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❤Thanks from Tamilnadu your presentation is nice 😊and one question for you Do you know why when nallasivam act infront of police how he "stole" lakshmi when police finaly reveal truth and ask Maharaja "what we do with nallasivam" and why maharaja insist on "leave" him?
Glad you liked the video... To answer your question - Maharaja insists on leaving Nallasivam, because he can lead Maharaja to Selvam, and Jothi wanted to confront her assualters, because she knew that her father will kill them. So she insisted Maharaja leaves them, so she can at least talk to them, and let them know of what they have done.
If he want him punish, police will do action and put him in the bar. Maharaja wants to kill remaining 2 of them... like 1st one, he will kill Nallasivam and get 3rd one details. Before that he takes his daughter as she wish... Unfortunately Anurag was her real father, he shocked and leave him alive...
@@DreaMagnifierthat is what a strong gripping screenplay is... Full of red herrings, Hitchcock was a master at it... Glad to see that the style of screenwriting continues to work
@@FilmyInfluencer yup bro... But should be done in subtle way. I like the hint of touching backside when we re-watch the movie. Also mobile phone video recordings match cut. But it never hinted following things that they are lying us, that is when we say, cheating. 0- coincidences should not be tolerated in so called masterclass writing (specifically in 2nd and 3rd act) . It is lazy writing. 1- without any particular mentioning, the culprit policeman didn't came that day, the day maharaja came 2- cheating by saying lakshmi, although it doesn't fit at the end. 3-Case would be much easier if maharaja would have said a policeman from your side with small bump( cheated said ear instead) at back 4- they didn't provide any how the hell diamond was only left behind on shop 5- he was seen injured even before he fights with the first villain at same place ( beside ear). I know knees would by the way. 6- randomly main culprit accepts to give tin (i know till then they were knowing he is culprit). (I am not complaining how they misdirected us through timeline, because it gets obvious when we watch second time) Like in shutter island, when we rewatch, we see that how the hell we missed the cues it provided everytime. Btw I am not saying that maharaja isn't a great movie, just saying it isn't a masterclass of writing according to me.
@@DreaMagnifier the fact that a filmmaker forced one to watch it the 2nd time is a win in itself... often times we rate a movie saying its a one-time watch. IMHO if I had to watch a movie a 2nd time, I have respect for that film. Let's take Inception for example or Tenet even - one cannot understand all that in one sitting, but if you carefully look at their screenplay, they are amazing... I don't attempt making breakdowns of Nolan's movie because there is so much to uncover each time I watch it... So you can have it either subtile or convoluted - you can't have both.
Snake also symbolises anurag - as he said snake doesn't recognize its egg Snake(Anurag) enters Vjs house doesn't recognize jothi and gets away. Snake symbolism also relates to nallasivam is, only vjs catches the snake in police station, till that day no one in police station that a snake comes and goes to the police station, similar to nallasivam related to the police station as a informer as he frequently visites police station without getting caught.
But mostly matches with Nallasivam... Snake watch his house, then enters, didn do anything to VS, and finally it breaks the glass. Then VS wake up. That means his iinner anger... That same snake is hiding in police station.
I saw your video first time and subscribed imm. Not bcoz of iam movie buzz. Just for your english speaking, you did not use any more advance words english. I will try learn good english speaking by watching your videos. Thanks bro
Thanks you so much... I am bookmarking your user account. When I reach 1M subs, I will send you an extra thank from my side.... Thanks for the vote of confidence, and liking my content.
I tbink u got the dustbin point wrong.. the dustbin had to be at the hospital cos maharaja has complained that the dustbin is missing and he cant have it at home with cops hovering..yes he keeps it under the bed ..but that is cos its the safest
@@FilmyInfluencer u mentioned dustbin was kept under her bed cos of the attachment factor...that could be a reason..however the main reason was cos he had to show it was missing and the best place was the hospital...as he thot the police will not piece together the puzzle
Absolutely true, I love nonlinear screenplay especially when the end is amazing - which Maharaja delivered Thanks for watching the video and leaving a comment
@@FilmyInfluencer oh thanks but what I was trying to convey is the reason why people celebrate maharaja screenplay is because they glorified it with bgm and revealed it as a suspense and shock value but in super deluxe it was subtle. That's the reason super deluxe handled it better than maharaja
I am not comparing, there is an aspect of screenwriting which is common to both of them, but they are entirely different films. Everyone is entitled to an opinion, and IMHO, ANIMAL is among the MOST AMAZING MOVIES OF RECENT TIMES. When it comes to Filmmaking, it is a CINEMATIC MASTERPIECE.
