Hey Luke! Thank you for creating these VLOGs, especially the producer ones :) On your next one, could you please show us your creative process in creating melodies and harmonies? Perhaps also all the elements involved in a progressive style track (e.g., "Memories"), including the percussion elements and how you decide what elements and grooves to use?
Thank You for this enlighting tutorial! I think many times just giving good concepts without tons of tricky techical details helps much more beginners and professionals too... amazing work. Greetings from Italy!
thanks for the tips Luke, I truly appreciate it man! By any chance would you be able to do a video on layering? That'd be awesome! Thanks again man, always a pleasure watching your videos.
Meeeeen! The "I always work with the master chain ON" is a mind setting game changer. Really appreciate all this videos. It is really awesome to see how you work and enjoy :P
Yo Luke. Which headphones do you recommend for producing on travel? I have a big problem to find good headphones that can catch up the dynamics of my tracks while I'm producing and hear the final mix. I mean, it's a big difference hearing the track on monitors than headphones in the end when the track is starting to become complete. Great tutorial Luke, I hope to see you again in Sweden on your next gig! Best regards, Siide.
Did you use a subwoofer for mastering? In most studio videos i didnt know if they had a sub. How you create great subs without subwoofer that kicks your stomach? Mixmash in Germany was awesome! Youre the best! Thanks!
Love your vlogs Luke. My first question is this. If mixing and mastering a track in Stereo is so risky, why have the option? Secondly do you know of any producers that don’t master any of their own music? ie are there any that you know of that will literally throw a gang of samples together that sound fairly good and just get someone else to do all the mastering? 😬😉✌️
hallo luke misschien is het een leuk idee om een keer een livestream te doen. Zag dat er veel belangstelling voor is! (moet natuurlijk wel passen in je tour schema) haha.
Luke, from an aspiring producer, I have a question about your peek analyzer i saw. It was hitting the red and i bring in a suggestion someone told me while DJing was not to hit the read in the peak analyzer while playing. How comes you didnt pay that attention? Is that something we need not worry about? Pardon the elementary question and theory as I am new to this.
If you put your reverb on a bus is it better to use it 100% wet? In my opinion if it's dry the volume level is to high. Am I missing something? Thanks!
Depends on the genre, I would imagine as a house producer he doesn't use very much distortion if any at all. Maybe very slight distortion on sub bass to bring it out more. Also in this video he uses Izotope Ozone's harmonic exciter which is a type of minor distortion.
Thank you! This is a little bit too difficult for me because I am a beginner . What are good resources to start? I ask because if you search in youtube on ableton, there are way too many hit and a lot are too difficult for a beginner :-( very frustrating :-) thanks!!
JasonJordan That really depends on how many you're using. I personally use quite the amount of EQs, when I try out stuff. I tried to test my CPU, a couple of months ago with and it got so intense for it, that the sound began to distort... and I have an i9 7900x liquidcooled by a H115i from Corsair. But even for a computer, with a mediocre CPU in it, it's going be really intense when you want to try stuff out and get creative. Trust me. :)
i know im asking the wrong place but does anybody know of a method to get back into an instagram account..? I somehow forgot my account password. I love any tips you can give me
1st - how do you deal with the CPU on ableton? when i have too much my CPU goes up to 100% . i have to freeze everything or make a wav file out of it and thats something i really dont ike at all. 2nd- where do i get the tracks3 plugins? only get some weird websites when im searching them 3rd - when i have a limiter or something on my master (lets say premaster cuz i will do it like you now) doesnt it effect many other leads/basses etc. because i dont have the dynamic anymore like when i turn that off 4th - i spliced "stepping to the beat" and notice (i dont have all plugins) that even in the premaster the master channel goes like +9db - how to get it to 0 without a limiter? Would be great to know :)
A lot of producers will take the track and once it’s sounding about 90% done will bounce to audio so that you don’t have so much processor taken up, but will then take up more ram. Sometimes you gotta work with what you got or get a better rig. As for your limiter, you gotta be gentle otherwise you squash your sound too much.
Yes it should. Unless you’re lazy. I’m assuming he does this because he’s on the road most of the time and doesn’t have time to properly produce/mix stuff. Just jam it all into a limiter man, you’ll be rich
If you send a track to a bus and you add a reverb and a side chain compressor you will still be side chaining the original source sound won't you? What did you mean by side chaining only the reverb?
