with my Scarlett interface! Limited to 8 tracks. ( And multiple "Chains") I can't believe what is possible. Keeps me amused! AND, I am absolutely convinced that, say, the Taylor Swift's, Ed Sheeran's, John Mayer's, Kanye West's etc etc etc of this world (and/or their "producers"), could produce a No. 1 song in my spare bedroom, with my laptop, my software and my modest selection of low cost microphones and interfaces.. Sure, all of those folks have access to the best gear, best spaces and best people. But its not about the gear. Never has been. Never will be. I reckon the most important thing as far as DAW's go, is just to know,(whatever you are using), well....ie to be "productive".
Hey Warren! Studio One Presonus Sphere user here. Migrated after 10+ years with Cubase. Never looked back.
I am using Studio One Professional under Sphere subscription. It has been perfect for me. The moment I first used S1, I just started mixing right away without reading any manual or watching any tutorial. Everything makes sense and everything is drag and drop. Studio One V6 is just 3 days away as well so stay tuned. Most of the features that the other DAWs have here, Studio One has it. It’s like Reaper. Very lightweight on the CPU, very customizable (but not as advanced as reaper), super stable but easier to use (IMO).
Studio one is awesome. I love it for all the same reasons as you. Lets just hope Fender doesn't end up ruining it like what Gibson did to cakewalk....
@@scarletiv5683 Yeah, let's see, I only hope they don't destroy one of the best DAW in the market.
now owned by Fender you can guarantee give it a couple of years and they will totally ruin it and the price will go through the roof
I've used them all (going back to Studer/Dyaxis MacMix in the 1980s), and I adopted HARRISON MIXBUS-32C about 15 minutes after seeing my first demo.
It feels like using a mixer rather than a plug-in host.
Every channel strip comes with a great (Harrison) EQ and compressor, and every bus includes that plus soft-saturation, so about 80% of your typical plug-ins are already there.
Plus you can map any control of any plug-in into a fader in the channel strip, so you almost never need to have plug-in GUIs open.
Plus it supports every known format of plug-in (VST2/3, AU, LV, etc.).
Plus there are very good in-line oscilloscope and VU meter plug-ins for the inputs and busses.
Plus it's fully cross-platform (Mac/Win/Linux) and open-source!
Support for touchscreens (think Slate Raven) coming soon...
I just switched from a MacPro 2013 to a MacStudio.
Plug-ins from Eventide, iZotope, Waves, Voxengo, Harrison, MetricHalo, PlugIn Alliance, Softube, WaveArts and others.
Softsynths from NI (Kontakt), Arturia and BFD.
Hardware: Antelope Orion Thunderbolt I/O, Audient ASP800 mic-pre/ADC, Grado, Westone & AKG headphones, Adam & Focal monitors (Klipsch sub), Presonus FaderPort controller, Grace m900 DAC + headphone amp.
I have been using Studio One for about 4 years now. I really love it and feel it is one of the best DAWS. I have used other DAWS, and while I like them, namelt FL Studio (my first), reason from version 3, Cakewalk (when Sonar had it), Ableton (which I use presently for live gigs) and some others, I have stuck with Studio One.
But I also feel there are other things that you can very easily achieve on other DAWS that you may not be able to acheive on some others. Each DAW has its uniqueness and they should be celebrated for that.
Studio one 5 is my favorite! Couldn't be happier with it. It does everything from normal daw, mastering page, and you can use it live too. One stop shop🤘
P. s Great to see Joe on here! Joe and gregor have taught the S1 users so much
Agree Joe and Gregor are awesome!
Thanks ever so much for sharing!
Also an avid user of Studio One. The best DAW I have ever sticked with.
I use studio one 5.5 and waiting for 7 to upgrade...
I used to use protools then about 10 years ago I tried Reaper, I could not believe how much easier it is. Reaper is just so flexible, I love it. I never went back to protools.
I've used Digital Performer, Live, Reason, Logic, Reaper, Bitwig and dabbled with the rest. I come back to DP all the time. It's the crazy list of features that does it: Run Command, Mix takes, Chunks, V-Racks, Track Selection, all of the MIDI, great comping, and built in pitch correction and stretch / beat detection, extended movie scoring support, and newer features like the Clips window, MPE, Articulation maps, ARA, AU, VST2 , VST3 support etc. I do love the others ones as well, but DP covers the most bases in one swoop. That I can set a Clip to fire a tuning command and SysEx with the patch on an old synth without it bogging up the timeline for instance is just cake, or I can have that whole process in a separate Chunk in the same project, along with remixes like mentioned already. Anyway they're all great, DP just gets the least press for some bizarre reason.
Thanks for the in depth love about DP! I really only could get into a couple of features during the interview and was of course limited on time as to not take up so much space.. But I definetly have worked other DAWs before and found the same conclusion.. Its like I said in the video.. It feels like a second skin.. DP works at the same speed you do.. Its SUPER musical.. I'm just glad I was able to get the chance to make more people aware of it! . Plus the themes keep it "classy" lol! 🤣🤣 Thanks for your comment!