04:02 - the snake is a metaphorical symbolism --- it can point to both Nallasivam, as we see a snake both in Maharaja's house and the police station, and it can also mean Jothi, as the snake tipped a glass before leaving the house, which woke up Maharaja
@@FilmyInfluencer or the irony that he is kind to the snake, and makes you guess what's next. Adds a dimension to the character, coz snakes definitely catch our attention on screen. Primal instinct.
@@FilmyInfluencertotally unnecessary...you call it metaphor..i call it shock and awe scene..to try create impact on the audience..huge sympathy for the daughter and the subsequent revenge by the dad works same way..instead of strong engaging screenplay..
@@wildearth281 bdw Shock and Awe is a part of screenplay writing... if a scene create a good shock and awe, the screenplay is applauded. Quentin Tarantino, Sandeep Reddy Vanga, SSR --- they all are masters of this technique.
@@FilmyInfluencer bro.generally we welcome an effort like this movie...my request to directors and scriptwriters are to invest more time in improvising and revising the screenplay...get others and assistant directors input rather than 1 man show...
Maharaja was a potential good movie. There are huge potholes. Many things dont add up and dont make sense. Its entertaining. Morally great and touching. But doesn't make sense.
@@FilmyInfluencerthe general story and general screenplay is good..however the screenplay makes the story less engaging right up to 3 quarters of the movie..Only the huge revelation at the end gives audience big goosebumps moment..and they call it good movie!...Unnnessary repeat rape scenes...u turn by seemingly corrupt police at the end was unexplained..when u lost ur wife and kid in an accident..i expected devastational emotion scenes for VJS..instead he quickly adopts another girl..these are just examples...when u create a non linear story it has to stir the interest of the audience..why..why ..whats going to happen next....instead...we have ' wtf is happening...its boringly moving withiout clear direction..Overall its not a bad movie..but certainly not an excellent one..
@@wildearth281 I recommend you watch the movie again because some of your questions are questioning the exact reasons why Maharaja is good. Let me pick just one point - u turn by seemingly corrupt police at the end was unexplained --- there is something called a calling, an honest calling that can arise when you see something terribly bad has happened. The Corrupt police were always after money, they never jeopardized someone's life. Now they see one of their own has assaulted a girl, a conscience grows in them. That U-turn is very well explained by the mere idea of a conscience grow. Non-linear storytelling can be a "slow burn" experience as well, it doesn't have to be a "shock and awe" at each corner... I watched it and noticed a puzzle, and the Whatsapp chat is when I understood that the case is not about Laxmi but Maharaja's daughter. I request you watch it again without any pre-conceived notions and expectations. Watch it as a puzzle solver, and you will see bread crumbs of hints thrown by the storyteller, the ones who catch it will enjoy the movie more. MAHARAJA is not for everyone!!!
I haven't seen Oldboy, and I don't intend to because I have seen Maharaja. I don't mind a remake or a copy if it connects with me... Frankly, Maharaja did, and I loved the screenplay.
Only the climax twist is Oldboy but maharaja doesn't depend on that one twist it keeps us guessing throughout the movie..the end twist comes as a revelation not like a revenge
It's neither copy nor remake. U should check ur iq then. Because of that father daughter relationship at the end it would have given the Oldboy effect.
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Maharaja is brilliant film
I watch this film in Netflix
Yeah I watched it on Netflix as well, couldn't catch it in the theaters - Thanks for watching the video and leaving a comment 👍
Skillfully written movie. Give this movie a screen writing national award.
