I'm very embarrassed to be an enjoyer of jazz music, seeing all these people saying "enter name here, sounds like shit etc. etc." Just very sad to being so extremely negative towards the fine performance these cats put on. I think one thing is certain, we should be thankful that all these titan's sat down and displayed all of what made each one of them so unique. RIP Coryell, Tal, Abercrombie, and all of the giants who have passed. I want to say thank you for everything you have left us!
Eh brother, hear what you're saying - opinions... Not an educated musician, just a lover of good music, and it's funny, how in today's world, the megaphone of the internet gives the people who aren't capable of feeling embarrassment a mouthpiece, but is so often "cringeworthy". Great musicians, great jams, some folks just aren't gonna get it. It's ok.
He could play standards (more specifically, "post Jim Hall jazz guitar") like nobody's business. I wish there were more recordings of him playing this stuff, as great as his more progressive and original music is.
Sco remains my fave solo. But I love Tal's for the legacy, Coryell and Ambercrombie for pushing/expanding boundaries, and LC for the sweet modern tones and Pop-friendly melodicism. All clean tone bases pretty much covered. #respect
Larry Coryell said in his book about critics, I don't really care what they say. He was a free spirit, was nice to meet him. Great player and always encouraging new talent. His music is almost beyond understanding for the novice listener. He liked to perform love the getting up and bringing it here like a boss lol... cool cat, R.I.P.
Wow! breathtaking. The idea of competitive jazz guitar is self defeating. Each one of these masters is achieving their own personal goals. Our participation in this brilliant display of talent is to appreciate it , all of it. It's diversity defines the whole purpose of jazz. I loved every one of those solos over those standard changes. Comp along and you get the idea of what they're reaching for; each one a valid goal. each one a success and a winner to it's purpose.
All I can say is they all Swing and they each listen hard and play terrific. I would be honored to sit n with any one of these guys. Tal Farlow was my Main Man ever since I first heard him do Manhattan when I was 17 yrs old and couldn't find any albums on him. Wow. I loved this.
Nice playing all round. Abercrombie reminded me a bit of Metheny or vice versa. Coryell got into the riff pedaling and it brought the crowd and band up a notch. Different styles and everyone sounded comfortable and respectful of one another.
I apologize to all commentators who pointed out winners -- we all have. My preference stays with Sco. HOWEVER, what is great here is the DIVERSITY of playing styles -- the true gift to all of us: Farlow's old school swing, Coryell's showmanship, Abercombrie's incredible phrasing, Sco's raggedy and modern fluency, Carlton's sweet west coast lines. And hardswinging Patitucci and Hart -- all masters here .... what else could we ask for?
Ricardo Moraes-Pinto I get through the first solo, then I suffer Coryell.... at that point I am certainly not thinking 'what else could I ask for...' I'm thinking please anything other than this will do....
The way they all LISTEN and immerse themselves in the shared landscape of the changes, and then go inside to improvise in this way that so obviously transcends playing boilerplate canned phrases. Each holding their own. Just a master-class.
And yes, Scofield is my fave here on this gig, but Crumbs and Carlton sound great too, same w/ Coryell and Farlow - each a unique musical personality/identity, each one, his own man.
i dont mean to be off topic but does any of you know a trick to log back into an Instagram account..? I was stupid forgot my login password. I would love any tips you can offer me
I used to play drums w/ John & the great pianist Les Czimber (RIP) in Orange County right around when he joined the Chick Corea Elektric Band. He was bout 24-25 & was the talk of the town. Before long, he was "playing like no one else on the planet," quoting an article from back then. Seems like yesterday!
This made my head explode the first time I heard it. I would call this ganging up. FIVE tremendously accomplished guitarists in the same song. I can't even wrap my head around that!
