1953 Gibson L-50 Restoration [Part 3] - Replacing the braces

Поділитися
Вставка
  • Опубліковано 20 жов 2024

КОМЕНТАРІ • 21

  • @muttcrewmusic
    @muttcrewmusic Місяць тому

    Really nice work. I look forward to seeing the rest and hearing her sing.

  • @chriswareham
    @chriswareham Місяць тому

    It's coming together! Archtops are my favourite guitar, even though I play a post punk style of music which is definitely not the genre usually associated with this kind of instrument.

    • @BeardsworthGuitars
      @BeardsworthGuitars  16 днів тому

      Hah definitely not, but maybe an archtop with Gold Foils?!
      Thanks for watching :)

  • @rickkutzer1981
    @rickkutzer1981 Місяць тому

    I love the spool clamp idea. That is the first time seeing that.

    • @BeardsworthGuitars
      @BeardsworthGuitars  16 днів тому

      Yeah it worked out quite well! The only issue was that because the other side wasn't supported, it would bend the top slightly if you tightened one of the spools too tight, meaning the adjacent ones became loose, so it took some fine tuning.
      Thanks for watching!

  • @sbrown1953
    @sbrown1953 Місяць тому

    Knowing the correct time to stop as you do is critical. Looking forward when you button it all up, and play it.

    • @BeardsworthGuitars
      @BeardsworthGuitars  16 днів тому

      Yeah I totally agree, and only time and intuition can tell you when it's time. I'm still learning!

  • @stevencochrane115
    @stevencochrane115 Місяць тому +1

    Very nice resto mod. Its lokking good!

    • @BeardsworthGuitars
      @BeardsworthGuitars  16 днів тому

      Thanks very much and apologies for the accidental thumbs down!!

  • @dyamariv3628
    @dyamariv3628 Місяць тому +1

    Loving this project! Question with the braces, how come you decided to go solid braces vs the cut flimsy style Gibson did originally? Why would Gibson not have done the solid braces like you did. Seems much more stable to do it that way no?

    • @BeardsworthGuitars
      @BeardsworthGuitars  Місяць тому +1

      Definitely, but it actually takes quite a lot of time to fit the braces due to the irregular shape of the arched top. Kerfing the braces makes them bendy until they're glued down, so they conform more easily to the top without having to spend so much time form fitting. But then... they have cuts through them!

    • @BrunodeSouzaLino
      @BrunodeSouzaLino Місяць тому

      Because doing kerfling braces is cheaper and faster than gradually shaving a brace until it matches.

  • @marccarter1350
    @marccarter1350 Місяць тому

    I wish i had not looked at the main site, seemed like this guitar finished was there :-(

  • @Zac.J
    @Zac.J Місяць тому +1

    I could be wrong, but I thought the bridge is meant to have a gap in the middle. Potentially to focus the load on the braces?

    • @BeardsworthGuitars
      @BeardsworthGuitars  Місяць тому

      Yeah you do see some arch top bridges that have feet and a gap in the middle, but this one was designed to lay flat. If you look at this other L-50 example, you can see what looks to be the original bridge also lay flat across the top.
      reverb.com/au/item/84700714-1950-gibson-l-50-sunburst

    • @stevehrrn9445
      @stevehrrn9445 Місяць тому +1

      Can change the sound. Epi archtops sometimes have a two foot brodge, with a more delicate sound. Not so useful in chonking out chords pre amplified in a band though.

    • @Zac.J
      @Zac.J 29 днів тому

      @@stevehrrn9445 That's interesting!

  • @BrunodeSouzaLino
    @BrunodeSouzaLino Місяць тому +1

    You clearly need to create a second account which identifies you as a tonewood, so the biometric reader will have no issues letting you log in after a day of sanding.