This is the most extraordinary collection of cinematic talent that has ever been gathered on stage together - with the exception of when Michelangelo Antonioni accepted the award alone.
@@somniansvulpes Bresson a lot of times exclaims how he hated cannes, saing that "is a beauty contest", along with his tought about the cinematographer that some people refuse those. In the press conference of that cannes, also booed him. Sometimes the critics are really assholes.
Yes, they were definitely booing Bresson. Just like they booed Antonioni and Lars Von Trier. At Cannes, booing is usually a good sign the film was worthwhile.
@@ShahyarGhanbari Are you really Shahyar Ghanbari, the poet?? What do you think of the directors Abbas Kiarosatmi, Mohsen Makhmalbaf, Jafar Panahi and Asghar Farhadi?
I remember Tarantino being booed and cursed at when he won the Palme d'Or, and he simply laughed and flipped them off, LOL. These men were too classy for that, though.
ANDREI TARKOVSKY ...ROBERT BRESSON ... and THE THIRD MAN : ORSON WELLS. A DREAM COME TRUE... But a DISGRACE for CANNES ! Just 2 certificates for the MAESTROS>.....OUR CHILDREN WILL REMEMBER...
It is cool that Tarkovski won a prize in 1983 for "Nostalghia" but in 1986 Tarkovski should have won the "Palme d'or" for "Sacrifice" his last superb masterpiece before he died but for some reason the jury gave it to the overrated and forgettable "The Mission" !!! Shame on Cannes in 1986 :(
Not really, sure he disliked some of Bergmanns and Goddards work but firstly not all of it and second, he loved a lot of Scorseses and Polankis work as well, among others
They didn't like the Bresson, they thought it was boring and that it was the relic of a genre of cinema people didn't want to see anymore... And now 37 years later L'Argent is considered a masterpiece
even for cannes audience, bresson is too radical. highly misunderstood. people still admire tarkovsky even they dont really understand his films. they at least captivated by the beauty. this doesnt happen in the bresson's case.
I love Tarkovsky's work, but I really cannot abide Bresson. I kind of respect his ideas and way of shooting, but for me it rarely ever worked. A man escaped it definitely worked. Personally really don't get it. I have to judge a film on whether it worked for me or not, and they hardly ever did. I think he is the only 'good' renowned director that I have this problem with.
I absolutely love Bresson, and I'm not that much knowledgable of cinema. The simplicity, the closeness, the richness of content and precision in every shot. I like all the films of his I've watched: Mouchette, Pickpocket, Au Hasar Balthasar, A Man Escaped... all of them are amazing. Some of them you have to watch twice to fully appreciate and understand his characters. At least for me, but some people are quicker to pick things up than me.
To appreciate Bresson you need to forget everything you think cinema must be. The great emotional performances, dynamic editing, and exciting camera movements are all rejected by Bresson. Cinema for him was automatic. Throughout his films he tried to achieve that with utmost simplicity. He is a filmmaker that transcended traditional filmmaking, and created his own.
Did you watch them more than once? I disliked every one at the first watch except A Man Escaped as well but I really grew to love them during the second watch
A dream come true...seeing Welles, Bresson, and Tarkovsky together on stage at Cannes.
A shame Welles loathed Bresson's films
@@jimberbuinn3282 and Bresson loathed all other films bar his own 🤣
True, but Bresson and Tarkovski were genius, Welles was lucky talent. That is the difference
@@jimberbuinn3282, Les films de Bresson sont la base de tout le cinema d’auteur!
This is the most extraordinary collection of cinematic talent that has ever been gathered on stage together - with the exception of when Michelangelo Antonioni accepted the award alone.
There's a pic of Antonioni Ray and Kurosawa
That Tarkovsky's shyly smile when he shook the hand of Welles! Same when he was next to Bresson. Very precious moment of Cinema right there!
@peterkelnerxd7009Did Tarkovsky ever say anything about Welles?
Tarkovsky always got a great admiration for Bresson.
it's an honor just to see these men together in a picture.
I will shamelessly admit to having an OMG moment when Tarkovsky came into view.
Cameren Lee me too❤
Bresson was Tarkovky's favorite director.
3 absolute geniuses
I love how Tarkovsky got not a single boo, only applause.
I hate how Bresson was booed. L'Argent is such a great film !
@@somniansvulpes Bresson a lot of times exclaims how he hated cannes, saing that "is a beauty contest", along with his tought about the cinematographer that some people refuse those. In the press conference of that cannes, also booed him. Sometimes the critics are really assholes.
of course, he's fucking TARKOVSKY!
Yes, they were definitely booing Bresson. Just like they booed Antonioni and Lars Von Trier. At Cannes, booing is usually a good sign the film was worthwhile.
Except Bresson and Antonioni actually have talent
when i remember the reason why Tarkovsky love Bresson (his childhood famine) i feel so close to them...
I've seen this video a number of times and each time I feel like I must be dreaming.
It's a dream like Video .The Masters are gone .
@@ShahyarGhanbari Are you really Shahyar Ghanbari, the poet?? What do you think of the directors Abbas Kiarosatmi, Mohsen Makhmalbaf, Jafar Panahi and Asghar Farhadi?
i would die to know what those two giant of cinema told to each other at the end of this video
"Did Orson think they were clapping him?"
if you died you wouldn't be able to know
Our children will remember👍🏻💐
If I had been there I would still be clapping
And they're being booed. Just stunning.
I remember Tarantino being booed and cursed at when he won the Palme d'Or, and he simply laughed and flipped them off, LOL. These men were too classy for that, though.