🤍🤧👍Merci pour cette vidéo formidable et très touchante de surcroit. That was a great moment, reunion of joice and happiness without any competition between each others (or just a bunch, like real musiciens love it ah ah), certainly after a good meal with too much wine for everyones. Les feuilles mortes, les carottes cuites et la fin des haricots. Dans l'ordre : 0:01 Tal Farlow (guitare archtop hollow body) 2:02 Larry Coryell (guitare hollow demi caisse) 4:33 John Abercrombie (guitare solid body avec table de résonance) 6:33 John Scofield (guitare semi hollow) 9:00 Larry Carlton (guitare solid body sans table) 10:59 All together And always incredible John Patitucci (bass) and Billy Hart (drums) ! Tout le monde à gagné ! (.....Humm : First for me : John Abercrombie....). Mentions spéciales au chef Tal Farlow et au prix du public pour le fun du show Larry Coryell.
@@troysanders7775 I understand your point of view. He's my favorite player at the moment because there's so much to learn from him when it comes to improv and harmony. I think you should dig into him more!
Everyone here is being so careful not to quote any cliche playing at all; not outlining the changes or playing any obvious bebop licks, while staying true to their own unique style. Very interesting.
Took a few lessons with John when he was living in San Francisco with his girlfriend, Lisa. (The lessons were at her place.) I can attest to your experience. He was a truly nice guy. Just a really sweet man. So down to earth. I'd see him play at the old Keystone Korner and during the break he came out for a while and wanted to know my opinion on how he sounded. Just the fact that he wanted my opinion of this true master player's tone and performance was just ridiculous. He always had incredible tone, probably the best solid-body jazz tone I've ever heard. RIP my friend.
I like that Carlton stays true to his style no matter the context. He can burn through the changes with the bebop lines as good as anyone but he will always keep that bit of overdrive and make tasteful use of bending. Even if bending and distortion can seem out of place in trad jazz.
If a winner must be named, with all that stunning world class talent, the only winner is THE LISTENER, privileged to be able to hear such a banquet of virtuoso guitarists. Where was Clapped Out Eric in this jamboree? He could have changed any busted strings for them. And I'm a tenor/baritone player! What do I know? A damned sight more......NOW!
¿Qué espera uno escuchar si reúne en un mismo escenario a genios guitarristas tocando un gran tema? Pues, escuchará MUSICA para el deleite de los oídos! AMARZING!
WOW!!! BRAVO!!! SUPER!!! O MÁXIMO de ARTE do JAZZ. Tal e Larry Coryel não estão mais no mundo físico, mas sua arte é Onipresente! Grande performance de Grandiosos músicos; TODOS eles. Obrigado pelo post.
After all those burning solos before him I just love the way Larry Carlton Place just enough keeps it melodic and please just enough plenty of space so it really catches the ear 👂
Reading the comments it seem some listeners haven t understand that the Larry Carlton's performance was to put the pressure and intensity higher and higher in order to end this song at its climax...and the result is just amazing...it ends like crazy... and Mr Carlton s touch with higher and amazing acurate notes were ment for this....a finish in "apothéose" !
Are you kidding. Sit all these primo cats in a room and let them jam to this.... what an honor. All bad comments can go back to wishing you could play.
There are no Winners or loosers but only Followers and Leaders, if you watch and listen carefully, you could see or percieve if you wish (with an skilled eye) the Way how all players realy trust upon the guidance of Uncle Scolfied, maybe for a few second we doubt during Abercombie, but, when Scofields starts...The same maybe happened in the Baroque during competitions in improvisation, to bring everything to a new dimension of course we could only relate to ourselves etc... But still Thank God there is...Scofield!!!!! please listen Still Warm: All Mighty Rule of the Thumb Protocol and Techno!
In Larry Coryell's autobiography 'Improvising', he says they were ALL absolutely blown away by Larry Carlton's playing here. I have to agree - they all sound a bit 'fingers doing the walking' except Carlton who brings some space and sweetness.