Why mono? When dealing with mono I have noticed that the sounds fight for sound space. Then whatever is louder is heard and what is not spread out on the stereo mix is quiet. Are there any articles/video to read or watch? If a club or other system is in mono and a track is stereo, will it cancel out the other sounds? Which channel does it pick? What about 5.1 surround sound and other types of mix-downs? Or do you mean to do as much as possible in mono and then switch it to stereo at the end?
ok, if your sounds are fighting in mono, they're also probably fighting in stereo, it's just that you don't notice it. THAT'S precisely why you switch to mono to check. If the sounds lose force, it's probably as you said, phasing problems. try not to pan excessivelly or make the sounds too stereo separated. doing it in mono means you have to go between mono and stereo to check, but mono being the base. A mix that sounds good in mono will sound good in stereo, but that can be not true otherwise, and I'm sure it also applies to surround systems. just go back and forth for refference. mixing in mono doesn't mean you can't pan or stereorize things.
No, just the whole mix for correction purposes. It's not that you create everything in mono and then stereorize it, is just that you check if the sound works in mono, but yes you can check sound by sound just to see if it has phase problems
Thank you for the info AJ GA. So what happens with bad mono mixes that sound good in stereo that are played in mono-club systems? They have phase problems? That would be a problem for a dj. I think a lot of songs could have this problem (?).
How come he boost the kick at 50 hz, and also the bass around that , and not cut it. I always thought that there should be space for the bass, when boosting a kick
due to compression, the kick can be lost in the mix and the kick needs to be present. my teacher is a mastering engineer and he told me this dirty secret. he said many people do the kick boosting to make it present and if the bass needs to be more present, a boost is good. i usually use bells and notches but some people do low shelf and other techniques. a baxandall filter is highly recommended.
Well, you can tell us about Swedish House Mafia right? After all, they don't exist anymore (disbanded) now do they? It's understandable to leave Dyro alone, but it's ok to reveal to us about SHM right?
when luke says the advantage of using the sends and returns is that you can EQ and side chain the reverb but can't you do that on the group channel as well? Isn't the Group track the same as a bus???
yeah but when you eq the group you will Eq what ever is in that group....with the sends and return he can EQ just the reverb separately without affecting the actual dry signal of what he is putting the reverb on.
dynamic effects like eq and compression is on the actually channel strip and you do reverbs and time based effects like delays on sends. what sucks is my program fl studio does not let you. what is good with sends and groups is you can finetune reverb
I have seen you in a video with a guy that cant help himself not to laugh when you explained him all about your gears, how you manage to do your mixing, mastering in the box, whole spiel about your music, I think Its been almost 11 years. you were keeping everything very simple, basic. after all these years you re still the same. I think you re the living example of the phrase ''less is more'' .
a track in mono sounds horrible. the only thing you want in mono are the bass frequencies. i use stereo widening when i master (multiband stereo widener) and put low band in mono. for the highs, i push them and they have to be wide, the middle stays the same cause messing with the mids are bad cause the mids are the hardest
You want your track to be mono compatible, that is not the same as the song being in mono. That just means that if it's played on some phone speakers or a dongy speaker that can only play mono sound, it will almost sound the same as if it was in stereo. You dont lose elements if the song is suddenly played in mono instead of stereo. This is for the most part not an issue anymore as mono speakers are rarely made, except for subwoofers. Phase coherency is another. Simply put, making sure that frequencies from the right speaker dont cancel out frequencies from the left. Bass frequencies easily does this as the soundwaves are longer than of those higher up in the frequencies. Simply put, you want your SUB bass to be almost completely mono. Anything below 100 - 80hz since these frequencies usually goes to a subwoofer that plays in mono. This is usually a key rule in EDM, it's mixed differently in other genres. Get your self a vectorscope, there's plenty of decent free plugins that will help you keeping your phase coherency in check.
Mono compatibility is idd a thing because bad stereo imaging could lead to for instance your main vocal completely disappearing from the track when u play it in mono. But Massivecarcrash already mentioned it. However; if you DJ as well, and you sometimes want to play a remix or whatever in the club; most systems in clubs are mono, and your tracks with very sophisticated mid-side EQ and fairy dust effects will sound muddy and messy and will just make you want to cry. So if you plan to play your tracks in the club at some point; please pay extra attention to mono compatibility, maybe even do a full review of the track in actual mono to check out what's different about it compared to the stero version. Oh and keep sub frequencies (everything below 80 hz-ish) in mono, regardless where it's going to be played.