I use FL for 11 years now, it’s my first DAW and it’s really working for arrangements and cooking some new stuff. But if you’re mix engineer, you need more tools, than creative features and many professionals choose Reaper. It’s cheap and give you great bunch of different tools, but it’s hard to start creating new music in it, especially electronic. All DAW have their users 😊
It's very easy I use it for everything (reaper)
I use Reason because I love the idea of an interface which mimics analog gear, and because the Reason rack instruments really offer an amazing variety. While I know it's popular with those making so-called electronic music, I use it for making fusion/progressive rock style music, recording my live drums and bass. For keys/synths/pads I use the MIDI editor and included virtual instruments. The included rack gear is also impressive, and my only processing plug-in is the AIX-DSP multiband gate and EQ I use for drums. It's pretty easy to change time signatures and tempo mid-track in Reason too. Reason isn't perfect, but it does offer a lot in one package.
I'm actually using two DAW's. I have Logic Pro on my iMac, and I have Ableton Live on my laptop (which is a PC). I love them both, however, I get a lot of latency issues with Ableton, which I believe is due to the processor in my laptop not being fast enough. But the Logic Pro on my Mac is flawless.
I use Harrison Mixbus 32C, mostly because my sessions are relatively simple and the workflow is exactly like using a Harrison Console. I love the way that works, and the EQ and built in compressor in each channel strip is fantastic. It sounds awesome, especially once you get to grips with the metering and saturation controls on the buses. MIDI is pretty good too, more than good enough for me!
Long-term Reason user. Its toy-like skeuomorphic UI is great for experimentation & looks fantastic. Recently switched to PC from Mac without a hitch. Definitely getting squeezed by the weak & expensive upgrades but I’m locked in, having thousands of files. Been loving the MIDI players, there’s nothing quite like them in other DAWs. I am still inspired by Reason after 20 years.
I use Logic and LUNA. Logic because I am used to it for many years and LUNA for its idea of having and giving a sound to the audio and the vintage real studio feeling of former times.
The best daw is the one that works for you. All too often musicians and producers think that they way they create music is the ONLY way, which is obviously BS. There are so many ways to make music, each as valid as the last.
I'm using Cubase since my early Atari ST days. We also hooked it up to a TRS-8 and later Adats. I did try other DAW and I'm far from claiming it to be the best DAW, but it is for me. I have never been tempted to leave it and it is one of the most complete, if not the most complete DAW. I've never felt restrained by a missing feature and my only complain is merely PC related. ASIO should support aggregation, but other than that I'm fine.
The upgrade policy sometimes feels like a subscription, but this is true for many packages.
If you are a little bit like me, stick to whatever keeps you going and if it is Cubase, welcome to my world :).
Does the latest Cubase still have the issue with midi timing where notes are placed later or earlier than they were played in real time (in my case about a 32nd note late)? I plan to upgrade to the latest version in the next year but that issue has been driving me crazy for years. I’ve been a Cubase user since the late 90s. I can work around that issue but it’s a PITA.
P.s. - I’ve always used it on windows
@@filmjazz I've never had that issue with my current MIDI interface. I remember having something like that, when I was using a cheap USB to MIDI plug, but was able to fix it with the system MIDI latency settings and maybe channel settings.
But I understand that this is highly annoying.
I'm a PC user, too.
There's a trial now for all three versions, so you could give it a try upfront.
I've tried over the years many DAWs....Sonar, Nuendo, Cubase, Pro Tools, Studio One, Reaper, Digital Orchestrator....now, it's Cakewalk and I will never go back,does everything all DAWs do,plus it's FREE!!!!
My liking of Adam Steel's videos from the very beginning of this audio journey is what made me go with Reaper.
'Tis a mighty beast of a program. Not for the faint of heart.
Reaper is my favourite by far. I also love using the players through the midi out in the reason rack within reaper to control all of my third party instruments. Reaper is extremely stable, hardly ever crashes, routing is very intuative and rendering is as fast as lightning. No messing about with technical issues which saves time and is infinately customisable. Everything i need in a DAW.
Loving Studio One and having the ability to use Reason as a VST.
Thanks for sharing Jay!
whattt
The Reason vst is big boost in any of these other DAWs! I like it in cakewalk
I’ve switched from PT to LUNA… was a life changer. If you’re on Mac using UAD’s console, they go together like peas and carrots.