Farlow; Coryell; Abercrombie; Scofield; Carlton... ...in that order. (What was the occasion for this?) How neat to see Farlow, the only pre-R 'n' R guitarist here, be the elder statesman with these four "fusion" giants. (To non-Guitarist, non-Music Geeks, these players are not household names; to Guitarists and Music Geeks, THEY ARE.) Note how good, how hard-swingingly rock solid Bassist Patitucci and Drummer Hart are, here... ...and look at Billy Hart's face at the end: It's as if he's thinking, "Not bad... Yeah, that was okay..."
John Abercrombie do great and very in his own way! but John Scofield, WOW x 1000000 !!!! from 8:00 to 9:00 those are the 60 sec. more epic recorded in an all stars meeting like this. Just look at the ecstasy face of Patitucci and his connection with Scofield and song, then we can conclude that it was simply amazing, pure magical music esence behind a jazz guitar genious.
Love this. Great opening with Tal and Larry comping for him. Enjoyed Larry's solo here. Had a little bit of many styles in it, a wonderful compressing of idioms and styles.
Scofield (my favorite) flowing at ease as usual and a lot to say on the theme, Abercrombie too, Carlton reinventing the approach nicely, Farlow a classic, and Larry Coryell struggling as usual with some nice tricks but... he never really belonged there.
what the hell are you on about Larry Coryell deserved to be there ofc and i’d say he played a lot more in Tal’s than anyone there i don’t think one should compare in these situations but i’d defend coryell anyway because his playing just sings straight to my soul a lot more than scofield or anyone else here honestly i can respect them though and there’s no need to put other cats down
@@sumtin05698 ...well... you don't like it? It's your problem. You love listen to Larry and his picture is hanging in your living room shrine? Great for you. (unfortunately it won't improve Larry's poor playing a single bit... and you should replace the batteries in your hearing device)🤣
![Martino,Scofield & DeFrancesco - SUNNY [High Quality]](http://i.ytimg.com/vi/syercy760YQ/mqdefault.jpg)
![Martino,Scofield & DeFrancesco - SUNNY [High Quality]](/img/tr.png)
Funny that Mr. 335 is playing a solid body here.
the look of delight on Tal’s face as he watches each of these younger guitarists...
I'm very embarrassed to be an enjoyer of jazz music, seeing all these people saying "enter name here, sounds like shit etc. etc." Just very sad to being so extremely negative towards the fine performance these cats put on. I think one thing is certain, we should be thankful that all these titan's sat down and displayed all of what made each one of them so unique. RIP Coryell, Tal, Abercrombie, and all of the giants who have passed. I want to say thank you for everything you have left us!
Eh brother, hear what you're saying - opinions... Not an educated musician, just a lover of good music, and it's funny, how in today's world, the megaphone of the internet gives the people who aren't capable of feeling embarrassment a mouthpiece, but is so often "cringeworthy". Great musicians, great jams, some folks just aren't gonna get it. It's ok.
Well said these are my heroes and have helped to elevate jazz and fusion music not just guitar 🎸
I are really taking care of Monkey's opinions ?
They’re fools. Lol. Don’t be so dramatic. Represent.
Abercrombie, Coreyll, Scofield, Farlow and Carlton. That's some serious guitar royalty going on there.
John Abercrombie and john scofield are great....
And were close friends.
RIP John Abercrombie.
Farlowe, the grandaddy of them all, and with the most depth of feel from that old school.
John Abercrombie! if we are talking about jazz....the best sound, style, taste...
He could play standards (more specifically, "post Jim Hall jazz guitar") like nobody's business. I wish there were more recordings of him playing this stuff, as great as his more progressive and original music is.
Sco remains my fave solo. But I love Tal's for the legacy, Coryell and Ambercrombie for pushing/expanding boundaries, and LC for the sweet modern tones and Pop-friendly melodicism. All clean tone bases pretty much covered. #respect
Larry Coryell said in his book about critics, I don't really care what they say. He was a free spirit, was nice to meet him. Great player and always encouraging new talent. His music is almost beyond understanding for the novice listener. He liked to perform love the getting up and bringing it here like a boss lol... cool cat, R.I.P.
