Dwana Smallwood, I've followed your career from Dance Magazine article to Ailey Documentary, to live at Zellerbach Hall in Berkeley. You truly are a wonder!
Such respect for her. She's new-old school. I always believe her when she performs The comparison to Jamison is obvious. She also reminds me of Donna Woods (my second fav Cry) Classical technique, bottomless soul, and bionic limbs for d a y s. But her blkgirlmagic is most def singular and autonomous. I also give give her props for West African training. Its what gives polish and funk and bonafides. Her Sabar at close is tabernacle! Fresh AF. I crushed on her hard in LA when we were competing as teens in LA @ ACT-SO. I've never forgotten her solo to 'Many Rains Ago' & EYE knew then she was gone make a mark. Salute.
Part 3 is my jam
Dwana Smallwood, I've followed your career from Dance Magazine article to Ailey Documentary, to live at Zellerbach Hall in Berkeley. You truly are a wonder!
I met her in LA at competition and turned into Pepe Le Pew with the shooting hearts coming out my eyes after i saw her dance.
Finally!! The added the right music. Thank you
Such respect for her. She's new-old school. I always believe her when she performs The comparison to Jamison is obvious. She also reminds me of Donna Woods (my second fav Cry) Classical technique, bottomless soul, and bionic limbs for d a y s. But her blkgirlmagic is most def singular and autonomous. I also give give her props for West African training. Its what gives polish and funk and bonafides. Her Sabar at close is tabernacle! Fresh AF. I crushed on her hard in LA when we were competing as teens in LA @ ACT-SO. I've never forgotten her solo to 'Many Rains Ago' & EYE knew then she was gone make a mark. Salute.