Cakewalk ( Been a user since The Sonar days). I do use Harrison Mixbus 32c for mixing (Love the sound)
I too use these DAWs. I like Mixbus 32c because I can get a decent mix (my opinion) with no plugins. Each chanel has a full EQ section and Compressor/Limiter/Leveler just like the 32c console used to mix "Thriller". It has as sound which is unlike all the other DAWs.
i was a young studio engineer in training in the day of 16-track tape and big format analogue desks, the only digital things were lexicon reverbs and ultraharmnizers in the rack; I stopped working in studios and came back to it, and the world had gone digital and everyone using a daw was a NASA engineer in my eyes, I tried logic on a low power laptop, and it was horrible, so I gave up. I tried Ableton as my friend and an Ableton tech for a bunch of big touring acts, but that was again so difficult for me trying to see how it all was laid out, I ended up buying an MPC hardware unit, and that did me well for a year while my brother and I set up a company selling copyright free music for creators then I upgraded to a 2022 MacBook air M2 32GB ram and 500TB drive and bought logic and 4 failover plugins, I also purchased the SSL uf8 desk flying fader controller and the SSL UC-1 channel strip section controller and was in heaven, the laptop was so overpowered for me right now I have zero latency, can handle all the big plugins, and the external daw controllers mean I can mix with my hands and ears, not my eyes and a mouse trying to sweep a virtual eq knob. I have adapted so much faster now, I'm still in the box, but I have all the physical knobs and dials I was used to and feel more at home with for me logic Pro x, and this setup is the ultimate home studio for me and what I'm producing and selling,
I use Studio One. I'm very much a beginner with DAWs, but I find its interface intuitive, and I can get encouraging results as I learn. I'm looking forward to exploring the content here to get a better understanding of how I should do things.
Cakewalk by Bandlab! A mature DAW that has had a lot of owners, and was at its most expensive when owned by Gibson. AS Gibson allmost fell over, it was luckily taken over by Bandlab who offers it for free. Continuing updates, and has the best support forum. Allways left out due to being free I suspect. It knocks a lot of the competition right out of the field. I've tried many of them.
This is true. I love cakewalk.
I agree. Seems Cakewalk always gets left out of the DAW conversation. I've been usung it for years and years. Probably gets left out because its free but i will put it up against any DAW.
Cakewalk by Bandlab with Creative Sauce! Also missing BitWig with Venus Theory.
Cakewalk all the way.
For me it’s most similar to Cubasis but without the licensing nightmare that comes with the multitude of bundled versions I have (so I like Yamaha stuff).
I would really like to move to Reaper as it is ridiculously stable and runs on everything but midi editing is not pretty and I need that to fix my cruddy keyboard playing
I agree. You should have added Mike over at Creative Sauce to this video to discuss Cakewalk by Bandlab. (Mike was pitching both Studio One and Cakewalk, but seems to have become exclusively Cakewalk focused.
I bought Reaper and Studio One, after the Gibson debacle. I am forever thankful to Bandlab for what they did.
I first started with Propellerhead's Reason, which I still use form time to time for the really good instruments it has. Then I tried Pro Tools briefly before moving on to Studio One (which came with my audio interface).
But then I heard about Reaper and that the developer is the same guy who wrote Winamp... I was sold. It's my primary DAW, ridiculously fast and stable, does everything I need it to do and the price is incredibly affordable compared to other options. With extensions the program takes on whole other life too, it's sensationally good imho.
I like how you used people who predominantly use these specific daws so we can get a better perspective on each one. A lot of youtubers start dismissing daws because they have never/rarely used them.
Reaper on Windows 10. I do amateur home recording. One feature I like is the remote control feature where I can use my phone as a remote controller (or any device with a web browser) to control the tracking process. I do this away from the computer to minimise computer noise or to choose the place in the room for best sound
I keep meaning to try the remote control function in Reaper. My studio is in a spare bedroom with gym equipment. If I am running out of space I want to move some keyboards to the living room and run MIDI and cat5 audio to the studio. Then I can just use my phone to control Reaper so I don't have to use my laptop and then transfer files to my desktop.
There is also a way to create controls for musicians to control their headphone mix. They can use their phone or tablet to slide faders. You can create a single control for a headphone mix or break it into several faders where each can control a track or groups of tracks. If you work alone where you are the engineer and playing as well then letting them mix their own headphone mix relieves you of a task that can interrupt the flow of the session.
Lifelong Cubase user, tried all the others but have always gravitated back to Cubase, probably the best DAW is the one you know and feel most comfortable with..
Reaper!! It is quite versatile and low drama with easy installation. You don't need a ton of requirements for it to do its thing. Plus, you can "skin" it to look and work like Pro Tools.
I’m a Reaper user now but I started out using Steinburg pro 24 on an Atari ST. I still have a Steinberg SMPTE dongle that plugged into the parallel port of the Atari to control my Fostex half inch 8track recorder. The thing I like about Steinburg apart from creating VST and sharing it is that in my family is that Pro24 has been passed down to the next generation because my son uses Cubase now. Thank God for the Atari & Steinberg!
I've been using Pro Tools on a PC for 13 years. I find it very intuitive and easy to use. Other DAWs might have more features but Pro Tools for me is my digital tape recorder!
