USA made guitars are to expensive and import made guitars are evil?? / Sam Ash Files Bankruptcy
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- Опубліковано 3 чер 2024
- #knowyourgear #guitarpodcast
Subject index
00:00 Intro
01:00 new online clinics
02:19 Sam Ash Filed For Bankruptcy
04:30 I went to Sam Ash this week
10:40 nylon washers on tuning keys
14:04 USA made guitars are to expensive and import made guitars are evil??
21:00 Why the KYG logo changes over the years
25:02 What do you make on a Million view short video
25:30 Blackstock pickups in-stock and selling some other stuff
27:30 Why do guitars go sharp sometimes in a stand?
31:00 Falling in love with a old guitar
34:00 is the ESP viper a legitimate SG copy?
38:53 Why Chasing Tone With Gear Is A Fools Errand.
46:35 My absolute favorite guitar pedal and why I use it
sweetwater.sjv.io/y2gzeV
and
sweetwater.sjv.io/xkMgK5
52:20 Issues with 50 Les Paul T.R.A.I.N.
54:22 Guitar Of The Week (This was my favorite one for sure)
sweetwater.sjv.io/xkMgK5
1:17:00 Guitar Prices Have Dropped To 2019 Again?
1:22:28 Suhr, PRS, Music Man And Kiesel why they are the best?
1:24:00 Why I want A V guitar so bad
1:26:00 Why do Seymour Duncan Jb pickups sounds so good???
Read THIS!!
www.dimarzio.com/story/rememb...!
1:33:30 Larry Mitchell is the best human on the planet and a amazing musician
www.larrymitchell.com
1:36:00 Kit guitars pickups suck
1:39:02 Best 12 strings for 60s style music
1:45:00 All Attenuators kills your highs
1:54:00 Strat vs Les Paul
1:57:30 Thank you
Im selling some gear. First heads up
reverb.com/shop/mcknightguitarco
This Podcast is 100% Sponsored by Patreon and Channel members
www.patreon.com/phillipmcknig...
You can see clips of the podcast on the 2nd channel
/ @knowyourgear2320
Check out KYG Merch
www.knowyourgearpodcast.com
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Thanx for continuing the episodes without fail. I'm feeling pretty rough today, and appreciate the content while I'm laying around sick. It's comforting to know, there's somebody you can always count on do his thing every week. Long live the KYG podcasts.
Hope you feel better soon .
@@TheSavagederek Gasteoparesis sucks. You have to eat like a bird almost continuously, but still feel hungry. Lost 60lbs. and everyone thinks, wow great? Not so much. It's a constant battle that you really can't win. Without insurance, I'm not able to get the chiropractic adjustment I most likely need to alleviate the main problem. Gonna have to go back to WI. to get any medical care.
Same! I watch five ten minutes here and there during the week. It really helps me get through the stress.
Let's stop a sec to appreciate the insane quality of Kiesel....and for the price...and made in USA!! I love the company.
That low gain tone with plenty of sustain is a classic rock thing, alot of players try chasing that vibe with too much preamp gain and not enough power amp volume
Ah, cranking a non-master volume amp is cranking the preamp, by definition. Most 'rock/blues amps' are non master, and most hi gain amps are master volume, for a reason. Most people can't even crank a Princeton, let alone a 1987x through a 412.
New intro sounds great! Like pro radio. Thank your wife for us!
The sound in my head eventually came down to the guitar, not amps and pedals. The rock sound I had had in my head happened to be present in a Gretsch Sparkle Jet!
XLNT Show again, Phil! Here's my personal Sam Ash memory: I lived in Brooklyn, NY during the 1st half of the '80s; and though really just a "newbie squid" then, the selection of Guitar-centric gear on display @ their Kings Hwy store--and the whole "Music Row/ 48th St." scene--was a TOTAL MINDBLOW 4 me ! NOW I've "cracked the code" on the "V/H 1 thru 5150" EVH sound with my stereo pedalboard into a BEHRINGER(!) Class "D" PA! Chasing GEAR with TONE!!
There is no better UA-cam channel to watch when I'm working on guitars or pedalboards. So Zen and interesting at the same time.
Totally get what you mean about falling in love with an old guitar. I still have my first guitar, an old American Deluxe Strat, picked it up the other day and it just clicked. Glad I kept it!