Great
John Pattitucci played the best guitar solo on the big weird guitar
😆
Abercrombie has the unorthodox solo style...very cool
Suits and ties at 120 bpm..and energetic...and no heart attacks!....God is amazing
Closer to 250
Billy Hart holding it all together! Amazing!!! Loved it!!!!1
I love the way Tal is looking at everyone. He obviously loves guitar music and those that make it.
Pattitucci fait tout le travail, l'importance d'un bon bassiste !
Wow! breathtaking. The idea of competitive jazz guitar is self defeating. Each one of these masters is achieving their own personal goals. Our participation in this brilliant display of talent is to appreciate it , all of it. It's diversity defines the whole purpose of jazz. I loved every one of those solos over those standard changes. Comp along and you get the idea of what they're reaching for; each one a valid goal. each one a success and a winner to it's purpose.
10:29 - Abercrombie be like "WTF did i just hear pentatonic?!"
The great Larry Coryell...r.i.p.
All I can say is they all Swing and they each listen hard and play terrific. I would be honored to sit n with any one of these guys. Tal Farlow was my Main Man ever since I first heard him do Manhattan when I was 17 yrs old and couldn't find any albums on him. Wow. I loved this.
They probably would be honored if you were sitting with them.
Nice playing all round. Abercrombie reminded me a bit of Metheny or vice versa. Coryell got into the riff pedaling and it brought the crowd and band up a notch. Different styles and everyone sounded comfortable and respectful of one another.
I apologize to all commentators who pointed out winners -- we all have. My preference stays with Sco. HOWEVER, what is great here is the DIVERSITY of playing styles -- the true gift to all of us: Farlow's old school swing, Coryell's showmanship, Abercombrie's incredible phrasing, Sco's raggedy and modern fluency, Carlton's sweet west coast lines. And hardswinging Patitucci and Hart -- all masters here .... what else could we ask for?
the best comment sir
+chi1984 Thamk you, sir. I am just an amateur player.
Ricardo Moraes-Pinto what else could we ask for? Honestly?
Ricardo Moraes-Pinto I get through the first solo, then I suffer Coryell.... at that point I am certainly not thinking 'what else could I ask for...' I'm thinking please anything other than this will do....
Coryell (RIP) was a virtuoso, but he IS a hot dog here, no question.
The way they all LISTEN and immerse themselves in the shared landscape of the changes, and then go inside to improvise in this way that so obviously transcends playing boilerplate canned phrases. Each holding their own. Just a master-class.
And yes, Scofield is my fave here on this gig, but Crumbs and Carlton sound great too, same w/ Coryell and Farlow - each a unique musical personality/identity, each one, his own man.
Pattitucci is absolutely burning it down on bass!
🔥
i dont mean to be off topic but does any of you know a trick to log back into an Instagram account..?
I was stupid forgot my login password. I would love any tips you can offer me
@Bryce Eden instablaster =)
@@bryceeden6237 i don't use that one it's not as good as "people" say
I used to play drums w/ John & the great pianist Les Czimber (RIP) in Orange County right around when he joined the Chick Corea Elektric Band. He was bout 24-25 & was the talk of the town. Before long, he was "playing like no one else on the planet," quoting an article from back then. Seems like yesterday!
Abercrombie.... Que barbaridad! Que maravilla!!!
These two solid guitars are especially great. Thanks for the good music.
This made my head explode the first time I heard it. I would call this ganging up. FIVE tremendously accomplished guitarists in the same song. I can't even wrap my head around that!
🤍🤧👍Merci pour cette vidéo formidable et très touchante de surcroit. That was a great moment, reunion of joice and happiness without any competition between each others (or just a bunch, like real musiciens love it ah ah), certainly after a good meal with too much wine for everyones. Les feuilles mortes, les carottes cuites et la fin des haricots.
