Hi Gohar. My wife and I were present for your performance at Syracuse NY several years ago. Since then I've been following you on youtube, and wanted to say thank you for all your giving of your talents. You are a generous person and your instructive lessons are invaluable. The free giving of your expertise nourishes the human spirit as it exemplifies goodness for its own sake.
No one better than Gohar. Seriously, I've seen so many by so many and she's the absolute best. Perfect pacing and so articulate and easy to watch and listen to.
Hi Gorhan. I am so glad and also a litte bit proud that you made this Video because I was probably one of those who inspired you to produce a Video on right hand thumb. I have tried many different thumb positions and nail lengths to master the Problem especially with right hand rest stroke. I have never been really happy with the result. I searched many times through UA-cam but you will hardly find a satisfying help on this topic. Your Video is so helpful and in fact it seems so Logical the way you explain it, at least when you have the requirements relating to the thumb and nail structure. Thank you so much.
Glad you made the comment about nail length - I think the length some players are growing their nails is silly - they lose the balance of 'flesh plus nail' and sound like they're wearing finger picks like a Dobro player. Plus it has to be a hassle to maintain. I was taught a cpl mm past the finger tip is enough and gives you much more tonal flexibility.
Very informative and precise video, thank you Gohar! PS: I found it difficult to hear your voice from the PC speakers and I had to put headphones. Maybe putting the microphone closer or amplifying the voice in post-production could be helpful to hear properly.
Thank you Gohar for your wonderful videos. I subscribed after the first viewing. Keep up with your good work. Just one suggestion. In the future, try not to strum the guitar while you are explaining the nuances. Because your guitar is very powerful, I don’t want to miss a word of yours. LoL.👏👏👏👏👏
I'm confused about how you can play downwards, towards the soundboard during a free stroke. Pumping Nylon has the same advice. It seems like if I truly stroke downwards, I can't avoid muting the next string. I have to be playing stroke pretty much sideways if I want my thumb to clear the next string. But excellent video and thank you for making it!
Where does the right-hand thumb go when playing scales? I see some people keep it on the sixth string; other players keep it 2 strings behind the other fingers, but for me, what seems most natural is to just let it float without constantly touching any strings.
thanks a lot do you have any videos about playing chords transition faster techniques ,, i am trying to play the church hymns mainly chords as another friends plating the keyboard any tips please
Hi Gohar, I like to let you know that your videos are among the most informative, no-nonsense teaching tools on guitar education. Thanks for your sharing. I started learning to play guitar two months ago by watching videos like yours, and I like to ask you one question about the right thumb. Do you only use the fresh of the left side of the right thumb, or do you touch the string with the right thumb nail? In my case, I only use the left side of the fresh to touch the string, and I am concern if this is wrong.
Sorry for the late reply, I don't actually get notifications for these comments as this is not my own channel. I use both nail and flesh. Only flesh gets a very muted sound. The nails make it cleared and louder.
Just a question please is the sitting position and finger ,posture all the same for acoustic guitar Mainly I am doing or learning acoustic guitar chords to play hymns in my church My friend is doing the keyboard melody God bless++
My advice is for people to take what Gohar is saying with a large - a very large- pinch of salt! There have been so many fantastic players whose technique break all of these "rules" that she mentions. To mention but a few: Segovia, Williams, Thibaut Garcia, Paco de Lucia, Jason Vieau, Julian Bream, Ida Presti... the list goes on and on but I'll stop there. So, I would really urge people to consider two things: 1)Find your own way of playing, study the masters closely, see what works for you and experiment. The only guides really are: your ears (listening carefully to the sounds you are making, recording yourself), being attentive to how relaxed or tense your whole body is, and how relaxed your fingers are when you are playing very softly or loudly. No it's not true at all that all strokes should come from the knuckles! That's a silly myth. Some strokes come from there, others come from the middle and lower joints, and some using the weight of the whole arm. Sometimes the thumb plays upwards, like when it plays rasgueados, check also thumb playing flamenco techniques. One of the most beautiful magical singing tone comes from playing upwards not downwards (check out the Segovia sound) Aim for economy of movement, a nice fluid circular movement. (Our body is built in circles and spirals). If you are fluid the more you relax the faster you'll be able to play. 2)You will find that as the years pass and your body and experience grows and as you play more difficult repertoire your posture and hand positions will change often! So be adaptable and open minded. Finally, remember that all playing technique starts in your mind, heart and body. How and from where you respond to the music. This is NOT something mechanical but conscious and awake. Also I would urge people to choose a player that they admire and go have a few masterclasses with them if they can.