I agree about learning to use the gear you have and also learning what works for you, as doing that myself has almost cured my GAS. I finally found the combo of amp and pedals that makes the sounds that make me want to play more guitar and I’m not as excited about changing that, just small refinements on the stuff I’m using
I spent a lot of money on gear and a lot of time fiddling with settings to get here though, so I guess I’m saying let the GAS run its course and hopefully you be content at the end
Phil... not sure you'll get back to see this comment after the fact. Regarding your comments on losing highs with an attenuator - thanks for that! You confirmed the sense I had just listening. When I first went looking for an attenuator about 2 years ago, I really got the impression that the Tone King Ironman was about the best out there.. but it - as well as the UA Ox, were kind of I thought unreasonable $ for this part time guitarist... about that time I happened to watch an even older rig rundown with either Jason Isbell or Derek Trucks?... I noticed he was using Weber Minimass attenuators to help control stage volume. I figured if they were good enough for Jason/Derek they were good enough for me. I mention this because the Weber Minimass has a treble boost feature - you can select either 0 (off), 3 or 6 db of treble boost. Depending on how much attenuation you dial-in (Weber's Minimass is completely variable), you may decide you need to select 3 or 6 db treble boost. My experience with it is it does help compensate for the loss of highs. You still need to adjust your amp, but it helps get you back to the unattenuated tone. As well, your explanation and advice about the variability in the design of the EQ sections of different amps is well taken. Thanks for that great explanation as well! Lastly, I just want to express my thanks for your frank and objective advice, for your rigorous and knowledgeable assessment of gear, and your insight into the industry, that comes out in every episode. I can't express enough what a service you provide to guitarists of all levels, but especially to those of us with music as an avocation. We certainly can't get this sort of clear and objective insight reading the trade publications or watching the big manufacturer videos. KAS. PS: I'm really sorry to hear about Sam Ash as well... IMHO "consolidation" into a few (now two?) big suppliers is NOT a good thing for consumers.
Some things are necesarry for a certain sound. Class A pulls power continually from the source, which does affect the response of the speaker. Class A/B pulls a minumum of power until it gets a signal from the guitar, and Class D pulls almost no power until it recieves signal from a guitar. Class A power is much louder per "output wattage" and also sounds better. The order of harmonics is also different between power classes of amplifiers. Some people like the sound of even
order harmonics, and some people like the sound of odd order harmonics, The power class of the amplifier will affect which harmonics will be heard.
Phil I’m sure you’re aware of Rick Beatos endeavor to document music history with his interviews of musicians. I think it would be great for you to interview Larry Dimarzio in video to get him on record with his history and I’m sure some really cool stories regarding his contribution to Guitar based music and the people who made it.
I have two Line 6 M5's on two different boards and still use them all the time. Still more than relevant today.
I've recently simplified my setup because I was annoyed with my tone. I started using a really simple setup with an amp sim in my DAW for recording, so I thought I'd apply it to my real amp. I unplugged all the pedals I had and just played straight into the amp. It's just a modern Peavey Bandit 112, and on the lead channel, I run the Classic distortion mode, 7-10 on the gain depending on the style, and then I've got the 666 setup for bass, middle, and treble. It sounds great, very similar to what I'm doing in the amp sim. I don't need an overdrive, I can chug just fine without it, but if I want a little extra for whatever reason, I have an EHX Hot Wax and I just give a tiny boost with the Hot Tubes side of the pedal. Using an overdrive introduces a lot of noise, and it also just makes the guitar unnecessarily "tight". Everyone talks about overdrives tightening up the sound, but I actually kinda like the fatter sound without one. It's not flubby or weak or anything, it still sounds sick. Now I just have a pile of pedals since I took half of them off the board. All I'm using is a tuner, an EHX Pitch Fork, the EHX Hot Wax, an EHX Ripped Speaker, and an EHX Signal Pad in the effects loop as a master volume. It's simple and it rips. It also looks like EHX sponsored the pedal board, but they make good stuff for a good price.
On the topic of Sam Ash closing 42 locations- these are retailers closing locations and the numbers:
Family Dollar
620
Rue21
543
99 Cents Only Stores
371
CVS Health
315
7-Eleven
272
Rite Aid
165
Express
105
Walgreens Boots Alliance
77
Macy's
51
And others…
So much for “Build back better.” Let’s go Brandon!!!