It could potentially mess up the phase but it would be less of a problem; I doubt the change would be audible because there's onle 1 sound source. Whereas for instance doing non linear phase EQ on a couple of seperate tracks containing recordings of mics recording a vocal or drummer or whatever; that would be very audible because there's a phase relation between the different recordings / mics. Mess up that phase bad enough and you even have the risk of mics cancelling each other out for the most part. If you use non-linear phase on 1 sound source however; depending on what you do of course, the phase change will have way less of an impact. Also, mastering should be about making very small changes and with regard to EQ; a 48db per octave high pass at 200 Hz creates way more phase change than a small Q bell of +0,5 dB at 200 Hz. But you're way less likely to use the first during mastering. Well at least that's how I was taught; please correct me if I'm talking out of my ass thnx.
+Mel hooprah man go ask all SHM membres in twitter and ask him in his secret in master chaine if reveal this secret for you ; why this called golden tips ; go learning and make your skills in production
Hey Luke! Thank you for creating these VLOGs, especially the producer ones :)
On your next one, could you please show us your creative process in creating melodies and harmonies? Perhaps also all the elements involved in a progressive style track (e.g., "Memories"), including the percussion elements and how you decide what elements and grooves to use?
really enjoying watching LBL's videos! This is the real life of a dj. A lot of people don't realize the hard work :)
Thank You for this enlighting tutorial!
I think many times just giving good concepts without tons of tricky techical details helps much more beginners and professionals too... amazing work. Greetings from Italy!
Thank you so much for doing these producer tutorials. Even I learn just one thing from them, it's worth it.
Great tips!
thanks for the tips Luke, I truly appreciate it man! By any chance would you be able to do a video on layering? That'd be awesome! Thanks again man, always a pleasure watching your videos.
Hopefully one day i can make my dream come true and COLLAB with you!!
"So just twist some of the knobs until it sounds good."
Love it.
I really want to thank you for making this video, this is extremely helpful. Good mastering makes all the difference
Thanks Luke for that mastering compere trick, took me a while to hook it up!! but its worth it!! thank you from Taiwan!
You're amazing Luke! Thank you for this
Meeeeen! The "I always work with the master chain ON" is a mind setting game changer. Really appreciate all this videos. It is really awesome to see how you work and enjoy :P
Thank you
more videos like these please Laidback Luke
Greetings from Colombia :)
Thanks Luke great tips there.
another great video Luke. thanks for sharing this :)
That "secret" is Ingrossor :D
The greatest "Secret" of them all.
a.k.a PSP VintageWarmer2 a.k.a that "Tape" sound
Yo Luke.
Which headphones do you recommend for producing on travel? I have a big problem to find good headphones that can catch up the dynamics of my tracks while I'm producing and hear the final mix.
I mean, it's a big difference hearing the track on monitors than headphones in the end when the track is starting to become complete.
Great tutorial Luke, I hope to see you again in Sweden on your next gig!
Best regards, Siide.
A tutorial on Leads and how to get them to sound tight, full, and punch through the mix would be great! Thanks for the good work!
I love your Videos sir, hats off
The Rut was one of my favorite tracks!
bedankt Laidback Luke dit heeft me echt geholpen ;)
Did you use a subwoofer for mastering?
In most studio videos i didnt know if they had a sub.
How you create great subs without subwoofer that kicks your stomach?
Mixmash in Germany was awesome! Youre the best! Thanks!
that diamond shape stereo field.. trying to get that for years!
Could you please do a tutorial on how to make the drums sound big? Like what you do to your drums!
mastering at 5:20
Love your vlogs Luke. My first question is this. If mixing and mastering a track in Stereo is so risky, why have the option? Secondly do you know of any producers that don’t master any of their own music? ie are there any that you know of that will literally throw a gang of samples together that sound fairly good and just get someone else to do all the mastering? 😬😉✌️
hallo luke misschien is het een leuk idee om een keer een livestream te doen. Zag dat er veel belangstelling voor is! (moet natuurlijk wel passen in je tour schema) haha.