Started on Amiga with Octomed. Then moved to PC with Impulse tracker and Cubase. Then used Ableton for a while before moving to a Mac with Reason. Dumped Mac and Reason and ended up with Studio One and the Reason Rack on PC since 2019. Love it!
Digital Performer has some incredible features no other DAW has. Every program has it's plusses and minuses - but the DP features I can't live without like multiple mixes, chunks, the Drum Editor, articulation maps and customization are just a few. They continue to keep the program fresh and are staying with the industry with Clips, ARA support, MPE, etc. I'm faster on this DAW than any other and have been using (and teaching) different platforms for MIDI sequencing and audio for over 35 years.
Awesome comment! I wish I could have gotten into that kind of depth with my interview.. Im just stoked DP was able to get some awareness in this video! I was glad to be a part of it!
I just spent 400$ on getting DP11.2 because ARA2 was FINALLY there, only to find out that Vocalign STILL DOESNT WORK on Windows 💔
It’s always fun watching people say what they like about a DAW and how it’s so much harder to do in another DAW, yet it operates exactly the same way in most DAWs.
Not a knock, though it shows how much more focused they are on their preferred DAW. Which is honestly better than kind of knowing more than one DAW.
Everyone's favorite DAW is the one they've been using the longest. The differences have become so nuanced. If you're entirely confused start with Reaper because it's a place to start. I settled on Reason because the GUI is kind of warm and organic.
Seems to me that one of the ways DAWs are different are in how much is packed into menus - main or contextual. To me both Reaper and Logic are PACKED with menus, all loaded with dozens and dozens of features & choices/options, and filing cabinets of prefs & settings. Very appealing to someone who _loves_ savouring the endless features! (
Basically, they are all good, and you can't go wrong. I still don't know what one to choose. :D
I have been using Cubase since ‘96. I was taught Sound recording Technology during autumn ‘91 and spring ‘92 in a 24 track analog studio at a music school. The centerpiece of the studio was a Soundtracs IL3632 mixing console and we recorded on a Studer A800. Back then Cubase was not a DAW yet, but we used a timecode box connected to the Atari 1040 to stribe SMPTE code to the tape recorder so that we could syncronise Cubase to the timecode on the tape.
Studio one for me, It;s so easy to use and turns out excellent results without any hassle. Love it.
Reaper:
1) Low cost - great for me as I was starting out, and potentially for future students and artist colleagues looking to learn a DAW on a low budget;
2) Low CPU usage by it and native PIs - also good for students and artists who want/need a low barrier of entry;
3) Very high level of customisation via open-source scripting - this enables custom automation, linking with third party software, and streamlining of workflow for various applications;
4) Active user and developer community - that is highly knowledgable and generous in sharing their insights and improvements on the DAW.
In the past I've worked with Digital Performer and (the not quite a DAW) Garageband. Looking forward to learning Logic, Ableton and Pro Tools in time as well.
I started using Ardour on Linux and Windows and am nowadays using Mixbus32C v8 on Mac Mini M1 and MacBook Air M1. I really like the console like workflow and usability, the routing capabilities, the included features, the ability to run it on Linux, Windows and Mac, and last but not least the overall sound.
Yeah, same here. Started with Ardour, then bought Mixbus and finally upgraded to MB32C. The switch is easy as they're all built on the same platform. I like that it's cross platform, but in my experience the Windows version sadly doesn't compare at all in performance. Very unstable. In a Linux environment I really haven't had any issues, it just works.
Yeah, I'm using Mixbus v8 too (starting from v5). I like that "analog" style of mixer-window and editing possibilities. Want to mention an outstanding Mixbus support from guys out there within the shortest time!
@@carlkolthoff5402 32C v8 runs flawlessly on my setup. I find that with any Windows system it's important to dig in and optimize it for audio. I use a Ryzen processor and a low level workstation GPU (Radeon WX2100) and a stripped down build, with all the most stable driver versions I can find (no beta or bleeding edge stuff). Run a clean install of Windows and only install what you need. (bloatware kills it!)
@@neuroeder great to hear! For me personally, I was a Linux user long before I discovered Ardour, so I'll happily keep that platform in my studio (although I use Windows on a daily basis too, but only for work).
Cakewalk by Bandlab. I started using the cheapest paid version about 20 years ago, and it was fine, but when the full version became free, I was completely blown away. I've never used anything else seriously, but when users of logic and protools have seen me use it, they are impressed with the features that are built-in an don't require plugins. A second cost-benefit is that Windows machines are about 30% of the price of an equivalent Apple.
I am using Reaper with a windows 10 gaming PC. I JUST started with recording my music in December 2021. I used to record on a little 8 track machine and wanted to upgrade. Reaper has a learning curve but I'm enjoying it. I use my 280HD Pro after watching your headphone comparison :) for mixing and trying to master. I'm nowhere near good with this yet but I'm learning.