It definitely deserves it... Thanks for watching the video and leaving a comment 👍
Don't stop keep doing bro your content really good 🎉
Glad you liked the content... I will continue bringing more videos like these... Stay tuned.
Thanks for watching the video, and leaving a comment.
@@FilmyInfluencer your video is very helpful
❤Thanks from Tamilnadu
your presentation is nice
😊and one question for you
Do you know why when nallasivam act infront of police how he "stole" lakshmi when police finaly reveal truth and ask Maharaja "what we do with nallasivam"
and why maharaja insist on "leave" him?
Glad you liked the video... To answer your question - Maharaja insists on leaving Nallasivam, because he can lead Maharaja to Selvam, and Jothi wanted to confront her assualters, because she knew that her father will kill them. So she insisted Maharaja leaves them, so she can at least talk to them, and let them know of what they have done.
If he want him punish, police will do action and put him in the bar. Maharaja wants to kill remaining 2 of them... like 1st one, he will kill Nallasivam and get 3rd one details. Before that he takes his daughter as she wish... Unfortunately Anurag was her real father, he shocked and leave him alive...
Your English spoken help me to improve my English language ❤❤
Wow... That's the best compliment I have heard all day... Thanks for watching the video and leaving a comment.
@@FilmyInfluencer can you give me tution english spoken without any fees plz 🙏🏻
@@AryanChauhan_2007edits my recommendation would be --- just watch my videos, and following the subtitles 🤟
@@FilmyInfluencer ok bro
Bro ur work is really good, you said what i felt after watching the maharaja ❤
Glad you liked it... Thanks a lot for the comment, appreciate it 🙂
I wanted to appreciate you man., Great work👏👏
Thanks for the support, it helps a lot.
Appreciate it 👍
Every one should watch this masterpiece ❤
👍 True
Climax scene is underated ❤❤
Yeah ... It was amazing.
Thanks for the comment.
the thing is, screenplay cheated the audience, not once but many times just to maintain suspence and give a twist
@@DreaMagnifierthat is what a strong gripping screenplay is... Full of red herrings, Hitchcock was a master at it... Glad to see that the style of screenwriting continues to work
@@FilmyInfluencer yup bro... But should be done in subtle way.
I like the hint of touching backside when we re-watch the movie. Also mobile phone video recordings match cut.
But it never hinted following things that they are lying us, that is when we say, cheating.
0- coincidences should not be tolerated in so called masterclass writing (specifically in 2nd and 3rd act) . It is lazy writing.
1- without any particular mentioning, the culprit policeman didn't came that day, the day maharaja came
2- cheating by saying lakshmi, although it doesn't fit at the end. 3-Case would be much easier if maharaja would have said a policeman from your side with small bump( cheated said ear instead) at back
4- they didn't provide any how the hell diamond was only left behind on shop
5- he was seen injured even before he fights with the first villain at same place ( beside ear). I know knees would by the way.
6- randomly main culprit accepts to give tin (i know till then they were knowing he is culprit).
(I am not complaining how they misdirected us through timeline, because it gets obvious when we watch second time)
Like in shutter island, when we rewatch, we see that how the hell we missed the cues it provided everytime.
Btw I am not saying that maharaja isn't a great movie, just saying it isn't a masterclass of writing according to me.
@@DreaMagnifier the fact that a filmmaker forced one to watch it the 2nd time is a win in itself... often times we rate a movie saying its a one-time watch. IMHO if I had to watch a movie a 2nd time, I have respect for that film. Let's take Inception for example or Tenet even - one cannot understand all that in one sitting, but if you carefully look at their screenplay, they are amazing... I don't attempt making breakdowns of Nolan's movie because there is so much to uncover each time I watch it...
So you can have it either subtile or convoluted - you can't have both.
Snake also symbolises anurag - as he said snake doesn't recognize its egg
Snake(Anurag) enters Vjs house doesn't recognize jothi and gets away.