Phil im not much of a kiesal guy but love your new axe I've watch your show since the beginning sending love from maine
Of all of the attenuators on the market the Fryette Power Station has the reputation of being the most transparent when it comes to changing the sound of the amp. It's an analog circuit and it does double-duty: the 50 watt or 100 watt tube power supply (depending on the model) can be used to boost the amp output. If you have or want to use a low-watt amp but it doesn't have enough power to gig with a band, etc. a Power Station is the way to go.
Power Stations are at the upper-end of attenuator prices. There are UA-cam reviews and plenty of info available on various amp forums.
Some real 💡💡aha moments on the Patreon clinic!! That was great
Your nervous laugh is funny thanks for being you!
Your Kiesel A2 Koa is beautiful. I'm from Hawaii and have Hiked in Koa forests and have seen Koa trees split open either from weight or lightning and the beauty of the wood inside is amazing. Koa is a super hard wood and it takes a lot of work. Will dull your saw blades pretty quick. Your new Kiesel A2 is beautiful as well in a totally different way. I can see why they send you guitars as many like me that aren't familiar with the company would actually consider buying one. They make some crazy beautiful guitars.
ThNks Phil loved the show. ❤️🙏🏻
Another good one, gonna head over and get a shirt!
Hey Phil: Thank you for answering my question about the tuning key washers for my Alvarez Dana. I was having a hard time pulling the key/button/knob off - pulling harder worked. I'll order replacements. Thanks again!!
You know things are getting weird when people are even clickbaiting on emails lmao
I would agree that the basic big three pickups are the DiMarzio Super Distortion, Duncan JB and PAF. My favorite of the three is the Super Distortion. But the pickup I've used the most over the last thirty-three years is the DiMarzio Tone Zone because it's like a more perfect JB. It's warmer and smoother and has more bite in the right places without being brittle. I'd also agree that the Duncan Full Shred is the closest thing Duncan makes to a Super Distortion, except that it's a lot tighter. I like it more than the JB.
I bend a lot and always loved my Malmsteen Strat. I did find the guitar plays the best with Yngwie’s string guage selection which is light to heavy. But I have no problems going sharp and find the neck comfortable.
Speaking of double neck guitar players, if you haven't checked out Mark Kroos you definitely should. He does an amazing "Dueling Banjos" amongst other things.
Love how the Kiesel looks and sounds!. Awesome color choice! They should make it a PhilMcKnight color, like the Delos.
If you’ve never tried the Vertext Steel String Clean Drive, I think you’d really like it if you like sustain without distortion.
Love the JB I have in a guitar.
I have another guitar with a Duncan Distortion that is basically a hooter JB, with a ceramic magnet
They both sound great
Your comments about falling in love (again) with your "Old Guitar" are very true. I have found as my skill grow that guitars I didn't quite love now offer me a lot more back in 'performance' as my input has improved. I have found that particularly true with my Gretsch Jet with DynaSonics. It is so very sensitive and clean that any minor technical errors show easily from your playing. But as I have become a better player I can make it sound more like what I hear in classic recordings. Think the opening bars of "Don't Dream It's Over" by Crowded House.
Its a fools errand, but so much fun :p
Orange and Blue are complementary colors so they are good together.
That kiesel reminds me of the Pelham blue burst on the new SGs
I love that Kiesel!
Thanks!
Thank you as well
Holy crap that Kiesel is awesome! I would buy that.
I love both of those Aries but the 1st one is my favorite. A beautiful guitar.
Hey, I got a bone for that PRS S2 satin white with 58-15's and they're coming down in price already. That demo you did sold me. And if you're getting a V, you gotta watch some Albert King performances! He was an early adopter of Gibson's Flying V, which was supposed to challenge Fender's innovative shapes but didn't do great until later.
Richard Ash sent an email? Showing that he does have some understanding of the power of the internet...
I have a Schecter V that I picked up used from a Guitar Center for $199. That thing has saved me a ton of money over the years just by scratching that itch.
@PhillipMcKnight I too tried to buy something on Sam Ash's Reverb shop (a pedal) and the page said they had ten, the purchase went through and then I got a message the next day saying they didn't actually have one so they had to issue a Reverb refund (which I'm still waiting for). I've heard that this is happening a lot in the past few day. I'm wondering if something "strange" is going on. The Reverb shop pedal is still showing 10 items available now that it is a couple days since. I reported it to them. Waiting on my refund before buying elsewhere.