Cakewalk, hands down. Just because it's free doesn't make it lame lol! Used it for midi early on and then computers finally got fast enough to make latency a non issue. Have since been using it as an all in one box, tho I do have a Yamaha DM2000 for a board with 48 channels of lightwire in and out. Absurdly good! And plugins are never an issue. It just works.
Hi Warren, I use Predominatly Cubase 12 Pro. Ive been using it since the VST version came out in the early 90's so now over 20years . I also use Ableton for Sound design, ive been using that since early 2000's along with interfacing with NI Maschine, i have both run on PC and Linked for when i want to intergrate them together, loads of flexiability.
An unexpected Sanjay C cameo appearance just makes your heart light up. What a gift
Using Mixbus32C for tracking, editing and mixing, Reaper for MIDI, and MuseScore for scores. OS: Linux. I find the workflow of Mixbus32C and its effectiveness to be the best for me.
Over the years I've tried (in order starting back in 2000) Cakewalk, Sonar, Pro Tools, Cubase, Sonar, Digital Performer, Pro Tools, Reaper, Pro Tools, Reaper. I could write a huge story about why I switched between them all, but it's not really important. haha.
I learned Pro Tools in college, and when I started being able to make money in my studio, I switched to Pro Tools because it is the "industry standard" and all the big studios here in Seattle use it. Its common for bands here to track drums at one studio, guitar at another, vocals at another etc. so for them to be able to just take the PT session from studio to studio made it easy.
In 2020, I was getting tired of Pro Tool's limitations, and its infamous ability to crash at the least opportune times. A person I'm in a band with wanted to trade ideas back and forth so I suggested we use Reaper. I did a few tunes on it, and generally liked it, but just didn't have the time to really get good at it and abandoned it for a while.
Fast forward to a few months ago, and again I just got tired of Pro Tools and it's nonsense, so I switched officially to Reaper and now that I've got the time to actually dig into and learn it, it's fantastic. I still have my PT subscription in case a client wants to use PT, but that won't last long at this point.
My studio is focused on drum recording primarily, so I need to be able to work fast, and edit drums fast. Reaper is just infinitely faster than Pro Tools at this for me. Even only being moderately capable in Reaper, I can edit an entire drum take in a fraction of the time it would take me in Pro Tools. I actually think transients sound better in Reaper, less harsh sounding compared to Pro Tools. The simplicity of certain actions, like not having to make an AUX track, or slip editing with the touch of a button, the folders functions etc I really love. Not to mention how much less intensive it is on your computer's processor.
Pro Tools isn't all bad, it's group functionality is much easier to use than Reaper, switching from one take to another is much more intuitive, the click track is more flexible in terms of the sounds it can play (at least as far as I can tell). Pro Tools "feels" better, if that makes any sense at all, it could just be the GUI's aesthetic, but it looks more "professional" than Reaper. That doesn't matter at all, but its worth noting IMO. The most important feature that Pro Tools beats Reaper at is such a mind numbingly simple concept, and that's the default function of the mouse. In reaper, scrolling your mouse wheel without pressing any other buttons, zooms in and out. In every single other DAW I've ever used, scrolling the mouse wheel scrolls up and down on the track window. Having to hold a button down in order to scroll up and down, or make sure the curser is not over a media item, is one of the most frustrating things I've ever dealt with. It seem so simple, but when you're flying through, trying to work as fast as you can and all of a sudden you've zoomed in 50 times it really throws me off. I'm adapting to that, and maybe I'll even find a way to change that, but Pro Tools wins in terms of simplicity of navigation.
CUBASE users. You know who you are! 💪🏾💪🏾
Haven’t seen any comments on Cubase, but absolutely. A true jack of all trades when it comes to digital audio workstations.
Right now I'm using Studio One, Bitwig and Reason as a Plugin. I sometimes use Reaper because many of it's features (also, I just love it for what it is.) I find being DAW gnostic is the way to go. DAWS are part of the creation, and each do things differently that are amazing in their own ways
I started in 1988 with Notator from C-lab on an Atari ST. When the PC became better I switched to Windows and my DAW became Cakewalk in 1998 and I still use it. I always combine MIDI with audio tracks. Finally I make a master 2-tr. I know Cakewalk quite well and it operates like a mixer and a multi track recorder.
And for an amateur it’s great that’s is for free!
I'm using Studio One Sphere. Several reasons for using it but the main things are the ease of use. Once set up it's easy going start the program and you'll be recording within minutes. The Sphere version let's you also have it installed on 5 computers at the same time so I have a computer in our studio/rehearsel room and can record directly then upload the song/recording to the provided cloudservice and then when I get home I just download it and can continue working from home.
Pre Sonus Studio One is all I use. Was literally using an ipad with Garage Band for ages- then met my new best mate who uses Studio One...the rest , as they say is history!