Snake symbolism also relates to nallasivam is, only vjs catches the snake in police station, till that day no one in police station that a snake comes and goes to the police station, similar to nallasivam related to the police station as a informer as he frequently visites police station without getting caught.
Good observation... I got the Nallasivam resemblance, probably didn't think of the Anurag connection.
Thanks for sharing.
But mostly matches with Nallasivam... Snake watch his house, then enters, didn do anything to VS, and finally it breaks the glass. Then VS wake up. That means his iinner anger... That same snake is hiding in police station.
Very well made video, I liked the term "red herrings" and the reference to hitchcock :)
Glad you liked it! Stay tuned for more such videos.
Keep going bro, this is amazing storytelling 😮🎉
Thanks for watching the video and leaving a comment 🤠
I saw your video first time and subscribed imm. Not bcoz of iam movie buzz. Just for your english speaking, you did not use any more advance words english. I will try learn good english speaking by watching your videos. Thanks bro
Thanks a lot for watching the video and appreciating the content, will continue bringing videos like these.
Sir U deserve 1 million subscribers according to your Content delivery ❤
Thanks you so much... I am bookmarking your user account.
When I reach 1M subs, I will send you an extra thank from my side.... Thanks for the vote of confidence, and liking my content.
Nice content sir ❤
Thanks for watching the video, and leaving a comment
keep up with the good work.
Thanks for watching the video and leaving a comment 👍
Awesome 🎉🎉🎉🎉
Thanks for watching the video and leaving a comment 👍
Technically and in content it is a very strong movie.
Absolutely! The craftsmanship and storytelling really elevate the film to another level.
Thanks for watching the video, and leaving a comment.
I tbink u got the dustbin point wrong.. the dustbin had to be at the hospital cos maharaja has complained that the dustbin is missing and he cant have it at home with cops hovering..yes he keeps it under the bed ..but that is cos its the safest
Which part of the dustbin did I get wrong? I mentioned it being a red herring, a distraction...
@@FilmyInfluencer u mentioned dustbin was kept under her bed cos of the attachment factor...that could be a reason..however the main reason was cos he had to show it was missing and the best place was the hospital...as he thot the police will not piece together the puzzle
Maharaja Beleives, that dustbin will protect her. Thats why he kept under the bed. And other point is so right.
Good presentation
Glad you liked it... Thanks for watching the video and leaving a comment
The audience who watched Maharaja: the screenplay is awesome.
Kannadigas who have seen Tagaru: (In Barney Stinson tone) Please...
Absolutely true, I love nonlinear screenplay especially when the end is amazing - which Maharaja delivered
Thanks for watching the video and leaving a comment
Most Korean movies are based on revenge plot.
👍🙏
Super deluxe had similar screeplay and (execution ) was better than maharaja
Similar and better in the same sentence is a fallacy imo...
@@FilmyInfluencer oh thanks but what I was trying to convey is the reason why people celebrate maharaja screenplay is because they glorified it with bgm and revealed it as a suspense and shock value but in super deluxe it was subtle.
That's the reason super deluxe handled it better than maharaja
@@bluewaves1137subtle is good as well but for me personally, shock and awe works better, intrigue is interesting
Pls don't compare Animal and Maharaja 🤦 Animal is just a misogynist movie which hides in the name of father's emotions. 🤮🤮
I am not comparing, there is an aspect of screenwriting which is common to both of them, but they are entirely different films.
Everyone is entitled to an opinion, and IMHO, ANIMAL is among the MOST AMAZING MOVIES OF RECENT TIMES.
When it comes to Filmmaking, it is a CINEMATIC MASTERPIECE.
And why the snake ?
04:02 - the snake is a metaphorical symbolism --- it can point to both Nallasivam, as we see a snake both in Maharaja's house and the police station, and it can also mean Jothi, as the snake tipped a glass before leaving the house, which woke up Maharaja
@@FilmyInfluencer or the irony that he is kind to the snake, and makes you guess what's next. Adds a dimension to the character, coz snakes definitely catch our attention on screen. Primal instinct.