If you’re in the market for a flying V….do yourself a favour and look into Vicious Guitars out of Toronto Canada…I’ve played and owned a crazy amount of high end guitars and the guitars coming out of Vicious are by far my favourite…proper next level gear. 🤘🏻
I replaced the Hyperion bridge humbucker on my AZ 2204 with a JB.
I’ll bite. Here’s some engagement. Gotta feed the algorithms to support you.
Sounds good
Greetings from City of Maricopa!! (Pinal County) Are you doing anything on the new Epiphone 355/Gibson?
Thanks
regarding tone search. i've written before that a Yamaha revstar with swapped out pick-ups and inserting T V Jones Super'tron neck and TV Jones classic plus in bridge more than meets the elusive tone search I have had. He installed them himself in the shop. Worth the wait and the moderate cost. Go for it!!
A lot of London bands in the 60s had double necks, Gibson SG form I think, I was a crazy young teen hob nobbing with teen guitarists who became our now massive celebs ( EC, JB etc not)). But those double necks...... Denny Laine played one . . .
Good day Philip.
I always enjoy watching your podcast, And all of you notices.
you are sincerely a very talented musician.
And I appreciate your wisdom and understanding the language of the musical industry.
I have an art core Ibanez semi-hollow body.
It was given to me
The headstock was broken off the neck 😢
I want to send you photos and see if I can get some tips on repairing this but I don't know how to send you these photos could you please give me some information so I can send you the photos and begin the Journey of becoming a a repair novice..
please I'd appreciate your feedback thank you so much.
Sincerely Walter the left-handed bloke 😎
I want a doubleneck 12/6, but it would be mostly useless unless I join a Rush tribute band, or if I ever play Hotel California again. But I still want one. Someday.
Hey Phil - when you said you wanted an M5 version of the HX one - wouldn’t the M5/9/13 version of the HX One just be the HX Effects pedal? I have one and it has 6 available effects at once plus 2 expression pedals. Great show!
For clarity, while Kiesel's chambering is $150, you need to have a top for them to do it, so you'd also have to factor in the cost of their least expensive tops. It is a bit harder to justify if you aren't already picking a top, but they seem to include "free chambering" in a lot of their occasional sales throughout the year.
???? hi Phil, please help when I take the Allen key out of my Apple phone.the truss rod starts to come out with it. It does seem to adjust the neck but I push it back in and jiggle the Allen key free. Is it broken?????
Enya NOVO GO guitar right now is 20% off if you check the box, so down from $190 to $152. Just check the box.
I see the Dano 12 strings used for between
$300.-$400.
Got my HX One on sale for $225. It's never been off since I bought it two months ago.
Regarding Guitars going sharp...I have 7 guitars, 4 Fenders, 2 Gibsons, and a Martin Acoustic. My temperature range is 72-75, humidity 55-65. Every guitar goes sharp every day, even when there is no change in temperature or humidity. Very mysterious. You would think that tuning down every day, eventually there would be no string left on the tuning peg. But it doesn't happen.
Almost like saying using a fancy pool cue won't make you good at playing pool, but it sure doesn't hurt. Better than some pile of crap.
Mesa powerhouse attenuator has a bright switch that works, but don’t feel I need it with my Mesa amp running through it.
I wish they made more scallop neck guitars.
I have a budget ibanez that's 15 + years old. It's my favorite guitar. And I can't bring myself to put 280$ into refret work on a guitar that cost me 190$ in 2009...with the cracks at the neck pickup and pocket Im sure the shop will try to upsell me anyways .
I got JB trembucker put in and it just doesnt have boost. Do i have to raise pickup height? Will adding emg afterburner boost help? Or waste of money?
Anyone know the name of Phil 's reverb account/shop?