Bitwig is worth a mention in 2022. As an FL user, and someone who sporadically uses Logic and Ableton: Bitwig feels like the future of DAWs.
Yes, I can definitely see a part two coming soon!
If I am making solely electronic music - it’s bitwig now. It’s the most advanced for that stuff.
However, when recording and working with live instruments, S1 is still king for me. The arrangement features are off the charts and it allows you to do everything you could need to do in one program.
Still also think pro tools is the best for mixing. But there we go. They each have their strengths
I agree. I'm primarily an Ableton User and Bitwig feels very much like Ableton but with some different querks that I like. The updates have just been making it better bit by bit.
Moved from Presonus to Bitwig a year ago. Happy user so far,
I agreed.. i used fl studio 15years and tried many daws, But finally i find a daw smooth and easy Daw for my music industrial.. its bitwig ❤️💪 im really like it
I started my music journey on Sony Soundforge, then tried Reason 2.5, but ended up settling for FL Studio, have it since v7 and I feel like I know it inside out by now. For any new musician, it's an easy DAW to learn and make noise fast, it has free updates for life, meaning, you pay once and upgrade forever, and that's very good selling point, considering the prices of DAWs these days. Plus, it's a powerhouse of editing and the Piano Roll is a delight to use.
Great video! I use Reason as rack plug-in with Reaper DAW. Reaper has insane CPU efficiency, track folders and other great features, and Reason is a sound design dream, so it makes for a great combo.
An engineer suggested I keep doing my production and mixing in Reason but do my mastering in Reaper
I started out with Mixcraft, then studio one and now reason. Reason I like because it's really simple. Easier to get music uploaded in the daw
In the broadcast industry, I started with tape, razor blades and china markers. When digital appeared we started with Cool Edit and Cool Edit Pro. When Adobe bought Cool Edit, we got lifetime licenses for Adobe Audition. Which is fine for basic things like podcasts and voice work. I am now trying out several pro-level things including Reaper, which I like.
I’ve been on Logic Pro for over 10 years. So people know upgrades are included in the price ($199) for the major release and the updates since the 10 /“X” release in 2013 have been great including many new plugins, instruments and capabilities. Key takeaway is the updates are not just bug fixes. So far it has cost me an average of about $20/year for a pro DAW. I will say you need to invest some time in optimizing your configuration with your audio interface. This is critical to prevent the notorious clicks and pops. My rig has been running flawlessly for years with a UAD Apollo interface on 2017 MacBook Pro with 16GB of RAM. Instruments are fantastic and infinitely adjustable, no limitations to tracks or bus counts and the stock plug-ins are really good especially the compressors. Editing is a dream when it comes to comping and retiming audio tracks. I feel for the money and capabilities Logic Pro is once of the best DAWs for artists and producers. I work with multiple artists who are on Logic and we can share Logic “packages” to collaborate without wasting time with exports and imports.
Been liking it myself for the most part as well, but haven’t tried others. It does seem over valued next to pro tools, but it’s not like anyones going to hear a diff. Which stock compressor/s do you like most, and which reverb? Thanks
@@chinmeysway Hi. I use all the various compressors offered in LPX as well as some third party plugins from UAD. The LPX compressors are modeled after some great studio classics and it all depends on the what I’m trying to accomplish. The Platinum is nice as a transparent ducker using a side-chain. The vintage opto is nice on vocals to level. The studio vca is nice on a summing bus. Do a google search on the types of compressors in Logic and there is a wealth of profiles of the models. As for the reverbs I use them all depending on the application. I will say ChromaVerb is very clean with a long decay.
Reaper and Cubase are my go to DAWs. But I love FL Studio and also use Ableton Live. And sometimes I also open up Pro Tools but Reaper and Cubase are my main
I grew up using a reel to reel tape deck, including covering the erase head to allow multi tracking. Entered the digital world (which I love) working with AMD 8 core and m-audio audiophile 24/96 sound card via a Yamaha MG10 UX mixer and questionable headphones. Now running a reasonable spec Intel PC including M.2 SSDs with SSL 2+ interface and Adam Audio T5V monitors. Perfect for my needs and home recording space. Got into digital home recording with Mackie Tracktion, with a Reaper dabble on route, to sticking with Tracktion Waveform, the work flow and GUI layout just works for the way my brain processes things. Haven't produced anything of note but that isn't the point, recording and producing my own music is my chill out time.
So many great DAWs! I've been using Cakewalk for about two decades now and I think it's every bit as good the others on the list - if your main use is recording and mixing audio, or working a lot with MIDI. It's now free so doesn't include a lot of extras such as 3rd party plugins, but it has a core set of plugins to get you started and then you can spend the money you saved on your own plugin library. It's also Windows 10 only. Under Gibson they were working on a Mac version, but that project was abandoned at some point before Bandlab bought Cakewalk. Thanks.
I am tinkering with Bandlab, but the vocal recording and editing seems very limited for this DAW which otherwise can become a super DAW.