@@FilmyInfluencertotally unnecessary...you call it metaphor..i call it shock and awe scene..to try create impact on the audience..huge sympathy for the daughter and the subsequent revenge by the dad works same way..instead of strong engaging screenplay..
@@wildearth281 bdw Shock and Awe is a part of screenplay writing... if a scene create a good shock and awe, the screenplay is applauded.
Quentin Tarantino, Sandeep Reddy Vanga, SSR --- they all are masters of this technique.
@@FilmyInfluencer bro.generally we welcome an effort like this movie...my request to directors and scriptwriters are to invest more time in improvising and revising the screenplay...get others and assistant directors input rather than 1 man show...
Good screenwriting and Vanga are polar opposites lmao
Constructive critics and Trollers (e.g.Poor judges of Cinema) are Polar Opposites.
@@FilmyInfluencerso called youtubers constructive critics (nalle in disguise) and actual critics are polar opposites
Felt the screenplay was hard
.
Hard but I believe hard in a good way hopefully
This film is hugely inspired from OLDBOY
Okay... I will try watching the original as well.
Thanks for the comment.
I dont think so. Only the climax portion has slight resemblance nothing more than that
Seriously? I dont see any resemblance. Just father daughter weirdness.
Have u watched the OLDBOY😂😂 The movie is totally different 🤦🤦
Villan takes the revenge and the reasons are different. The extent the Oldboy movie goes is totally different.
Maharaja was a potential good movie. There are huge potholes. Many things dont add up and dont make sense. Its entertaining. Morally great and touching. But doesn't make sense.
Can you share the "huge potholes" and "thanks that don't make sense"?
May be I can try clarifying them, and in turn learn in the process.
@@FilmyInfluencerthe general story and general screenplay is good..however the screenplay makes the story less engaging right up to 3 quarters of the movie..Only the huge revelation at the end gives audience big goosebumps moment..and they call it good movie!...Unnnessary repeat rape scenes...u turn by seemingly corrupt police at the end was unexplained..when u lost ur wife and kid in an accident..i expected devastational emotion scenes for VJS..instead he quickly adopts another girl..these are just examples...when u create a non linear story it has to stir the interest of the audience..why..why ..whats going to happen next....instead...we have ' wtf is happening...its boringly moving withiout clear direction..Overall its not a bad movie..but certainly not an excellent one..
@@wildearth281 I recommend you watch the movie again because some of your questions are questioning the exact reasons why Maharaja is good.
Let me pick just one point - u turn by seemingly corrupt police at the end was unexplained --- there is something called a calling, an honest calling that can arise when you see something terribly bad has happened. The Corrupt police were always after money, they never jeopardized someone's life. Now they see one of their own has assaulted a girl, a conscience grows in them. That U-turn is very well explained by the mere idea of a conscience grow.
Non-linear storytelling can be a "slow burn" experience as well, it doesn't have to be a "shock and awe" at each corner... I watched it and noticed a puzzle, and the Whatsapp chat is when I understood that the case is not about Laxmi but Maharaja's daughter.
I request you watch it again without any pre-conceived notions and expectations. Watch it as a puzzle solver, and you will see bread crumbs of hints thrown by the storyteller, the ones who catch it will enjoy the movie more.
MAHARAJA is not for everyone!!!
I am sorry ,you don’t have the ingenuity to appreciate these kind of movies. Superhero movies make lasting impression on you.
@@wildearth281 exactly
Maharaja is reverse Xerox copy of Oldboy. There is nothing credits given to makers as it is unofficial remake/copy movie.
I haven't seen Oldboy, and I don't intend to because I have seen Maharaja.
I don't mind a remake or a copy if it connects with me... Frankly, Maharaja did, and I loved the screenplay.
Only the climax twist is Oldboy but maharaja doesn't depend on that one twist it keeps us guessing throughout the movie..the end twist comes as a revelation not like a revenge
It's neither copy nor remake. U should check ur iq then. Because of that father daughter relationship at the end it would have given the Oldboy effect.
In an interview he said he inspired from Oldboy
It isn’t a exact Xerox copy but certainly took inspiration and made according to Indian sensibility