I have a lot of respect to Gohar and other professional talented guitarists that take the time and care to teach for free on u tube. It takes a lot of time, effort and training to gain their capabilities and they share their experiences. Together with that I think you're absolutely right. It's important to be exposed to different approaches, understand the critical principles of classical guitar playing and choose what works best fot you.
Let me see: Gohar has 14K subscribers. You have 85. I'm going to listen to her! Thank you very much! Plus, she has studied with some of the worlds greatest Classical guitarist. Some disciples of some of the greats you mentioned. And, now she herself is one of the best in the world! Again, I'll listen to Gohar and take what you wrote with a grain of salt.
Hi Gohar. My wife and I were present for your performance at Syracuse NY several years ago. Since then I've been following you on youtube, and wanted to say thank you for all your giving of your talents. You are a generous person and your instructive lessons are invaluable. The free giving of your expertise nourishes the human spirit as it exemplifies goodness for its own sake.
No one better than Gohar. Seriously, I've seen so many by so many and she's the absolute best. Perfect pacing and so articulate and easy to watch and listen to.
One of the best guitar lesson video: very detailed, very good explanation, very good angle of camera, etc. Great !
i guess it's pretty randomly asking but do anybody know a good site to watch newly released tv shows online?
@Larry Alan flixportal xD
@Samuel Chaim thanks, I went there and it seems to work =) I really appreciate it!!
@Larry Alan Happy to help =)
Thank you Gohar for sharing... beautifully clear. Cheers.
The best explanation about an issue critical to good playing. Every classical guitar student should watch this video.
Thank you, goddess. This video really help me not only play correctly but also recover from Focal dystonia.
2 minutes in and I already know this video is the best on proper thumb technique. Thank you!
merci
so much important info ill have to take notes thank you
Amazing lesson, thank you very much
Thanx!
You are a good player and teacher. Thanks for sharing...
Thank you 🙏🙏🙏
Thanks Gohar, very helpful perfectioning the thumb exercises
Very clear and helpful. Thank you!
Very clear explanation. Thank You!
Wow it’s great information thank you 🙏
Un encanto oírte: Gohar...
i like how Bach is reflected from your guitar (in the side camera)
hahaha... it was on my music stand lol :)
Hi Gorhan. I am so glad and also a litte bit proud that you made this Video because I was probably one of those who inspired you to produce a Video on right hand thumb. I have tried many different thumb positions and nail lengths to master the Problem especially with right hand rest stroke. I have never been really happy with the result. I searched many times through UA-cam but you will hardly find a satisfying help on this topic. Your Video is so helpful and in fact it seems so Logical the way you explain it, at least when you have the requirements relating to the thumb and nail structure. Thank you so much.
glad it's helped in some way! :)
Glad you made the comment about nail length - I think the length some players are growing their nails is silly - they lose the balance of 'flesh plus nail' and sound like they're wearing finger picks like a Dobro player. Plus it has to be a hassle to maintain. I was taught a cpl mm past the finger tip is enough and gives you much more tonal flexibility.
Very informative and precise video, thank you Gohar!
PS: I found it difficult to hear your voice from the PC speakers and I had to put headphones. Maybe putting the microphone closer or amplifying the voice in post-production could be helpful to hear properly.
You cover more details than my in person coach…….
You just got a new subscriber!
great video thanks!