So i am now trying to learn Avid Pro Tools the free version, but it seems to be a very difficult DAW to learn because it's operating functions seem to be based on key strokes in preference over simply mouse clicks.
Even the set up of the software seems complicated.
Now after downloading stuff, it looks like zi am now running the ultimate version instead of the free version.
How did that happen?
Avid ProTools? Still undecided..
Ableton live was doing ok, but always seem painful ti keep everything working....and limited tracks for free version.
If pto tools is too complicated, then I may give Reaper a try.
Just a retired guy looking for a music hobby.
If I find something great like an improved version of vocal editing BandLab, then that would be great but it's not considered a serious DAW it seems more like a toy at this stage and badgers its users to participate in collaborative activities, which is not to my liking.....hope privacy is not breached by the software.
@@tyronelowe7090 You probably want Cakewalk (by Bandlab), not Bandlab. Note that they will be discontinuing the free version of Cakewalk eventually, replacing it with a paid version. It's Windows only.
I use Cakewalk because I've been using it for 2 decades. It's not supported by certain hardware products such as DAW controllers as it's no longer considered one of the top DAWs.
Whatever DAW you pick, they all have a learning curve. I think the most popular for Windows right now are Ableton and Studio One.
I've been using n-Track Studio for 15 years now. User friendly and functions very well plus great personal support from the designer.
Wow, never heard of it.
I am in a committed relationship with Logic but that Reaper demo was intriguing. And also the Ableton demo. Honestly this is one of the most useful videos you have ever posted.
REAPER is AWESOME...
For audio only work, especially mixing in the box - Protools n Cubase n logic
For live loops/DJ/EDM - Live
For EDM production - FL/Live/Bitwig
For overall usabilty/shortcuts - Studio One
I have used all of these, settled on Cubase. Because I prefer acoustic music/live tracking guitars etc... But also need great midi editing for additional programming. Logic is a close competitor, but Cubase let me do all of that in more flexible manner. And it might be a much debated topic but in my view Cubase gives closest sound during mixdown and after export.
Peace!
I've been using Digital Performer since it was just Performer (no audio, just MIDI) in 1987.
The best one is the one you know how to use properly. The one you learned all the shortcuts to. The one you set up properly and made a template for, with everything you need easily at hand. The one where you saved the presets so you can easily get what you want to do done. The best is where your personal workflow works without interruptions. That one is the BEST DAW.
Reason is looking incredibly tempting… might have to make the switch from Pt.
Thanks ever so much for sharing
I started with Cakewalk ProAudio on PC nearly 25 years ago, then Sonar, now Cakewalk by Bandlab - I can still open projects I created 25 years ago. Perfectly happy with it. I also use Cubase occasionally and Wavelab for 2-track editing
I've been using Logic Pro for about 10 years now...but i also switch between that and Pro Tools if someone asks for the PT session after. I also been using Ableton Live here and there but mainly using it for backing tracks for live.
Reaper! It’s super affordable, very expandable and customisable. It’s got a great evaluation license for anyone to try the software with no restrictions. It’s the future!
I use reaper on windows 7. I saw Adam interviewed on your channel and was sold! I never even used the free trial... just bought it the same day and love it! Thanks, Warren love your channel and also thank you, Adam, for the tutorials. PS: I use to teach Pro-tools for corporate multi Media departments in the early '90s.
I've started producing music in 2003 using a cracked Reason v1.
Later on, I've discovered Fruity Loops v3 (also cracked), which became my go-to DAW.
Up until this day I use both (legally licensed 😁), but FL Studio (formerly known as Fruity Loops) is my main DAW!
I think that the best DAW is the one that you're the most familiar with, and which enables you to create whatever you have in mind.
It's an endless debate but for my part, I use Reason 10 for electronic music, and Studio One 5 for any recording session and production. Thank for this video and cheers from Canada.
I love the Jerky Boys reference @25:11 "I need my shoes and my glasses"... gave me a good chuckle.
Awesome! I'm glad you caught that! 🤣🤣 Those guys were the greatest! 🤘🏻🤘🏻 I think my Saul Rosenberg impression was pretty good eh? Lol!
Diggin on Studio One! Thx for ALL your content Warren and crew!
Cheers studio one user 😂
Thanks ever so much! Glad to be able to help!
@@YusraChannel marvellous!
Love mine...
Great choice man!
I actually own and use most of these. It's been a huge learning curve to wrap my head around some of the shortcuts and such, but the differences in workflow actually inspire me to create out of my comfort zone.
Studio One for the win! Seriously though, it's just so easy to use. Drag & drop functionality, epic audio editing capabilities. You also get melodyne included (pro version) which is great for turning audio into midi as well as tightening up those tunings! Also, the user interface just seems to get me 'in the mood' ! I learned the basics in Reaper, tried FL Studio but the workflow just didn't suit me. I dipped my toe into Studio One and dived straight in. The Sphere membership is a no brainer for $15 a month.....👍
well fl studio is different from the others. I started with it first due to its better looking UI.
