The task is to let the cathedral rise slowly in piano and not in forte and in the same way sink again. This piece has been played by all the great piano masters, but only Anastasia Huppmann can give you the version which moves you into ecstasy .
Anastasia Huppmann est mon favourite . Is there anybody who can present a similar interpretation ? The best piano is the Bösendorfer for this piece. The great Sir Andras Schiff plays a Bösendorfer which is by far superior to the Steinway machine used here. The difficulty here is the relation of phrases. All play it in a killing forte although the piano is much more difficult to present.
Cela m'a fait pleurer, et je ne pleure jamais.
Oui, beaucoup de plaisir à travailler ce prélude.
Quel œuvre passionnante, merci beaucoup pour cette vidéo
Oui, et touchant aussi.
excellente présentation de l'oeuvre. Très utile pour qui la joue.
Merci . C’est très clair
Claude Debussy : grand maître Rose-Croix (Gnose) qui se rendit à Rennes-le-Château. Debrouillez-vous avec ça !...
Supposedly he was a Martinist
The task is to let the cathedral rise slowly in piano and not in forte and in the same way sink again. This piece has been played by all the great piano masters, but only Anastasia Huppmann can give you the version which moves you into ecstasy .
He was a Martinist so he probably knew things that we do not....
Anastasia Huppmann est mon favourite . Is there anybody who can present a similar interpretation ? The best piano is the Bösendorfer for this piece. The great Sir Andras Schiff plays a Bösendorfer which is by far superior to the Steinway machine used here. The difficulty here is the relation of phrases. All play it in a killing forte although the piano is much more difficult to present.