Thank you Gohar for your wonderful videos. I subscribed after the first viewing. Keep up with your good work. Just one suggestion. In the future, try not to strum the guitar while you are explaining the nuances. Because your guitar is very powerful, I don’t want to miss a word of yours. LoL.👏👏👏👏👏
I'm confused about how you can play downwards, towards the soundboard during a free stroke. Pumping Nylon has the same advice. It seems like if I truly stroke downwards, I can't avoid muting the next string. I have to be playing stroke pretty much sideways if I want my thumb to clear the next string.
But excellent video and thank you for making it!
Where does the right-hand thumb go when playing scales? I see some people keep it on the sixth string; other players keep it 2 strings behind the other fingers, but for me, what seems most natural is to just let it float without constantly touching any strings.
Very helpful.plz provide a video for nail shape.
What if what you think is a incorrect thumb position actually works really well for others?
thanks a lot do you have any videos about playing chords transition faster techniques ,, i am trying to play the church hymns mainly chords as another friends plating the keyboard any tips please
Hi Gohar, I like to let you know that your videos are among the most informative, no-nonsense teaching tools on guitar education. Thanks for your sharing. I started learning to play guitar two months ago by watching videos like yours, and I like to ask you one question about the right thumb. Do you only use the fresh of the left side of the right thumb, or do you touch the string with the right thumb nail? In my case, I only use the left side of the fresh to touch the string, and I am concern if this is wrong.
Sorry for the late reply, I don't actually get notifications for these comments as this is not my own channel. I use both nail and flesh. Only flesh gets a very muted sound. The nails make it cleared and louder.
Just a question please is the sitting position and finger ,posture all the same for acoustic guitar
Mainly I am doing or learning acoustic guitar chords to play hymns in my church
My friend is doing the keyboard melody
God bless++
My advice is for people to take what Gohar is saying with a large - a very large- pinch of salt!
There have been so many fantastic players whose technique break all of these "rules" that she mentions. To mention but a few: Segovia, Williams, Thibaut Garcia, Paco de Lucia, Jason Vieau, Julian Bream, Ida Presti... the list goes on and on but I'll stop there.
So, I would really urge people to consider two things:
1)Find your own way of playing, study the masters closely, see what works for you and experiment. The only guides really are: your ears (listening carefully to the sounds you are making, recording yourself), being attentive to how relaxed or tense your whole body is, and how relaxed your fingers are when you are playing very softly or loudly. No it's not true at all that all strokes should come from the knuckles! That's a silly myth. Some strokes come from there, others come from the middle and lower joints, and some using the weight of the whole arm. Sometimes the thumb plays upwards, like when it plays rasgueados, check also thumb playing flamenco techniques. One of the most beautiful magical singing tone comes from playing upwards not downwards (check out the Segovia sound)
Aim for economy of movement, a nice fluid circular movement. (Our body is built in circles and spirals). If you are fluid the more you relax the faster you'll be able to play.
2)You will find that as the years pass and your body and experience grows and as you play more difficult repertoire your posture and hand positions will change often! So be adaptable and open minded.
Finally, remember that all playing technique starts in your mind, heart and body. How and from where you respond to the music. This is NOT something mechanical but conscious and awake. Also I would urge people to choose a player that they admire and go have a few masterclasses with them if they can.
I have a lot of respect to Gohar and other professional talented guitarists that take the time and care to teach for free on u tube. It takes a lot of time, effort and training to gain their capabilities and they share their experiences. Together with that I think you're absolutely right. It's important to be exposed to different approaches, understand the critical principles of classical guitar playing and choose what works best fot you.
Let me see: Gohar has 14K subscribers. You have 85. I'm going to listen to her! Thank you very much!
Plus, she has studied with some of the worlds greatest Classical guitarist. Some disciples of some of the greats you mentioned. And, now she herself is one of the best in the world! Again, I'll listen to Gohar and take what you wrote with a grain of salt.
what a lovely lady you are!
a mi me gusta mas galina vale a mi punto de vista ella es sumamente expresiva no lo es tanto como una maquina perfecta.