Interesting, thank you for sharing ( how u set up the reverb i need to try that ) 🇫🇮🇺🇸 okay now back to watching the video
Luke, from an aspiring producer, I have a question about your peek analyzer i saw. It was hitting the red and i bring in a suggestion someone told me while DJing was not to hit the read in the peak analyzer while playing. How comes you didnt pay that attention? Is that something we need not worry about? Pardon the elementary question and theory as I am new to this.
Thanks very much and salutes from TJ!
If you put your reverb on a bus is it better to use it 100% wet? In my opinion if it's dry the volume level is to high. Am I missing something? Thanks!
Hey Laidback Luke, Why you have three EQ 8 setting on one channel?
Wilmen Lusthom probably one working on mid and side, one stereo n the last one i cant imagine hahaha
hey Luke, thanks for the insights. here's a question: are saturation/distortion plug-ins important to you? how do you use them?
Depends on the genre, I would imagine as a house producer he doesn't use very much distortion if any at all. Maybe very slight distortion on sub bass to bring it out more. Also in this video he uses Izotope Ozone's harmonic exciter which is a type of minor distortion.
Do you use the 2 limiters and compressors or so you have two b/c you don't want to show the Tracks plugins?
thank you, Luke
Can you make a video on How to make your drums really punchy and pop thru the mix !
awesome tutorial
Thank you! This is a little bit too difficult for me because I am a beginner . What are good resources to start? I ask because if you search in youtube on ableton, there are way too many hit and a lot are too difficult for a beginner :-( very frustrating :-) thanks!!
can you make a tutorial about loop and samplers?
That square riser in the beginning? I've heard is SO many times. Where is it from?
Reaper vengeance effects , it is in a lot of flps as well
M3SH Gotta be in the 2nd effect pack then. I dont have that one
Just great!
Thank you for the Tutorial
GENIUS!!
Very cool Reverb tipps:)
"You can add as many EQs as you want, it doesn't matter."
Damn, I wish my computer had that kind of CPU...
try using the stock EQs of your DAW. They usually don't use much cpu.
without oversampling!
JasonJordan That really depends on how many you're using. I personally use quite the amount of EQs, when I try out stuff. I tried to test my CPU, a couple of months ago with and it got so intense for it, that the sound began to distort... and I have an i9 7900x liquidcooled by a H115i from Corsair. But even for a computer, with a mediocre CPU in it, it's going be really intense when you want to try stuff out and get creative. Trust me. :)
i know im asking the wrong place but does anybody know of a method to get back into an instagram account..?
I somehow forgot my account password. I love any tips you can give me
@Rowan Lyle Instablaster =)
+Laidback Luke Thanks for the video, it was awesome!
thanks for this bro
Can you make a tutorial on creating melodies?
thanks man}!! very usefull
sidechained reverb you the man didn't think of that
enjoyed you bro!
why you dont route it over EXT OUT at 6:40? :D
sounds like dark techno. loving it! this is so helpful. thanks Luke
very helpful!
do a tutorial on synthesis !!
1st - how do you deal with the CPU on ableton? when i have too much my CPU goes up to 100% . i have to freeze everything or make a wav file out of it and thats something i really dont ike at all.
2nd- where do i get the tracks3 plugins? only get some weird websites when im searching them
3rd - when i have a limiter or something on my master (lets say premaster cuz i will do it like you now) doesnt it effect many other leads/basses etc. because i dont have the dynamic anymore like when i turn that off
4th - i spliced "stepping to the beat" and notice (i dont have all plugins) that even in the premaster the master channel goes like +9db - how to get it to 0 without a limiter?
Would be great to know :)
+Complex Mode Try To Consolidate Your Tracks Once You Are Finished Chopping Them Or Editing Them, Them Meaning Your Audio Or Midi. (Command + J)
A lot of producers will take the track and once it’s sounding about 90% done will bounce to audio so that you don’t have so much processor taken up, but will then take up more ram. Sometimes you gotta work with what you got or get a better rig. As for your limiter, you gotta be gentle otherwise you squash your sound too much.
What the uses of chorus vst on master bus?
What's the real name of that spectrum analyzer ?
Btw. Luke , good tutorial !
You can show us more tutorials in the future! :)
T - Racks CS metering
Reverb on a send channel at 80%? Shouldn't it be ALWAYS 100%?