Dans l'ordre :
0:01 Tal Farlow (guitare archtop hollow body)
2:02 Larry Coryell (guitare hollow demi caisse)
4:33 John Abercrombie (guitare solid body avec table de résonance)
6:33 John Scofield (guitare semi hollow)
9:00 Larry Carlton (guitare solid body sans table)
10:59 All together
And always incredible John Patitucci (bass) and Billy Hart (drums) ! Tout le monde à gagné !
(.....Humm : First for me : John Abercrombie....). Mentions spéciales au chef Tal Farlow et au prix du public pour le fun du show Larry Coryell.
Schofield the most melodic. He killed it.
Melodic? He's more dissonant than melodic.
@@troysanders7775 melodic dissonance. look it up.
@@troysanders7775 He's melodically dissonant
@sjb7183 He's rarely melodic which is why most guitarist I know don't like his playing. I also hate his tone but many like him.
@@troysanders7775 I understand your point of view. He's my favorite player at the moment because there's so much to learn from him when it comes to improv and harmony. I think you should dig into him more!
Awesome use of whole tone scales thrown in by Sco.. so freakin cool and "outside"..!!!!!!!!
This is interesting! Many top-notch guitarists backed by favorites Patitucci and Hart...beautiful standard...live! What more could a girl ask for?
ive commented on Pattitucci after gig shenanigans,perhaps that is what a girl wants?????
Larry carlton tocas espectacular!!..eres melodico en el jazz!!
nice collection of different generations and styles. Wonderful!
Everyone here is being so careful not to quote any cliche playing at all; not outlining the changes or playing any obvious bebop licks, while staying true to their own unique style. Very interesting.
A lot of guitar right there. Thanks for making available. Looks as if they all coincidentally were to get married later that day!
I've met abercrombie, such a nice guy. Loved his solo on this too. Gotta say scofield and abercrombie really said some great stuff.
Took a few lessons with John when he was living in San Francisco with his girlfriend, Lisa. (The lessons were at her place.) I can attest to your experience. He was a truly nice guy. Just a really sweet man. So down to earth. I'd see him play at the old Keystone Korner and during the break he came out for a while and wanted to know my opinion on how he sounded. Just the fact that he wanted my opinion of this true master player's tone and performance was just ridiculous. He always had incredible tone, probably the best solid-body jazz tone I've ever heard. RIP my friend.
🤧👍
I was at this show--incredible gathering of players!
I like that Carlton stays true to his style no matter the context. He can burn through the changes with the bebop lines as good as anyone but he will always keep that bit of overdrive and make tasteful use of bending. Even if bending and distortion can seem out of place in trad jazz.
He was out of his league here with true bebop players.
Later that night, Patitucci was trying to sleep but still moving his fingers doing invisible basslines.
@@kevinpratt7105 wtf
Farlow and Coryell are peerless!
If a winner must be named, with all that stunning world class talent, the only winner is
THE LISTENER, privileged to be able to hear such a banquet of virtuoso guitarists.
Where was Clapped Out Eric in this jamboree?
He could have changed any busted strings for them.
And I'm a tenor/baritone player! What do I know?
A damned sight more......NOW!
¿Qué espera uno escuchar si reúne en un mismo escenario a genios guitarristas tocando un gran tema? Pues, escuchará MUSICA para el deleite de los oídos!
AMARZING!
This should have 100 million views.
Awesome J Abercrombie and J Scofield🤩😍💖💖💖
man.. I wish I had john abercrombie's ear
I wish I had his moustache
as warrenZevon once sang "id like to know his tailor"
Loved his solo. How dare he take that talent to the grave. RIP Aber.
Con Artist i know it’s not a competition but O what a soul that man had
Bit weird are you a cannibal??
no judgement, just hands down, flat out spectacular. thanx for that gentleman!