43:00 And this is also why people keep commenting on UA-camr channels that they “always sound the same regardless of the gear they’re reviewing”… if you’re not a metal head, you will think Ola always sound the same, if you’re not a rock guy, you will always think that the Toneking always sound the same, if you’re not a blues guy, you will always think than xxxx always sounds the same, you name it. In reality, they’re just always dialing the sound they have in their head and that’s what they like, even if you (or even WE) don’t like it. The fact we think they always sound the same shows really that they’re actually just consistent into dialing it the way they want it to sound… no matter what gear they’re using (digital, analog, tube or not, vintage or modern, you name it). That’s also why we could actually get the exact same gear and rig of our favorite guitar hero and we will never sound like him/her…
I bought the Les Paul smokehouse burst studio version. I hated the guitar. Now it is one of my favorites. I think I broke it in. I rotate my guitars. I have one for everyday and a bass to throw into the mix on Stratoday.
Cool. What kinds of tone wood does your air guitar have?😂
I understand there are better made guitars than cheaper Harley Benton or Firefly guitar types, but after years I have listened and the better gear with cheaper guitar wins.
What is that color, I don’t see it on the Kiesel website
For me, tone is simply one that allows me to hear myself on stage! My gear is an array of top quality instruments, Strat, tele, Les Paul, PRS…amps are Dr Z, Fender, Supro, all sound great, but if I can’t hear myself in the mix, tone is irrelevant. The audience doesn’t know any difference. My 2 cents.
Hi Phil! I routinely listen to the KYG podcast and noticed that you were looking for a Hartke Bass amp (I believe) with 10" speakers. I would like to know your thoughts about MarkBass as a bass amp manufacturer. It seems that in the past, you have not included a MarkBass amp in your decision-making process. Is this because (a) MarkBass has an exclusive US distribution agreement with GC, or (b) is it due to high cost (i.e. $1,199 for the likes of a CMD 102P 2 x 10" combo amp), or (c) do you perceive a build quality or sound issue with MarkBass? I have been playing my Italian made MarkBass CMD 102P combo amp with 2 x 10" neodynium speakers for about 16 years and have received nothing less than stellar complements for its sound quality and it has held up to gigging and the compliments received regarding the quality of the sound coming from other bassists who have play/heard my amp have comments that it sounds better than the best of the tube bass amps from the likes of Ampeg or even vintage Fender Bassman amps. Your thoughts about MarkBass are appreciated.
Hey Phil you highlighted one of my comments a few weeks back when I was talking about my PRs Mira that I purchased at your store..... I don't have a Telegram account but I was wondering if there was another way that I could get in contact with you.....
Mike
Hey PLEASE talk about Egnater amps ... I got one for $250 a Tourmaster 4212 100 watt behemoth and it's so great but nobody talks about them thx
What is lowest action to expect at 12th fret on a Martin X-Series acoustic? Mine is horrible…
Squier 12 string Jazzmaster
I honestly have to say that there is an amp with WAY too much gain/saturation, and it is the EVH 6L6/EL34 stealth. I had the 50w and the red channel was useless to me, and I mainly play death metal. The blue channel was fine, but the red channel was just way too much for me. I prefer to sculpt my tone and hit the preamp hard before I dial in my gain. I got rid of that amp.
What is the model of the SG Classic/Special with p90s?
There used to be one called classic. It had p90s and small plastic white tuners. Was awesome but I don’t know if it’s still made and or if they changed the name.
Any chance you'll incorporate basses and gear for them at any point? Maybe a second channel?
39:03 good set of ears?
What's going to happen to the Sam Ash owned brands? Like Michael Kelly etc...
Get a Solar V Phil! I’m sure Ola will just send you one for free since you know him
Hey Rocco?
CLOCK OUT!!!
Tone is easy plug a good Les paul into a jcm800 Marshall with a 4x12 and you’re done !! Also you can plug a fender guitar straight into a fender amp ! That’s all you need ! Period
Or a Fender into a Marshall or Gibson into a Fender . Likewise with a decent Orange amp or Vox AC 15 or 30 .
U'R HIGH!!👍👍👍
My guitars always go sharp. Strings cool after playing and contract
Sorry epiphone 335!
???Phil
If Sam Ash is filing for Bankruptcy does that mean there will be no great deals on Sam Ash products?
The liquidator will still be selling off stock. They don't want to wait 12 months, they want to wrap up the liquidation fast. So discounts (to my mind) will still happen, and increase as the liquidators tenure deadline looms.
SQUIER Paranormal 12-string $449.99 @ Sweetwater
Would get that over the Danelectro 8 days a week.
Hey the episodes are getting tougher to find :( UA-cams search engine gets worse every year.
you don't need to spend 5k to get a PRS or Suhr :)
Depends on how fast you can run out of the store I guess
First thought: That Kiesel is utterly horrid to look at.