Cr3ator29 That's right, just mess with the amount of signal you're sending while your reverb is at 100
Yes it should. Unless you’re lazy. I’m assuming he does this because he’s on the road most of the time and doesn’t have time to properly produce/mix stuff. Just jam it all into a limiter man, you’ll be rich
If you send a track to a bus and you add a reverb and a side chain compressor you will still be side chaining the original source sound won't you? What did you mean by side chaining only the reverb?
Olvin Fuentes, I think he meant the send FX. It seemed like he was using both terms interchangeably.
Sausage fattener is the secret :)
Flash Mob hahahaha
yaasss
please make another tutorial with fl studio. i really need it. PLEASEEE HELP MEE..
Why mono? When dealing with mono I have noticed that the sounds fight for sound space. Then whatever is louder is heard and what is not spread out on the stereo mix is quiet. Are there any articles/video to read or watch?
If a club or other system is in mono and a track is stereo, will it cancel out the other sounds? Which channel does it pick? What about 5.1 surround sound and other types of mix-downs? Or do you mean to do as much as possible in mono and then switch it to stereo at the end?
ok, if your sounds are fighting in mono, they're also probably fighting in stereo, it's just that you don't notice it. THAT'S precisely why you switch to mono to check. If the sounds lose force, it's probably as you said, phasing problems. try not to pan excessivelly or make the sounds too stereo separated.
doing it in mono means you have to go between mono and stereo to check, but mono being the base. A mix that sounds good in mono will sound good in stereo, but that can be not true otherwise, and I'm sure it also applies to surround systems. just go back and forth for refference. mixing in mono doesn't mean you can't pan or stereorize things.
ps: there are meters and tools you can use to check if your mix is having phase problems, you can search it.
Would making each sound mono be part of this mixing process? E.G. On the timeline, each track or sound is made into mono?
No, just the whole mix for correction purposes. It's not that you create everything in mono and then stereorize it, is just that you check if the sound works in mono, but yes you can check sound by sound just to see if it has phase problems
Thank you for the info AJ GA.
So what happens with bad mono mixes that sound good in stereo that are played in mono-club systems? They have phase problems? That would be a problem for a dj. I think a lot of songs could have this problem (?).
OG vlog. Now you are home way more than 4 days a month haha.
How come he boost the kick at 50 hz, and also the bass around that , and not cut it. I always thought that there should be space for the bass, when boosting a kick
due to compression, the kick can be lost in the mix and the kick needs to be present. my teacher is a mastering engineer and he told me this dirty secret. he said many people do the kick boosting to make it present and if the bass needs to be more present, a boost is good. i usually use bells and notches but some people do low shelf and other techniques. a baxandall filter is highly recommended.
Compressing vocals would be cool
love how much you geeked out man haha, i do the same and people laugh at me .-.
how to compress vocals?
wat program is that?
Ableton
Well, you can tell us about Swedish House Mafia right? After all, they don't exist anymore (disbanded) now do they? It's understandable to leave Dyro alone, but it's ok to reveal to us about SHM right?
i love harmonic exciting.
Does mixing in mono have something to do with the "mono" function in serum?
no lol not even close
your room treatment will affect your reverb also because it sounds to solid bro
how to design sound. Dirty dutch synths, progressive synths, vocal synths, etc. Just a basic sound design toot
So you Should master in mono?
tom moet No, just use mono for checking and for the sub bass
Anyone know the name of the track?
when luke says the advantage of using the sends and returns is that you can EQ and side chain the reverb but can't you do that on the group channel as well? Isn't the Group track the same as a bus???
yeah but when you eq the group you will Eq what ever is in that group....with the sends and return he can EQ just the reverb separately without affecting the actual dry signal of what he is putting the reverb on.
dynamic effects like eq and compression is on the actually channel strip and you do reverbs and time based effects like delays on sends. what sucks is my program fl studio does not let you. what is good with sends and groups is you can finetune reverb
I have seen you in a video with a guy that cant help himself not to laugh when you explained him all about your gears, how you manage to do your mixing, mastering in the box, whole spiel about your music, I think Its been almost 11 years. you were keeping everything very simple, basic. after all these years you re still the same. I think you re the living example of the phrase ''less is more'' .
make the track in mono from scratch? so mono in master and then whe nits done put it away? except low end ye? :)
a track in mono sounds horrible. the only thing you want in mono are the bass frequencies. i use stereo widening when i master (multiband stereo widener) and put low band in mono. for the highs, i push them and they have to be wide, the middle stays the same cause messing with the mids are bad cause the mids are the hardest
You want your track to be mono compatible, that is not the same as the song being in mono. That just means that if it's played on some phone speakers or a dongy speaker that can only play mono sound, it will almost sound the same as if it was in stereo. You dont lose elements if the song is suddenly played in mono instead of stereo.