@@dkelly26666 Tarantino isn't that good.
@@saran5263ok?
I adore how tarkovsky moves, the man doesn't seem like an intellectual at all, just a cool guy.
ANDREI TARKOVSKY ...ROBERT BRESSON ... and THE THIRD MAN : ORSON WELLS.
A DREAM COME TRUE... But a DISGRACE for CANNES ! Just 2 certificates for the MAESTROS>.....OUR CHILDREN WILL REMEMBER...
A DREAM COME TRUE....Those DAYS are GONE. Forever ! NO MORE ANDREI . NO MORE ROBERT . NO MORE ORSON. NO MORE CINEMATOGRAPHY .
they'll be back
It's hard to understand for people nowadays, that THAT (Tarkovsky, Bresson, Wells) was REAL ART, not ornery imitation, like what they do now.
🤦♀️ you people are so indulgent..
It is cool that Tarkovski won a prize in 1983 for "Nostalghia" but in 1986 Tarkovski should have won the "Palme d'or" for "Sacrifice" his last superb masterpiece before he died but for some reason the jury gave it to the overrated and forgettable "The Mission" !!! Shame on Cannes in 1986 :(
🏃♀️❤🖤❤Ante la inteligencia RENDIDA...Natalia Tarnovsky.
I feel like Tarkovsky just wanted to go home and pet his bird
😂
ولی چون شهیار قنبری گذاشته لایک زدم
Does someone know what was Orson's thoughts about tarkovskys work?
He never said anything about tarkovsky
Not really, sure he disliked some of Bergmanns and Goddards work but firstly not all of it and second, he loved a lot of Scorseses and Polankis work as well, among others
Legends only
Cinema with capital letters.
❤
E dire che L’argent di Bresson è poi diventato un film feticcio verso i più grandi autori cinematografici!!!
Cinema giants whistled by dwarfs! Hissed by the very people who today shower us with turnips of all kinds!
من که نمیتونم متوجه بشم این برنامه راجع ب چیه..زبان نمیدونم...
HOW
HOW
HOW
HOW
HOW
Любимки в Каннах
Imagine if bergman, kurosawa, hitchcock and kubrick were there.
Why they looked so confused?
Can you imagine what would happen if those three directors collaborated to make a movie!!
OptimusPrime777 is it the same film Bresson wanted to make about the genesis?
maybe not a good idea
It would be a confused mix of different visions
İt means a biggest conflict of style in The world.
Agree with the above 2 comments but it would be a gorgeous mess nonetheless
Am I crazy, or is the fourth man James Dickey?
No, it is someone who DIDN't admire James Gould Cozzens, William Styron.
merci :)
chad tarkovsky and virgin bresson
Contestare un genio come Bresson è vergognoso.
I film di Bresson sono la base di tutto il cinema d’autore che verrà dopo !
@@sandrasandra2775 anche Jacques Tati ammirava Bresson.
Why can’t tarkovsky be a sport and give a nice lecture
Si quiere montar al caballo...primero acaricialo...grande mi tio tarkovsqui.
hehe, funny you say that, because Welles Hated Bresson's style.
Tianyang Li and i think tarkovsky at least criticized welles
Juan Perez i do not remember, unfortunatly. Perhaps 'sculpting in time'...
Welles never gave an opinion about Bresson.
@@mcsteifefrise9995 It was Bergman who criticized Welles.
They got best director ..not bad though right ? The Ballad of Narayama got Palm d Or
Why the hell are they booing?!
Dude they boo at Cannes for everything lmao.
Carlos Rivera Fernandez not really, they applauded Wild Pear Tree in Cannes for 10 min.s
They didn't like the Bresson, they thought it was boring and that it was the relic of a genre of cinema people didn't want to see anymore... And now 37 years later L'Argent is considered a masterpiece
Frenemies ... ♡ ♡
Andrei ta
even for cannes audience, bresson is too radical. highly misunderstood. people still admire tarkovsky even they dont really understand his films. they at least captivated by the beauty. this doesnt happen in the bresson's case.
Still, Welles didn’t shake Bresson’s hand.
he actually does, few seconds later, in this video the moment has been cut out
I love Tarkovsky's work, but I really cannot abide Bresson. I kind of respect his ideas and way of shooting, but for me it rarely ever worked. A man escaped it definitely worked. Personally really don't get it. I have to judge a film on whether it worked for me or not, and they hardly ever did. I think he is the only 'good' renowned director that I have this problem with.
I absolutely love Bresson, and I'm not that much knowledgable of cinema. The simplicity, the closeness, the richness of content and precision in every shot. I like all the films of his I've watched: Mouchette, Pickpocket, Au Hasar Balthasar, A Man Escaped... all of them are amazing. Some of them you have to watch twice to fully appreciate and understand his characters. At least for me, but some people are quicker to pick things up than me.
Bresson is doing his things by applying his own ideas and theories of how cinema should be, that is why he is so special in the history of cinema!
To appreciate Bresson you need to forget everything you think cinema must be. The great emotional performances, dynamic editing, and exciting camera movements are all rejected by Bresson. Cinema for him was automatic. Throughout his films he tried to achieve that with utmost simplicity. He is a filmmaker that transcended traditional filmmaking, and created his own.
I love Pickpocket and L'argent.
Did you watch them more than once? I disliked every one at the first watch except A Man Escaped as well but I really grew to love them during the second watch
Awkwardness abounded here. I think Orson could not help but hog the stage lol