WOW!!! BRAVO!!! SUPER!!! O MÁXIMO de ARTE do JAZZ. Tal e Larry Coryel não estão mais no mundo físico, mas sua arte é Onipresente! Grande performance de Grandiosos músicos; TODOS eles. Obrigado pelo post.
Hard to pick a favorite, they all have their own very cool take on this.
Pattitucci -what a Monster ! Man he got around
What a perfect discovery on this Autumn evening - 1st of November - the day after Halloween
great marvelous master piece.
autumn leaves the jazz standard no.1.
anyone know this melody n so many musicians try to play.
melancholy.
bravo brava
Pure joy so many great musicians in one stage great thanks
After all those burning solos before him I just love the way Larry Carlton Place just enough keeps it melodic and please just enough plenty of space so it really catches the ear 👂
Carlton isn’t really a jazz man.
And here’s the proof.
The first two minutes are all I need - Tal is my man !
Reading the comments it seem some listeners haven t understand that the Larry Carlton's performance was to put the pressure and intensity higher and higher in order to end this song at its climax...and the result is just amazing...it ends like crazy... and Mr Carlton s touch with higher and amazing acurate notes were ment for this....a finish in "apothéose" !
!!So much ideas,so much talents !! Great Réunion ! thanks !!
That is fricking nuts. Amazing.
Scofield is so out of place but then not. Love it.
Giants of jazz guitar as never before..whooah!!!!
Are you kidding. Sit all these primo cats in a room and let them jam to this.... what an honor. All bad comments can go back to wishing you could play.
amazing group of characters!
Well done that bloke who finished it.😂.... wouldn't have thought it was possible myself 👍.😂....
John Abercrombie tho! wow, stole the show imo.
Nice bass as well.
Thank you for your comments.As you know ,each guitarlist has a very strong individuality.That's the best feature!
tell me who can dislike a piece o ART like this!!
the incredible scofield
@ boring is carlton, sco is amazing
scofield el Mejor sin duda ....
Tal Farlow's Touch!!
Wow amazing! All of them!!!!!!!
Abercrombie has the best time of the bunch
Yes!
Abercrombie is from another planet..."Backward Glance" For those who in this noisy turmoil still look for essence
ambercrombie and scofield amazing
ギタリスト皆さん方のプレイ、トーン、アクション、素晴らしく思い、楽しませて貰いました。
日本人にはロックトーンのイメージのＡＲのフロント(super58？)、は凄く、カールトン(私のFavarit)ＶＡのＥＭＧのジャズトーンより、
【ある面】
凄まじく、インパクト有るものでした。
日本人で、ＡＲをあのように使いこなせる人はいないかと思い、スコフィールド、(ベンソンも)等含め、ｌｂａｎｅｚｅのジャズトーンの実力に刮目させられ、時を忘れた感覚でした。
投稿者さんの、素晴らしい投稿に感謝します。
There are no Winners or loosers but only Followers and Leaders, if you watch and listen carefully, you could see or percieve if you wish (with an skilled eye) the Way how all players realy trust upon the guidance of Uncle Scolfied, maybe for a few second we doubt during Abercombie, but, when Scofields starts...The same maybe happened in the Baroque during competitions in improvisation, to bring everything to a new dimension of course we could only relate to ourselves etc... But still Thank God there is...Scofield!!!!! please listen Still Warm: All Mighty Rule of the Thumb Protocol and Techno!
Simply exquisite!
タル・ファーロウ最後の花舞台。最高です。
Sco is absolutely burning!
I've been looking for this concert forever since I lost mine! Thanks!!!!!
Guitar at it's most creative and beautiful!! Killer
1:16 John Scofield; Autumn Leaves? I'll sit this one out
In Larry Coryell's autobiography 'Improvising', he says they were ALL absolutely blown away by Larry Carlton's playing here. I have to agree - they all sound a bit 'fingers doing the walking' except Carlton who brings some space and sweetness.