This is for the most part not an issue anymore as mono speakers are rarely made, except for subwoofers.
Phase coherency is another. Simply put, making sure that frequencies from the right speaker dont cancel out frequencies from the left. Bass frequencies easily does this as the soundwaves are longer than of those higher up in the frequencies.
Simply put, you want your SUB bass to be almost completely mono. Anything below 100 - 80hz since these frequencies usually goes to a subwoofer that plays in mono. This is usually a key rule in EDM, it's mixed differently in other genres.
Get your self a vectorscope, there's plenty of decent free plugins that will help you keeping your phase coherency in check.
Massivecarcrash awesome :) thanks so much for taking ur time to write that to a complete stranger, ur awesome ! all the best to you!
Thastor
no problem.
Mono compatibility is idd a thing because bad stereo imaging could lead to for instance your main vocal completely disappearing from the track when u play it in mono. But Massivecarcrash already mentioned it. However; if you DJ as well, and you sometimes want to play a remix or whatever in the club; most systems in clubs are mono, and your tracks with very sophisticated mid-side EQ and fairy dust effects will sound muddy and messy and will just make you want to cry. So if you plan to play your tracks in the club at some point; please pay extra attention to mono compatibility, maybe even do a full review of the track in actual mono to check out what's different about it compared to the stero version. Oh and keep sub frequencies (everything below 80 hz-ish) in mono, regardless where it's going to be played.
but if you eq on your master it will mess up the phase information in your track. do you use linear phase eq??
Martin Illuminertix Can you explain cause I didn't understand?
Sweet old meme yeah its better to use a linear phase eq on the master
It could potentially mess up the phase but it would be less of a problem; I doubt the change would be audible because there's onle 1 sound source. Whereas for instance doing non linear phase EQ on a couple of seperate tracks containing recordings of mics recording a vocal or drummer or whatever; that would be very audible because there's a phase relation between the different recordings / mics. Mess up that phase bad enough and you even have the risk of mics cancelling each other out for the most part. If you use non-linear phase on 1 sound source however; depending on what you do of course, the phase change will have way less of an impact. Also, mastering should be about making very small changes and with regard to EQ; a 48db per octave high pass at 200 Hz creates way more phase change than a small Q bell of +0,5 dB at 200 Hz. But you're way less likely to use the first during mastering. Well at least that's how I was taught; please correct me if I'm talking out of my ass thnx.
how come you have three EQs on one track?
9:44 Okey so look or Okey so Luke? 😜
Why use Ableton!
can someone explain me what"FYI" means,pleasee?
+Ranier Castellanos For your information it means "For Your Information" lol
thanks man !! ajjaa im just learning english now man sorry for that
haha no problemo no preocupes, que te vaya bien
Woo! first comment - True student :P
excuse as it is called the program using laidback luke
as soon as he in "we're gonna go in deep" i thought DJ Hanzel would've said "one deeper"
i could have sworn i read somewhere you used FL Studio haha
+Sheni Doko Luke switched a couple of years ago from FL Studio to Ableton :)
Afrojack and Martin Garrix still use it, and they're doing pretty well apparently.
lol can't reveal their "secrets". I was surprised at how amateur this looked.
+Jee D Nope.
+Jee D Probably also KSHMR's secrets in there:D
+Mel hooprah man go ask all SHM membres in twitter and ask him in his secret in master chaine if reveal this secret for you ; why this called golden tips ; go learning and make your skills in production
EAT SLEEP LUKE REPEAT :D
I think the 3 compressors on the master chain are compressing the 3 bands. Lows, mids, and highs. Ha!
It's obvious, I mean much time ago I've tutorial about that.
yeah, using multiband is awesome for finetune compression
bro say something about the key!!!!
EAT SLEEP LUCK!
THNX
You lost me at Hello. lol
Great tutorial