No, actually it isn't. It is amazing and beautiful and I've personally never seen anything like it.
Jeff needs you to design a guitar once a year.
That can be your 'signature guitar'. Every year is different. Kinda like the shirts changing over the years.
In reference to the tone conversation. There’s a difference between the sound and the feel. I find amps like tone king gives me a lot more control over the clean and dirt just through the guitar than any modeled amp. I have a lot more flexibility in just how I use the guitar knobs and pick attack with a well made tube amp. You definitely can get similar tones from many amps. -but how it responds is usually the difference.
I’ve found this applies to pedals as well.
But wait, how could corporations be LOWERING prices on the guitars that they all told us they HAD to raise prices on because of the higher cost of materials and shipping etc? Surely they are not making ANY money now... right?
The continuous price hikes were always just greedy price gouging. You can't claim that your manufacturing prices have gone up when you are still raking in record profit. That math doesn't math.
Sorry, Phil, but those orange pickups just don't go.
Yngwie’s guitars have the tone pots disconnected. No tone knobs. Scalloping. Watch. You will slap a Ferrari sticker on next. Ha! Ha! Unleash the fury!
Classy vs Flashy
No matter who's rig I play, I always sound like me.
I went through a phase where I bought lots of amps and pedals, and also tried a few different guitars.
In the end, I found while I do play differently depending on the gear I'm using, the tone variations are minor.
Yeah, there is some change to the character of my dirty sound depending on the amps and pedals and whether I have humbuckers or single coils, but the sound largely still sounds like me.
I mostly use gear variations in recording to make subtle differences in my sound for layering tracks or to make the solo tracks cut through better.
Also, I have a mix of expensive and cheap gear and I can get good sounds from all of it.
When something doesn't sound good to me, I keep it for a while and try it in different combinations. I have dirt pedals that sound horrible on their own, but the combined result of stacking them with another pedal sounds great. Either the other pedal tames the harshness I dislike or that harshness adds a less refined edge that works for whatever I'm trying to achieve.
I will say where gear matters is if you want modern tones or vintage tones. The right guitar and amp combination will make a difference, but mostly the amp. Even with pedals, you get better modern high gain tones with a modern high gain amp. A high gain pedal like a Suhr Riot with a vintage style amp will be missing something. It might sound good, but there will be something lacking. Imagine chasing a Triple Rec sound with a vintage Marshall and pedals.
Regarding electric 12-strings: I gotta disagree about the Danelectro guitars. The sound just isn't "there" and neither are the materials used, especially at the increased price. There is at least one UA-cam comparison of a Danelectro to a couple of other models where you can really hear the difference.
I suggest looking at the 12-strings made by Eastwood ($1399), Gretsch ($900), and Reverend ($1299). The Gretsch is much better built and sounding guitar and at $900 new it's worth saving a little more money to get it.
BTW, all the above guitars have 44.45-45mm nut-widths compared to the thinner Rick 360/12 41.5mm. The Rick 660/12 neck is 44.5mm at the nut. It doesn't sound like much difference but it makes the wider necks much more comfortable to play. . .
If you really want to sound like the 60s-era Byrds' then you need to read-up on how Roger McGuinn used "double-compression" to attain his trademark "jangly" tone.
Back in the 90s Danos were like £130 . Cheap made from crappy materials . Now they are 'trendy' and five times the price . They are made like a 20 bucks hollow core door with hardboard .
@@TheSavagederek For many players it seems like a 12-string is seen as a non-essential axe to have around. . . But I've loved the sound of acoustic 12-strings since the 60s and the second guitar I ever bought was a 12-string Takamine for $140 in 1972. Great quality and tone. Sadly, it was stolen a week later. I now have a custom-made acoustic (Jim Patterson) but I want an electric model.
So far the Reverend is at the top of my list. The quality of its components including the GOTOH Independent Intonation Bridge, the "bass contour" passive bass roll-off control, treble bleed circuit and other features (lots of details at the Reverend website) makes it a lot of guitar for $1299. (I had to edit my other comment because the price has been reduced from $1559!)
@@retroman541 Ive owned an acoustic 12 for just over 10 years , they sound incredible .
@@TheSavagederek Agreed. I've had mine for around 30 years.