MrSteviedan totally agree.
but unfortunately that fkn vallley arts guitar robbed him of his tone 335 for Lazza ,he is so much better than that damn solid schmaltz emoter!
Quite a collection of contemporaries!
Abercrombie so good player! Of course,Scofield too!
2年前からひろゆきとヒゲおやじの切り抜きやっててアバークロンビー好きとかあなたただ者じゃない！
Scofield master of outside playing... outstanding...
Music is not a competition. But by god, these are the best of the best :)
10:28 "Is he still there?"
10:29 -- every time you do a bend on standards, thats the face of a jazz-purist guitarist!
+Giada Jade Ferrarin Cus Scofield is totally a jazz-purist. XD
of course :P
theMstanglover of course :P
+Giada Jade Ferrarin Every time you make a shit out of time etc..., thats the face of a real musician...
+Adrian Fernandez obviusly everyone can and has to play like he/she wants no matter bendings or tapping :) i was joking of course :P
Lots to like and learn from in this clip. One thing is that these guys really dont suit penguin suits ;-)
For sure! :)
All of these players were an inspiration to me a as a young guitarist.
Farlow; Coryell; Abercrombie; Scofield; Carlton...
...in that order.
(What was the occasion for this?)
How neat to see Farlow, the only pre-R 'n' R guitarist here, be the elder statesman with these four "fusion" giants.
(To non-Guitarist, non-Music Geeks, these players are not household names; to Guitarists and Music Geeks, THEY ARE.)
Note how good, how hard-swingingly rock solid Bassist Patitucci and Drummer Hart are, here...
...and look at Billy Hart's face at the end:
It's as if he's thinking, "Not bad... Yeah, that was okay..."
+tuxguys
Scofield isn't fusion !! He's confusion ....
Mark Harris Cute.
John Abercrombie do great and very in his own way! but John Scofield, WOW x 1000000 !!!! from 8:00 to 9:00 those are the 60 sec. more epic recorded in an all stars meeting like this. Just look at the ecstasy face of Patitucci and his connection with Scofield and song, then we can conclude that it was simply amazing, pure magical music esence behind a jazz guitar genious.
a little credit to the hard working bass player trying to keep things in perspective . hey where is Joe pass when we really need him here ?
Played with Larry, great jam!
7:46 - note Crumbs chuckling and bouncing in the background, as a sign of major approval of Sco's wicked line that start around the 7:38 marker.
Love this. Great opening with Tal and Larry comping for him. Enjoyed Larry's solo here. Had a little bit of many styles in it, a wonderful compressing of idioms and styles.
That was His thing.... Beautifuly expressed by You as "wonderful compressing of idioms and styles"... Larry Coryell ❤
Great upload, thanks! Surprised to see Larry Coryell playing a Borys archtop... maybe it was on loan from Emily? Whatever....?! Great playing by all!
Contrasting styles and personalities and identities, excellent. It's not a contest to see who's better, such childish remarks.
So true.
Spiritual infants. Ignore them-they’re still learning.
Amen.
Scofield (my favorite) flowing at ease as usual and a lot to say on the theme, Abercrombie too, Carlton reinventing the approach nicely, Farlow a classic, and Larry Coryell struggling as usual with some nice tricks but... he never really belonged there.
what the hell are you on about Larry Coryell deserved to be there ofc and i’d say he played a lot more in Tal’s than anyone there i don’t think one should compare in these situations but i’d defend coryell anyway because his playing just sings straight to my soul a lot more than scofield or anyone else here honestly i can respect them though and there’s no need to put other cats down
@@sumtin05698 ...well... you don't like it? It's your problem. You love listen to Larry and his picture is hanging in your living room shrine? Great for you. (unfortunately it won't improve Larry's poor playing a single bit... and you should replace the batteries in your hearing device)🤣
3:50 onwards Coryell went onto another dimension altogether..
Collection of genius..
BRAVO !
(2016/taipei)