The wrist doesn't need to move up and down for the top semiquavers to go smoothly. +RH inner chord, a bit of relaxed pull-out motion for the overall picture to still have smooth motion. EXPERIMENT WITH YOUR WRIST AND HAND MOTION Don't want it to be too long or go up in the air. Light sound. 4:05 +practise grabbing the 3 notes chords beats several times, get the feeling of downwards not tension in mid-air. EXPERIMENT WITH THE MOTION 7:30 +The 3+1 method goes down on the chord, but there is a slight spring back up/relax. 6:50 +practise right-hand inner part and left hand, achieve a flow. put it back and listen that it still has the flow. 9:25 +pay attention to special harmonies 12:15 +Good fingering enables non-slippery upper fingers RH. +This is an etude that requires much practice over months to get the physical sensation- it needs PRECISE FINGERING TRAINING (detailed work that pianists like Mitsuko Uchida are really good at). Mostly about 3,4,5th fingers.
I dont speak japanese but could find a very big interested to see Yukio Watch the things on the key... interesting masterclass more by showing than talking so ... perfect
Interesting the contrast between leggierissimo and tenuto approaches, the emphasis on harmony. The extremely difficult section round 12.00 - discussion is fascinating.
これぐらい難しい曲ほど、今まで自分はひたすらゆっくり弾きながら音楽的な練習をしていたが、それだけではこの曲は弾く事が出来なかった。
The wrist doesn't need to move up and down for the top semiquavers to go smoothly.
+RH inner chord, a bit of relaxed pull-out motion for the overall picture to still have smooth motion. EXPERIMENT WITH YOUR WRIST AND HAND MOTION Don't want it to be too long or go up in the air. Light sound. 4:05
+practise grabbing the 3 notes chords beats several times, get the feeling of downwards not tension in mid-air. EXPERIMENT WITH THE MOTION 7:30
+The 3+1 method goes down on the chord, but there is a slight spring back up/relax. 6:50
+practise right-hand inner part and left hand, achieve a flow. put it back and listen that it still has the flow. 9:25
+pay attention to special harmonies 12:15
+Good fingering enables non-slippery upper fingers RH.
+This is an etude that requires much practice over months to get the physical sensation- it needs PRECISE FINGERING TRAINING (detailed work that pianists like Mitsuko Uchida are really good at). Mostly about 3,4,5th fingers.
I dont speak japanese but could find a very big interested to see Yukio Watch the things on the key... interesting masterclass more by showing than talking so ... perfect
「抜けちゃう」が可愛いですね。
僕はこの曲一生弾けません。
アップありがとうございます😊
めちゃくちゃ上手ぇな、ピアノ
この曲には苦労した。。。1分半ほどの長さなのに指が毎回死にました
頭おかしくなりますよね
Interesting the contrast between leggierissimo and tenuto approaches, the emphasis on harmony. The extremely difficult section round 12.00 - discussion is fascinating.
I know it's pretty off topic but does anyone know of a good place to watch new series online ?
@Arthur Quinton Flixportal xD
@Johnny Rey thank you, I went there and it seems like they got a lot of movies there :) I appreciate it!
@Arthur Quinton You are welcome =)
5:31 テヌート気味
6:08
7:30
8:13 左と右内声
10:12 シンコペ
10:48
11:25
11:50 ミステリアス
12:15 和声
12:36 左手
14:44 最後
16:16
We all speak the language of music
美女
In englisch pls !!! I am playing this etude rn and I’m struggle with tention in my wrist.
Wonderful teacher!! Who is he?
He name is yokoyama
@@小雪-j5z OPh Thank you ! Yes, Yukio Yokoyama, 1990 Chopin Competition 3rd Prize, and Krystian Zimerman Extra-Prize!!
自分のレッスンでこれやられたら挫折しそう
没字幕，看不懂😓
難し!!!
2:59…抜けちゃう♡
この生徒さんの名前は？？
かなり抜群に弾ける方ですね
はぁ？「この生徒さんの名前は？？」って…それ聞いてどうすんの？
抜く
@@melonfizz9275 今有名になっている人かもしれないから、単に聞きたいだけじゃね