Used FL for 3-4 years and switched to Logic X after getting into Apple ecosystem due to iCloud sync. I would love to learn cubase soon. I’ve seen people work on DAWs and inspiring others to get THAT daw. It’s all about how thoroughly you know things inside. ❤ Love this channel.
Been using Pro Tools for many years. I believe the important thing for us home studio people is to pick a DAW and really learn how to make it yours. I don’t know how to do everything in Pro Tools but I know how to do what I need so the workflow doesn’t get in the way.
Started with Cakewalk (DOS) which became Sonar, then BandLab, the SONAR, then Cakewalk again ... added Emagic which morphed into Logic Pro ... added MixCraft (Acoustica) ... now I'm on Digital Performer 11.x. Easiest to use is MixCraft ... hardest is Digital Performer 11.x ... most flexible is Digital Performer 11.x (it does it all).
I started out recording in 2000 using Roland 1680 and then the VS 2480. Loved it for hands on recording. I now use the Presonus Studio One V5 Pro on a Mac Mini. I love all the generic plugins that cover Pro EQ, Compression. The editing and Midi recording is wonderful. Right now I am using Arturia Keylab Essential 49 to get any Synth Sounds needed. Like you say, it's what you are used to using, so I chose Presonus and love their updates have been using it since 2015. . Also they were recently purchased by Fender; so I'm looking forward to see what that will do for the Software and hardware in Presonus.
This is a really good comparison with good justifications. For those starting out choosing a DAW is a big commitment and investment of time so the pressure is there to make a good decision before starting on the road. Ableton does so much with samples and clips that it was my choice for composition, however if I was a Mac user I'm sure I would have taken Logic. Whatever you choose, stick with it and don't re-compare for a long time as the principles for the majority are similar, and you need to enjoy your time rather than get caught in a loop of reconsideration. I remember how much fun I used to get out of a Tascam 4 track tape, so ultimately it's about enjoying making your own music. Great video - Thanks to Warren and all the contributors!!
Started learning on Studio One 5. It's very drag and drop. But I moved over to REAPER after learning some things. It uses about .01 gb of Memory and I get a dopamine hit everytime I figure something out. Just learned to use scripts! It's fun to learn the DAW and leaves CPU/RAM to use plugins and VSTs.
I use Mixcraft. I've tried a lot of daws, but I found Mixcraft to be very easy to navigate through. They used to call it the GarageBand for PC's. Now it has evolved into a very worthy DAW.
I use Harrison MixBus 8, Nuendo 12, and Studio One. The focus, however, has been on Nuendo, which is very much like Cubase with post production toys, but I usually export the audio into MixBus, which to my ears, sounds better than anything else I've heard.
MixBus sounds great. Absolutely!
The best DAW is any DAW you understand and have. I used to sell DAWs so I feel comfortable with most of them. Personally I favour Cubase on Mac (M1 Max Studio linked to Mac Minis via Vienna Ensemble Pro) but there isn’t one stand out over most others.
I'm using tracktion's Waveform 12 ... FREE. Lot's of options to go PRO if needed... lot's of options to produce if not. Big plus ... works on Linux.👍
Not many linux users here. Ardour is good too.
Finally seeing someone else who uses this. Have just started dabbling in audio production to create a soundtrack for a game I am making and waveform was the best thing I came across that was free. Was a bit surprised that nobody seems to mention it even though it is well reviewed...
Acid pro 4.0 was my first DAW. Then when I was in a recording arts program it was all about Pro Tools. Now, I use Studio One. I love it!
I’m a Luna and Logic user. Disappointed that Luna didn’t get a mention in this video as it’s free with an Apollo. And there is one sitting right there on the desk! I mainly use Logic for it’s built in instruments and guitar amp/pedal models. Mix everything in Luna.
I used Studio One for many years before learning about Bitwig. Now I use both but for different reasons. Bitwig for songwriting/sound design, and studio one for mixing and mastering. It's the perfect combo for me.
I'm like you ... a Gen Xer who started using ProTools on an old TDM system back in around '98. What I love about it now is I also have a C24 surface, so mixing in the box is just like mixing on a console. ProTools really got controller hardware integration right.
I'm at about 6:00 now, and I think you overlooked one major aspect in your overview: not all DAW versions (say: the more affordable ones) are capable of recording (or even processing) audio (tracks). When you want to record singing or playing guitar you need audio tracks, and not all entry level DAWs have those/are capable of recording audio. That renders them useless for a large group of home-recorders/producers and the real entry level is the one above.
Team Cubase! aha (and sometimes Ableton depending on the project if workflow asks for it) but even then I always end up back in Cubase with stems for mixing!
Digital Performer for all of my sequencing and basic recordings --> Pro Tools for any extra recording and mixing.